Praise | Christine Caine and Lisa Harper | August 12, 2019 | TBN

Praise | Christine Caine and Lisa Harper | August 12, 2019

Watch Praise | Christine Caine and Lisa Harper | August 12, 2019
August 12, 2019
57:34

Christine Caine hosts Propel Conference with Lisa Harper and music by Kari Jobe

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Praise | Christine Caine and Lisa Harper | August 12, 2019

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  • - CHRISTINE CAINE: HEY, I'M
  • 00:00:00.000 --> 00:00:01.130
  • CHRIS CAINE, AND I AM SO EXCITED
  • 00:00:01.130 --> 00:00:02.080
  • THAT WE'RE BRINGING PROPEL WOMEN
  • 00:00:02.080 --> 00:00:03.000
  • TO YOU TONIGHT, RIGHT HERE FROM
  • 00:00:03.000 --> 00:00:04.170
  • CROSS CHURCH IN ARKANSAS.
  • 00:00:04.170 --> 00:00:06.240
  • I KNOW THAT GOD HAS A WORD
  • 00:00:06.240 --> 00:00:08.180
  • SO I WANT YOU TO GET READY, OPEN
  • 00:00:11.030 --> 00:00:11.250
  • YOUR HEART, AND BE PREPARED TO
  • 00:00:11.250 --> 00:00:12.160
  • - MALE ANNOUNCER: TONIGHT ON
  • 00:00:22.190 --> 00:00:23.100
  • "PRAISE" FROM FAYETTEVILLE,
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  • ARKANSAS,
  • 00:00:24.100 --> 00:00:25.220
  • CHRISTINE CAINE,
  • 00:00:25.220 --> 00:00:26.230
  • LISA HARPER,
  • 00:00:26.270 --> 00:00:29.270
  • [CHEERS]
  • 00:00:37.270 --> 00:00:38.220
  • - CHRISTINE: IN THE LAST FEW
  • 00:00:38.220 --> 00:00:39.130
  • YEARS, I'VE SPENT SO MUCH TIME
  • 00:00:39.130 --> 00:00:40.040
  • WITH WOMEN THAT ARE INVOLVED IN
  • 00:00:40.040 --> 00:00:41.210
  • AND ESPECIALLY THROUGH THE
  • 00:00:44.110 --> 00:00:45.140
  • EXPLOSION OF THE A21 CAMPAIGN,
  • 00:00:45.140 --> 00:00:46.050
  • I'VE BEEN WITH GIRLS IN
  • 00:00:46.050 --> 00:00:47.000
  • GOVERNMENT AND IN LAW, AND JUST
  • 00:00:47.000 --> 00:00:48.260
  • ACROSS SO MANY DIFFERENT AREAS
  • 00:00:48.260 --> 00:00:50.220
  • IN SECULAR SOCIETY, AND I
  • 00:00:50.220 --> 00:00:53.010
  • REALIZE THAT THERE IS JUST SUCH
  • 00:00:53.010 --> 00:00:54.130
  • A GAP AND SUCH AN ABSENCE
  • 00:00:54.130 --> 00:00:55.200
  • THESE ARE WOMEN ON THE
  • 00:00:58.050 --> 00:00:58.220
  • FRONTLINES.
  • 00:00:58.220 --> 00:01:00.050
  • THEY ARE FACE-TO-FACE ON THE
  • 00:01:00.050 --> 00:01:01.070
  • COLD FRONT WITH PEOPLE WHO NEED
  • 00:01:01.070 --> 00:01:03.060
  • TO KNOW JESUS, YET THEY NEED
  • 00:01:03.060 --> 00:01:04.120
  • ENCOURAGEMENT THEMSELVES.
  • 00:01:04.120 --> 00:01:05.020
  • HOW DO YOU COPE WITH THE
  • 00:01:05.020 --> 00:01:06.030
  • BOMBARDMENT OF JUST, KIND OF,
  • 00:01:06.030 --> 00:01:07.200
  • LIVING IN A REAL WORLD, AND HOW
  • 00:01:07.200 --> 00:01:08.170
  • DO YOU BRING A LIVING JESUS TO A
  • 00:01:08.170 --> 00:01:10.070
  • DYING WORLD?
  • 00:01:10.070 --> 00:01:11.120
  • HOW DO YOU NAVIGATE, IF YOU'RE
  • 00:01:11.120 --> 00:01:13.170
  • MARRIED, BEING A WIFE, BEING A
  • 00:01:13.170 --> 00:01:14.160
  • MOTHER, AND KIND OF BEING
  • 00:01:14.160 --> 00:01:16.040
  • FULL-TIME AT WORK, AND IF YOU'RE
  • 00:01:16.040 --> 00:01:17.220
  • SINGLE, HOW DO YOU NAVIGATE
  • 00:01:17.220 --> 00:01:19.130
  • BEING SINGLE IN THE CRAZY WORLD
  • 00:01:19.130 --> 00:01:20.250
  • THAT IS OUT THERE?
  • 00:01:20.250 --> 00:01:22.010
  • WELL, I THOUGHT, "YOU KNOW WHAT?
  • 00:01:22.010 --> 00:01:23.130
  • I SEE THAT GAP, AND I'VE GOT A
  • 00:01:23.130 --> 00:01:24.220
  • WHOLE BUNCH OF FRIENDS THAT ARE
  • 00:01:24.220 --> 00:01:26.070
  • INVOLVED THERE.
  • 00:01:26.070 --> 00:01:27.020
  • PERHAPS WE CAN HELP EACH OTHER,
  • 00:01:27.020 --> 00:01:28.170
  • SISTER TO SISTER, AND WE CAN
  • 00:01:28.170 --> 00:01:29.170
  • PROVIDE RESOURCES AND
  • 00:01:29.170 --> 00:01:30.120
  • ENCOURAGEMENT AND STRENGTH TO
  • 00:01:30.120 --> 00:01:32.150
  • NOT ONLY HELP ACTIVATE THE
  • 00:01:32.150 --> 00:01:33.290
  • POTENTIAL IN PEOPLE, BUT ALSO TO
  • 00:01:33.290 --> 00:01:35.080
  • RESOURCE THOSE THAT ARE ON THE
  • 00:01:35.080 --> 00:01:37.060
  • FRONTLINES TO BE MORE EFFECTIVE
  • 00:01:37.060 --> 00:01:38.200
  • AMBASSADORS FOR CHRIST
  • 00:01:38.200 --> 00:01:40.140
  • IN THE WORLD."
  • 00:01:40.210 --> 00:01:43.210
  • - FEMALE: AT PROPEL, WE BELIEVE
  • 00:01:43.210 --> 00:01:44.130
  • IN THE PASSION, PURPOSE, AND
  • 00:01:44.130 --> 00:01:45.280
  • POTENTIAL OF EVERY WOMAN,
  • 00:01:45.280 --> 00:01:46.230
  • WHATEVER HER SPHERE OF LIFE IS,
  • 00:01:46.230 --> 00:01:48.150
  • WHETHER IT'S MEDICINE, SCIENCE,
  • 00:01:48.150 --> 00:01:49.250
  • TECHNOLOGY OR LAW,
  • 00:01:49.250 --> 00:01:52.030
  • ENTERTAINMENT, SPORTS, BUSINESS
  • 00:01:52.030 --> 00:01:53.230
  • OR MINISTRY.
  • 00:01:53.230 --> 00:01:54.180
  • WHEREVER SHE IS, SHE SEES IT AS
  • 00:01:54.180 --> 00:01:56.000
  • HER GOD-GIVEN OPPORTUNITY TO
  • 00:01:56.000 --> 00:01:57.270
  • BRING LEADERSHIP AND DIRECTION
  • 00:01:57.270 --> 00:01:59.210
  • TO THAT PLACE.
  • 00:01:59.210 --> 00:02:01.040
  • WE BELIEVE THAT PROPEL IS FOR
  • 00:02:01.040 --> 00:02:02.000
  • YOU, AND YOU ARE A PROPEL WOMAN,
  • 00:02:02.000 --> 00:02:03.160
  • READY AND WILLING TO THRIVE IN
  • 00:02:03.160 --> 00:02:05.150
  • EVERY AREA OF LIFE.
  • 00:02:05.150 --> 00:02:06.110
  • I AM NOT ALONE
  • 00:02:19.110 --> 00:02:21.240
  • I AM NOT ALONE
  • 00:02:21.240 --> 00:02:24.190
  • YOU WILL GO BEFORE ME
  • 00:02:25.200 --> 00:02:28.200
  • YOU WILL NEVER LEAVE ME
  • 00:02:31.130 --> 00:02:34.130
  • I AM NOT ALONE
  • 00:02:34.130 --> 00:02:36.250
  • I AM NOT ALONE
  • 00:02:37.280 --> 00:02:40.280
  • YOU WILL GO BEFORE ME
  • 00:02:40.280 --> 00:02:43.220
  • WHEN I WALK THROUGH
  • 00:02:55.000 --> 00:02:56.080
  • DEEP WATERS,
  • 00:02:59.040 --> 00:03:02.060
  • I KNOW THAT YOU WILL BE
  • 00:03:02.060 --> 00:03:02.260
  • WITH ME
  • 00:03:03.250 --> 00:03:06.250
  • WHEN I'M STANDING IN THE FIR,
  • 00:03:07.020 --> 00:03:10.020
  • I WILL NOT BE OVERCOME, MM
  • 00:03:17.100 --> 00:03:20.100
  • THROUGH THE VALLEY OF
  • 00:03:26.170 --> 00:03:29.170
  • THE SHADOW--
  • 00:03:29.170 --> 00:03:30.160
  • OH, AND I WILL NOT FEAR
  • 00:03:33.000 --> 00:03:34.160
  • I AM NOT ALONE
  • 00:03:34.160 --> 00:03:37.030
  • I AM NOT ALONE
  • 00:03:38.180 --> 00:03:41.180
  • YOU WILL NEVER LEAVE ME
  • 00:03:47.120 --> 00:03:48.180
  • I AM NOT ALONE
  • 00:03:48.180 --> 00:03:51.050
  • I AM NOT ALONE
  • 00:03:52.010 --> 00:03:55.010
  • YOU WILL GO BEFORE ME
  • 00:03:56.080 --> 00:03:59.080
  • OH, IN THE MIDST OF DEEP
  • 00:04:07.070 --> 00:04:08.180
  • SORROW,
  • 00:04:11.260 --> 00:04:14.260
  • I SEE YOUR LIGHT IS BREAKING
  • 00:04:14.260 --> 00:04:16.050
  • THROUGH
  • 00:04:19.240 --> 00:04:22.240
  • THE DARK OF NIGHT WILL NOT
  • 00:04:22.240 --> 00:04:24.010
  • OVERTAKE ME
  • 00:04:25.120 --> 00:04:28.120
  • I AM PRESSING INTO YOU, JESUS
  • 00:04:33.200 --> 00:04:36.200
  • 'CAUSE, LORD, YOU FIGHT MY
  • 00:04:36.200 --> 00:04:38.290
  • EVERY BATTLE
  • 00:04:40.130 --> 00:04:43.130
  • OH, AND I WILL NOT FEAR
  • 00:04:45.240 --> 00:04:48.240
  • I AM NOT ALONE
  • 00:04:48.260 --> 00:04:51.260
  • I AM NOT ALONE
  • 00:04:52.140 --> 00:04:55.140
  • YOU WILL GO BEFORE ME
  • 00:04:55.140 --> 00:04:58.110
  • YOU WILL NEVER LEAVE ME
  • 00:04:58.260 --> 00:05:01.280
  • I AM NOT ALONE
  • 00:05:02.020 --> 00:05:05.020
  • I AM NOT ALONE
  • 00:05:06.110 --> 00:05:09.110
  • YOU WILL GO BEFORE ME
  • 00:05:10.080 --> 00:05:13.080
  • YOU WILL NEVER LEAVE ME
  • 00:05:15.140 --> 00:05:18.140
  • OH, YOU AMAZE ME, REDEEM ME
  • 00:05:18.140 --> 00:05:21.090
  • YOU CALL ME AS YOUR OWN
  • 00:05:21.270 --> 00:05:24.270
  • YOU AMAZE ME, REDEEM ME
  • 00:05:25.070 --> 00:05:28.070
  • YOU CALL ME AS YOUR OWN
  • 00:05:29.090 --> 00:05:32.090
  • YOU AMAZE ME, REDEEM ME
  • 00:05:32.130 --> 00:05:35.130
  • YOU CALL ME AS YOUR OWN
  • 00:05:35.260 --> 00:05:38.260
  • OH, YOU AMAZE ME, REDEEM ME
  • 00:05:39.100 --> 00:05:42.100
  • YOU CALL ME AS YOUR OWN
  • 00:05:43.070 --> 00:05:46.070
  • YOU AMAZE ME, REDEEM ME
  • 00:05:46.120 --> 00:05:49.120
  • YOU CALL ME AS YOUR OWN
  • 00:05:49.150 --> 00:05:52.150
  • YOU AMAZE ME--
  • 00:05:52.150 --> 00:05:55.150
  • - KARI: COME ON, DECLARE IT
  • 00:05:55.150 --> 00:05:56.120
  • OH, YEAH, YOU AMAZE ME, REDEM
  • 00:06:01.130 --> 00:06:02.070
  • ME
  • 00:06:02.070 --> 00:06:02.250
  • YOU CALL ME AS YOUR OWN
  • 00:06:03.180 --> 00:06:06.180
  • YOU CALL ME AS YOUR OWN
  • 00:06:14.090 --> 00:06:17.090
  • I AM NOT ALONE
  • 00:06:17.090 --> 00:06:19.150
  • I AM NOT ALONE
  • 00:06:19.180 --> 00:06:22.180
  • YOU WILL GO BEFORE ME
  • 00:06:23.160 --> 00:06:26.160
  • YOU WILL NEVER LEAVE ME
  • 00:06:27.230 --> 00:06:30.230
  • I AM NOT ALONE
  • 00:06:31.240 --> 00:06:34.240
  • I AM NOT ALONE
  • 00:06:35.100 --> 00:06:38.100
  • YOU WILL GO BEFORE ME
  • 00:06:38.100 --> 00:06:40.250
  • YOU WILL NEVER LEAVE ME
  • 00:06:40.250 --> 00:06:43.230
  • I AM NOT ALONE
  • 00:06:43.230 --> 00:06:46.120
  • I AM NOT ALONE
  • 00:06:48.220 --> 00:06:51.220
  • YOU WILL GO BEFORE ME
  • 00:06:52.290 --> 00:06:55.290
  • YOU WILL NEVER LEAVE ME
  • 00:06:56.020 --> 00:06:59.020
  • I AM NOT ALONE
  • 00:06:59.210 --> 00:07:02.230
  • I AM NOT ALONE
  • 00:07:02.290 --> 00:07:05.290
  • YOU WILL GO BEFORE ME
  • 00:07:07.190 --> 00:07:10.190
  • OH, OH-OH
  • 00:07:20.110 --> 00:07:21.140
  • OH, OH-OH
  • 00:07:21.140 --> 00:07:23.060
  • OH, OH-OH
  • 00:07:23.060 --> 00:07:25.220
  • - CHRISTINE: OKAY, HERE I AM
  • 00:07:30.070 --> 00:07:32.100
  • WITH MY SISTER WHO HAS-- IS THE
  • 00:07:32.100 --> 00:07:33.110
  • MOTHER OF MY FAVORITE NIECE ON
  • 00:07:33.110 --> 00:07:34.180
  • PLANET EARTH.
  • 00:07:34.180 --> 00:07:35.050
  • - LISA: BUT WE'RE NOT GONNA
  • 00:07:35.050 --> 00:07:36.180
  • - CHRISTINE: NO, WE'RE NOT
  • 00:07:39.050 --> 00:07:40.080
  • GONNA TELL ANY OTHER NIECES.
  • 00:07:40.080 --> 00:07:41.180
  • AND, LISA, I KNOW I'M SUPPOSED
  • 00:07:41.180 --> 00:07:42.090
  • TO BE TALKIN' ABOUT YOU.
  • 00:07:42.090 --> 00:07:43.110
  • DOES IT ALWAYS HAPPEN THAT WE
  • 00:07:43.110 --> 00:07:44.270
  • END UP TALKING ABOUT MISSY?
  • 00:07:44.270 --> 00:07:45.170
  • WHEREVER YOU GO, IT'S LIKE
  • 00:07:45.170 --> 00:07:46.060
  • YOU'RE "MISSY'S MOTHER."
  • 00:07:46.060 --> 00:07:46.280
  • - LISA: I WOULD RATHER-- EXCEPT
  • 00:07:46.280 --> 00:07:47.240
  • FOR JESUS, THERE'S NOBODY ELSE
  • 00:07:47.240 --> 00:07:48.180
  • I'D RATHER TALK ABOUT THAN MY
  • 00:07:48.180 --> 00:07:49.090
  • KID, WHO DOES ADORE YOU.
  • 00:07:49.090 --> 00:07:51.180
  • I'VE GOTTA SEND YOU A VIDEO OF
  • 00:07:51.180 --> 00:07:53.120
  • THE LAST TIME Y'ALL WERE
  • 00:07:53.120 --> 00:07:54.120
  • TOGETHER WORSHIPING.
  • 00:07:54.120 --> 00:07:55.180
  • YOU HAVE YOUR HANDS RAISED
  • 00:07:55.180 --> 00:07:56.290
  • AND YOU DIDN'T EVEN NOTICE:
  • 00:07:59.090 --> 00:08:00.130
  • SHE'S BESIDE YOU, BUT I WATCHED
  • 00:08:00.130 --> 00:08:02.130
  • HER STAND BACK, AND SHE GOES
  • 00:08:02.130 --> 00:08:03.030
  • LIKE THIS--
  • 00:08:03.030 --> 00:08:03.190
  • [LAUGHTER]
  • 00:08:03.190 --> 00:08:04.250
  • - CHRISTINE: LIKE SHE'S
  • 00:08:04.250 --> 00:08:05.130
  • WATCHING WHAT I'M DOING?
  • 00:08:05.130 --> 00:08:06.010
  • [LAUGHTER]
  • 00:08:06.010 --> 00:08:06.120
  • - LISA: YOU KNOW, SO MUCH OF
  • 00:08:06.120 --> 00:08:07.030
  • WHAT WE DO, IT IS--
  • 00:08:07.030 --> 00:08:07.250
  • - CHRISTINE: I LOVE THAT.
  • 00:08:07.250 --> 00:08:09.010
  • - LISA: -- IT'S CAUGHT, NOT
  • 00:08:09.010 --> 00:08:09.270
  • TAUGHT, AND I THOUGHT, "MY BABY
  • 00:08:09.270 --> 00:08:10.220
  • JUST EMULATES HER AUNT CHRIS,
  • 00:08:10.220 --> 00:08:13.010
  • AND I'M ALL ABOUT THAT."
  • 00:08:13.010 --> 00:08:13.190
  • - CHRISTINE: THAT'S A GOOD
  • 00:08:13.190 --> 00:08:14.260
  • REASON TO COME TO PROPEL, RIGHT
  • 00:08:14.260 --> 00:08:16.030
  • THERE, ONE GENERATION TEACHING
  • 00:08:16.030 --> 00:08:16.240
  • ANOTHER ONE.
  • 00:08:16.240 --> 00:08:17.060
  • - LISA: THAT'S MY MAIN REASON,
  • 00:08:17.060 --> 00:08:17.280
  • ONE OF 'EM.
  • 00:08:17.280 --> 00:08:18.100
  • - CHRISTINE: SO YOU'RE VERY
  • 00:08:18.100 --> 00:08:19.010
  • MUCH MY WINGMAN THAT'S-- NO
  • 00:08:19.010 --> 00:08:21.060
  • DOUBT, WE'VE BEEN IN THIS SINCE
  • 00:08:21.060 --> 00:08:22.220
  • DAY ONE, AND YOU CARRY THIS AS
  • 00:08:22.220 --> 00:08:24.280
  • MUCH AS I DO, REALLY, IN, YOU
  • 00:08:25.000 --> 00:08:28.000
  • KNOW, YOU AND I TALKING DAILY
  • 00:08:28.000 --> 00:08:29.230
  • ABOUT IT, SO WHY DO YOU LOVE IT?
  • 00:08:29.230 --> 00:08:31.080
  • WHY DO YOU LOVE PROPEL?
  • 00:08:31.080 --> 00:08:31.260
  • - LISA: FIRST, YOU.
  • 00:08:32.070 --> 00:08:35.070
  • I MEAN, YOU REALLY ARE FAMILY
  • 00:08:35.070 --> 00:08:36.120
  • TO US.
  • 00:08:36.120 --> 00:08:37.120
  • I THINK GOD HAS WOVEN
  • 00:08:37.120 --> 00:08:38.050
  • US TOGETHER.
  • 00:08:38.050 --> 00:08:39.060
  • I SO BELIEVE IN WHAT GOD HAS PUT
  • 00:08:40.030 --> 00:08:43.030
  • ON YOUR LIFE, THE VISION HE HAS
  • 00:08:43.030 --> 00:08:44.070
  • IN YOU, BUT I'LL TELL YA REAL
  • 00:08:44.070 --> 00:08:44.280
  • STRAIGHTFORWARD: BACK BEFORE I
  • 00:08:44.280 --> 00:08:45.190
  • KNEW YOU AS WELL AS I DO NOW, I
  • 00:08:45.190 --> 00:08:46.200
  • THOUGHT, "GOODNESS GRACIOUS, I
  • 00:08:46.280 --> 00:08:49.280
  • LOVE THAT WOMAN BECAUSE SHE'S
  • 00:08:49.280 --> 00:08:51.090
  • FUN, BUT SHE DOESN'T PLAY."
  • 00:08:51.140 --> 00:08:54.140
  • SO YOU ARE ONE OF THE
  • 00:08:54.140 --> 00:08:55.190
  • MOST GENUINE PEOPLE I'VE
  • 00:08:55.190 --> 00:08:56.070
  • EVER MET IN MY WHOLE LIFE,
  • 00:08:56.070 --> 00:08:56.260
  • BUT YOU'RE NOT GONNA PLAY
  • 00:08:56.260 --> 00:08:58.050
  • WHEN IT COMES TO THE GOSPEL,
  • 00:08:58.050 --> 00:08:59.040
  • AND I'VE BEEN TO SO MANY
  • 00:08:59.040 --> 00:09:01.060
  • WOMEN'S EVENTS WHERE I FEEL LIKE
  • 00:09:01.060 --> 00:09:03.030
  • I LEAVE, AND I KNOW ABOUT WHAT
  • 00:09:03.030 --> 00:09:04.140
  • COLORS FLATTER MY SKIN TONE AND
  • 00:09:04.140 --> 00:09:06.190
  • HOW TO SET MY TABLE, BUT I'M
  • 00:09:06.190 --> 00:09:07.240
  • LIKE,
  • 00:09:07.240 --> 00:09:08.050
  • "COULD YOU GIVE ME SOME
  • 00:09:08.050 --> 00:09:08.230
  • HELP ABOUT JESUS?"
  • 00:09:08.230 --> 00:09:09.280
  • AND I THOUGHT, "WE'LL HAVE FUN.
  • 00:09:09.280 --> 00:09:11.230
  • WE'LL HAVE A BLAST 'CAUSE SHE
  • 00:09:11.230 --> 00:09:12.270
  • DOESN'T PLAY," AND I THOUGHT,
  • 00:09:12.270 --> 00:09:14.230
  • "IT'S GONNA BE ABOUT JESUS.
  • 00:09:14.230 --> 00:09:15.200
  • IT'S GONNA BE ABOUT THE
  • 00:09:15.200 --> 00:09:16.200
  • AUTHORITY OF GOD'S WORD,"
  • 00:09:16.200 --> 00:09:17.090
  • AND I'M AT THAT PLACE
  • 00:09:17.090 --> 00:09:18.170
  • WHERE I JUST--
  • 00:09:18.170 --> 00:09:19.180
  • I DON'T WANNA LEAVE MY KID IN MY
  • 00:09:19.180 --> 00:09:22.040
  • HOME UNLESS IT'S REALLY ABOUT
  • 00:09:22.040 --> 00:09:22.250
  • THE GOSPEL.
  • 00:09:22.250 --> 00:09:24.220
  • I DON'T NEED ANOTHER ESTROGEN
  • 00:09:24.220 --> 00:09:25.130
  • FESTIVAL, YOU KNOW?
  • 00:09:25.130 --> 00:09:26.260
  • I WANT IT TO BE REVIVAL, AND I
  • 00:09:26.260 --> 00:09:28.280
  • KNEW THAT'S WHAT WOULD FOLLOW
  • 00:09:28.280 --> 00:09:29.200
  • YOU.
  • 00:09:29.200 --> 00:09:30.040
  • - CHRISTINE: DID YOU JUST SAY
  • 00:09:30.040 --> 00:09:31.160
  • "EEESTROGEN"?
  • 00:09:31.160 --> 00:09:32.140
  • - LISA: WELL, I SAID,
  • 00:09:32.140 --> 00:09:33.010
  • "ESTROGEN."
  • 00:09:33.010 --> 00:09:33.180
  • - CHRISTINE: I DIDN'T
  • 00:09:33.180 --> 00:09:34.050
  • UNDERSTAND.
  • 00:09:34.050 --> 00:09:34.170
  • [LAUGHTER]
  • 00:09:34.170 --> 00:09:35.030
  • - LISA: THAT'S WHAT'S SAID IN
  • 00:09:35.030 --> 00:09:35.240
  • AMERICA.
  • 00:09:35.240 --> 00:09:36.040
  • [LAUGHTER]
  • 00:09:36.040 --> 00:09:36.170
  • - CHRISTINE: ALL RIGHT.
  • 00:09:36.170 --> 00:09:37.050
  • - LISA: EEESTROGEN, ESTROGEN.
  • 00:09:37.050 --> 00:09:38.130
  • - CHRISTINE: TELL ME A BIT.
  • 00:09:38.130 --> 00:09:39.150
  • YOU'RE KICKING OFF TONIGHT, SO
  • 00:09:39.150 --> 00:09:41.080
  • TELL ME ABOUT WHAT IT IS YOU'RE
  • 00:09:41.080 --> 00:09:44.000
  • GONNA SHARE.
  • 00:09:44.000 --> 00:09:45.070
  • - LISA: WELL, I'M EXCITED.
  • 00:09:45.070 --> 00:09:45.270
  • IT'S A NEW MESSAGE, SO IT MIGHT
  • 00:09:45.270 --> 00:09:46.190
  • BUT I'M SO EXCITED ABOUT IT.
  • 00:09:48.140 --> 00:09:49.060
  • I'VE BEEN JUST STUDYING THE
  • 00:09:49.060 --> 00:09:50.230
  • HEBREWS, AND, YOU KNOW, THEY'RE
  • 00:09:50.230 --> 00:09:53.000
  • SO MUCH LIKE US 'CAUSE THEY'RE
  • 00:09:53.000 --> 00:09:53.210
  • LIVIN' IN THIS CULTURE, THIS
  • 00:09:53.210 --> 00:09:54.110
  • PEOPLE GROUP IN THE
  • 00:09:54.110 --> 00:09:54.270
  • NEW TESTAMENT.
  • 00:09:54.270 --> 00:09:57.020
  • THEY'RE LIVIN' IN A CULTURE THAT
  • 00:09:57.020 --> 00:09:57.240
  • WAS RELIGIOUS, BUT THEY SAID IT
  • 00:09:57.240 --> 00:09:59.070
  • "SO IT'S FINE FOR YOU TO BE
  • 00:10:02.290 --> 00:10:03.190
  • RELIGIOUS, JUST DON'T TELL US
  • 00:10:03.190 --> 00:10:04.140
  • THAT JESUS IS THE ONLY WAY."
  • 00:10:04.140 --> 00:10:06.290
  • SO THEY WERE REALLY STRUGGLIN',
  • 00:10:06.290 --> 00:10:07.230
  • AND I THOUGHT,
  • 00:10:07.230 --> 00:10:09.080
  • "BOY, DOESN'T THAT SOUND LIKE
  • 00:10:09.080 --> 00:10:09.290
  • MODERNITY?
  • 00:10:10.070 --> 00:10:13.070
  • "IT'S OKAY FOR YOU TO TALK ABOUT
  • 00:10:13.070 --> 00:10:13.290
  • THE DIVINE.
  • 00:10:13.290 --> 00:10:16.070
  • JUST DON'T TELL ME THAT THE
  • 00:10:16.070 --> 00:10:17.000
  • DIVINE IS NARROW OR HAS
  • 00:10:17.000 --> 00:10:18.050
  • DIRECTIVES."
  • 00:10:18.050 --> 00:10:18.210
  • AND SO THEIR PASTOR COMES IN,
  • 00:10:18.210 --> 00:10:20.110
  • AND HE SAYS, "LET ME TELL YOU
  • 00:10:20.110 --> 00:10:21.160
  • TWO HOOKS TO HANG ONTO SO THAT
  • 00:10:21.160 --> 00:10:22.220
  • YOU WON'T GROW WEARY IN DOIN'
  • 00:10:22.220 --> 00:10:25.150
  • GOOD, SO THAT YOU WON'T RUN
  • 00:10:25.150 --> 00:10:26.100
  • OUT OF SPIRITUAL FUEL."
  • 00:10:26.100 --> 00:10:27.110
  • HE SAYS, "JESUS IS SUPREME, SO
  • 00:10:27.110 --> 00:10:28.270
  • THERE'S NO OTHER GOD.
  • 00:10:28.270 --> 00:10:30.210
  • HE IS THE ONE TRUE GOD.
  • 00:10:30.210 --> 00:10:31.280
  • HE IS THE WAY WE'RE RECONCILED
  • 00:10:31.280 --> 00:10:33.040
  • TO GOD THE FATHER."
  • 00:10:33.040 --> 00:10:34.000
  • AND THEN HE SAYS,
  • 00:10:34.000 --> 00:10:34.290
  • "AND HE'S ACCESSIBLE."
  • 00:10:34.290 --> 00:10:36.150
  • - CHRISTINE: BEAUTIFUL.
  • 00:10:36.150 --> 00:10:37.190
  • - LISA: AND I THINK THAT
  • 00:10:37.190 --> 00:10:38.080
  • MIRACULOUS JUXTAPOSITION THAT WE
  • 00:10:38.080 --> 00:10:39.150
  • HAVE BUT ONE TRUE HOLY GOD WHO
  • 00:10:39.150 --> 00:10:42.130
  • ALLOWS US TO LEAN INTO HIM, SO
  • 00:10:42.160 --> 00:10:45.160
  • HE'S KING, AND HE ALLOWS US TO
  • 00:10:45.160 --> 00:10:47.270
  • COME NEAR, SO THAT'S WHAT I'M
  • 00:10:47.270 --> 00:10:49.020
  • TALKIN' ABOUT.
  • 00:10:49.020 --> 00:10:49.290
  • - CHRISTINE: I CANNOT WAIT.
  • 00:10:49.290 --> 00:10:51.030
  • SO YOU'RE BASICALLY GONNA SAY
  • 00:10:51.030 --> 00:10:52.120
  • THERE'S ONE TRUE GOD, AND IT'S
  • 00:10:52.120 --> 00:10:53.180
  • NOT US.
  • 00:10:53.180 --> 00:10:54.070
  • - LISA: I KNOW, I KNOW--
  • 00:10:54.070 --> 00:10:55.010
  • SHOCKER.
  • 00:10:55.010 --> 00:10:56.210
  • [LAUGHTER]
  • 00:10:56.210 --> 00:10:57.050
  • - CHRISTINE: I CANNOT WAIT.
  • 00:10:57.050 --> 00:10:57.250
  • - LISA: OR DARK CHOCOLATE
  • 00:10:57.250 --> 00:10:58.140
  • OR CAFFEINE.
  • 00:10:58.140 --> 00:10:58.260
  • [LAUGHTER]
  • 00:10:58.260 --> 00:10:59.070
  • YES, YEAH, AND I'M EXCITED.
  • 00:10:59.070 --> 00:11:01.030
  • I DON'T THINK WE SAY ENOUGH THAT
  • 00:11:01.030 --> 00:11:02.220
  • JESUS IS THE ONLY WAY TO BE
  • 00:11:03.130 --> 00:11:06.130
  • RECONCILED TO GOD THE FATHER.
  • 00:11:06.130 --> 00:11:07.290
  • A LOT OF PEOPLE TALK ABOUT
  • 00:11:07.290 --> 00:11:09.060
  • "LITTLE G" GODS, BUT I'M LIKE,
  • 00:11:09.060 --> 00:11:10.140
  • "LET'S ABOUT THE ONE TRUE GOD."
  • 00:11:10.140 --> 00:11:11.280
  • - CHRISTINE: HELLO, I CANNOT
  • 00:11:11.280 --> 00:11:12.190
  • WAIT TO GET INTO THIS.
  • 00:11:12.190 --> 00:11:13.080
  • THANKS SO MUCH.
  • 00:11:13.080 --> 00:11:13.250
  • - LISA: I'M EXCITED.
  • 00:11:13.250 --> 00:11:15.020
  • THANK YOU FOR HAVING ME.
  • 00:11:15.020 --> 00:11:15.200
  • [MUSIC]
  • 00:11:15.200 --> 00:11:16.180
  • OH, OH-OH
  • 00:11:16.180 --> 00:11:18.100
  • OH, OH-OH
  • 00:11:18.100 --> 00:11:21.080
  • OH, OH-OH
  • 00:11:21.080 --> 00:11:24.030
  • - LISA: MY NAME IS LISA HARPER,
  • 00:11:29.020 --> 00:11:30.250
  • AND LIKE MANY OF YOU--
  • 00:11:30.250 --> 00:11:31.280
  • [CHEERS AND APPLAUSE]
  • 00:11:32.210 --> 00:11:35.210
  • LIKE MANY OF YOU, I GREW UP
  • 00:11:35.210 --> 00:11:36.170
  • BAPTIST, AND SO SOME OF THE
  • 00:11:36.170 --> 00:11:38.280
  • STUFF CHRIS WAS JUST TALKIN'
  • 00:11:38.280 --> 00:11:40.100
  • ABOUT USED TO BE HARD FOR ME
  • 00:11:40.100 --> 00:11:42.060
  • BECAUSE, IF I DIDN'T SEE IT
  • 00:11:42.060 --> 00:11:43.080
  • FLANNEL-GRAPHED, I HAD A HARD
  • 00:11:43.080 --> 00:11:44.240
  • TIME BELIEVIN' IT, AND SO SHE
  • 00:11:44.240 --> 00:11:46.140
  • SAID IT WAS OKAY FOR ME TO BRING
  • 00:11:46.140 --> 00:11:47.210
  • A LITTLE WALKIN', TALKIN' SIGN
  • 00:11:47.210 --> 00:11:49.160
  • AND WONDER.
  • 00:11:49.160 --> 00:11:51.240
  • THIS IS MY SHOW-AND-TELL,
  • 00:11:51.240 --> 00:11:52.230
  • MELISSA PRICE HARPER.
  • 00:11:53.030 --> 00:11:56.030
  • [CHEERS AND APPLAUSE]
  • 00:11:56.040 --> 00:11:59.040
  • AND FOR THOSE OF Y'ALL THAT
  • 00:11:59.040 --> 00:12:00.150
  • THINK IT'S TOO LATE FOR YOU TO
  • 00:12:00.150 --> 00:12:01.280
  • SEE RADICAL MIRACLES IN YOUR
  • 00:12:01.280 --> 00:12:03.110
  • LIFE, I BROUGHT HER HOME FROM
  • 00:12:03.110 --> 00:12:05.050
  • HAITI THE YEAR I TURNED 51.
  • 00:12:05.070 --> 00:12:08.070
  • LET ME TELL YA, MY OVARIES DO
  • 00:12:08.070 --> 00:12:09.200
  • NOT WORK ANYMORE, AND I
  • 00:12:09.210 --> 00:12:12.210
  • SABOTAGED THE YEARS THAT I
  • 00:12:12.210 --> 00:12:14.030
  • COULD'VE BECOME A BIOLOGICAL
  • 00:12:14.030 --> 00:12:16.030
  • MAMA, BUT OUR GOD IS A REDEEMER.
  • 00:12:16.030 --> 00:12:17.080
  • HE'S A RESTORER.
  • 00:12:17.080 --> 00:12:19.110
  • HE'S A MIRACLE-MAKER.
  • 00:12:19.110 --> 00:12:19.280
  • WHAT MAN SAYS IS IMPOSSIBLE,
  • 00:12:19.280 --> 00:12:21.210
  • IS POSSIBLE WITH GOD.
  • 00:12:22.180 --> 00:12:25.180
  • AND THEY TOLD ME NOT TO BOTHER
  • 00:12:25.180 --> 00:12:26.090
  • WITH THIS BEAUTIFUL CHILD
  • 00:12:26.090 --> 00:12:27.080
  • BECAUSE THEY SAID, "BECAUSE OF
  • 00:12:27.080 --> 00:12:28.270
  • HER HIV AND CHOLERA AND
  • 00:12:28.270 --> 00:12:30.160
  • MALNUTRITION," THEY SAID, "SHE
  • 00:12:30.160 --> 00:12:32.240
  • ONLY HAS TWO MONTHS TO LIVE."
  • 00:12:32.240 --> 00:12:35.110
  • THAT WAS ALMOST SEVEN YEARS AGO.
  • 00:12:35.110 --> 00:12:38.020
  • WOULD YOU PLEASE--
  • 00:12:38.020 --> 00:12:40.220
  • [CHEERS AND APPLAUSE]
  • 00:12:40.220 --> 00:12:41.180
  • WOULD YOU PLEASE TELL THEM WHAT
  • 00:12:41.180 --> 00:12:42.290
  • YOUR HIV IS NOW?
  • 00:12:42.290 --> 00:12:45.040
  • WHAT'S YOUR HIV NOW?
  • 00:12:45.040 --> 00:12:46.100
  • - MISSY: UNDETECTABLE, YESSSS.
  • 00:12:46.100 --> 00:12:48.210
  • - LISA: ALL RIGHT.
  • 00:12:49.050 --> 00:12:52.050
  • [CHEERS AND APPLAUSE]
  • 00:12:52.050 --> 00:12:53.040
  • WILL YOU JUST SAY, "HEY"?
  • 00:12:53.040 --> 00:12:53.230
  • DO YOU WANNA SAY A LITTLE
  • 00:12:53.230 --> 00:12:54.120
  • SOMETHIN' 'EM BEFORE YOU GO
  • 00:12:54.120 --> 00:12:55.020
  • SIT DOWN?
  • 00:12:55.020 --> 00:12:55.180
  • - MISSY: MM-HMM.
  • 00:12:55.180 --> 00:12:56.160
  • - LISA: OKAY, WHAT YOU
  • 00:12:56.160 --> 00:12:57.040
  • WANNA SAY?
  • 00:12:57.040 --> 00:12:57.150
  • - MISSY: HEY, Y'ALL.
  • 00:12:57.150 --> 00:12:58.040
  • [LAUGHTER]
  • 00:12:58.040 --> 00:12:59.220
  • - LISA: ANYTHING ELSE?
  • 00:12:59.220 --> 00:13:00.120
  • NOTHIN'?
  • 00:13:00.120 --> 00:13:02.000
  • OKAY, I'LL SEE YA IN A
  • 00:13:02.000 --> 00:13:02.170
  • LITTLE WHILE.
  • 00:13:02.170 --> 00:13:03.090
  • WHAT SLAYS ME IS I FORGET SHE'S
  • 00:13:11.070 --> 00:13:11.290
  • ADOPTED, AND I KNOW IT'S HARD TO
  • 00:13:11.290 --> 00:13:13.280
  • TELL, BUT WE WERE AT THE
  • 00:13:13.280 --> 00:13:15.230
  • DOCTOR'S OFFICE THE OTHER DAY--
  • 00:13:15.230 --> 00:13:17.140
  • [LAUGHTER]
  • 00:13:17.140 --> 00:13:18.270
  • -- AND HE WAS EXAMINING THIS
  • 00:13:18.270 --> 00:13:19.290
  • LITTLE INFECTED MOSQUITO BITE ON
  • 00:13:19.290 --> 00:13:21.000
  • HER SHOULDER BECAUSE SHE DOES
  • 00:13:21.000 --> 00:13:21.210
  • STILL HAVE HIV.
  • 00:13:21.210 --> 00:13:24.170
  • IT'S TOTALLY UNDETECTABLE.
  • 00:13:24.170 --> 00:13:25.250
  • THEY CANNOT EVEN DETECT 20 PARTS
  • 00:13:25.250 --> 00:13:28.060
  • PER MILLION, WHICH IS THE MOST
  • 00:13:28.060 --> 00:13:29.040
  • BUT THEY'RE STILL REALLY VERY,
  • 00:13:32.110 --> 00:13:33.020
  • VERY CAREFUL IF SHE HAS ANY KIND
  • 00:13:33.020 --> 00:13:34.180
  • OF INFECTION.
  • 00:13:34.180 --> 00:13:36.180
  • SHE HAD THIS LITTLE MOSQUITO
  • 00:13:36.180 --> 00:13:37.200
  • BITE, SO THE DOCTOR JUST SPENT,
  • 00:13:37.200 --> 00:13:39.170
  • LIKE, 15 MINUTES ON THIS
  • 00:13:39.170 --> 00:13:40.130
  • MOSQUITO BITE, AND FINALLY I
  • 00:13:40.130 --> 00:13:41.040
  • WENT, DR. WILSON, I DO THE
  • 00:13:41.040 --> 00:13:42.040
  • SAME THING.
  • 00:13:42.040 --> 00:13:43.200
  • AND I HIKED UP MY ANKLE TO SHOW
  • 00:13:43.200 --> 00:13:44.290
  • HIM AN INFECTED MOSQUITO BITE,
  • 00:13:44.290 --> 00:13:46.130
  • AND HE WENT-- AND IT WAS ONLY IN
  • 00:13:46.130 --> 00:13:48.180
  • THAT MOMENT THAT I REALIZED,
  • 00:13:48.180 --> 00:13:49.250
  • "OH, YEAH, THAT WOULD HAVE
  • 00:13:49.250 --> 00:13:50.230
  • NO BEARING."
  • 00:13:50.230 --> 00:13:53.030
  • IT'D HAVE NO BEARING.
  • 00:13:53.030 --> 00:13:54.130
  • [LAUGHTER]
  • 00:13:54.130 --> 00:13:55.050
  • I FORGET SHE'S NOT
  • 00:13:55.050 --> 00:13:55.200
  • ABSOLUTELY MINE.
  • 00:13:55.200 --> 00:13:57.170
  • Y'ALL, THAT'S HOW JESUS IS
  • 00:13:57.170 --> 00:13:58.060
  • ABOUT US.
  • 00:13:58.060 --> 00:14:00.120
  • IT'S EXACTLY HOW OUR
  • 00:14:00.120 --> 00:14:01.160
  • CREATOR-REDEEMER IS ABOUT US.
  • 00:14:01.160 --> 00:14:03.010
  • WE'RE JUST HIS.
  • 00:14:03.010 --> 00:14:05.150
  • HE DOESN'T THINK, "OH, OH, OH,
  • 00:14:05.150 --> 00:14:07.140
  • YEAH, THEY'RE ADOPTED."
  • 00:14:07.140 --> 00:14:08.020
  • WE HAVE ALL THE RIGHTS,
  • 00:14:08.020 --> 00:14:10.180
  • ALL THE RIGHTS AS HEIRS.
  • 00:14:10.180 --> 00:14:13.040
  • I WANNA ASK A COUPLE OF
  • 00:14:13.040 --> 00:14:15.020
  • QUESTIONS BEFORE WE DIVE INTO
  • 00:14:15.020 --> 00:14:16.070
  • THE TEXT THIS MORNING.
  • 00:14:16.070 --> 00:14:16.240
  • FIRST, HOW MANY OF Y'ALL WOULD
  • 00:14:16.240 --> 00:14:18.070
  • SAY THIS PAST YEAR HAS BEEN THE
  • 00:14:18.070 --> 00:14:19.210
  • ABSOLUTE EASIEST YEAR OF YOUR
  • 00:14:20.010 --> 00:14:23.010
  • LIFE?
  • 00:14:23.010 --> 00:14:24.040
  • [LAUGHTER]
  • 00:14:24.040 --> 00:14:26.150
  • OKAY, THOSE FOUR OF YOU WHO
  • 00:14:26.150 --> 00:14:28.060
  • RAISED YOUR HANDS, I WANNA ASK
  • 00:14:28.060 --> 00:14:29.180
  • YOU ONE SECOND QUESTION: IS YOUR
  • 00:14:29.180 --> 00:14:31.290
  • METABOLISM INCREASING?
  • 00:14:31.290 --> 00:14:34.180
  • [LAUGHTER]
  • 00:14:34.180 --> 00:14:36.140
  • OKAY, WE STILL HAVE ONE HAND
  • 00:14:36.140 --> 00:14:37.040
  • LEFT UP.
  • 00:14:37.040 --> 00:14:38.190
  • THOSE OF YOU AROUND HER, I WANT
  • 00:14:38.190 --> 00:14:39.200
  • YOU TO PUNCH HER IN THE THROAT,
  • 00:14:39.200 --> 00:14:40.120
  • AND THEN, MA'AM,
  • 00:14:40.120 --> 00:14:42.040
  • YOU'RE WELCOME--
  • 00:14:42.040 --> 00:14:43.140
  • [LAUGHTER]
  • 00:14:43.140 --> 00:14:44.100
  • YOU ARE SO WELCOME TO LEAVE.
  • 00:14:44.100 --> 00:14:45.080
  • I FEEL LIKE I'VE BEEN IN FOUR OR
  • 00:14:45.080 --> 00:14:46.220
  • FIVE YEARS WHERE I JUST FEEL
  • 00:14:46.220 --> 00:14:48.110
  • LIKE I AM SOME DAYS RUNNIN'
  • 00:14:48.110 --> 00:14:49.250
  • ON FUMES.
  • 00:14:49.250 --> 00:14:51.060
  • I DON'T KNOW IF YOU'VE BEEN IN
  • 00:14:51.060 --> 00:14:52.070
  • THAT PLACE, BUT I'M LIKE, "LORD,
  • 00:14:52.070 --> 00:14:53.190
  • HAVE MERCY, I'M TRYIN' MY BEST
  • 00:14:53.190 --> 00:14:55.030
  • TO HONOR THE LORD WITH MY LIFE,
  • 00:14:55.030 --> 00:14:57.080
  • BUT EVER SINCE I BROUGHT MISSY
  • 00:14:57.080 --> 00:14:59.020
  • HOME, I FEEL LIKE I AM TIRED TO
  • 00:14:59.020 --> 00:14:59.280
  • THE MARROW OF MY BONES."
  • 00:15:00.150 --> 00:15:03.150
  • PEOPLE ASK ME IF I WANT
  • 00:15:03.150 --> 00:15:04.030
  • A HUSBAND.
  • 00:15:04.030 --> 00:15:05.000
  • I'M LIKE, "I'D PREFER A NAP IF I
  • 00:15:05.000 --> 00:15:06.280
  • COULD JUST GET A NAP."
  • 00:15:06.280 --> 00:15:07.220
  • SOME DAYS I'M SO TIRED,
  • 00:15:07.220 --> 00:15:09.020
  • AND I WAS IN THAT PLACE NOT
  • 00:15:09.020 --> 00:15:10.080
  • TOO LONG AGO, AND I HAD
  • 00:15:10.080 --> 00:15:11.220
  • TO FLY FROM MICHIGAN THROUGH
  • 00:15:11.220 --> 00:15:13.070
  • CHICAGO, BACK TO NASHVILLE, AND
  • 00:15:13.070 --> 00:15:15.060
  • WHEN WE GOT TO THE AIRPORT, THE
  • 00:15:15.060 --> 00:15:17.000
  • GATE AGENT ANNOUNCED THAT,
  • 00:15:17.000 --> 00:15:19.060
  • BECAUSE OF WEATHER IN CHICAGO,
  • 00:15:19.060 --> 00:15:20.150
  • WE VERY LIKELY WERE NOT GOING TO
  • 00:15:21.070 --> 00:15:24.070
  • FLY TO CHICAGO, BUT THEN SHE
  • 00:15:24.070 --> 00:15:26.000
  • ADDED WITH A REAL PERKY VOICE,
  • 00:15:26.000 --> 00:15:27.280
  • "BUT WE'RE GONNA GO AHEAD AND
  • 00:15:27.280 --> 00:15:28.240
  • LOAD YOU ON THE PLANE ANYWAY,"
  • 00:15:28.240 --> 00:15:30.150
  • AND I JUST THOUGHT, "THAT'S JUST
  • 00:15:30.150 --> 00:15:32.090
  • STUPID," BUT I WAS TRYIN' TO
  • 00:15:32.090 --> 00:15:34.140
  • STILL BE A CHRISTIAN 'CAUSE I'D
  • 00:15:34.140 --> 00:15:35.220
  • BEEN AT THIS CONFERENCE.
  • 00:15:35.220 --> 00:15:37.160
  • [LAUGHTER]
  • 00:15:37.160 --> 00:15:39.110
  • AND SO I LOAD ON THE PLANE, AND
  • 00:15:39.110 --> 00:15:40.030
  • IT'S NOT A BIG PLANE.
  • 00:15:40.030 --> 00:15:41.220
  • IT'S ONE OF THOSE LITTLE TINY,
  • 00:15:41.220 --> 00:15:43.180
  • TINY PLANES WITH, YOU KNOW, TWO
  • 00:15:43.180 --> 00:15:44.170
  • SEATS ON ONE SIDE AND ONE SEAT
  • 00:15:44.170 --> 00:15:45.110
  • ON THE OTHER, AND I DON'T KNOW
  • 00:15:45.110 --> 00:15:46.270
  • IF Y'ALL HAVE FLOWN MUCH
  • 00:15:46.270 --> 00:15:48.070
  • RECENTLY, BUT THE FAA HAS
  • 00:15:48.070 --> 00:15:49.200
  • RECONFIGURED PLANE SEATS TO
  • 00:15:49.200 --> 00:15:51.190
  • WHERE THEY'RE THE EXACT WIDTH OF
  • 00:15:53.070 --> 00:15:56.070
  • SUPERMODELS' FANNIES, SO THEY'RE
  • 00:15:56.070 --> 00:15:56.290
  • JUST HARD TO SQUISH INTO, AND SO
  • 00:15:56.290 --> 00:15:59.070
  • I NOTICED THAT I'M ON THE DOUBLE
  • 00:15:59.070 --> 00:16:00.270
  • SIDE, SO I GO AND I GET
  • 00:16:01.100 --> 00:16:04.100
  • IN MY SEAT.
  • 00:16:04.100 --> 00:16:05.100
  • I'M FEELIN' ALL KINDS OF
  • 00:16:05.100 --> 00:16:06.090
  • HATEFUL, AND I GET IN MY REGULAR
  • 00:16:06.090 --> 00:16:07.100
  • PLANE POSTURE, AND MY REGULAR
  • 00:16:07.100 --> 00:16:09.020
  • PLANE POSTURE IS I PUT MY IPHONE
  • 00:16:10.270 --> 00:16:13.270
  • EARBUDS IN SO THAT I COULD
  • 00:16:13.270 --> 00:16:15.050
  • LISTEN TO MUSIC.
  • 00:16:15.050 --> 00:16:16.280
  • IF I'M IN A GOOD PLACE,
  • 00:16:16.280 --> 00:16:17.280
  • IT'S KARI AND MEREDITH.
  • 00:16:17.280 --> 00:16:18.210
  • IF I'M IN A BAD PLACE,
  • 00:16:18.210 --> 00:16:19.080
  • IT'S PINK.
  • 00:16:19.080 --> 00:16:21.170
  • [LAUGHTER]
  • 00:16:21.170 --> 00:16:22.170
  • BUT I PUT MY EARBUDS IN, AND
  • 00:16:22.170 --> 00:16:25.010
  • THEN I GET OUT SOME REALLY DEEP
  • 00:16:25.010 --> 00:16:26.070
  • THEOLOGICAL JOURNAL OUT OF MY
  • 00:16:26.070 --> 00:16:27.170
  • CARRY-ON BAG LIKE THE POTTERY
  • 00:16:27.170 --> 00:16:29.080
  • BARN MAGAZINE OR "PEOPLE" IF I'M
  • 00:16:29.080 --> 00:16:31.250
  • IN A REALLY BAD PLACE.
  • 00:16:31.250 --> 00:16:32.170
  • "US,"
  • 00:16:32.170 --> 00:16:34.170
  • I'M JUST-- I'M SINNIN'
  • 00:16:34.170 --> 00:16:35.120
  • IF YOU SEE ME READIN' "US."
  • 00:16:35.120 --> 00:16:36.160
  • [LAUGHTER]
  • 00:16:36.160 --> 00:16:38.090
  • ANYWAY, I GET MY MAGAZINE OUT,
  • 00:16:38.090 --> 00:16:39.000
  • AND I WAS KIND OF FEELIN' BETTER
  • 00:16:39.000 --> 00:16:40.000
  • AFTER A FEW MINUTES BECAUSE THEY
  • 00:16:40.000 --> 00:16:41.040
  • SAID THEY WERE ABOUT TO CLOSE
  • 00:16:41.040 --> 00:16:42.040
  • THE BOARDING DOOR, AND NOBODY
  • 00:16:42.040 --> 00:16:43.190
  • WAS SITTING NEXT TO ME, AND I
  • 00:16:43.190 --> 00:16:45.010
  • WAS LIKE, "SCORE, AND I'VE GOT A
  • 00:16:45.010 --> 00:16:46.050
  • LITTLE MORE ROOM IF WE EVER DO
  • 00:16:46.050 --> 00:16:48.010
  • LEAVE THE TARMAC AND GET TO
  • 00:16:48.010 --> 00:16:49.040
  • CHICAGO, BUT THEN RIGHT AFTER
  • 00:16:49.040 --> 00:16:50.220
  • THAT, THEY OPEN IT BACK UP, AND
  • 00:16:50.220 --> 00:16:52.060
  • HERE COMES THIS LADY, AND I CAN
  • 00:16:52.060 --> 00:16:53.160
  • SEE FROM ABOUT 25 FEET THAT
  • 00:16:53.160 --> 00:16:55.030
  • SHE'S A TALKER.
  • 00:16:55.030 --> 00:16:56.180
  • SHE LOOKS LIKE A TALKER.
  • 00:16:56.180 --> 00:16:58.130
  • [LAUGHTER]
  • 00:16:58.130 --> 00:16:59.090
  • AND SHE'S MUCH OLDER, AND SHE'S
  • 00:16:59.090 --> 00:17:00.270
  • GOT, LIKE, FIVE BAGS.
  • 00:17:00.270 --> 00:17:02.050
  • I DON'T KNOW HOW THEY LET
  • 00:17:02.050 --> 00:17:02.250
  • HER ON.
  • 00:17:02.250 --> 00:17:03.240
  • AND I'M WATCHING HER GO DOWN THE
  • 00:17:03.240 --> 00:17:05.060
  • PLANE AND TRY TO FIGURE OUT
  • 00:17:05.060 --> 00:17:05.260
  • WHERE SHE'S SITTING.
  • 00:17:06.050 --> 00:17:09.050
  • I'M IN 12C, AND 12D IS OPEN, AND
  • 00:17:09.170 --> 00:17:12.170
  • SHE SMILES AT ME AND GOES,
  • 00:17:12.170 --> 00:17:14.060
  • "IS THAT 12D?"
  • 00:17:14.150 --> 00:17:17.150
  • [LAUGHTER]
  • 00:17:17.150 --> 00:17:18.050
  • AND I ALMOST LIED.
  • 00:17:18.050 --> 00:17:20.120
  • I ALMOST SAID, "NO, MA'AM.
  • 00:17:20.120 --> 00:17:21.220
  • NO, MA'AM, IT ISN'T," BUT I JUST
  • 00:17:21.220 --> 00:17:22.220
  • COULDN'T LIE.
  • 00:17:22.220 --> 00:17:24.090
  • SHE LOOKED SO SWEET.
  • 00:17:24.090 --> 00:17:25.180
  • LOOKED TO BE IN HER 80s, SO I
  • 00:17:25.180 --> 00:17:26.250
  • SAID, "YES, MA'AM, THIS IS 12D."
  • 00:17:26.250 --> 00:17:28.150
  • I HELP HER GET EVERYTHING
  • 00:17:28.150 --> 00:17:29.150
  • SITUATED IN THE OVERHEAD.
  • 00:17:29.150 --> 00:17:32.050
  • SHE SITS DOWN, AND SHE TRIES TO
  • 00:17:32.050 --> 00:17:34.100
  • MAKE EYE CONTACT, BUT I JUST
  • 00:17:34.100 --> 00:17:35.100
  • DON'T LIKE MAKIN' EYE CONTACT
  • 00:17:35.100 --> 00:17:36.010
  • WITH PEOPLE I SIT NEXT TO.
  • 00:17:36.010 --> 00:17:38.150
  • I'M LIKE, "UH-UH, I'VE LEARNED
  • 00:17:38.150 --> 00:17:39.060
  • THE HARD WAY.
  • 00:17:39.060 --> 00:17:39.210
  • NOT MAKIN' EYE CONTACT.
  • 00:17:39.210 --> 00:17:40.250
  • I'LL BE POLITE, BUT I'M NOT
  • 00:17:40.250 --> 00:17:42.110
  • GONNA MAKE EYE CONTACT" 'CAUSE
  • 00:17:42.110 --> 00:17:43.130
  • THAT MEANS YOU'RE GONNA HAVE A
  • 00:17:43.130 --> 00:17:44.090
  • CONVERSATION, AND I WAS IN TOO
  • 00:17:44.090 --> 00:17:45.040
  • BAD A MOOD TO HAVE
  • 00:17:45.040 --> 00:17:45.190
  • A CONVERSATION.
  • 00:17:45.190 --> 00:17:48.020
  • SO I JUST KIND OF SMILE AND
  • 00:17:48.020 --> 00:17:49.040
  • DON'T LOOK AT HER, BUT OUT OF
  • 00:17:49.040 --> 00:17:50.030
  • THE CORNER OF MY EYE, I CAN TELL
  • 00:17:50.030 --> 00:17:51.130
  • THIS WOMAN IS DOIN' EVERYTHING
  • 00:17:51.180 --> 00:17:54.180
  • SHE CAN TO GET MY ATTENTION, AND
  • 00:17:54.180 --> 00:17:56.040
  • SO I'M BURYIN' MYSELF INTO THIS
  • 00:17:56.040 --> 00:17:56.260
  • ARTICLE ABOUT JEN AND BRAD, JUST
  • 00:17:56.260 --> 00:17:58.040
  • VERY, VERY FOCUSED ON THE
  • 00:17:58.040 --> 00:17:59.170
  • ARTICLE, AND SHE TAPS ME BECAUSE
  • 00:17:59.270 --> 00:18:02.290
  • SHE DOESN'T KNOW
  • 00:18:02.290 --> 00:18:04.110
  • PLANE ETIQUETTE.
  • 00:18:04.110 --> 00:18:05.000
  • SHE DOESN'T KNOW IF SOMEBODY
  • 00:18:05.000 --> 00:18:06.030
  • ALREADY HAS THEIR EARBUD IN, YOU
  • 00:18:06.030 --> 00:18:07.070
  • ARE NOT SUPPOSED TO BOTHER THEM.
  • 00:18:07.090 --> 00:18:10.090
  • AND SHE TAPS ME ON THE SHOULDER,
  • 00:18:10.090 --> 00:18:11.120
  • AND I TAKE OUT MY EARBUD, AND I
  • 00:18:11.120 --> 00:18:13.040
  • SAID, "YES, MA'AM?"
  • 00:18:13.040 --> 00:18:15.000
  • AND SHE SAID, "ARE YOU
  • 00:18:15.000 --> 00:18:16.170
  • FROM DETROIT?"
  • 00:18:16.170 --> 00:18:17.050
  • [LAUGHTER]
  • 00:18:17.050 --> 00:18:19.270
  • SAID, WE ARE,
  • 00:18:19.270 --> 00:18:21.000
  • AND I SAID, "NO, MA'AM."
  • 00:18:21.000 --> 00:18:23.110
  • [LAUGHTER]
  • 00:18:23.110 --> 00:18:24.260
  • I MEAN, I GAVE HER NOTHIN',
  • 00:18:24.260 --> 00:18:26.240
  • Y'ALL, NOTHIN'.
  • 00:18:26.240 --> 00:18:28.010
  • I WAS JUST TOTALLY HATEFUL.
  • 00:18:28.010 --> 00:18:29.200
  • I LEAN OVER MY MAGAZINE A LITTLE
  • 00:18:30.100 --> 00:18:33.100
  • MORE INTENTLY, BUT, AGAIN,
  • 00:18:33.100 --> 00:18:33.290
  • SHE'S OLDER.
  • 00:18:33.290 --> 00:18:34.110
  • SHE DOESN'T KNOW
  • 00:18:34.110 --> 00:18:34.270
  • PLANE ETIQUETTE.
  • 00:18:34.270 --> 00:18:37.130
  • SHE TAPS ME A SECOND TIME, AND I
  • 00:18:37.130 --> 00:18:38.120
  • THOUGHT, "OH, YOU ARE
  • 00:18:38.120 --> 00:18:39.030
  • KIDDIN' ME.
  • 00:18:39.030 --> 00:18:39.200
  • IT'S GONNA BE ONE OF
  • 00:18:39.200 --> 00:18:40.060
  • THESE FLIGHTS."
  • 00:18:40.060 --> 00:18:42.050
  • SO I TAKE OUT MY EARBUD
  • 00:18:42.050 --> 00:18:43.140
  • EVEN SLOWER, AND SHE SAID,
  • 00:18:43.140 --> 00:18:44.220
  • "ARE YOU FROM CHICAGO?"
  • 00:18:44.220 --> 00:18:46.210
  • AND I SAID, "NO, MA'AM."
  • 00:18:47.020 --> 00:18:50.020
  • [LAUGHTER]
  • 00:18:50.020 --> 00:18:50.280
  • AND THEN I TURN AND PUT MY HEAD
  • 00:18:51.120 --> 00:18:54.120
  • ON MY TRAY TABLE 'CAUSE I JUST
  • 00:18:54.120 --> 00:18:55.110
  • CAN'T EVEN TAKE LIFE ANYMORE.
  • 00:18:55.110 --> 00:18:56.220
  • I CAN'T DEAL WITH IT.
  • 00:18:56.220 --> 00:18:57.160
  • I KNOW SHE'S SOMEBODY'S
  • 00:18:57.160 --> 00:18:58.240
  • GRANDMAMA, BUT SHE'S NOT MY
  • 00:18:58.240 --> 00:18:59.290
  • GRANDMAMA, AND SO I'M GONNA
  • 00:18:59.290 --> 00:19:01.250
  • IGNORE HER.
  • 00:19:01.250 --> 00:19:02.090
  • I'M JUST GONNA SLEEP ON MY
  • 00:19:02.090 --> 00:19:02.280
  • TRAY TABLE.
  • 00:19:02.280 --> 00:19:04.070
  • WELL, THE FLIGHT TOOK OFF, AND I
  • 00:19:04.070 --> 00:19:04.290
  • FELL ASLEEP BECAUSE THE NEXT
  • 00:19:04.290 --> 00:19:07.020
  • THING I KNOW, GRANDMAMA IS NOT
  • 00:19:07.020 --> 00:19:09.170
  • ONLY POKIN' ME, SHE'S MESSIN'
  • 00:19:09.170 --> 00:19:11.200
  • WITH MY HANGY-DOWN PARTS--
  • 00:19:11.200 --> 00:19:12.290
  • [LAUGHTER]
  • 00:19:12.290 --> 00:19:14.250
  • -- AND SO I WOKE UP.
  • 00:19:14.250 --> 00:19:15.200
  • I'M A LITTLE BIT OFFENDED AT
  • 00:19:15.200 --> 00:19:16.160
  • FIRST UNTIL I REALIZE WHAT
  • 00:19:16.160 --> 00:19:17.160
  • SHE'S DOING.
  • 00:19:17.160 --> 00:19:18.010
  • MY PHONE HAD FALLEN OFF, AND SHE
  • 00:19:18.010 --> 00:19:20.010
  • WAS TRYIN' TO PUT MY PHONE BACK
  • 00:19:20.010 --> 00:19:22.080
  • UNDER MY HANGY-DOWN PART, AND
  • 00:19:22.080 --> 00:19:24.140
  • SO, WHEN I REALIZED WHAT SHE WAS
  • 00:19:24.140 --> 00:19:25.250
  • DOING WAS VERY THOUGHTFUL, I
  • 00:19:25.250 --> 00:19:27.220
  • TOOK MY EARBUD OUT, AND I SAID,
  • 00:19:27.220 --> 00:19:30.080
  • "MA'AM, I'M SO SORRY."
  • 00:19:30.080 --> 00:19:31.140
  • AND I SAID,
  • 00:19:31.140 --> 00:19:32.120
  • "I KNOW I'VE BEEN PRETTY RUDE.
  • 00:19:32.120 --> 00:19:34.210
  • I'VE JUST HAD A SUPER, SUPER
  • 00:19:34.210 --> 00:19:35.240
  • LONG WEEK, AND I'M WORN
  • 00:19:35.240 --> 00:19:37.070
  • SLAP OUT.
  • 00:19:37.070 --> 00:19:38.110
  • MY NAME IS LISA.
  • 00:19:38.110 --> 00:19:40.010
  • I'M ACTUALLY JUST FLYING THROUGH
  • 00:19:40.010 --> 00:19:41.140
  • CHICAGO TO GO TO NASHVILLE.
  • 00:19:41.140 --> 00:19:42.120
  • THAT'S WHERE I'M FROM."
  • 00:19:42.120 --> 00:19:43.050
  • I SAID,
  • 00:19:43.050 --> 00:19:44.250
  • "WHERE ARE YOU FROM?
  • 00:19:44.250 --> 00:19:45.290
  • ARE YOU FROM DETROIT
  • 00:19:45.290 --> 00:19:46.150
  • OR CHICAGO?"
  • 00:19:46.150 --> 00:19:47.200
  • AND SHE SAID, "I'M FROM DETROIT,
  • 00:19:47.200 --> 00:19:49.060
  • AND MY NAME IS AGNES, AND
  • 00:19:49.060 --> 00:19:50.090
  • I'M 83."
  • 00:19:50.090 --> 00:19:52.010
  • [LAUGHTER]
  • 00:19:52.010 --> 00:19:53.060
  • I WAS LIKE, "WELL, THAT'S
  • 00:19:53.060 --> 00:19:53.250
  • SO GREAT."
  • 00:19:53.250 --> 00:19:55.160
  • I SAID, "WELL, MISS AGNES,
  • 00:19:55.160 --> 00:19:57.020
  • WHAT ARE YOU GOING TO
  • 00:19:57.020 --> 00:19:58.080
  • CHICAGO FOR?"
  • 00:19:58.080 --> 00:19:59.160
  • AND SHE GOES, "OH, I'M NOT GOING
  • 00:19:59.160 --> 00:20:00.080
  • TO CHICAGO.
  • 00:20:00.080 --> 00:20:02.050
  • I'M GOING TO MUMBAI, INDIA."
  • 00:20:02.110 --> 00:20:05.110
  • WELL, NOW SHE'D REALLY GRABBED
  • 00:20:05.110 --> 00:20:06.080
  • MY ATTENTION 'CAUSE I THOUGHT,
  • 00:20:06.080 --> 00:20:07.150
  • "YOU KNOW, SHE'S TRAVELING BY
  • 00:20:07.150 --> 00:20:08.190
  • HERSELF, SHE'S OLDER, AND
  • 00:20:08.190 --> 00:20:10.040
  • SHE'S GOING TO INDIA."
  • 00:20:10.150 --> 00:20:13.150
  • AND I SAID, "MISS AGNES,
  • 00:20:13.150 --> 00:20:14.030
  • WHAT ARE YOU GOING
  • 00:20:14.030 --> 00:20:14.290
  • TO INDIA FOR?"
  • 00:20:14.290 --> 00:20:16.200
  • AND, Y'ALL, I MAY AS WELL HAVE
  • 00:20:16.200 --> 00:20:18.160
  • ASKED THE HEAD ELF TO SHOW ME
  • 00:20:18.160 --> 00:20:20.040
  • THE TOY CLOSET BECAUSE HER
  • 00:20:20.040 --> 00:20:20.270
  • FACE JUST--
  • 00:20:20.270 --> 00:20:22.070
  • [LAUGHTER]
  • 00:20:22.070 --> 00:20:23.030
  • -- "WOOM," JUST SPLIT INTO THIS
  • 00:20:23.030 --> 00:20:24.110
  • HUGE GRIN, AND SHE SAID THIS
  • 00:20:24.110 --> 00:20:26.120
  • WITH GREAT EXAGGERATION: "I'M
  • 00:20:26.120 --> 00:20:29.040
  • GOING TO INDIA TO TELL PEOPLE
  • 00:20:29.050 --> 00:20:32.050
  • ABOUT JESUS."
  • 00:20:33.190 --> 00:20:36.190
  • AND I WAS LIKE,
  • 00:20:36.190 --> 00:20:38.250
  • "I'M GOING TO BE STRUCK
  • 00:20:38.250 --> 00:20:39.130
  • BY LIGHTNING."
  • 00:20:39.130 --> 00:20:41.110
  • [LAUGHTER]
  • 00:20:41.110 --> 00:20:42.200
  • IT WAS LIKE, "I CAN'T
  • 00:20:42.200 --> 00:20:43.140
  • BELIEVE IT.
  • 00:20:43.140 --> 00:20:44.060
  • I'M SITTIN' NEXT TO JESUS, JR.,
  • 00:20:44.060 --> 00:20:45.180
  • AND I'VE BEEN HATEFUL."
  • 00:20:45.180 --> 00:20:47.000
  • [LAUGHTER]
  • 00:20:47.000 --> 00:20:47.220
  • AND SO I TURN NOW MY FULL
  • 00:20:47.220 --> 00:20:50.030
  • ATTENTION TOWARD HER, AND I
  • 00:20:50.030 --> 00:20:51.040
  • SAID, "MISS AGNES, TELL ME
  • 00:20:51.040 --> 00:20:51.230
  • YOUR STORY.
  • 00:20:51.230 --> 00:20:53.160
  • I MEAN, TELL ME HOW YOU CAME TO
  • 00:20:53.160 --> 00:20:54.170
  • KNOW JESUS."
  • 00:20:54.170 --> 00:20:55.150
  • AND SO SURE ENOUGH,
  • 00:20:55.150 --> 00:20:56.260
  • SHE STARTS TELLIN' ME HER STORY.
  • 00:20:56.260 --> 00:20:58.230
  • SHE TOLD ME SHE FELL IN LOVE
  • 00:20:58.230 --> 00:20:59.160
  • WITH HER HUSBAND WHEN SHE WAS 15
  • 00:20:59.160 --> 00:21:00.270
  • AND HE WAS 17.
  • 00:21:00.270 --> 00:21:01.290
  • THEY GOT MARRIED TWO YEARS LATER
  • 00:21:01.290 --> 00:21:03.090
  • AFTER SHE GRADUATED
  • 00:21:03.090 --> 00:21:04.280
  • FROM HIGH SCHOOL.
  • 00:21:04.280 --> 00:21:06.100
  • SHE GOT PREGNANT RIGHT AWAY, HAD
  • 00:21:06.100 --> 00:21:07.020
  • ONE SON.
  • 00:21:07.020 --> 00:21:08.150
  • THINGS WERE JUST GOING
  • 00:21:08.150 --> 00:21:10.090
  • SWIMMINGLY, AND THEN SHE GOT
  • 00:21:10.090 --> 00:21:11.270
  • PREGNANT WITH TWINS, AND RIGHT
  • 00:21:11.270 --> 00:21:14.080
  • AWAY IN THAT FIRST TRIMESTER,
  • 00:21:14.080 --> 00:21:16.140
  • HER DOCTOR TOLD HER THAT ONE OF
  • 00:21:16.140 --> 00:21:18.070
  • HER TWIN BOYS WAS VERY, VERY
  • 00:21:18.070 --> 00:21:20.010
  • SICK, AND IT WAS VERY LIKELY
  • 00:21:20.010 --> 00:21:20.260
  • THAT HE ACTUALLY WOULD NOT MAKE
  • 00:21:20.260 --> 00:21:22.060
  • IT TO TERM.
  • 00:21:22.060 --> 00:21:24.200
  • AND SHE SAID, "LISA, I WAS SO
  • 00:21:24.200 --> 00:21:25.180
  • CONCERNED ABOUT THIS BABY IN MY
  • 00:21:25.180 --> 00:21:26.240
  • BELLY THAT I HAD A NEIGHBOR
  • 00:21:26.240 --> 00:21:28.060
  • WHO PRAYED."
  • 00:21:28.060 --> 00:21:30.010
  • AND SHE SAID, "JUST BECAUSE
  • 00:21:30.010 --> 00:21:31.010
  • I DIDN'T KNOW WHAT ELSE TO DO,
  • 00:21:31.010 --> 00:21:32.150
  • I ASKED HER TO LAY HANDS
  • 00:21:32.150 --> 00:21:33.230
  • ON MY STOMACH AND TO PRAY
  • 00:21:33.230 --> 00:21:34.180
  • FOR MY CHILDREN."
  • 00:21:34.180 --> 00:21:36.150
  • AND SHE SAID, "THAT STARTED
  • 00:21:36.150 --> 00:21:37.110
  • A RELATIONSHIP WITH MY NEIGHBOR.
  • 00:21:37.110 --> 00:21:38.190
  • I ENDED UP GOING TO CHURCH WITH
  • 00:21:38.190 --> 00:21:39.180
  • HER, AND THAT'S WHERE I
  • 00:21:39.180 --> 00:21:40.100
  • FOUND JESUS."
  • 00:21:40.100 --> 00:21:42.040
  • SHE SAID, "BUT WHEN I TOLD
  • 00:21:42.040 --> 00:21:43.240
  • BILL," HER HUSBAND, "THAT
  • 00:21:43.240 --> 00:21:45.060
  • I'D COME TO KNOW JESUS, HE SAID,
  • 00:21:45.060 --> 00:21:46.200
  • "DON'T BRING ANY OF THAT
  • 00:21:46.200 --> 00:21:48.120
  • RELIGIOUS MESS UP INTO
  • 00:21:48.120 --> 00:21:49.080
  • THIS HOUSE."
  • 00:21:49.080 --> 00:21:50.210
  • HE SAID, "I'M FINE FOR
  • 00:21:50.210 --> 00:21:51.190
  • YOU TO GO TO HER HOUSE.
  • 00:21:51.190 --> 00:21:52.250
  • I'M FINE FOR YOU TO GO TO CHURCH
  • 00:21:52.250 --> 00:21:54.090
  • WITH HER, BUT I DON'T WANT
  • 00:21:54.090 --> 00:21:56.120
  • ANYTHING TO DO WITH RELIGION."
  • 00:21:56.120 --> 00:21:58.060
  • SO SHE SAID, "I DIDN'T TALK
  • 00:21:58.060 --> 00:21:58.260
  • ABOUT IT ANYMORE."
  • 00:21:58.260 --> 00:21:59.230
  • SHE SAID,
  • 00:21:59.230 --> 00:22:01.090
  • "WHAT I DID NOT KNOW WAS THERE
  • 00:22:01.090 --> 00:22:02.250
  • WAS A GENTLEMAN WHO MY HUSBAND
  • 00:22:02.250 --> 00:22:04.160
  • BECAME FRIENDS WITH AT WORK, AND
  • 00:22:04.160 --> 00:22:05.290
  • HE HAD SHARED WITH HIM HIS
  • 00:22:05.290 --> 00:22:08.020
  • CONCERNS ABOUT THIS SON THAT
  • 00:22:08.020 --> 00:22:10.190
  • MIGHT NOT MAKE IT, AND THROUGH
  • 00:22:10.190 --> 00:22:12.210
  • THAT RELATIONSHIP AT BILL'S
  • 00:22:12.210 --> 00:22:15.130
  • WORK, BILL BECAME A CHRISTIAN.
  • 00:22:15.130 --> 00:22:17.260
  • SO SHE SAID, "RIGHT BEFORE OUR
  • 00:22:17.260 --> 00:22:18.250
  • TWINS WERE BORN, BOTH MY HUSBAND
  • 00:22:18.250 --> 00:22:20.070
  • I FOUND OUR FAITH IN
  • 00:22:20.070 --> 00:22:22.120
  • JESUS CHRIST."
  • 00:22:22.120 --> 00:22:24.020
  • AND SHE SAID, "NOT TOO MANY
  • 00:22:24.020 --> 00:22:24.260
  • YEARS LATER, WHERE OUR BOYS
  • 00:22:24.260 --> 00:22:26.060
  • WERE STILL LITTLE, BILL CAME
  • 00:22:26.060 --> 00:22:27.270
  • HOME FROM WORK ONE DAY, AND HE
  • 00:22:27.270 --> 00:22:29.020
  • SAID, "BABY, I BELIEVE GOD'S
  • 00:22:29.020 --> 00:22:30.170
  • CALLED ME TO THE MINISTRY," AND
  • 00:22:30.170 --> 00:22:32.100
  • SHE SAID, "WHEN HE WAS 30 AND I
  • 00:22:32.100 --> 00:22:34.020
  • WAS 28, WE STARTED A CHURCH."
  • 00:22:34.020 --> 00:22:35.180
  • AND SHE SAID, "I DON'T KNOW IF
  • 00:22:35.180 --> 00:22:37.140
  • YOU'VE EVER BEEN BY OUR
  • 00:22:37.170 --> 00:22:40.170
  • CHURCH--" AND THEN SHE NAMES
  • 00:22:40.170 --> 00:22:42.040
  • THIS CHURCH, AND Y'ALL, I HAD
  • 00:22:42.040 --> 00:22:44.200
  • BEEN SITTING NEXT TO HER CHURCH
  • 00:22:44.200 --> 00:22:45.120
  • THAT WEEK.
  • 00:22:45.120 --> 00:22:47.130
  • THERE'S A COFFEE SHOP RIGHT DOWN
  • 00:22:47.130 --> 00:22:48.260
  • THE STREET FROM THIS CHURCH THEY
  • 00:22:48.260 --> 00:22:51.070
  • STARTED, AND I SAID, "I SAT NEXT
  • 00:22:51.070 --> 00:22:52.050
  • DOOR TO YOUR CHURCH YESTERDAY."
  • 00:22:52.050 --> 00:22:53.170
  • AND SHE SAID, "OH, LISA, I WISH
  • 00:22:53.170 --> 00:22:54.150
  • WE HAD THE TIME TO TELL YOU THE
  • 00:22:54.150 --> 00:22:56.190
  • MIRACLES WE SAW IN THAT LITTLE
  • 00:22:56.190 --> 00:22:58.290
  • CHURCH, THE PEOPLE WHO CAME TO
  • 00:22:58.290 --> 00:23:00.270
  • KNOW JESUS AS THEIR SAVIOR, AND
  • 00:23:00.270 --> 00:23:02.230
  • THE MARRIAGES THAT WERE
  • 00:23:02.230 --> 00:23:04.050
  • RESTORED, AND THE PEOPLE THAT
  • 00:23:04.050 --> 00:23:05.130
  • WERE HEALED."
  • 00:23:05.130 --> 00:23:07.190
  • SHE SAID, "WE HAD A GLORIOUS
  • 00:23:07.190 --> 00:23:09.170
  • MINISTRY," SHE SAID,
  • 00:23:09.170 --> 00:23:11.030
  • "BUT THEN, WHEN WE WERE IN OUR
  • 00:23:11.030 --> 00:23:12.150
  • 40s, ONE OF OUR BOYS HAD GOTTEN
  • 00:23:12.150 --> 00:23:13.150
  • MARRIED, AND HIS WIFE WAS ABOUT
  • 00:23:13.150 --> 00:23:16.030
  • TO HAVE OUR FIRST GRANDCHILD,
  • 00:23:16.140 --> 00:23:19.140
  • AND I TOLD BILL I WANTED TO ADD
  • 00:23:19.140 --> 00:23:20.060
  • ONTO OUR HOUSE BECAUSE," SHE
  • 00:23:20.060 --> 00:23:21.250
  • SAID, "WE GREW UP IN THIS LITTLE
  • 00:23:21.250 --> 00:23:22.240
  • BITTY HOUSE."
  • 00:23:22.240 --> 00:23:23.230
  • AND SHE SAID, "I THOUGHT
  • 00:23:23.230 --> 00:23:26.010
  • I WANT IT TO BE JUST A LITTLE
  • 00:23:26.010 --> 00:23:26.280
  • BIT BIGGER 'CAUSE I WANT A
  • 00:23:26.280 --> 00:23:28.160
  • WHOLE MESS OF GRANDKIDS, AND I
  • 00:23:28.160 --> 00:23:30.020
  • WANT 'EM TO ALL BE ABLE TO COME
  • 00:23:30.020 --> 00:23:31.060
  • OVER AND STAY AT NANA AND POP'S
  • 00:23:31.060 --> 00:23:32.110
  • HOUSE," AND SHE SAID,
  • 00:23:32.110 --> 00:23:33.160
  • "TO SAVE MONEY."
  • 00:23:33.160 --> 00:23:34.150
  • BILL AND THE BOYS, AND THE
  • 00:23:34.150 --> 00:23:36.070
  • BOY THAT THEY DIDN'T THINK
  • 00:23:36.070 --> 00:23:37.110
  • WOULD MAKE IT TO TERM, ACTUALLY
  • 00:23:37.110 --> 00:23:38.030
  • MADE IT TO TERM.
  • 00:23:38.030 --> 00:23:39.220
  • HE HAD MS BUT REALLY AMAZING
  • 00:23:39.220 --> 00:23:41.080
  • YOUNG MAN, AND SHE SAID, "THE
  • 00:23:41.080 --> 00:23:42.260
  • BOYS CAME OVER, AND THEY DECIDED
  • 00:23:42.260 --> 00:23:45.210
  • THAT THEY WOULD DO ALL THE
  • 00:23:45.210 --> 00:23:46.270
  • CONSTRUCTION BY THEMSELVES."
  • 00:23:46.270 --> 00:23:47.170
  • AND SHE SAID, "THERE WAS A
  • 00:23:47.170 --> 00:23:48.280
  • TRAGIC ACCIDENT, AND DURING THIS
  • 00:23:48.280 --> 00:23:50.280
  • CONSTRUCTION PROJECT, BILL FELL
  • 00:23:50.280 --> 00:23:52.230
  • OFF THE ROOF, AND HE WAS KILLED,
  • 00:23:52.230 --> 00:23:55.030
  • AND SHE SAID, "AND THEN, JUST A
  • 00:23:55.030 --> 00:23:57.030
  • FEW MONTHS AFTER THAT, MY BOY
  • 00:23:57.030 --> 00:23:59.040
  • WHO WAS BORN SICK, HE DIED."
  • 00:23:59.040 --> 00:24:01.010
  • AND SHE SAID,
  • 00:24:01.070 --> 00:24:04.070
  • "YOU KNOW, NO PARENT
  • 00:24:04.070 --> 00:24:05.200
  • SHOULD OUTLIVE THEIR CHILD."
  • 00:24:06.020 --> 00:24:09.020
  • AND SHE SAID, "LISA, I FELL INTO
  • 00:24:09.020 --> 00:24:10.150
  • A PIT IN MY EARLY 40s, THAT WAS
  • 00:24:11.020 --> 00:24:14.020
  • SO DEEP AND SO DARK, I DIDN'T
  • 00:24:14.020 --> 00:24:14.280
  • KNOW IF I WOULD EVER GET OUT OF
  • 00:24:14.280 --> 00:24:16.030
  • THAT PIT."
  • 00:24:16.030 --> 00:24:18.280
  • SHE SAID, "I WAS IN THERE
  • 00:24:18.280 --> 00:24:19.190
  • FOR ABOUT A YEAR."
  • 00:24:19.190 --> 00:24:21.240
  • SOME OF Y'ALL MAY FEEL
  • 00:24:21.240 --> 00:24:22.120
  • LIKE YOU'RE THERE RIGHT NOW.
  • 00:24:22.120 --> 00:24:23.240
  • IT MAY HAVE BEEN ALL YOU COULD
  • 00:24:24.030 --> 00:24:27.030
  • DO TO DRIVE INTO THE PARKIN' LOT
  • 00:24:27.030 --> 00:24:28.220
  • THIS MORNIN'.
  • 00:24:28.220 --> 00:24:29.100
  • YOU MAY HAVE THOUGHT, "IF ONE
  • 00:24:29.100 --> 00:24:31.070
  • GIRL IS PERKY TO ME, I'M GONNA
  • 00:24:31.070 --> 00:24:32.220
  • PUNCH HER IN THE THROAT."
  • 00:24:32.220 --> 00:24:33.270
  • [LAUGHTER]
  • 00:24:33.270 --> 00:24:35.140
  • YOU KNOW, "I CAN'T DO THIS.
  • 00:24:35.140 --> 00:24:36.060
  • I CAN WEAR THE T-SHIRT, AND I
  • 00:24:36.060 --> 00:24:37.100
  • CAN PRETEND, BUT I JUST FEEL
  • 00:24:37.100 --> 00:24:38.280
  • LIKE I'M BARELY PUTTIN' ONE FOOT
  • 00:24:38.280 --> 00:24:40.050
  • IN FRONT OF THE OTHER."
  • 00:24:40.050 --> 00:24:41.120
  • SHE SAID, "I WAS IN THAT
  • 00:24:41.120 --> 00:24:42.130
  • PIT FOR ABOUT A YEAR,"
  • 00:24:42.130 --> 00:24:43.270
  • AND SHE SAID, "AND THEN,
  • 00:24:43.270 --> 00:24:44.210
  • ONE DAY-- I'LL NEVER
  • 00:24:44.210 --> 00:24:45.220
  • FORGET IT--" SHE SAID, "I FELT
  • 00:24:45.220 --> 00:24:46.260
  • LIKE GOD HIMSELF CAME AND STOOD
  • 00:24:46.260 --> 00:24:48.240
  • AT THE EDGE OF MY PIT, AND HE
  • 00:24:48.240 --> 00:24:50.080
  • SAID, 'AGNES, I KNOW BILL WAS
  • 00:24:50.080 --> 00:24:52.060
  • THE LOVE OF YOUR LIFE, AND I
  • 00:24:52.060 --> 00:24:52.280
  • KNOW YOU LOVE YOUR SON WITH YOUR
  • 00:24:52.280 --> 00:24:54.150
  • WHOLE LIFE, BUT THEY WERE NOT
  • 00:24:54.150 --> 00:24:55.060
  • YOUR LIFE.
  • 00:24:55.060 --> 00:24:56.030
  • I AM YOUR LIFE.
  • 00:24:56.030 --> 00:24:57.220
  • I AM YOUR HOPE.
  • 00:24:57.220 --> 00:24:59.240
  • IT'S TIME FOR YOU TO GET OUT OF
  • 00:24:59.240 --> 00:25:00.180
  • THE PIT.'"
  • 00:25:00.180 --> 00:25:01.070
  • AND SHE SAID, "I WAS 43
  • 00:25:01.070 --> 00:25:01.250
  • YEARS OLD, AND NOW I'M 83."
  • 00:25:01.250 --> 00:25:03.030
  • SHE SAID, "LISA, IN THE LAST 40
  • 00:25:03.030 --> 00:25:05.000
  • YEARS, I'VE BEEN ON 51
  • 00:25:05.000 --> 00:25:06.130
  • INTERNATIONAL MISSION TRIPS TO
  • 00:25:06.130 --> 00:25:09.000
  • TELL PEOPLE ABOUT JESUS."
  • 00:25:09.000 --> 00:25:10.250
  • AND I WAS LIKE,
  • 00:25:10.250 --> 00:25:11.100
  • "YOU ARE KIDDING ME."
  • 00:25:11.100 --> 00:25:13.100
  • SHE GOES, "OH, SECOND HALF OF MY
  • 00:25:13.100 --> 00:25:14.190
  • LIFE HAS BEEN SO MUCH MORE
  • 00:25:14.190 --> 00:25:15.250
  • EXCITING THAN THE FIRST HALF OF
  • 00:25:15.250 --> 00:25:17.080
  • MY LIFE," SHE SAID, "BUT, LISA,
  • 00:25:17.080 --> 00:25:18.260
  • CAN I ASK YOU TO PRAY FOR ME?"
  • 00:25:18.260 --> 00:25:21.210
  • AND I SAID, "WELL, SURE, AGNES,
  • 00:25:21.210 --> 00:25:22.260
  • ASK ME ANYTHING."
  • 00:25:22.260 --> 00:25:24.190
  • SHE SAID, "WELL, I DON'T KNOW
  • 00:25:24.190 --> 00:25:25.260
  • WHERE I'M STAYIN' WHEN
  • 00:25:25.260 --> 00:25:26.260
  • I GET TO MUMBAI."
  • 00:25:26.260 --> 00:25:28.000
  • SHE SAID, "YOU KNOW, I'M GOIN'
  • 00:25:28.000 --> 00:25:29.040
  • BY MYSELF, BUT I KNOW GOD HAS
  • 00:25:29.040 --> 00:25:30.120
  • CALLED ME THERE, AND I KNOW SOME
  • 00:25:30.120 --> 00:25:31.070
  • PEOPLE IN MUMBAI.
  • 00:25:31.070 --> 00:25:32.050
  • I'M JUST NOT SURE HOW I'M GONNA
  • 00:25:32.050 --> 00:25:33.180
  • GET FROM THE AIRPORT TO THIS
  • 00:25:33.180 --> 00:25:35.050
  • VILLAGE, AND I DON'T KNOW WHERE
  • 00:25:35.050 --> 00:25:35.270
  • I'M STAYIN'."
  • 00:25:35.270 --> 00:25:36.290
  • AND SHE SAID, "SO WHEN
  • 00:25:36.290 --> 00:25:38.100
  • YOU GET ON TO NASHVILLE,
  • 00:25:38.100 --> 00:25:40.020
  • COME TO NASHVILLE, AND YOU PUT
  • 00:25:40.020 --> 00:25:42.020
  • YOUR HEAD ON YOUR PILLOW
  • 00:25:42.020 --> 00:25:43.070
  • TONIGHT, WILL YOU PRAY FOR ME?"
  • 00:25:43.070 --> 00:25:43.290
  • AND I SAID, "WELL, AGNES, I'LL
  • 00:25:43.290 --> 00:25:44.250
  • DO THAT, BUT LET ME GO YOU ONE
  • 00:25:44.250 --> 00:25:45.160
  • STEP BETTER.
  • 00:25:45.160 --> 00:25:46.090
  • LET ME PRAY FOR YOU NOW.
  • 00:25:46.090 --> 00:25:48.250
  • LET ME PRAY FOR YOU NOW.
  • 00:25:48.250 --> 00:25:49.230
  • WOULD IT BE ALL RIGHT WITH YOU
  • 00:25:49.230 --> 00:25:50.190
  • IF I LAY HANDS ON YOU AND PRAY
  • 00:25:50.190 --> 00:25:51.100
  • FOR YOU?"
  • 00:25:51.100 --> 00:25:52.120
  • AND SHE SAID, "OH, THAT'D
  • 00:25:52.120 --> 00:25:53.100
  • BE WONDERFUL."
  • 00:25:53.100 --> 00:25:55.180
  • AND THIS PRECIOUS SAINT--
  • 00:25:55.180 --> 00:25:56.270
  • AND WE'RE IN THIS TINY PLANE--
  • 00:25:56.270 --> 00:25:58.290
  • SHE LEANS ALL OVER INTO MY SEAT,
  • 00:25:58.290 --> 00:26:01.160
  • AND I LAY HANDS ON HER,
  • 00:26:01.160 --> 00:26:03.020
  • THIS WOMAN THAT I HAD JUST BEEN
  • 00:26:03.140 --> 00:26:06.140
  • SO OBNOXIOUS TO, JUST 15 MINUTES
  • 00:26:06.140 --> 00:26:07.100
  • BEFORE-- SO CRUEL.
  • 00:26:07.100 --> 00:26:08.120
  • Y'ALL WE MISS MIRACLES SOMETIMES
  • 00:26:08.120 --> 00:26:09.230
  • BECAUSE WE DON'T LOOK UP.
  • 00:26:09.230 --> 00:26:11.000
  • I LAY HANDS ON THIS PRECIOUS
  • 00:26:11.250 --> 00:26:14.250
  • 83-YEAR-OLD SAINT, AND THEN I
  • 00:26:14.250 --> 00:26:16.020
  • REALIZE, RIGHT BEFORE I START TO
  • 00:26:16.020 --> 00:26:17.000
  • PRAY, THE ENTIRE PLANE IS
  • 00:26:17.000 --> 00:26:18.230
  • LISTENIN' TO US.
  • 00:26:18.230 --> 00:26:20.140
  • [LAUGHTER]
  • 00:26:20.140 --> 00:26:21.230
  • I MEAN, YOU COULD'VE HEARD A
  • 00:26:21.230 --> 00:26:22.130
  • PLANE DROP.
  • 00:26:22.130 --> 00:26:23.250
  • HERE'S THIS LITTLE PLANE,
  • 00:26:23.250 --> 00:26:24.140
  • PROBABLY JUST 20 PEOPLE IN THE
  • 00:26:24.140 --> 00:26:26.220
  • PLANE, AND SO IT'S LIKE, "ALL
  • 00:26:27.070 --> 00:26:30.070
  • RIGHT, JESUS," SO I PRAYED THE
  • 00:26:30.070 --> 00:26:31.030
  • WHOLE GOSPEL IN MY PRAYER FOR
  • 00:26:31.030 --> 00:26:31.280
  • MISS AGNES--
  • 00:26:31.280 --> 00:26:33.120
  • [LAUGHTER]
  • 00:26:33.120 --> 00:26:33.270
  • -- A WHOLE GOSPEL, REAL
  • 00:26:33.270 --> 00:26:34.150
  • PENTECOSTAL PRAYER.
  • 00:26:34.150 --> 00:26:35.200
  • WE GET OFF THE PLANE IN CHICAGO,
  • 00:26:35.200 --> 00:26:37.100
  • AND I SAID, "MISS AGNES, I'LL
  • 00:26:37.100 --> 00:26:38.010
  • WAIT WITH YOU, AND I'LL HELP YOU
  • 00:26:38.010 --> 00:26:39.010
  • GET YOUR BAGS, YOU KNOW,
  • 00:26:39.010 --> 00:26:40.100
  • AND GET YOU TO YOUR NEXT GATE."
  • 00:26:40.100 --> 00:26:41.160
  • AND SO WE WERE THE FIRST
  • 00:26:41.160 --> 00:26:43.060
  • PEOPLE OFF THE PLANE,
  • 00:26:43.060 --> 00:26:44.040
  • WAITIN' IN THE JETWAY FOR
  • 00:26:44.040 --> 00:26:44.260
  • HER BAGS.
  • 00:26:44.260 --> 00:26:45.240
  • Y'ALL, ELEVEN-- I COUNTED 'EM--
  • 00:26:45.240 --> 00:26:47.260
  • ELEVEN PEOPLE FROM THAT FLIGHT
  • 00:26:47.260 --> 00:26:49.250
  • OF COMMUTERS, WHEN THEY GOT OFF
  • 00:26:49.250 --> 00:26:50.220
  • THE PLANE, STOPPED AND SAID,
  • 00:26:50.220 --> 00:26:52.110
  • "MISS AGNES, I JUST WANT YOU TO
  • 00:26:52.110 --> 00:26:55.000
  • KNOW I'LL BE PRAYIN' FOR YOU
  • 00:26:55.000 --> 00:26:55.240
  • TOO," "MISS AGNES, I JUST
  • 00:26:55.240 --> 00:26:56.160
  • WANT--" IT WAS LIKE WE
  • 00:26:56.160 --> 00:26:57.170
  • HAD REVIVAL AT O'HARE.
  • 00:26:57.170 --> 00:27:00.080
  • LIKE, THIS IS UNBELIEVABLE.
  • 00:27:00.080 --> 00:27:02.240
  • I GOT HER TO HER GATE, AND I
  • 00:27:02.240 --> 00:27:04.020
  • REALIZED I HAD, LIKE, 12 MINUTES
  • 00:27:04.020 --> 00:27:06.000
  • TO MAKE MY FLIGHT BACK TO
  • 00:27:06.000 --> 00:27:07.180
  • NASHVILLE, AND I HAD TO RUN
  • 00:27:07.180 --> 00:27:09.200
  • THROUGH O'HARE, AND AT THIS AGE,
  • 00:27:09.200 --> 00:27:10.180
  • THAT'S NOT GREAT 'CAUSE I WASN'T
  • 00:27:10.180 --> 00:27:12.120
  • WEARIN' A SPORTS BRA, SO PEOPLE
  • 00:27:12.120 --> 00:27:13.080
  • WERE INJURED--
  • 00:27:13.080 --> 00:27:13.250
  • [LAUGHTER]
  • 00:27:13.250 --> 00:27:14.170
  • -- BUT I BARELY MADE IT TO MY
  • 00:27:14.170 --> 00:27:16.220
  • FLIGHT BACK TO NASHVILLE, AND
  • 00:27:16.220 --> 00:27:17.130
  • WHAT I WAS THINKIN' THE WHOLE
  • 00:27:17.130 --> 00:27:18.120
  • WAY WAS, "LORD, I WANT A LITTLE
  • 00:27:18.120 --> 00:27:19.140
  • MORE AGNES.
  • 00:27:19.140 --> 00:27:20.210
  • I WANT A LITTLE MORE AGNES
  • 00:27:20.210 --> 00:27:22.010
  • IN ME."
  • 00:27:22.010 --> 00:27:23.110
  • Y'ALL, IF YOU IDENTIFY AS A
  • 00:27:23.110 --> 00:27:26.010
  • CHRISTIAN, AS A FOLLOWER OF
  • 00:27:26.010 --> 00:27:28.000
  • JESUS CHRIST, ALL OF US,
  • 00:27:28.070 --> 00:27:31.070
  • ACCORDING TO SCRIPTURE, ARE
  • 00:27:31.070 --> 00:27:32.260
  • COMPELLED TO SHOW SOME MEASURE
  • 00:27:32.260 --> 00:27:35.250
  • OF THAT KIND OF DEVOTION, SOME
  • 00:27:35.250 --> 00:27:37.030
  • MEASURE OF THAT KIND OF PASSION,
  • 00:27:37.030 --> 00:27:39.070
  • AND CONTRARY TO CULTURE, IT'S
  • 00:27:39.070 --> 00:27:41.010
  • NOT BASED ON YOUR
  • 00:27:41.010 --> 00:27:41.230
  • PERSONALITY TYPE.
  • 00:27:41.230 --> 00:27:43.070
  • I DON'T GIVE A FLYIN' FLIP WHAT
  • 00:27:43.070 --> 00:27:44.210
  • YOUR ENNEAGRAM NUMBER IS, AND I
  • 00:27:44.210 --> 00:27:46.200
  • DON'T GIVE ANOTHER FLIP AS TO
  • 00:27:46.200 --> 00:27:48.060
  • WHETHER KIKI LOVES YOU OR NOT.
  • 00:27:48.060 --> 00:27:50.070
  • [LAUGHTER]
  • 00:27:50.070 --> 00:27:53.010
  • THE WHOLE POINT OF BEIN' A
  • 00:27:53.010 --> 00:27:53.270
  • CHRIST-FOLLOWER IS WE ARE
  • 00:27:53.270 --> 00:27:55.220
  • AMBASSADORS OF THE NEW COVENANT.
  • 00:27:55.220 --> 00:27:56.240
  • WE ARE MINISTERS OF THE GOSPEL.
  • 00:27:56.240 --> 00:27:58.090
  • WE ARE SALT IN A FLAVORLESS
  • 00:27:58.090 --> 00:28:00.150
  • WORLD.
  • 00:28:00.150 --> 00:28:02.020
  • WE ARE CITIES ON A HILL THAT
  • 00:28:02.020 --> 00:28:02.220
  • CANNOT BE HIDDEN, Y'ALL.
  • 00:28:02.220 --> 00:28:03.260
  • THAT'S WHO WE ARE.
  • 00:28:03.260 --> 00:28:05.140
  • THAT'S OUR IDENTITY.
  • 00:28:05.140 --> 00:28:06.170
  • ALL OF US SHOULD LOOK
  • 00:28:06.170 --> 00:28:08.030
  • LIKE AGNES.
  • 00:28:08.030 --> 00:28:09.220
  • ALL OF US SHOULD BE SO COMPELLED
  • 00:28:09.260 --> 00:28:12.260
  • BY THE GOSPEL THAT PEOPLE CAN'T
  • 00:28:12.260 --> 00:28:13.240
  • GET CLOSE TO US WITHOUT
  • 00:28:13.240 --> 00:28:15.220
  • EXPERIENCING JESUS.
  • 00:28:15.220 --> 00:28:18.000
  • IF YOU BROUGHT YOUR BIBLES,
  • 00:28:18.000 --> 00:28:18.290
  • TURN TO HEBREWS BECAUSE I
  • 00:28:18.290 --> 00:28:20.200
  • KNOW IT SOUNDS LIKE I
  • 00:28:20.200 --> 00:28:23.170
  • JUST PULLED A FAST ONE ON YOU
  • 00:28:23.170 --> 00:28:24.160
  • 'CAUSE I STARTED BY SAYIN',
  • 00:28:24.160 --> 00:28:26.200
  • "I'M IN A DIFFICULT SEASON,"
  • 00:28:26.200 --> 00:28:28.010
  • AND NOW I'VE JUST BASICALLY
  • 00:28:28.010 --> 00:28:29.080
  • LOWERED THE BOOM AND SAID,
  • 00:28:29.080 --> 00:28:30.210
  • "WE'RE ALL SUPPOSED TO BE
  • 00:28:30.210 --> 00:28:31.130
  • FIRED UP."
  • 00:28:31.130 --> 00:28:33.040
  • Y'ALL WE CAN'T DO THAT
  • 00:28:33.040 --> 00:28:34.220
  • ON OUR OWN, AND SO I WANNA
  • 00:28:34.220 --> 00:28:37.080
  • GIVE YOU JUST A LITTLE
  • 00:28:37.080 --> 00:28:38.030
  • ENCOURAGEMENT FROM A GROUP OF
  • 00:28:38.030 --> 00:28:39.150
  • PEOPLE IN SCRIPTURE THAT WERE
  • 00:28:39.150 --> 00:28:41.120
  • CALLED THE HEBREWS, AND THEY
  • 00:28:41.120 --> 00:28:42.240
  • WERE SO MUCH LIKE US.
  • 00:28:42.240 --> 00:28:43.200
  • THE HEBREWS WERE JEWISH
  • 00:28:43.200 --> 00:28:45.150
  • CHRISTIANS LIVING IN THE
  • 00:28:45.150 --> 00:28:47.220
  • VICINITY OF ROME, AND THAT MEANS
  • 00:28:47.220 --> 00:28:50.090
  • THEY'RE LIVING IN A VERY
  • 00:28:50.090 --> 00:28:51.230
  • PLURALISTIC POLYTHEISTIC SOCIETY
  • 00:28:52.020 --> 00:28:55.020
  • WHERE GOD HAD PROVIDENTIALLY
  • 00:28:55.020 --> 00:28:58.000
  • PLOPPED THEM.
  • 00:28:58.000 --> 00:28:59.090
  • THERE WERE TONS OF RELIGIOUS
  • 00:28:59.090 --> 00:29:00.250
  • PEOPLE, BUT HERE'S WHAT THE
  • 00:29:00.250 --> 00:29:02.230
  • RELIGIOUS PEOPLE SAID: "YOU
  • 00:29:02.230 --> 00:29:03.290
  • KNOW, THIS IS MY PATH TO GOD.
  • 00:29:03.290 --> 00:29:05.230
  • YOU CAN CHOOSE ANY PATH
  • 00:29:05.230 --> 00:29:08.110
  • YOU WANT.
  • 00:29:09.130 --> 00:29:12.130
  • THERE'S TONS OF WAYS YOU CAN GET
  • 00:29:12.130 --> 00:29:13.050
  • TO GOD.
  • 00:29:13.050 --> 00:29:15.160
  • I'M NOT GONNA PUT MY WAY ON
  • 00:29:15.160 --> 00:29:16.130
  • YOUR WAY."
  • 00:29:16.130 --> 00:29:18.050
  • YOU'VE GOT THESE JEWISH
  • 00:29:18.050 --> 00:29:19.140
  • CHRISTIANS WHO GO, "WELL,
  • 00:29:19.140 --> 00:29:20.150
  • ACTUALLY, WE'RE MONOTHEIST.
  • 00:29:20.150 --> 00:29:22.030
  • WE BELIEVE THERE'S ONLY ONE WAY,
  • 00:29:22.030 --> 00:29:24.040
  • AND HIS NAME IS JESUS."
  • 00:29:24.160 --> 00:29:27.160
  • AND WHEN THEY STARTED SHARIN'
  • 00:29:27.160 --> 00:29:28.170
  • THAT WITH THEIR CULTURE,
  • 00:29:28.170 --> 00:29:30.090
  • YOU CAN IMAGINE HOW
  • 00:29:30.090 --> 00:29:31.060
  • WELL IT WENT OVER.
  • 00:29:31.060 --> 00:29:32.020
  • IT WENT OVER LIKE A
  • 00:29:32.020 --> 00:29:32.180
  • LEAD BALLOON.
  • 00:29:32.180 --> 00:29:33.220
  • THEIR KIDS STARTED GETTIN'
  • 00:29:33.220 --> 00:29:34.280
  • BEATEN UP ON THE WAY HOME
  • 00:29:34.280 --> 00:29:35.170
  • FROM SCHOOL.
  • 00:29:35.170 --> 00:29:36.130
  • THEY LOST THEIR BUSINESSES.
  • 00:29:36.130 --> 00:29:37.190
  • SOME OF THEM WERE STONED, SOME
  • 00:29:37.190 --> 00:29:38.240
  • OF THEM WERE MASSACRED, JUST FOR
  • 00:29:38.240 --> 00:29:40.200
  • SAYIN', "I BELIEVE THERE'S ONLY
  • 00:29:40.200 --> 00:29:42.060
  • ONE WAY, AND HIS NAME IS JESUS."
  • 00:29:42.060 --> 00:29:43.220
  • THEIR AGNES GOT MANY OF
  • 00:29:43.220 --> 00:29:46.130
  • THEM MURDERED.
  • 00:29:47.140 --> 00:29:50.140
  • THEIR DEVOTION TO JESUS, IT
  • 00:29:50.140 --> 00:29:52.070
  • DIDN'T PLAY VERY WELL IN THEIR
  • 00:29:52.070 --> 00:29:53.040
  • SOCIETY, SO SEVERAL OF 'EM SAID,
  • 00:29:53.040 --> 00:29:54.180
  • "YOU KNOW WHAT?
  • 00:29:54.180 --> 00:29:55.070
  • I AM SO TIRED OF FEARING FOR MY
  • 00:29:55.070 --> 00:29:56.200
  • LIFE BECAUSE OF MY FAITH
  • 00:29:57.000 --> 00:30:00.000
  • IN JESUS.
  • 00:30:00.000 --> 00:30:00.280
  • I'M THINKIN', "LET'S JUST LAY A
  • 00:30:00.280 --> 00:30:01.200
  • LITTLE LOWER.
  • 00:30:01.200 --> 00:30:03.240
  • I MEAN, "WE KNOW WHAT WE BELIEVE
  • 00:30:03.240 --> 00:30:05.150
  • IN PRIVATE, BUT WHEN WE'RE IN
  • 00:30:05.150 --> 00:30:06.270
  • PUBLIC, LET'S JUST SAY WE'RE
  • 00:30:06.270 --> 00:30:08.270
  • DOIN' AN INSTAGRAM STORY.
  • 00:30:08.270 --> 00:30:10.120
  • LET'S NOT TALK ABOUT JESUS
  • 00:30:10.120 --> 00:30:11.070
  • SO MUCH.
  • 00:30:12.130 --> 00:30:15.130
  • LET'S JUST SAY, "GOD," OR
  • 00:30:15.130 --> 00:30:16.100
  • "FAITH," BECAUSE I'M KIND OF
  • 00:30:16.100 --> 00:30:17.080
  • TIRED OF BEING KILLED.
  • 00:30:17.080 --> 00:30:19.010
  • AS A MATTER OF FACT, WHEN WE
  • 00:30:19.010 --> 00:30:20.150
  • WERE JEWS AND WE HAD JEHOVAH IN
  • 00:30:20.150 --> 00:30:23.030
  • THE MIX AND WE DIDN'T THINK WE
  • 00:30:23.030 --> 00:30:25.100
  • HAD MET THE MESSIAH YET,
  • 00:30:25.100 --> 00:30:26.290
  • PEOPLE DIDN'T LIKE US.
  • 00:30:31.050 --> 00:30:34.050
  • THEY TURNED DOWN THEIR NOSES AT
  • 00:30:34.050 --> 00:30:35.070
  • US, BUT NOBODY WAS KILLING US.
  • 00:30:35.070 --> 00:30:36.090
  • SO MAYBE WE SHOULD JUST REVERT
  • 00:30:36.090 --> 00:30:37.020
  • BACK TO JUDAISM."
  • 00:30:37.020 --> 00:30:37.280
  • SOUNDS A LOT LIKE OUR
  • 00:30:37.280 --> 00:30:38.150
  • CULTURE, DOESN'T IT?
  • 00:30:38.150 --> 00:30:39.020
  • I WAS AT A BIG WOMEN'S
  • 00:30:39.020 --> 00:30:40.180
  • CONFERENCE NOT TOO LONG AGO.
  • 00:30:40.180 --> 00:30:41.090
  • I WAS THE LEAST WELL-KNOWN
  • 00:30:41.090 --> 00:30:42.070
  • PERSON ON THE PLATFORM--
  • 00:30:42.070 --> 00:30:42.250
  • OTHER BIG DOGS ON THE PLATFORM.
  • 00:30:42.250 --> 00:30:45.120
  • I WAS JUST THANKFUL TO BE THERE,
  • 00:30:45.120 --> 00:30:46.040
  • HOPIN' I DIDN'T DO
  • 00:30:46.040 --> 00:30:46.230
  • ANYTHING HERETICAL.
  • 00:30:47.090 --> 00:30:50.090
  • AND SO I HAD TWO MESSAGES.
  • 00:30:50.090 --> 00:30:50.280
  • AFTER MY FIRST MESSAGE,
  • 00:30:50.280 --> 00:30:51.290
  • THE WOMAN WHO HEADED THIS WHOLE
  • 00:30:51.290 --> 00:30:54.000
  • THING UP,
  • 00:30:54.000 --> 00:30:54.150
  • CALLED ME ASIDE, AND SHE SAID,
  • 00:30:54.150 --> 00:30:55.210
  • "YOU KNOW HOW YOU CAN TELL
  • 00:30:55.210 --> 00:30:58.090
  • SOMEBODY'S JUST ABOUT TO
  • 00:30:58.090 --> 00:30:58.270
  • GIVE YOU A SPANKIN',
  • 00:30:58.270 --> 00:30:59.170
  • BUT THEY'RE GONNA
  • 00:30:59.170 --> 00:31:00.040
  • GIVE YA HUG FIRST?
  • 00:31:00.040 --> 00:31:00.220
  • [LAUGHTER]
  • 00:31:00.220 --> 00:31:01.160
  • YOU KNOW, IT'S THE 'BLESS YOUR
  • 00:31:01.160 --> 00:31:02.100
  • HEART.'"
  • 00:31:02.100 --> 00:31:02.280
  • SHE SAID, "YOU KNOW, LISA,
  • 00:31:02.280 --> 00:31:04.010
  • WE LOVE YOUR PERSONALITY,
  • 00:31:04.010 --> 00:31:06.100
  • AND YOU KNOW YOU ARE AN
  • 00:31:06.100 --> 00:31:08.160
  • EFFECTIVE COMMUNICATOR, BUT
  • 00:31:08.160 --> 00:31:09.280
  • HERE'S WHAT WE REALIZED: YOU SAY
  • 00:31:09.280 --> 00:31:12.080
  • THE NAME 'JESUS' A LOT, AND WE
  • 00:31:12.110 --> 00:31:15.110
  • JUST FOUND THAT THE WOMEN WHO
  • 00:31:15.240 --> 00:31:18.240
  • COME TO OUR CONFERENCE PREFER
  • 00:31:18.240 --> 00:31:20.010
  • THE NAME 'GOD,' BECAUSE, YOU
  • 00:31:20.010 --> 00:31:21.250
  • KNOW, 'GOD' IS LESS OFFENSIVE.
  • 00:31:22.000 --> 00:31:25.000
  • IT'S JUST LESS NARROW THAN THE
  • 00:31:25.000 --> 00:31:27.110
  • NAME 'JESUS,' SO, IN YOUR SECOND
  • 00:31:27.110 --> 00:31:28.270
  • MESSAGE, WE WOULD APPRECIATE IT
  • 00:31:29.260 --> 00:31:32.260
  • IF YOU WOULD JUST SAY, 'GOD,' A
  • 00:31:32.260 --> 00:31:33.180
  • LITTLE MORE OFTEN AND JUST NOT
  • 00:31:33.180 --> 00:31:34.240
  • SAY, 'JESUS,' QUITE SO MUCH."
  • 00:31:35.270 --> 00:31:38.270
  • AND BECAUSE I'VE ALWAYS BEEN
  • 00:31:38.270 --> 00:31:39.270
  • SUCH A QUIET, SUBMISSIVE TYPE--
  • 00:31:39.270 --> 00:31:42.000
  • [LAUGHTER]
  • 00:31:42.000 --> 00:31:43.000
  • -- I SAID, "YES, MA'AM."
  • 00:31:43.210 --> 00:31:46.210
  • NO, I DIDN'T.
  • 00:31:46.210 --> 00:31:47.210
  • I SAID, "MA'AM," I SAID, "I
  • 00:31:47.210 --> 00:31:49.100
  • UNDERSTAND WHERE YOU'RE COMIN'
  • 00:31:49.130 --> 00:31:52.130
  • FROM, AND I WANNA REALLY
  • 00:31:52.130 --> 00:31:53.150
  • RESPECT THE FACT THAT THIS IS
  • 00:31:53.150 --> 00:31:55.080
  • YOUR CONFERENCE, BUT WHEN YOU
  • 00:31:55.080 --> 00:31:56.260
  • SAY, 'GOD,' IN OUR CULTURE, A
  • 00:31:56.260 --> 00:31:58.160
  • LOT OF PEOPLE ARE ACTUALLY
  • 00:31:58.160 --> 00:31:59.220
  • TALKIN' ABOUT THE STATUE AT THE
  • 00:31:59.220 --> 00:32:00.250
  • CHINESE RESTAURANT, OR THEY'RE
  • 00:32:00.250 --> 00:32:02.230
  • TALKIN' ABOUT THE CRYSTAL
  • 00:32:02.230 --> 00:32:03.120
  • HANGIN' AROUND THEIR NECK.
  • 00:32:03.120 --> 00:32:04.270
  • IF YOU'RE TALKIN' ABOUT GOD,
  • 00:32:04.270 --> 00:32:06.000
  • BIG-G GOD, GENESIS 1:26 AND 27,
  • 00:32:06.000 --> 00:32:08.000
  • GOD THE FATHER, GOD THE SON, GOD
  • 00:32:08.000 --> 00:32:08.230
  • THE HOLY SPIRIT, I LOVE THAT
  • 00:32:08.230 --> 00:32:10.050
  • GOD, BUT IF YOU'RE TALKIN' ABOUT
  • 00:32:10.050 --> 00:32:12.040
  • A LITTLE-G GOD, THAT GOD DIDN'T
  • 00:32:12.040 --> 00:32:12.290
  • WALK UP GOLGOTHA AND STRETCH OUT
  • 00:32:12.290 --> 00:32:13.260
  • HIS ARMS AND DIE ON A CROSS
  • 00:32:13.260 --> 00:32:14.270
  • FOR ME.
  • 00:32:14.270 --> 00:32:15.140
  • THAT GOD'S NAME FOR ME IS JESUS,
  • 00:32:15.140 --> 00:32:17.130
  • SO THE ONLY WAY I CAN TALK IS TO
  • 00:32:17.130 --> 00:32:18.050
  • SAY THE NAME JESUS,"
  • 00:32:19.130 --> 00:32:22.130
  • AND SO IT WAS LIKE
  • 00:32:22.130 --> 00:32:23.080
  • I HAD JESUS TOURETTE'S,
  • 00:32:23.080 --> 00:32:24.140
  • THE SECOND MESSAGE.
  • 00:32:24.140 --> 00:32:25.280
  • I WAS LIKE, "JESUS, JESUS,
  • 00:32:25.280 --> 00:32:26.170
  • JESUS, JESUS, JESUS,
  • 00:32:26.170 --> 00:32:27.060
  • JESUS, JESUS, JESUS."
  • 00:32:27.060 --> 00:32:28.000
  • [LAUGHTER]
  • 00:32:28.000 --> 00:32:30.040
  • Y'ALL, WE'RE GETTING TO A TIME
  • 00:32:30.040 --> 00:32:32.020
  • IN CULTURE-- AND I'M NOT JUST
  • 00:32:32.020 --> 00:32:34.170
  • TALKIN' WORLD CULTURE.
  • 00:32:34.170 --> 00:32:35.110
  • I'M TALKIN' EVEN SOUTHERN
  • 00:32:35.110 --> 00:32:38.000
  • EVANGELICAL CULTURE, WHERE
  • 00:32:38.000 --> 00:32:38.280
  • PEOPLE ARE GONNA SAY, "I'D BE
  • 00:32:38.280 --> 00:32:40.040
  • MORE COMFORTABLE IF YOU DIDN'T
  • 00:32:40.040 --> 00:32:41.190
  • TALK ABOUT JESUS SO MUCH.
  • 00:32:41.190 --> 00:32:43.010
  • I'D BE A LITTLE MORE COMFORTABLE
  • 00:32:43.010 --> 00:32:43.230
  • IF YOU JUST TALKED ABOUT LOVE,
  • 00:32:43.230 --> 00:32:44.260
  • IF YOU JUST TALK ABOUT ALL OF US
  • 00:32:44.260 --> 00:32:45.180
  • BEIN' INCLUDED, BUT THE WHOLE
  • 00:32:45.180 --> 00:32:47.030
  • REPENTANCE ELEMENT, I HAVE A
  • 00:32:47.030 --> 00:32:48.130
  • HARD TIME WITH THAT."
  • 00:32:48.130 --> 00:32:50.250
  • Y'ALL, THAT'S EXACTLY WHERE
  • 00:32:50.250 --> 00:32:53.080
  • THEY ARE IN HEBREWS.
  • 00:32:53.080 --> 00:32:54.010
  • SO THEIR PASTOR GATHERS THEM
  • 00:32:54.010 --> 00:32:54.290
  • TOGETHER.
  • 00:32:54.290 --> 00:32:55.130
  • WE DON'T KNOW FOR SURE WHO WROTE
  • 00:32:55.130 --> 00:32:56.080
  • SOME HAVE ARGUED IT WAS
  • 00:32:59.220 --> 00:33:02.050
  • PRISCILLA,
  • 00:33:02.050 --> 00:33:03.030
  • NOT THIS PRISCILLA--
  • 00:33:03.030 --> 00:33:04.110
  • [LAUGHTER]
  • 00:33:04.110 --> 00:33:05.060
  • -- BUT PRISCILLA FROM THE NEW
  • 00:33:05.060 --> 00:33:05.270
  • TESTAMENT, ALTHOUGH THIS ONE'S
  • 00:33:05.270 --> 00:33:06.180
  • SMART ENOUGH TO HAVE WRITTEN IT,
  • 00:33:06.180 --> 00:33:08.020
  • BUT HE REFERS TO HIMSELF IN
  • 00:33:08.020 --> 00:33:09.240
  • SO UNLESS ANCIENT PRISCILLA HAD
  • 00:33:12.210 --> 00:33:13.130
  • MAJOR IDENTITY ISSUES,
  • 00:33:13.130 --> 00:33:14.000
  • IT WAS NOT PRISCILLA.
  • 00:33:14.000 --> 00:33:15.160
  • SOME HAVE ARGUED FOR LUKE.
  • 00:33:15.160 --> 00:33:16.110
  • SOME HAVE ARGUED FOR PAUL.
  • 00:33:16.110 --> 00:33:19.000
  • WE DON'T KNOW FOR SURE WHO
  • 00:33:19.000 --> 00:33:19.220
  • WROTE HEBREWS.
  • 00:33:20.240 --> 00:33:23.240
  • WHAT WE KNOW IS HE WAS A PASTOR,
  • 00:33:23.240 --> 00:33:24.160
  • AND HE LOVED HIS SHEEP.
  • 00:33:24.160 --> 00:33:25.230
  • I MEAN, HE LOVED THESE YOUNG
  • 00:33:26.010 --> 00:33:29.010
  • BELIEVERS EVEN THOUGH THEY WERE
  • 00:33:29.010 --> 00:33:30.180
  • STRUGGLIN', EVEN THOUGH THEY
  • 00:33:30.180 --> 00:33:31.140
  • WERE BARELY PUTTIN' ONE FOOT IN
  • 00:33:31.140 --> 00:33:33.010
  • FRONT OF THE OTHER, EVEN THOUGH
  • 00:33:33.010 --> 00:33:35.010
  • SOME WERE CONSIDERING APOSTASY.
  • 00:33:35.010 --> 00:33:36.190
  • "THIS JESUS STUFF IS TOO HARD,"
  • 00:33:36.190 --> 00:33:38.290
  • SO HE GATHERS 'EM TOGETHER IN A
  • 00:33:38.290 --> 00:33:40.010
  • HOME CHURCH, AND HE PREACHES
  • 00:33:40.010 --> 00:33:42.290
  • THIS MESSAGE THAT IS, IN EFFECT,
  • 00:33:42.290 --> 00:33:44.210
  • TO A TEAM THAT'S GETTIN' BEATEN
  • 00:33:44.210 --> 00:33:47.000
  • LIKE A DRUM, AND HERE'S HOW
  • 00:33:48.080 --> 00:33:51.080
  • "LONG AGO--" THIS IS HEBREWS
  • 00:33:53.240 --> 00:33:54.140
  • CHAPTER 1, VERSE 1: "LONG AGO,
  • 00:33:54.140 --> 00:33:55.190
  • AT MANY TIMES AND IN MANY
  • 00:33:55.190 --> 00:33:57.070
  • WAYS--" THAT'S "POLUMEROS,"
  • 00:33:57.070 --> 00:33:59.150
  • LATIN, "POLUMEROS,"
  • 00:33:59.150 --> 00:34:00.260
  • "POLUTROPOS," "MANY TIMES,"
  • 00:34:00.260 --> 00:34:01.220
  • "MANY WAYS."
  • 00:34:01.220 --> 00:34:03.090
  • "LONG AGO, MANY TIMES AND
  • 00:34:03.090 --> 00:34:03.280
  • MANY WAYS, GOD SPOKE TO OUR
  • 00:34:03.280 --> 00:34:05.290
  • FATHERS BY THE PROPHETS,
  • 00:34:05.290 --> 00:34:07.280
  • BUT IN THESE LAST DAYS, HE HAS
  • 00:34:07.280 --> 00:34:08.280
  • SPOKEN TO US BY HIS SON, WHOM HE
  • 00:34:10.130 --> 00:34:13.130
  • APPOINTED THE HEIR OF ALL
  • 00:34:13.130 --> 00:34:14.060
  • THINGS, THROUGH WHOM HE CREATED
  • 00:34:14.060 --> 00:34:14.280
  • THE WORLD.
  • 00:34:14.280 --> 00:34:16.240
  • HE, JESUS, IS THE RADIANCE OF
  • 00:34:16.240 --> 00:34:17.220
  • THE GLORY OF GOD AND THE EXACT
  • 00:34:17.220 --> 00:34:19.210
  • IMPRINT OF HIS NATURE, AND HE
  • 00:34:20.120 --> 00:34:23.120
  • UPHOLDS THE UNIVERSE BY THE WORD
  • 00:34:23.120 --> 00:34:24.260
  • OF HIS POWER.
  • 00:34:24.260 --> 00:34:26.150
  • AFTER MAKING PURIFICATION FOR
  • 00:34:26.150 --> 00:34:27.240
  • SINS, HE SAT DOWN AT THE RIGHT
  • 00:34:27.240 --> 00:34:29.080
  • HAND OF MAJESTY ON HIGH, HAVING
  • 00:34:29.080 --> 00:34:31.260
  • BECOME AS MUCH SUPERIOR AS TO
  • 00:34:31.260 --> 00:34:33.010
  • ANGELS AS THE NAME HE HAS
  • 00:34:33.010 --> 00:34:34.090
  • INHERITED IS MORE EXCELLENT
  • 00:34:34.090 --> 00:34:36.200
  • THAN THEIRS."
  • 00:34:36.200 --> 00:34:38.230
  • "JESUS IS THE BOSS, JESUS IS IT,
  • 00:34:42.030 --> 00:34:42.250
  • JESUS IS SUPREME,
  • 00:34:44.090 --> 00:34:47.090
  • HE IS SOVEREIGN OVER ALL."
  • 00:34:47.090 --> 00:34:48.210
  • OUR CULTURE WILL TELL
  • 00:34:48.210 --> 00:34:49.150
  • YOU HE WAS A NICE GUY.
  • 00:34:49.150 --> 00:34:50.100
  • HE'S ONE OF THE PROPHETS.
  • 00:34:50.130 --> 00:34:53.130
  • IF HE'S YOUR WAY TO GOD, GOOD
  • 00:34:53.130 --> 00:34:54.210
  • ON YOU.
  • 00:34:57.000 --> 00:35:00.020
  • THIS IS MY WAY TO GOD.
  • 00:35:00.020 --> 00:35:00.270
  • THE PASTOR OF THE HEBREWS,
  • 00:35:02.110 --> 00:35:05.110
  • GO, "NO, HE'S NOT A WAY.
  • 00:35:05.110 --> 00:35:05.290
  • HE'S THE WAY, AND HE IS THE
  • 00:35:05.290 --> 00:35:06.220
  • EXACT IMPRINT OF THE NATURE OF
  • 00:35:06.220 --> 00:35:07.130
  • FATHER GOD."
  • 00:35:07.130 --> 00:35:09.100
  • HE IS GOD.
  • 00:35:09.100 --> 00:35:09.290
  • HE'S NOT AN AFTERTHOUGHT.
  • 00:35:09.290 --> 00:35:10.290
  • HE'S NOT AN INTERMEDIARY.
  • 00:35:10.290 --> 00:35:11.240
  • HE IS GOD.
  • 00:35:11.240 --> 00:35:13.150
  • VERSE 15 OF CHAPTER 4-- AND, YOU
  • 00:35:16.140 --> 00:35:18.210
  • KNOW, TURN THERE 'CAUSE WE'RE
  • 00:35:18.210 --> 00:35:20.170
  • GONNA HEAD BACK TO 1 AND 2 IN
  • 00:35:20.170 --> 00:35:21.080
  • JUST A MINUTE.
  • 00:35:21.080 --> 00:35:22.070
  • BUT THEN HE GOES ON TO SAY, "FOR
  • 00:35:22.070 --> 00:35:23.080
  • WE DO NOT HAVE A HIGH PRIEST WHO
  • 00:35:23.080 --> 00:35:24.150
  • IS UNABLE TO SYMPATHIZE WITH OUR
  • 00:35:24.150 --> 00:35:25.150
  • WEAKNESSES, BUT ONE WHO IS IN
  • 00:35:25.150 --> 00:35:27.240
  • EVERY RESPECT HAS BEEN TEMPTED
  • 00:35:27.240 --> 00:35:29.090
  • AS WE ARE, YET WITHOUT SIN.
  • 00:35:29.090 --> 00:35:30.200
  • LET US THEN WITH CONFIDENCE DRAW
  • 00:35:31.100 --> 00:35:34.100
  • NEAR TO THE THRONE OF GRACE,
  • 00:35:34.100 --> 00:35:35.080
  • THAT WE MAY RECEIVE MERCY AND
  • 00:35:35.080 --> 00:35:36.060
  • FIND GRACE TO HELP US IN OUR
  • 00:35:36.060 --> 00:35:37.170
  • SO HE SAYS, "HERE'S THE TWO
  • 00:35:40.280 --> 00:35:41.180
  • THINGS WHEN YOU'RE STRUGGLIN',
  • 00:35:41.180 --> 00:35:42.090
  • WHEN YOU'RE BARELY PUTTIN' ONE
  • 00:35:42.090 --> 00:35:43.080
  • FOOT IN FRONT OF THE OTHER.
  • 00:35:43.080 --> 00:35:44.070
  • HERE'S THE TWO THINGS YOU NEED
  • 00:35:44.070 --> 00:35:45.000
  • TO REMEMBER ABOUT JESUS:
  • 00:35:45.000 --> 00:35:45.180
  • HE IS SUPREME.
  • 00:35:49.080 --> 00:35:52.080
  • HE'S SUPREME.
  • 00:35:52.080 --> 00:35:53.100
  • HE IS THE ONLY TRUE GOD.
  • 00:35:53.100 --> 00:35:54.260
  • SECONDLY, HE'S ACCESSIBLE.
  • 00:35:54.260 --> 00:35:57.180
  • HE IS THE KING OF ALL KINGS, AND
  • 00:35:59.190 --> 00:36:02.210
  • HE ALLOWS YOU TO GET REAL CLOSE
  • 00:36:02.210 --> 00:36:04.020
  • TO HIM.
  • 00:36:04.020 --> 00:36:04.180
  • IT'S A MIRACULOUS JUXTAPOSITION,
  • 00:36:05.160 --> 00:36:08.160
  • THAT HE IS FULLY GOD AND FULLY
  • 00:36:08.160 --> 00:36:09.070
  • ACCESSIBLE TO SINNERS.
  • 00:36:10.030 --> 00:36:13.030
  • AND LET ME TELL YA, OUR CULTURE
  • 00:36:13.030 --> 00:36:13.280
  • IS ALL ABOUT THE
  • 00:36:13.280 --> 00:36:15.040
  • ACCESSIBLE PART.
  • 00:36:17.120 --> 00:36:20.120
  • MODERNITY IS INFATUATED WITH A
  • 00:36:20.120 --> 00:36:21.030
  • GOD THAT THEY CAN GET CLOSE TO.
  • 00:36:21.030 --> 00:36:23.230
  • AS A MATTER OF FACT, MOST MODERN
  • 00:36:23.230 --> 00:36:25.000
  • CULTURE TELLS US WE CAN BE
  • 00:36:25.000 --> 00:36:25.280
  • LITTLE GODS.
  • 00:36:26.020 --> 00:36:29.020
  • SO THE IDEA OF "AN ACCESSIBLE
  • 00:36:29.020 --> 00:36:30.060
  • DEITY," I MEAN, CULTURE IS ALL
  • 00:36:30.060 --> 00:36:32.050
  • OVER THAT PART.
  • 00:36:32.050 --> 00:36:34.120
  • IT'S LIKE, "YEAH, THAT SOUNDS
  • 00:36:34.120 --> 00:36:35.280
  • GOOD TO ME.
  • 00:36:35.280 --> 00:36:37.220
  • THAT SOUNDS GREAT TO ME.
  • 00:36:37.220 --> 00:36:38.100
  • THAT ACTUALLY WILL PLAY REALLY
  • 00:36:38.100 --> 00:36:40.200
  • WELL ON BLOGS IF WE JUST TALK
  • 00:36:40.200 --> 00:36:42.060
  • ABOUT THE ACCESSIBILITY
  • 00:36:42.060 --> 00:36:44.060
  • OF JESUS.
  • 00:36:45.200 --> 00:36:48.200
  • LET'S MAKE HIM KIND OF A
  • 00:36:48.200 --> 00:36:49.130
  • LIFE COACH.
  • 00:36:49.200 --> 00:36:52.200
  • HE'S GONNA ENCOURAGE US.
  • 00:36:52.200 --> 00:36:53.110
  • HE'S GONNA HUG US.
  • 00:36:53.110 --> 00:36:53.260
  • I MEAN, IT'S GONNA BE AWESOME.
  • 00:36:53.260 --> 00:36:54.170
  • HE'S PROBABLY GONNA BUY US
  • 00:36:54.170 --> 00:36:55.150
  • COFFEE AT STARBUCKS."
  • 00:36:55.150 --> 00:36:57.280
  • BUT THEN, WHEN YOU GO,
  • 00:36:57.280 --> 00:36:58.190
  • "YES," SCRIPTURE ABSOLUTELY
  • 00:36:58.190 --> 00:37:00.240
  • PAINTS OUR HIGH PRIEST
  • 00:37:01.010 --> 00:37:04.010
  • AS AN EMPATHETIC HIGH PRIEST.
  • 00:37:04.050 --> 00:37:07.050
  • HE ALLOWS US TO COME CLOSE
  • 00:37:07.050 --> 00:37:08.050
  • TO US.
  • 00:37:08.050 --> 00:37:09.050
  • HE SAYS, "I'LL LOVE YOU WITH AN
  • 00:37:09.050 --> 00:37:10.230
  • EVERLASTING LOVE."
  • 00:37:10.230 --> 00:37:12.010
  • SCRIPTURE ALSO SAYS HE'S LORD,
  • 00:37:12.220 --> 00:37:15.220
  • AND HE'S THE ONLY LORD,
  • 00:37:15.220 --> 00:37:18.110
  • AND HE IS ABSOLUTELY HOLY,
  • 00:37:20.020 --> 00:37:23.020
  • AND HE IS OTHER,
  • 00:37:23.020 --> 00:37:24.130
  • AND THAT'S WHERE CULTURE GOES,
  • 00:37:24.130 --> 00:37:25.230
  • "I THINK THAT'S INAPPROPRIATE.
  • 00:37:25.230 --> 00:37:27.050
  • I THINK THAT'S INTOLERANT.
  • 00:37:27.050 --> 00:37:28.120
  • I THINK THAT'S HATEFUL.
  • 00:37:28.120 --> 00:37:29.200
  • I THINK THAT'S NARROW-MINDED."
  • 00:37:29.200 --> 00:37:31.020
  • AND I'M LIKE, "WELL, TAKE IT UP
  • 00:37:31.020 --> 00:37:31.260
  • WITH GOD BECAUSE GOD'S THE ONE
  • 00:37:31.260 --> 00:37:33.020
  • WHO SAID IT."
  • 00:37:33.020 --> 00:37:35.040
  • HE SAID, "I AM BOTH COMPLETELY
  • 00:37:35.080 --> 00:37:38.080
  • SUPREME AND SOVEREIGN OVER ALL.
  • 00:37:39.120 --> 00:37:42.120
  • THERE IS NONE LIKE ME, AND
  • 00:37:42.120 --> 00:37:43.230
  • BECAUSE I FORMED YOU AND I
  • 00:37:43.230 --> 00:37:45.170
  • FASHIONED YOU, I CREATED MY SON,
  • 00:37:49.120 --> 00:37:52.120
  • AN INCARNATE NATURE, SO THAT HE
  • 00:37:52.120 --> 00:37:53.240
  • COULD COME AND CONNECT WITH YOU
  • 00:37:53.240 --> 00:37:55.080
  • AND RECONCILE YOU TO ME, BUT
  • 00:37:55.080 --> 00:37:56.150
  • DON'T MAKE ANY BONES ABOUT IT.
  • 00:37:56.150 --> 00:37:57.190
  • HE IS NOT YOU.
  • 00:37:57.190 --> 00:37:59.180
  • HE'S NOT YOU."
  • 00:37:59.180 --> 00:38:00.130
  • HE IS SUPREME.
  • 00:38:00.130 --> 00:38:02.240
  • HE'S NOT HUMAN.
  • 00:38:02.240 --> 00:38:04.130
  • SOME PEOPLE GET CONFUSED WHERE
  • 00:38:04.130 --> 00:38:05.050
  • IT SAYS, "JESUS MADE HIMSELF A
  • 00:38:05.050 --> 00:38:06.210
  • LITTLE LOWER THAN THE ANGELS."
  • 00:38:06.210 --> 00:38:08.030
  • THAT DOESN'T MEAN HE'S LESS
  • 00:38:08.030 --> 00:38:08.240
  • THAN ANGELS.
  • 00:38:08.240 --> 00:38:09.220
  • THAT MEANS, BECAUSE HE LOVES US
  • 00:38:11.060 --> 00:38:14.060
  • SO STINKIN' MUCH, HE WILLINGLY
  • 00:38:14.060 --> 00:38:15.050
  • LAID DOWN HIS SCEPTER IN GLORY,
  • 00:38:15.050 --> 00:38:16.240
  • AND HE CAME DOWN TO THIS BROKEN
  • 00:38:16.240 --> 00:38:19.170
  • PLANET CALLED EARTH, AND HE
  • 00:38:19.170 --> 00:38:20.070
  • WRAPPED A TOWEL AROUND HIS
  • 00:38:20.070 --> 00:38:21.190
  • WAIST, AND HE WASHED OUR DIRTY
  • 00:38:21.190 --> 00:38:23.070
  • FEET, SO HE MAKES
  • 00:38:23.070 --> 00:38:24.130
  • HIMSELF ACCESSIBLE.
  • 00:38:25.270 --> 00:38:28.270
  • HE'S FUELED BY COMPASSION, BUT,
  • 00:38:28.270 --> 00:38:29.190
  • Y'ALL, HE IS NOT HUMAN.
  • 00:38:29.190 --> 00:38:30.090
  • HE IS NOT A COPILOT.
  • 00:38:30.130 --> 00:38:33.130
  • HE'S NOT A LIFE COACH.
  • 00:38:33.130 --> 00:38:34.180
  • HE IS THE LORD OF ALL LORDS, AND
  • 00:38:34.180 --> 00:38:37.180
  • THE PASTOR OF THE HEBREWS SAYS,
  • 00:38:37.180 --> 00:38:39.240
  • "THAT'S WHAT'S GONNA KEEP YOU
  • 00:38:39.240 --> 00:38:41.000
  • HANGIN' ON.
  • 00:38:41.000 --> 00:38:43.130
  • THAT'S WHAT IS GONNA KEEP YOU
  • 00:38:43.130 --> 00:38:44.040
  • FROM DRIFTING."
  • 00:38:44.040 --> 00:38:46.240
  • THE VERY NEXT THING AFTER
  • 00:38:46.240 --> 00:38:47.140
  • HE TALKS ABOUT THE SUPREMACY
  • 00:38:47.140 --> 00:38:49.110
  • AND THE ACCESSIBILITY OF JESUS,
  • 00:38:49.110 --> 00:38:50.280
  • HE GIVES THEM A WARNING,
  • 00:38:50.280 --> 00:38:52.130
  • AND, REALLY, THE WARNING
  • 00:38:52.130 --> 00:38:53.030
  • IS THE ACCESS THAT THIS
  • 00:38:53.030 --> 00:38:54.110
  • WHOLE SERMON ROTATES ON.
  • 00:38:54.110 --> 00:38:55.180
  • HERE'S THE WARNING, AND I THINK
  • 00:38:55.180 --> 00:38:57.030
  • CHAPTER 2, VERSE 1,
  • 00:39:01.080 --> 00:39:02.110
  • "THEREFORE--" REMEMBER, HE'S
  • 00:39:02.110 --> 00:39:03.070
  • TALKIN' TO BELIEVERS HERE.
  • 00:39:03.070 --> 00:39:04.030
  • "THEREFORE WE MUST PAY MUCH
  • 00:39:04.030 --> 00:39:06.120
  • CLOSER ATTENTION TO WHAT WE HAVE
  • 00:39:06.120 --> 00:39:08.140
  • HEARD, LEST WE DRIFT AWAY
  • 00:39:08.140 --> 00:39:09.030
  • "DRIFT AWAY," IN GREEK,
  • 00:39:15.180 --> 00:39:16.060
  • "PARARRHYEO."
  • 00:39:17.240 --> 00:39:20.240
  • "PARARRHYEO," IT SOUNDS
  • 00:39:20.240 --> 00:39:21.190
  • INNOCUOUS, DOESN'T IT?
  • 00:39:21.190 --> 00:39:22.060
  • I MEAN, "DRIFT," TO ME, SOUNDS
  • 00:39:22.060 --> 00:39:24.270
  • LIKE A SWEET-TEA COMMERCIAL.
  • 00:39:24.270 --> 00:39:26.210
  • YOU KNOW, YOU'VE GOT BUDDIES,
  • 00:39:26.210 --> 00:39:27.240
  • AND THEY'RE IN INNER TUBES, AND
  • 00:39:27.240 --> 00:39:29.000
  • THEY'RE FLOATIN' DOWN THE RIVER,
  • 00:39:29.000 --> 00:39:31.140
  • AND IT'S LIKE, "HEY, HANG ONTO
  • 00:39:31.140 --> 00:39:32.230
  • MY HANDS SO YOU DON'T DRIFT."
  • 00:39:32.230 --> 00:39:33.140
  • SOUNDS REAL INNOCUOUS,
  • 00:39:33.140 --> 00:39:34.140
  • DOESN'T IT?
  • 00:39:34.140 --> 00:39:36.000
  • Y'ALL, IN THE GREEK IT'S NOT
  • 00:39:36.000 --> 00:39:37.050
  • INNOCUOUS AT ALL.
  • 00:39:37.050 --> 00:39:38.160
  • IT'S ACTUALLY A VERY ACTIVE VERB
  • 00:39:38.160 --> 00:39:40.250
  • WHEN HE SAYS, "DON'T DRIFT."
  • 00:39:40.250 --> 00:39:43.180
  • I WENT TO THE BEACH A COUPLE OF
  • 00:39:43.180 --> 00:39:45.110
  • YEARS AGO BY MYSELF 'CAUSE I
  • 00:39:45.110 --> 00:39:46.100
  • JUST NEEDED SOME TIME TO BE
  • 00:39:46.100 --> 00:39:47.240
  • QUIET, AND I RELAX BETTER IF I'M
  • 00:39:47.240 --> 00:39:50.110
  • IN A BATHING SUIT BY MYSELF.
  • 00:39:50.110 --> 00:39:52.260
  • [LAUGHTER]
  • 00:39:52.260 --> 00:39:54.240
  • AND SO I WENT TO THE PANHANDLE
  • 00:39:54.240 --> 00:39:56.040
  • OF FLORIDA.
  • 00:39:56.040 --> 00:39:56.250
  • THAT'S ONE OF MY FAVORITE
  • 00:39:56.250 --> 00:39:57.140
  • BEACHES, AND I WENT TO THIS
  • 00:39:57.140 --> 00:39:59.160
  • LITTLE-KNOWN BEACH WHERE
  • 00:39:59.160 --> 00:40:00.130
  • THERE'S-- HARDLY ANYBODY
  • 00:40:00.130 --> 00:40:01.070
  • IS THERE.
  • 00:40:02.260 --> 00:40:05.260
  • IT'S CALLED WATERSOUND, AND IT
  • 00:40:05.260 --> 00:40:06.170
  • WAS THE SPRING, SO THERE WERE
  • 00:40:06.170 --> 00:40:07.080
  • NOT THAT MANY PEOPLE THERE
  • 00:40:07.080 --> 00:40:08.270
  • ANYWAY, AND I HAD MY CHAIR OUT,
  • 00:40:08.270 --> 00:40:09.190
  • AND I HAD MY BIBLE, AND I HAD A
  • 00:40:09.190 --> 00:40:10.110
  • COUPLE OF MAGAZINES, AND I
  • 00:40:10.110 --> 00:40:11.000
  • THOUGHT, "I AM JUST GONNA SIT
  • 00:40:11.000 --> 00:40:12.070
  • HERE FOR A DAY OR TWO AND
  • 00:40:12.070 --> 00:40:12.270
  • BE QUIET.
  • 00:40:14.070 --> 00:40:17.070
  • I JUST NEED MY
  • 00:40:17.070 --> 00:40:18.060
  • BATTERIES RECHARGED."
  • 00:40:18.120 --> 00:40:21.120
  • AND THIS ONE AFTERNOON,
  • 00:40:21.120 --> 00:40:22.000
  • IT WAS A BEAUTIFUL DAY,
  • 00:40:22.000 --> 00:40:22.180
  • REAL WINDY, BUT IT WAS A
  • 00:40:22.180 --> 00:40:23.230
  • BEAUTIFUL DAY, AND I WAS READIN'
  • 00:40:23.230 --> 00:40:25.000
  • A MAGAZINE, AND OVER THE TOP OF
  • 00:40:25.000 --> 00:40:26.220
  • MY MAGAZINE, I SAW A WOMAN,
  • 00:40:26.220 --> 00:40:28.290
  • MAYBE 50 YARDS OUT, WHO WAS
  • 00:40:28.290 --> 00:40:31.210
  • WAVIN', AND, YOU KNOW, I'M
  • 00:40:31.210 --> 00:40:34.090
  • TRYIN' TO FOCUS ON MY MAGAZINE,
  • 00:40:34.090 --> 00:40:36.120
  • AND SO I KIND OF NOTICED, AND I
  • 00:40:36.120 --> 00:40:38.220
  • LOOKED BACK DOWN, THEN I NOTICED
  • 00:40:38.220 --> 00:40:40.130
  • AND I THOUGHT,
  • 00:40:40.130 --> 00:40:41.130
  • "SHE'S NOT WAVIN'.
  • 00:40:42.290 --> 00:40:45.290
  • SHE'S IN TROUBLE."
  • 00:40:45.290 --> 00:40:46.180
  • NOW, WHEN I WAS IN
  • 00:40:46.180 --> 00:40:47.070
  • HIGH SCHOOL AND COLLEGE,
  • 00:40:47.070 --> 00:40:48.110
  • I WAS A LIFEGUARD FOR ABOUT
  • 00:40:48.110 --> 00:40:49.110
  • EIGHT YEARS IN A ROW, AND
  • 00:40:49.110 --> 00:40:50.170
  • SOMEWHERE DEEP IN MY BONES,
  • 00:40:50.170 --> 00:40:52.230
  • I STILL HAVE THAT KIND OF
  • 00:40:53.120 --> 00:40:56.120
  • RESPONSIBILITY OF A LIFEGUARD
  • 00:40:56.120 --> 00:40:57.070
  • THAT, IF YOU SEE SOMEBODY'S IN
  • 00:40:57.070 --> 00:40:57.280
  • TROUBLE, YOU DROP EVERYTHING,
  • 00:40:57.280 --> 00:40:58.240
  • AND YOU HELP SOMEBODY WHO'S
  • 00:40:58.240 --> 00:41:00.110
  • IN TROUBLE.
  • 00:41:00.110 --> 00:41:01.210
  • AND SO I LOOKED AROUND, AND
  • 00:41:01.210 --> 00:41:02.190
  • NOBODY ELSE SEES THIS WOMAN.
  • 00:41:02.190 --> 00:41:03.210
  • THERE ARE ONLY, LIKE, SIX OF US
  • 00:41:03.210 --> 00:41:04.230
  • ON THE BEACH THAT DAY, AND I
  • 00:41:04.230 --> 00:41:05.270
  • THOUGHT,
  • 00:41:05.270 --> 00:41:06.220
  • "OH, OH GOODNESS GRACIOUS."
  • 00:41:08.280 --> 00:41:11.280
  • SO I JUST TOOK OFF.
  • 00:41:11.280 --> 00:41:12.160
  • TOOK OFF.
  • 00:41:12.160 --> 00:41:13.110
  • I DID WHAT I'D BEEN TRAINED TO
  • 00:41:13.110 --> 00:41:14.020
  • DO YEARS BEFORE.
  • 00:41:14.020 --> 00:41:14.170
  • I'M RUNNIN' AS FAST AS I CAN
  • 00:41:14.170 --> 00:41:15.070
  • UNTIL THE WATER GETS MID-THIGH.
  • 00:41:15.070 --> 00:41:15.290
  • THEN I DIVE.
  • 00:41:15.290 --> 00:41:16.260
  • I SWIM AS FAST AS I CAN, HEAD
  • 00:41:17.020 --> 00:41:20.020
  • UP, TOWARD THIS WOMAN,
  • 00:41:20.020 --> 00:41:20.270
  • GOING, "I'M COMING.
  • 00:41:20.270 --> 00:41:21.130
  • IT'S GONNA BE OKAY.
  • 00:41:21.130 --> 00:41:22.220
  • DON'T PANIC.
  • 00:41:22.220 --> 00:41:23.130
  • I'M COMING.
  • 00:41:23.130 --> 00:41:24.060
  • IT'S GONNA BE OKAY."
  • 00:41:24.060 --> 00:41:24.250
  • THEN I DO WHAT YOU'RE
  • 00:41:24.250 --> 00:41:27.090
  • SUPPOSED TO DO WITH DROWNINGS.
  • 00:41:27.090 --> 00:41:28.270
  • YOU'RE SUPPOSED TO DIVE RIGHT
  • 00:41:28.270 --> 00:41:31.060
  • WHEN YOU GET TO THE PERSON AND
  • 00:41:31.060 --> 00:41:31.270
  • TURN THEM BECAUSE THE MOST
  • 00:41:31.270 --> 00:41:32.170
  • COMMON DROWNINGS ARE DOUBLE
  • 00:41:32.170 --> 00:41:34.050
  • DROWNINGS BECAUSE, WHEN PEOPLE
  • 00:41:34.050 --> 00:41:34.280
  • PANIC AND SOMEBODY COMES TO THE
  • 00:41:34.280 --> 00:41:35.240
  • FRONT, THEY GRAB THEM AROUND THE
  • 00:41:35.240 --> 00:41:37.180
  • NECK, AND THEN THEY BOTH DROWN,
  • 00:41:37.180 --> 00:41:38.100
  • SO YOU'RE TAUGHT IN WATER SAFETY
  • 00:41:38.100 --> 00:41:40.060
  • INSTRUCTION COURSES TO GO DOWN,
  • 00:41:41.040 --> 00:41:44.040
  • TWIST THEM BY THEIR LEG, COME
  • 00:41:44.040 --> 00:41:45.210
  • UP, AND GET A FIREMAN'S CHEST
  • 00:41:45.210 --> 00:41:46.240
  • CARRY SO THAT YOU PIN THIS ONE
  • 00:41:46.240 --> 00:41:49.230
  • ARM, AND THEY CAN'T GRAB YOU.
  • 00:41:49.230 --> 00:41:51.130
  • SO YOU PULL 'EM UP JUST LIKE A
  • 00:41:51.130 --> 00:41:52.160
  • BUOY, AND THAT'S HOW YOU
  • 00:41:52.160 --> 00:41:53.040
  • SWIM IN.
  • 00:41:53.040 --> 00:41:53.230
  • THAT'S WHAT I DO TO THIS WOMAN.
  • 00:41:53.230 --> 00:41:54.150
  • I GET HER IN THAT CARRY, AND
  • 00:41:55.060 --> 00:41:58.060
  • I'M, LIKE, "IT'S OKAY.
  • 00:41:58.060 --> 00:41:58.230
  • MY NAME'S LISA.
  • 00:41:58.230 --> 00:41:59.280
  • I'VE GOT YOU.
  • 00:41:59.280 --> 00:42:00.130
  • WE'RE GONNA GO BACK TO
  • 00:42:00.130 --> 00:42:01.000
  • THE BEACH."
  • 00:42:01.000 --> 00:42:01.150
  • AND SHE WAS LIKE--
  • 00:42:01.150 --> 00:42:02.000
  • [UNINTELLIGIBLE SPEECH]
  • 00:42:02.000 --> 00:42:02.180
  • AND AS SOON AS SHE STARTED
  • 00:42:02.180 --> 00:42:03.070
  • TALKIN' I THOUGHT, "OH, SHE'S
  • 00:42:03.070 --> 00:42:03.280
  • NOT FROM A FOREIGN COUNTRY.
  • 00:42:03.280 --> 00:42:04.260
  • SHE'S FROM BUD LIGHT-VILLE
  • 00:42:04.260 --> 00:42:07.150
  • BECAUSE JUST--
  • 00:42:07.150 --> 00:42:08.170
  • [LAUGHTER]
  • 00:42:08.170 --> 00:42:09.280
  • -- JUST THE SMELL OF BEER JUST--
  • 00:42:10.260 --> 00:42:13.260
  • I MEAN, IT WAS SO THICK.
  • 00:42:13.260 --> 00:42:14.290
  • I'M SURPRISED I DIDN'T GET DRUNK
  • 00:42:14.290 --> 00:42:15.210
  • JUST BREATHIN' NEXT TO HER.
  • 00:42:15.210 --> 00:42:17.210
  • [LAUGHTER]
  • 00:42:17.210 --> 00:42:20.070
  • AND SO I THOUGHT, "OKAY," AND I
  • 00:42:20.070 --> 00:42:20.290
  • WAS LIKE, "MA'AM, IF YOU CAN
  • 00:42:20.290 --> 00:42:22.020
  • UNDERSTAND ME, I NEED YOU TO
  • 00:42:22.020 --> 00:42:23.100
  • KICK" BECAUSE, PRETTY QUICK, WE
  • 00:42:23.100 --> 00:42:25.250
  • GOT CAUGHT IN AN UNDERTOW.
  • 00:42:26.030 --> 00:42:29.030
  • AND I'M A STRONG SWIMMER, AND
  • 00:42:29.030 --> 00:42:31.150
  • I'VE GOT PLENTY OF FLOATATION
  • 00:42:31.150 --> 00:42:32.220
  • DEVICES THAT GOD GRACIOUSLY JUST
  • 00:42:32.220 --> 00:42:33.140
  • PUT RIGHT AROUND MY BODY.
  • 00:42:33.150 --> 00:42:36.150
  • [LAUGHTER]
  • 00:42:36.150 --> 00:42:36.290
  • I'M STILL CARRYIN' MY
  • 00:42:36.290 --> 00:42:38.150
  • BABY WEIGHT--
  • 00:42:38.150 --> 00:42:39.040
  • [LAUGHTER]
  • 00:42:39.040 --> 00:42:39.170
  • -- AND SO I SHOULD HAVE BEEN
  • 00:42:39.170 --> 00:42:40.070
  • ABLE TO GET HER IN PRETTY
  • 00:42:40.070 --> 00:42:41.000
  • QUICKLY, BUT, Y'ALL, I REALIZED
  • 00:42:41.000 --> 00:42:42.030
  • WE'RE STARTIN' TO GO FURTHER AND
  • 00:42:42.030 --> 00:42:44.140
  • FURTHER OUT, AND I'VE
  • 00:42:44.140 --> 00:42:46.020
  • LIFEGUARDED FOR YEARS.
  • 00:42:46.020 --> 00:42:48.040
  • I'VE NEVER LOST ANYBODY, AND I
  • 00:42:48.040 --> 00:42:50.050
  • STARTED TO GETTIN' SCARED.
  • 00:42:50.050 --> 00:42:50.240
  • I THOUGHT THIS WOMAN, AS SHE WAS
  • 00:42:50.240 --> 00:42:51.220
  • THRASHING, I THOUGHT,
  • 00:42:51.220 --> 00:42:52.090
  • "I'M GONNA LOSE THIS WOMAN."
  • 00:42:52.090 --> 00:42:54.210
  • AND I WAS LIKE,
  • 00:42:54.210 --> 00:42:56.050
  • "JESUS, PLEASE HELP ME,
  • 00:42:56.050 --> 00:42:58.210
  • PLEASE GIVE ME STRENGTH."
  • 00:42:58.210 --> 00:42:59.190
  • OUT OF ALL THE YEARS
  • 00:42:59.190 --> 00:43:00.290
  • I LIFEGUARDED,
  • 00:43:00.290 --> 00:43:01.280
  • THAT RESCUE WAS THE MOST
  • 00:43:01.280 --> 00:43:03.090
  • DIFFICULT RESCUE I'VE EVER DONE.
  • 00:43:03.090 --> 00:43:05.150
  • I GET THIS WOMAN IN.
  • 00:43:05.150 --> 00:43:06.170
  • SHE FALLS ON THE BEACH, AND IT
  • 00:43:06.170 --> 00:43:08.040
  • PROBABLY ONLY BEEN TWO MINUTES.
  • 00:43:08.040 --> 00:43:09.110
  • IT FELT LIKE 20.
  • 00:43:09.110 --> 00:43:10.010
  • WE GOT IN.
  • 00:43:10.010 --> 00:43:12.140
  • SHE FELL ON THE BEACH, GOT SICK.
  • 00:43:12.140 --> 00:43:13.150
  • I PULLED HER UP SO SHE WOULDN'T
  • 00:43:13.150 --> 00:43:16.100
  • BE PULLED OUT AGAIN, AND THEN I
  • 00:43:16.100 --> 00:43:17.200
  • PULLED HER HAIR, AND I
  • 00:43:17.200 --> 00:43:20.000
  • WALKED AWAY.
  • 00:43:20.000 --> 00:43:21.010
  • [LAUGHTER]
  • 00:43:22.100 --> 00:43:25.100
  • I DIDN'T REALLY.
  • 00:43:25.100 --> 00:43:26.270
  • I FOUND THE PEOPLE THAT SHE
  • 00:43:26.270 --> 00:43:27.210
  • BELONGED TO, AND I THOUGHT, "I'M
  • 00:43:27.210 --> 00:43:28.130
  • JUST GONNA-- I'M GONNA GO IN.
  • 00:43:28.130 --> 00:43:29.040
  • I KIND OF WANNA JUST GO IN AND
  • 00:43:29.040 --> 00:43:29.280
  • TAKE A SHOWER AND JUST KIND OF
  • 00:43:29.280 --> 00:43:31.180
  • GET AWAY FROM ALL THAT DRAMA,"
  • 00:43:31.180 --> 00:43:33.160
  • AND I WALK INTO THIS HOTEL THAT
  • 00:43:33.160 --> 00:43:34.080
  • I'VE STAYED IN FOUR OR
  • 00:43:34.080 --> 00:43:35.220
  • FIVE TIMES.
  • 00:43:35.220 --> 00:43:37.200
  • I KNOW THE GUY AT THE FRONT
  • 00:43:37.200 --> 00:43:38.100
  • DESK, AND HE COULD JUST TELL I
  • 00:43:38.100 --> 00:43:39.010
  • WAS KIND OF DISHEVELED, AND HE
  • 00:43:39.010 --> 00:43:40.280
  • SAID, "WHAT'S THE DEAL?"
  • 00:43:40.280 --> 00:43:42.230
  • AND I SAID, "OH, JUST SOME
  • 00:43:42.230 --> 00:43:43.120
  • REALLY DRUNK WOMAN, I JUST HAD
  • 00:43:43.120 --> 00:43:45.200
  • TO HELP HER GET IN," AND HE
  • 00:43:45.200 --> 00:43:47.050
  • SAID, "SOMEBODY WAS SWIMMIN'?"
  • 00:43:47.050 --> 00:43:49.230
  • AND I SAID, "OH, YEAH, THIS
  • 00:43:49.230 --> 00:43:50.170
  • WOMAN WAS PAST THE
  • 00:43:50.170 --> 00:43:51.070
  • FIRST SANDBAR."
  • 00:43:52.140 --> 00:43:55.140
  • I SAID,
  • 00:43:55.140 --> 00:43:55.270
  • "SHE WAS SWIMMIN'."
  • 00:43:55.270 --> 00:43:56.130
  • HE GOES, "DID Y'ALL NOT
  • 00:43:56.130 --> 00:43:57.010
  • SEE THE RED FLAG?"
  • 00:43:57.010 --> 00:43:57.160
  • AND I SAID, "YOU KNOW, CURTIS, I
  • 00:43:57.160 --> 00:43:58.080
  • DIDN'T EVEN NOTICE THE
  • 00:43:58.080 --> 00:43:58.250
  • RED FLAG."
  • 00:43:58.250 --> 00:43:59.070
  • AND HE SAID, "LISA, IT'S
  • 00:43:59.070 --> 00:44:00.090
  • ONE OF THE WORST RIPTIDES WE'VE
  • 00:44:00.090 --> 00:44:01.010
  • EVER HAD AT THE BEACH IN THE
  • 00:44:01.010 --> 00:44:03.020
  • LAST COUPLE OF YEARS."
  • 00:44:03.020 --> 00:44:04.110
  • HE SAID,
  • 00:44:04.110 --> 00:44:04.290
  • "THREE PEOPLE JUST DROWNED IN
  • 00:44:04.290 --> 00:44:05.200
  • DESTIN."
  • 00:44:05.200 --> 00:44:07.130
  • HE SAID, "I AM SO SURPRISED YOU
  • 00:44:07.130 --> 00:44:08.140
  • WERE ABLE TO PULL HER IN."
  • 00:44:08.140 --> 00:44:10.020
  • Y'ALL, WHEN THE PASTOR OF
  • 00:44:10.020 --> 00:44:11.080
  • HEBREWS SAYS, "DON'T DRIFT,"
  • 00:44:11.080 --> 00:44:12.150
  • IT'S NOT AN INNOCUOUS WARNING.
  • 00:44:12.150 --> 00:44:14.190
  • WHAT HE'S SAYING IS, IF YOU DO
  • 00:44:15.160 --> 00:44:18.160
  • NOT ACTIVELY PULL TOWARD JESUS,
  • 00:44:20.020 --> 00:44:23.020
  • THERE IS A RIPTIDE CALLED SATAN,
  • 00:44:23.020 --> 00:44:25.240
  • THE ENEMY OF OUR SOUL, AND HE'S
  • 00:44:25.240 --> 00:44:27.010
  • PULLING YOU AWAY.
  • 00:44:27.010 --> 00:44:28.160
  • YOU'RE NEVER IN AN
  • 00:44:28.160 --> 00:44:29.060
  • INNOCUOUS PLACE.
  • 00:44:29.130 --> 00:44:32.130
  • YOU'RE NEVER IN A POSITION WHERE
  • 00:44:32.130 --> 00:44:33.090
  • YOU CAN JUST TREAD WATER.
  • 00:44:33.090 --> 00:44:34.180
  • WE DON'T HAVE THAT OPTION
  • 00:44:34.180 --> 00:44:36.000
  • BECAUSE WE HAVE THE ENEMY OF
  • 00:44:36.000 --> 00:44:37.130
  • WHO THE NEW TESTAMENT SAYS IS A
  • 00:44:42.000 --> 00:44:43.020
  • CARNIVORE, IS A ROARING LION,
  • 00:44:43.020 --> 00:44:43.230
  • AND SO MAKE NO BONES ABOUT IT.
  • 00:44:43.230 --> 00:44:46.010
  • WHEN YOU'VE GOT FRIENDS WHO ARE
  • 00:44:46.010 --> 00:44:46.230
  • GOING, "YOU KNOW, I REALLY LOVE
  • 00:44:46.230 --> 00:44:47.250
  • THAT YOU GO TO CHURCH, AND
  • 00:44:47.250 --> 00:44:48.140
  • THAT'S COOL THAT YOU WENT TO
  • 00:44:48.140 --> 00:44:49.160
  • HEAR THAT CRAZY
  • 00:44:49.160 --> 00:44:51.010
  • AUSTRALIAN WOMAN,
  • 00:44:51.010 --> 00:44:51.160
  • AND I HEARD
  • 00:44:51.160 --> 00:44:52.030
  • PRISCILLA SHIRER IS
  • 00:44:52.030 --> 00:44:52.190
  • REALLY GOOD.
  • 00:44:52.190 --> 00:44:53.060
  • I MEAN, THAT'S AWESOME, BUT,
  • 00:44:53.060 --> 00:44:53.260
  • LIKE, DON'T TELL ME
  • 00:44:53.260 --> 00:44:54.260
  • THEIR MESSAGES.
  • 00:44:54.260 --> 00:44:56.030
  • I REALLY DON'T WANNA HEAR ALL
  • 00:44:56.030 --> 00:44:57.010
  • ABOUT JESUS.
  • 00:44:57.040 --> 00:45:00.060
  • YOU KNOW, THAT'S NOT MY THING."
  • 00:45:00.060 --> 00:45:00.280
  • AND WE THINK,
  • 00:45:00.280 --> 00:45:01.110
  • "I JUST NEED TO BE A FRIEND,
  • 00:45:01.110 --> 00:45:02.010
  • AND I JUST NEED TO
  • 00:45:02.010 --> 00:45:02.170
  • TONE DOWN MY JESUS PART."
  • 00:45:02.170 --> 00:45:03.180
  • Y'ALL, THERE'S NOTHING
  • 00:45:03.180 --> 00:45:05.010
  • ABOUT THAT, THAT IS INNOCUOUS.
  • 00:45:05.010 --> 00:45:07.010
  • THERE'S NOTHING ABOUT WHAT WE
  • 00:45:07.010 --> 00:45:09.030
  • ARE SEEING ALL OVER CULTURE WITH
  • 00:45:09.030 --> 00:45:10.210
  • PEOPLE WHO CALL THEMSELVES
  • 00:45:10.210 --> 00:45:11.100
  • "YOU KNOW WHAT?
  • 00:45:12.250 --> 00:45:13.160
  • WE DON'T HAVE TO DO IT THE WAY
  • 00:45:13.160 --> 00:45:14.070
  • THE BIBLE SAID TO DO IT BECAUSE
  • 00:45:14.070 --> 00:45:15.190
  • YOU KNOW WHAT?
  • 00:45:15.190 --> 00:45:16.240
  • YOU CAN JUST TREAT THIS
  • 00:45:16.240 --> 00:45:19.070
  • LIKE SHONEY'S.
  • 00:45:19.070 --> 00:45:20.190
  • YOU COULD JUST PICK AND CHOOSE
  • 00:45:20.190 --> 00:45:21.260
  • WHATEVER YOU WANT IN HERE, BUT
  • 00:45:21.260 --> 00:45:23.030
  • YOU DON'T HAVE TO GO COVER
  • 00:45:23.030 --> 00:45:24.000
  • TO COVER.
  • 00:45:24.000 --> 00:45:25.070
  • I MEAN, SURELY, HE DIDN'T MEAN
  • 00:45:25.070 --> 00:45:26.250
  • THIS APPLIES TODAY."
  • 00:45:26.250 --> 00:45:29.000
  • WHEN PEOPLE YOU FOLLOWING
  • 00:45:29.000 --> 00:45:29.190
  • CHRIST IS ALL ABOUT AFFECTION,
  • 00:45:29.190 --> 00:45:32.050
  • I'M HERE TO SAY,
  • 00:45:32.050 --> 00:45:32.210
  • "WELL, THAT'S HALF THE STORY."
  • 00:45:32.210 --> 00:45:34.130
  • HALF THE STORY IS HE
  • 00:45:34.130 --> 00:45:36.270
  • LOVES US WITH AN EVERLASTING
  • 00:45:36.270 --> 00:45:37.230
  • LOVE, WITH AN
  • 00:45:37.230 --> 00:45:38.140
  • UNCONDITIONAL LOVE.
  • 00:45:38.140 --> 00:45:41.010
  • I COULDN'T GET OUT OF BED IN THE
  • 00:45:41.010 --> 00:45:41.230
  • MORNING WITHOUT THE
  • 00:45:41.230 --> 00:45:42.090
  • LOVE OF CHRIST.
  • 00:45:42.090 --> 00:45:43.000
  • I'M SO GRATEFUL FOR THE
  • 00:45:43.000 --> 00:45:43.180
  • SONG OF SOLOMON.
  • 00:45:43.180 --> 00:45:45.140
  • WE ALWAYS THINK IT'S GOD'S
  • 00:45:45.140 --> 00:45:46.080
  • VERSION OF "KAMA SUTRA,"
  • 00:45:46.080 --> 00:45:48.080
  • BUT IT'S SO MUCH
  • 00:45:48.080 --> 00:45:48.230
  • BETTER THAN SEX,
  • 00:45:48.230 --> 00:45:49.100
  • [LAUGHTER]
  • 00:45:49.100 --> 00:45:50.040
  • ESPECIALLY FOR THOSE OF US WHO
  • 00:45:50.040 --> 00:45:50.250
  • DON'T GET TO HAVE IT,
  • 00:45:50.250 --> 00:45:52.090
  • Y'ALL,
  • 00:45:52.090 --> 00:45:52.270
  • AND THE SONG OF SOLOMON,
  • 00:45:52.270 --> 00:45:53.150
  • CHAPTER 4, VERSE 9,
  • 00:45:53.150 --> 00:45:55.130
  • AND IT'S ABOUT GOD AS OUR
  • 00:45:55.130 --> 00:45:56.160
  • BRIDEGROOM AND US AS THE BRIDE,
  • 00:45:56.160 --> 00:45:58.090
  • HE SAYS, "ONE GLANCE,
  • 00:45:58.090 --> 00:46:00.240
  • ONE GLANCE OF YOUR EYES,
  • 00:46:00.240 --> 00:46:01.230
  • AND YOU CAPTURED MY HEART."
  • 00:46:01.230 --> 00:46:04.080
  • OF COURSE, HIS LOVE FOR US
  • 00:46:04.080 --> 00:46:06.040
  • IS WHAT SUSTAINS US.
  • 00:46:06.040 --> 00:46:09.000
  • OF COURSE, HIS LOVE FOR US IS
  • 00:46:09.000 --> 00:46:11.290
  • WHAT WE LEAN INTO, BUT IF YOU
  • 00:46:11.290 --> 00:46:13.180
  • SEPARATE HIS LOVE FROM OUR
  • 00:46:13.180 --> 00:46:15.080
  • REPENTANCE, THAT IS NOT
  • 00:46:15.080 --> 00:46:16.170
  • THE GOSPEL.
  • 00:46:16.170 --> 00:46:18.210
  • THERE'S NO SUCH THING AS TRUE
  • 00:46:18.210 --> 00:46:19.200
  • LOVE WITHOUT RESPONSIBILITY.
  • 00:46:19.200 --> 00:46:21.030
  • WE HAVE A RESPONSIBILITY,
  • 00:46:22.010 --> 00:46:25.010
  • AND CHRIS HAS TOLD YOU TODAY,
  • 00:46:25.010 --> 00:46:26.280
  • WE'RE REALLY PRAYIN'
  • 00:46:26.280 --> 00:46:27.160
  • FOR MIRACLES.
  • 00:46:27.160 --> 00:46:28.140
  • ONE OF THE MIRACLES I'M PRAYING
  • 00:46:28.140 --> 00:46:31.040
  • FOR IS THAT SOME OF YOU WOULD
  • 00:46:31.040 --> 00:46:31.290
  • RECOGNIZE, FOR THE FIRST TIME,
  • 00:46:31.290 --> 00:46:33.200
  • HOW MUCH HE LOVES YOU.
  • 00:46:33.200 --> 00:46:35.250
  • AND IN LEANIN' INTO JESUS,
  • 00:46:35.250 --> 00:46:37.030
  • YOU'LL RECOGNIZE "MY LIFE IS
  • 00:46:37.030 --> 00:46:38.270
  • SUPPOSED TO LOOK DIFFERENT,
  • 00:46:38.270 --> 00:46:39.290
  • NOT BECAUSE I'M EARNING
  • 00:46:39.290 --> 00:46:42.180
  • HIS AFFECTION.
  • 00:46:42.180 --> 00:46:43.020
  • HE GAVE ME HIS
  • 00:46:43.020 --> 00:46:43.160
  • AFFECTION FREELY."
  • 00:46:43.160 --> 00:46:44.090
  • WE DON'T EARN OUR
  • 00:46:44.090 --> 00:46:45.270
  • SALVATION BY WORKS.
  • 00:46:45.270 --> 00:46:47.080
  • HE SAYS, "I GIVE THAT TO
  • 00:46:47.080 --> 00:46:47.270
  • YOU FREELY.
  • 00:46:47.270 --> 00:46:48.110
  • I CONDESCENDED TO COME AND
  • 00:46:48.110 --> 00:46:50.050
  • LAVISH YOU WITH MY AFFECTION,
  • 00:46:50.050 --> 00:46:51.290
  • BUT AS A 'P.S.,' AS A RESPONSE
  • 00:46:51.290 --> 00:46:54.170
  • TO MY LOVE, THEN YOU RECOGNIZE
  • 00:46:54.170 --> 00:46:56.140
  • MY SUPERIORITY."
  • 00:46:56.140 --> 00:46:58.280
  • THEN YOU LIVE YOUR LIFE
  • 00:46:58.280 --> 00:46:59.280
  • A LITTLE DIFFERENT IN
  • 00:46:59.280 --> 00:47:00.170
  • A WAY EVERYBODY'S LIVIN' IT
  • 00:47:00.170 --> 00:47:01.070
  • AROUND YOU.
  • 00:47:01.070 --> 00:47:02.050
  • THEN YOU GO, "YOU KNOW, BUT AS
  • 00:47:02.050 --> 00:47:02.260
  • FOR ME AND MY HOUSE, WE'RE GONNA
  • 00:47:02.260 --> 00:47:04.130
  • WALK THIS WAY.
  • 00:47:04.130 --> 00:47:07.130
  • I KNOW YOU LOVE RERUNS OF
  • 00:47:07.130 --> 00:47:08.020
  • 'SEX AND THE CITY.'
  • 00:47:08.020 --> 00:47:08.180
  • I CAN'T PUT THAT
  • 00:47:08.180 --> 00:47:09.020
  • MESS IN MY MIND.
  • 00:47:09.020 --> 00:47:10.040
  • I KNOW YOU THINK IT'S INNOCUOUS
  • 00:47:10.040 --> 00:47:11.130
  • TO READ ALL THESE FUNNY BLOGS.
  • 00:47:11.130 --> 00:47:12.240
  • YOU KNOW WHAT?
  • 00:47:12.240 --> 00:47:13.260
  • ANYBODY WHO SAYS THAT BOOK IS
  • 00:47:13.260 --> 00:47:15.000
  • NOT AUTHORITATIVE, I'M JUST NOT
  • 00:47:15.000 --> 00:47:16.050
  • GONNA GO ON THAT BLOG ANYMORE.
  • 00:47:16.050 --> 00:47:17.100
  • I DON'T NEED TO PUT THAT STUFF
  • 00:47:17.100 --> 00:47:19.080
  • IN MY MIND BECAUSE LIFE IS
  • 00:47:19.080 --> 00:47:19.270
  • HARD ENOUGH.
  • 00:47:21.040 --> 00:47:24.040
  • I WANNA BE AS CLOSE TO JESUS AS
  • 00:47:24.040 --> 00:47:24.260
  • I POSSIBLY CAN."
  • 00:47:24.260 --> 00:47:25.100
  • ONE OF MY FAVORITE GROUPS
  • 00:47:25.100 --> 00:47:25.290
  • OF WOMEN TO WORK WITH ARE
  • 00:47:25.290 --> 00:47:28.030
  • GIRLS AT A PLACE CALLED
  • 00:47:28.030 --> 00:47:28.260
  • THE NEXT DOOR IN NASHVILLE,
  • 00:47:28.260 --> 00:47:31.080
  • TENNESSEE, AND I LOVE THESE
  • 00:47:31.080 --> 00:47:31.280
  • GIRLS BECAUSE THEY'RE AT A
  • 00:47:31.280 --> 00:47:33.030
  • FAITH-BASED REHAB SHELTER, AND I
  • 00:47:33.030 --> 00:47:35.270
  • DON'T KNOW IF YOU'VE HAD THE
  • 00:47:35.270 --> 00:47:37.070
  • PRIVILEGE OF WALKIN' ALONG WITH
  • 00:47:37.070 --> 00:47:38.070
  • WOMEN WHO ARE RECOVERING
  • 00:47:38.070 --> 00:47:39.190
  • ADDICTS, BUT I'M TELLING YOU,
  • 00:47:39.190 --> 00:47:40.170
  • THERE IS JUST NO ENERGY FOR
  • 00:47:40.170 --> 00:47:41.290
  • FACADE THERE, SO I LOVE THESE
  • 00:47:41.290 --> 00:47:44.020
  • GIRLS AT THE NEXT DOOR, AND I
  • 00:47:44.020 --> 00:47:46.150
  • WAS LEADING A BIBLE STUDY
  • 00:47:46.150 --> 00:47:48.140
  • THERE RECENTLY, AND THERE WERE
  • 00:47:49.020 --> 00:47:52.020
  • FIVE OF US IN A BORROWED OFFICE.
  • 00:47:52.020 --> 00:47:52.240
  • I HAD MY BIBLE OPEN IN MY LAP.
  • 00:47:52.240 --> 00:47:54.230
  • I DON'T EVEN REMEMBER WHAT I WAS
  • 00:47:54.230 --> 00:47:56.020
  • TEACHIN' ON WHEN THE GIRL TO MY
  • 00:47:56.020 --> 00:47:56.240
  • LEFT-- HER NAME IS MELISSA.
  • 00:47:56.240 --> 00:47:59.000
  • SHE DID SIX YEARS AT TENNESSEE
  • 00:47:59.000 --> 00:48:01.260
  • PRISON FOR WOMEN FOR POSSESSION
  • 00:48:01.260 --> 00:48:03.080
  • WITH INTENT TO SELL, AND SHE WAS
  • 00:48:03.080 --> 00:48:04.000
  • AN ACCESSORY TO ARMED ROBBERY.
  • 00:48:04.000 --> 00:48:05.230
  • MELISSA JUST PUSHES HER CHAIR
  • 00:48:05.230 --> 00:48:07.200
  • BACK, RIGHT WHEN I'M IN THE
  • 00:48:07.200 --> 00:48:10.100
  • MIDDLE OF TEACHIN', AND SHE
  • 00:48:10.100 --> 00:48:11.250
  • WENT-- [IN A BIG VOICE]
  • 00:48:11.250 --> 00:48:12.230
  • -- "I MISS HAVIN' COMMUNION."
  • 00:48:12.230 --> 00:48:14.260
  • AND I THOUGHT, "I JUST GET THE
  • 00:48:14.260 --> 00:48:17.210
  • SENSE WE'RE NOT GONNA FINISH
  • 00:48:17.210 --> 00:48:18.110
  • BIBLE STUDY TODAY--"
  • 00:48:18.110 --> 00:48:18.270
  • [LAUGHTER]
  • 00:48:18.270 --> 00:48:20.070
  • -- AND I SAID, "WELL, BABY, HOW
  • 00:48:20.070 --> 00:48:20.290
  • LONG HAS IT BEEN SINCE YOU'VE
  • 00:48:20.290 --> 00:48:21.200
  • HAD COMMUNION?"
  • 00:48:21.200 --> 00:48:22.060
  • AND SHE SAID, "OH, MISS LISA,
  • 00:48:22.060 --> 00:48:23.150
  • IT'S BEEN AT LEAST SIX YEARS."
  • 00:48:23.150 --> 00:48:25.250
  • AND I SAID, "WELL, HONEY,
  • 00:48:25.250 --> 00:48:26.140
  • THEY HAVE COMMUNION AT TPW,"
  • 00:48:26.140 --> 00:48:29.070
  • AND I SAID, "PRISON
  • 00:48:29.070 --> 00:48:29.230
  • FELLOWSHIP HAS COMMUNION.
  • 00:48:29.230 --> 00:48:30.260
  • YOU COULD, LIKE, HAD COMMUNION
  • 00:48:30.260 --> 00:48:31.170
  • THE WHOLE TIME YOU WERE THERE."
  • 00:48:31.170 --> 00:48:32.160
  • AND SHE SAID, "OH, NO,
  • 00:48:32.160 --> 00:48:33.170
  • MISS LISA.
  • 00:48:33.170 --> 00:48:34.000
  • I WAS ALMOST ALWAYS IN SOLITARY
  • 00:48:34.000 --> 00:48:34.220
  • CONFINEMENT FOR FIGHTIN'."
  • 00:48:34.220 --> 00:48:35.130
  • AND I SAID, "OH, YEAH,
  • 00:48:35.200 --> 00:48:38.200
  • BABY, I FORGOT ABOUT
  • 00:48:38.200 --> 00:48:39.060
  • YOUR LITTLE ANGER
  • 00:48:39.060 --> 00:48:39.210
  • MANAGEMENT ISSUES."
  • 00:48:39.210 --> 00:48:42.030
  • [LAUGHTER]
  • 00:48:42.030 --> 00:48:42.180
  • -- AND I SAID, "WELL, HONEY, WE
  • 00:48:42.180 --> 00:48:43.210
  • CAN HAVE COMMUNION TONIGHT."
  • 00:48:43.210 --> 00:48:44.120
  • AND SHE SAID, "WE CAN'T
  • 00:48:44.120 --> 00:48:46.080
  • HAVE COMMUNION."
  • 00:48:46.080 --> 00:48:47.060
  • AND I SAID, "YEAH,
  • 00:48:47.060 --> 00:48:49.130
  • WE CAN HAVE COMMUNION."
  • 00:48:49.130 --> 00:48:50.240
  • SHE SAID, "NO, MA'AM,
  • 00:48:50.240 --> 00:48:51.250
  • MISS LISA, WE AIN'T GOT
  • 00:48:51.250 --> 00:48:53.110
  • NO PREACHER, AND WE AIN'T
  • 00:48:53.110 --> 00:48:54.040
  • GOT NO GRAPE JUICE."
  • 00:48:54.040 --> 00:48:55.150
  • AND I SAID, "WELL, BABY,
  • 00:48:55.150 --> 00:48:56.030
  • IT'S BEST IF YOU GOT A
  • 00:48:56.030 --> 00:48:58.180
  • PREACHER OR A PASTOR
  • 00:48:58.180 --> 00:48:59.060
  • OR PRIEST,"
  • 00:48:59.060 --> 00:49:00.280
  • I SAID, "BUT, YOU KNOW,
  • 00:49:00.280 --> 00:49:02.070
  • THE BIBLE SAYS THAT IF WE PUT
  • 00:49:02.070 --> 00:49:04.010
  • OUR HOPE IN JESUS, WE'RE ALL
  • 00:49:04.010 --> 00:49:05.290
  • AMBASSADORS OF THE COVENANT.
  • 00:49:05.290 --> 00:49:08.050
  • WE'RE ALL MINISTERS."
  • 00:49:08.050 --> 00:49:10.040
  • I SAID, "SO WE DON'T HAVE
  • 00:49:10.040 --> 00:49:12.120
  • TO HAVE AN OFFICIAL PASTOR."
  • 00:49:12.120 --> 00:49:13.230
  • AND I SAID, "BABY,
  • 00:49:13.230 --> 00:49:15.230
  • YOU DON'T HAVE TO HAVE
  • 00:49:15.230 --> 00:49:16.250
  • GRAPE JUICE.
  • 00:49:16.250 --> 00:49:18.000
  • THE GRAPE JUICE IS SYMBOLIC,"
  • 00:49:18.000 --> 00:49:19.190
  • AND I SAID, "I CAN SEE OVER YOUR
  • 00:49:19.190 --> 00:49:20.260
  • SHOULDER ON THAT OFFICE DESK
  • 00:49:20.260 --> 00:49:22.010
  • OVER THERE--" WE WERE IN A
  • 00:49:22.010 --> 00:49:24.070
  • BORROWED OFFICE.
  • 00:49:24.070 --> 00:49:25.070
  • I SAID, "I CAN SEE A PEPSI
  • 00:49:25.070 --> 00:49:26.080
  • BOTTLE, AND I CAN SEE THERE'S
  • 00:49:26.080 --> 00:49:27.200
  • STILL SOME JUICE AT THE BOTTOM
  • 00:49:27.200 --> 00:49:28.210
  • OF THAT BOTTLE," AND I SAID, "SO
  • 00:49:28.210 --> 00:49:29.130
  • WE CAN USE THAT SODA AS THE
  • 00:49:29.130 --> 00:49:30.200
  • LIQUID, YOU KNOW, SYMBOLIC OF
  • 00:49:30.200 --> 00:49:32.060
  • JESUS'S BLOOD, AND I DON'T HAVE
  • 00:49:32.060 --> 00:49:34.090
  • CRACKERS, BUT I'VE GOT RICOLA IN
  • 00:49:34.090 --> 00:49:36.060
  • MY PURSE."
  • 00:49:36.060 --> 00:49:37.240
  • [LAUGHTER]
  • 00:49:37.240 --> 00:49:38.100
  • AND I SAID, "THAT MIGHT SERVE US
  • 00:49:38.100 --> 00:49:39.120
  • BETTER 'CAUSE YOU'RE GONNA SUCK
  • 00:49:39.120 --> 00:49:40.090
  • ON THOSE PUPPIES A LONG TIME
  • 00:49:40.090 --> 00:49:42.060
  • BEFORE THEY LEAVE"--
  • 00:49:42.060 --> 00:49:43.070
  • [LAUGHTER]
  • 00:49:43.070 --> 00:49:43.200
  • -- AND SHE WAS JUST HORRIFIED BY
  • 00:49:43.200 --> 00:49:44.250
  • MY SUGGESTION, AND SHE SAID,
  • 00:49:45.180 --> 00:49:48.180
  • "MISS LISA, WE DON'T KNOW WHOSE
  • 00:49:48.180 --> 00:49:50.230
  • PEPSI THAT EVEN WAS."
  • 00:49:50.230 --> 00:49:52.280
  • [LAUGHTER]
  • 00:49:52.280 --> 00:49:54.100
  • AND I SAID, "BABY, YOU WERE AN
  • 00:49:54.100 --> 00:49:55.290
  • IV DRUG USER FOR TEN YEARS.
  • 00:49:55.290 --> 00:49:58.170
  • [LAUGHTER]
  • 00:49:58.170 --> 00:50:00.030
  • DOES IT MATTER WHOSE PEPSI
  • 00:50:00.030 --> 00:50:02.070
  • IT WAS?"
  • 00:50:04.140 --> 00:50:07.140
  • AND SHE EVENTUALLY CAME DOWN TO
  • 00:50:07.140 --> 00:50:08.160
  • MY LINE OF REASONING, AND I GOT
  • 00:50:08.160 --> 00:50:09.250
  • THE PEPSI BOTTLE, AND I GOT THE
  • 00:50:09.250 --> 00:50:10.170
  • RICOLAS OUT OF MY PURSE, AND I
  • 00:50:10.170 --> 00:50:11.200
  • READ SOME PASSAGES FROM THIS
  • 00:50:11.200 --> 00:50:13.020
  • PERFECT LOVE STORY THAT IS
  • 00:50:13.020 --> 00:50:14.080
  • INERRANT FROM COVER TO COVER,
  • 00:50:14.080 --> 00:50:15.250
  • AND THEN I JUST HANDED MELISSA
  • 00:50:16.240 --> 00:50:19.240
  • THE PEPSI BOTTLE.
  • 00:50:19.240 --> 00:50:22.000
  • NORMALLY I WOULD'VE DISSEMINATED
  • 00:50:22.000 --> 00:50:24.240
  • THE SACRAMENTS 'CAUSE, YOU KNOW,
  • 00:50:24.240 --> 00:50:25.160
  • I WAS THE BIBLE STUDY LEADER,
  • 00:50:25.160 --> 00:50:26.080
  • BUT IT JUST FELT RIGHT TO GIVE
  • 00:50:26.080 --> 00:50:28.010
  • IT TO MELISSA, AND SHE LOOKED AT
  • 00:50:28.010 --> 00:50:28.290
  • ME KIND OF STUNNED.
  • 00:50:28.290 --> 00:50:30.230
  • SHE RECOGNIZED THE GRAVITAS IN
  • 00:50:30.230 --> 00:50:33.070
  • THAT MOMENT, AND THEN SHE JUST
  • 00:50:33.070 --> 00:50:34.160
  • REAL SLOWLY UNSCREWED THE TOP ON
  • 00:50:34.160 --> 00:50:35.230
  • THAT BOTTLE, AND SHE POURED A
  • 00:50:35.250 --> 00:50:38.250
  • LITTLE PEPSI OUT, AND SHE HANDED
  • 00:50:38.250 --> 00:50:40.210
  • IT TO TARA, THE GIRL NEXT TO
  • 00:50:40.210 --> 00:50:41.150
  • HER, WHO LOST HER HUSBAND
  • 00:50:41.150 --> 00:50:42.230
  • RECENTLY TO A METH OVERDOSE, AND
  • 00:50:42.230 --> 00:50:44.140
  • SHE SAID, "TARA, THIS PEPSI
  • 00:50:46.020 --> 00:50:49.020
  • REPRESENTS THE BLOOD OF JESUS
  • 00:50:49.020 --> 00:50:51.260
  • THAT HE SHED FOR YOU 'CAUSE HE
  • 00:50:51.260 --> 00:50:53.200
  • THINKS YOU'RE WORTH IT."
  • 00:50:55.160 --> 00:50:58.160
  • BY THE TIME THAT PEPSI CAP
  • 00:50:58.160 --> 00:50:59.130
  • GOT TO ME,
  • 00:50:59.130 --> 00:50:59.270
  • I COULDN'T SPEAK.
  • 00:50:59.270 --> 00:51:01.060
  • SHE DID THE SAME THING WITH THE
  • 00:51:01.060 --> 00:51:02.100
  • RICOLA, UNWRAPPED THAT FIRST
  • 00:51:02.100 --> 00:51:03.180
  • ONE, TURNED TO TARA AND SAID,
  • 00:51:03.180 --> 00:51:04.270
  • "TARA, THIS RICOLA, THIS COUGH
  • 00:51:04.270 --> 00:51:07.270
  • DROP, REPRESENTS THE BODY OF
  • 00:51:07.270 --> 00:51:09.180
  • CHRIST, THAT HE BROKE FOR YOU
  • 00:51:10.230 --> 00:51:13.230
  • 'CAUSE HE THINKS YOU'RE
  • 00:51:13.230 --> 00:51:15.150
  • WORTH IT."
  • 00:51:17.000 --> 00:51:20.000
  • BY THE TIME THEY GAVE ME MY
  • 00:51:20.000 --> 00:51:20.200
  • COUGH DROP, I HAD TEARS
  • 00:51:20.200 --> 00:51:21.180
  • STREAMIN' DOWN MY FACE, AND I
  • 00:51:21.180 --> 00:51:22.210
  • THOUGHT, "YOU KNOW, IF MY
  • 00:51:22.210 --> 00:51:24.060
  • SEMINARY PROFESSORS COULD SEE US
  • 00:51:24.270 --> 00:51:27.270
  • TONIGHT, SOME OF THEM WOULD
  • 00:51:27.270 --> 00:51:29.130
  • PROBABLY TAKE OFFENSE AT HOW
  • 00:51:29.130 --> 00:51:31.050
  • FORMALLY WE ARE CELEBRATING THE
  • 00:51:31.050 --> 00:51:33.160
  • SACRAMENTS, BUT I DIDN'T SENSE
  • 00:51:33.160 --> 00:51:36.000
  • THAT GOD WAS DISPLEASED AT ALL.
  • 00:51:37.030 --> 00:51:40.030
  • FELT LIKE THE LORD WAS JUST
  • 00:51:40.030 --> 00:51:41.250
  • LEANIN' OVER FROM GLORY, GOIN',
  • 00:51:41.250 --> 00:51:44.000
  • "TONIGHT MY GIRLS GET IT.
  • 00:51:44.000 --> 00:51:45.010
  • TONIGHT MY GIRLS GET THAT
  • 00:51:45.070 --> 00:51:48.070
  • THEY'RE WORTH IT TO ME."
  • 00:51:48.070 --> 00:51:50.080
  • HE IS ABSOLUTELY SUPREME,
  • 00:51:50.080 --> 00:51:52.150
  • AND HE IS PERFECTLY ACCESSIBLE.
  • 00:51:52.150 --> 00:51:55.020
  • AT THE END OF THE SERMON, THE
  • 00:51:55.020 --> 00:51:56.290
  • WAY HE CLOSES WITH THESE
  • 00:51:56.290 --> 00:51:59.180
  • PRECIOUS CHRISTIANS WHO ARE
  • 00:51:59.180 --> 00:52:02.030
  • STRUGGLIN' IN THEIR FAITH, HE
  • 00:52:02.030 --> 00:52:03.120
  • "BUT FIX YOUR EYES ON JESUS, THE
  • 00:52:09.090 --> 00:52:11.090
  • FOUNDER AND THE PERFECTER OF OUR
  • 00:52:11.090 --> 00:52:13.030
  • FAITH, WHO FOR THE JOY, US, FOR
  • 00:52:13.270 --> 00:52:16.270
  • THE JOY SET BEFORE HIM,
  • 00:52:17.200 --> 00:52:20.200
  • HE ENDURED THE CROSS."
  • 00:52:20.240 --> 00:52:23.240
  • Y'ALL, WE ARE WORTH
  • 00:52:25.240 --> 00:52:28.240
  • LET'S TODAY, LET'S TODAY SEEK TO
  • 00:52:31.140 --> 00:52:34.140
  • LIVE LIVES WORTHY OF
  • 00:52:34.220 --> 00:52:37.220
  • OUR CALLING.
  • 00:52:37.240 --> 00:52:40.240
  • JESUS, JESUS, JESUS, JESUS,
  • 00:52:43.190 --> 00:52:46.190
  • OPEN THE EYES OF OUR HEARTS.
  • 00:52:46.190 --> 00:52:49.140
  • GIVE US EARS TO HEAR MORE FULLY
  • 00:52:50.290 --> 00:52:53.290
  • WHO YOU ARE AS OUR
  • 00:52:53.290 --> 00:52:54.160
  • CREATOR-REDEEMER.
  • 00:52:54.160 --> 00:52:55.100
  • YOU ALONE, JESUS, YOU
  • 00:52:55.160 --> 00:52:58.160
  • [MUSIC]
  • 00:53:02.200 --> 00:53:03.230
  • OH, OH-OH
  • 00:53:03.230 --> 00:53:04.260
  • OH, OH-OH
  • 00:53:04.260 --> 00:53:06.040
  • OH, OH-OH
  • 00:53:06.040 --> 00:53:07.220
  • BEFORE I SPOKE A WORD,
  • 00:53:33.110 --> 00:53:34.100
  • YOU WERE SINGIN' OVER ME
  • 00:53:38.160 --> 00:53:41.160
  • YOU HAVE BEEN SO, SO GOOD
  • 00:53:41.160 --> 00:53:42.260
  • TO ME
  • 00:53:46.150 --> 00:53:49.150
  • BEFORE I TOOK A BREATH,
  • 00:53:49.150 --> 00:53:51.250
  • YOU HAVE BEEN SO, SO KIND TO
  • 00:53:58.230 --> 00:54:00.130
  • ME
  • 00:54:04.060 --> 00:54:07.060
  • OH, THE OVERWHELMING,
  • 00:54:07.060 --> 00:54:09.060
  • NEVER-ENDING, RECKLESS LOVE
  • 00:54:10.090 --> 00:54:13.090
  • OF GOD
  • 00:54:13.090 --> 00:54:15.190
  • OH, IT CHASES ME DOWN,
  • 00:54:15.190 --> 00:54:17.150
  • FIGHTS TILL I'M FOUND,
  • 00:54:17.150 --> 00:54:19.180
  • LEAVES THE 99
  • 00:54:20.040 --> 00:54:23.040
  • I COULDN'T EARN IT,
  • 00:54:23.040 --> 00:54:24.250
  • AND I DON'T DESERVE IT,
  • 00:54:24.250 --> 00:54:27.110
  • STILL, YOU GIVE
  • 00:54:27.110 --> 00:54:29.010
  • YOURSELF AWAY
  • 00:54:29.010 --> 00:54:31.220
  • OH, THE OVERWHELMING,
  • 00:54:31.230 --> 00:54:34.230
  • NEVER-ENDING, RECKLESS LOVE
  • 00:54:34.230 --> 00:54:36.280
  • OF GOD
  • 00:54:38.150 --> 00:54:41.150
  • [MUSIC]
  • 00:54:41.150 --> 00:54:42.240
  • THERE'S NOTHING LIKE THE LOVE
  • 00:54:56.260 --> 00:54:59.260
  • WHEN I WAS YOUR FOE,
  • 00:54:59.260 --> 00:55:01.210
  • STILL YOUR LOVE FOUGHT FOR M,
  • 00:55:03.070 --> 00:55:06.070
  • YOU HAVE BEEN SO, SO GOOD
  • 00:55:09.190 --> 00:55:10.100
  • TO ME
  • 00:55:12.200 --> 00:55:15.200
  • YES
  • 00:55:15.200 --> 00:55:16.220
  • WHEN I FELT NO WORTH,
  • 00:55:16.220 --> 00:55:19.060
  • YOU PAID IT ALL FOR ME
  • 00:55:20.210 --> 00:55:23.210
  • - KARI: COME ON.
  • 00:55:23.210 --> 00:55:25.120
  • OH, YOU HAVE BEEN SO, SO
  • 00:55:25.120 --> 00:55:26.150
  • KIND TO ME
  • 00:55:30.100 --> 00:55:33.100
  • - KARI: COME ON, SING IT OUT,
  • 00:55:33.100 --> 00:55:34.170
  • SING IT OUT.
  • 00:55:34.170 --> 00:55:37.010
  • OH, THE OVERWHELMING,
  • 00:55:37.210 --> 00:55:40.210
  • NEVER-ENDING, RECKLESS
  • 00:55:40.210 --> 00:55:43.080
  • LOVE OF GOD
  • 00:55:43.080 --> 00:55:45.030
  • OH, IT CHASES ME DOWN,
  • 00:55:45.030 --> 00:55:47.010
  • FIGHTS TILL I'M FOUND,
  • 00:55:47.010 --> 00:55:48.290
  • LEAVES THE NINETY-NINE
  • 00:55:48.290 --> 00:55:51.080
  • OH, I COULDN'T EARN IT,
  • 00:55:51.080 --> 00:55:52.010
  • AND I DON'T DESERVE IT,
  • 00:55:52.010 --> 00:55:54.270
  • STILL, YOU GIVE YOURSELF AWAY
  • 00:55:55.140 --> 00:55:58.140
  • OH, THE OVERWHELMING,
  • 00:55:58.140 --> 00:56:01.130
  • NEVER-ENDING, RECKLESS
  • 00:56:01.130 --> 00:56:03.270
  • LOVE OF GOD
  • 00:56:07.200 --> 00:56:10.200
  • [VOCALIZING]
  • 00:56:23.000 --> 00:56:26.000
  • THERE'S NO SHADOW YOU WON'T
  • 00:56:26.000 --> 00:56:26.250
  • LIGHT UP,
  • 00:56:26.250 --> 00:56:28.100
  • MOUNTAIN YOU WON'T CLIMB UP,
  • 00:56:28.270 --> 00:56:31.270
  • COMING AFTER ME
  • 00:56:32.160 --> 00:56:35.160
  • THERE'S NO WALL YOU WON'T
  • 00:56:35.160 --> 00:56:37.160
  • KICK DOWN,
  • 00:56:37.160 --> 00:56:38.110
  • LIE YOU WON'T TEAR DOWN,
  • 00:56:38.110 --> 00:56:39.140
  • COMIN' AFTER ME
  • 00:56:39.140 --> 00:56:41.240
  • - KARI: COME ON, THIS IS GOOD.
  • 00:56:41.240 --> 00:56:43.010
  • THERE'S NO SHADOW YOU WON'T
  • 00:56:43.010 --> 00:56:45.070
  • LIGHT UP,
  • 00:56:45.070 --> 00:56:46.090
  • MOUNTAIN YOU WON'T CLIMB UP,
  • 00:56:46.090 --> 00:56:47.240
  • COMIN' AFTER ME
  • 00:56:47.240 --> 00:56:50.230
  • THERE'S NO WALL YOU WON'T
  • 00:56:50.280 --> 00:56:53.280
  • KICK DOWN,
  • 00:56:55.100 --> 00:56:58.100
  • LIE YOU WON'T TEAR DOWN,
  • 00:56:58.100 --> 00:56:59.100
  • COMIN' AFTER ME
  • 00:56:59.100 --> 00:57:00.060
  • OH, THERE'S NO SHADOW YOU
  • 00:57:00.060 --> 00:57:02.090
  • WON'T LIGHT UP,
  • 00:57:02.090 --> 00:57:03.040
  • MOUNTAIN YOU WON'T CLIMB UP,
  • 00:57:03.040 --> 00:57:05.180
  • COMING AFTER ME, YEAH, YEAH
  • 00:57:05.260 --> 00:57:08.260
  • THERE'S NO WALL YOU WON'T
  • 00:57:08.260 --> 00:57:10.120
  • KICK DOWN,
  • 00:57:10.120 --> 00:57:12.010
  • LIE YOU WON'T TEAR DOWN,
  • 00:57:12.010 --> 00:57:14.020
  • COMIN' AFTER ME
  • 00:57:14.280 --> 00:57:17.280
  • THERE'S NO SHADOW YOU WON'T
  • 00:57:17.280 --> 00:57:19.090
  • LIGHT UP,
  • 00:57:19.090 --> 00:57:20.040
  • MOUNTAIN YOU WON'T CLIMB UP--
  • 00:57:20.040 --> 00:57:21.230
  • THERE'S NO WALL YOU WON'T--
  • 00:57:21.230 --> 00:57:23.080