John Schlitt & Rick Cua | TBN

John Schlitt & Rick Cua

Watch John Schlitt & Rick Cua
November 20, 2019
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Music, Moments, & Memories

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John Schlitt & Rick Cua

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  • [MUSIC]
  • 00:00:00.090 --> 00:00:01.240
  • THE NEW CCM UNITED MUSIC, MOMENTS & MEMORIES
  • 00:00:01.250 --> 00:00:05.210
  • FEATURING MORE CCM HITS YOU GREW UP WITH. SIMPLY CALL THE NUMBER
  • 00:00:05.220 --> 00:00:10.130
  • ON YOUR SCREEN OR GO ONLINE. THE CD AND DVD ARE BOTH YOURS FOR
  • 00:00:10.140 --> 00:00:17.180
  • YOUR GIFT OF $39 OR MORE. HELP TAKE THE MESSAGE OF HOPE AND
  • 00:00:17.190 --> 00:00:21.160
  • GRACE AROUND THE WORLD. CALL THE NUMBER ON YOUR SCREEN OR GO
  • 00:00:21.170 --> 00:00:25.190
  • ONLINE AND REQUEST YOUR COPY NOW.
  • 00:00:25.200 --> 00:00:28.080
  • [MUSIC]
  • 00:00:28.090 --> 00:00:30.100
  • -TO KNOW WHAT IT'S LIKE
  • 00:00:30.110 --> 00:00:31.230
  • HAVING ONE OF THE MOST BELOVED MEN IN NASHVILLE, THE MUSIC
  • 00:00:31.240 --> 00:00:35.120
  • INDUSTRY HAS -DID YOU HEAR THAT? DID YOU HEAR THAT? YOU
  • 00:00:35.130 --> 00:00:37.250
  • REMEMBER THAT FROM NOW ON. -CAN I GET A RECORDING OF THAT JUST
  • 00:00:37.260 --> 00:00:41.140
  • TO REMIND? [LAUGHTER]
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  • [MUSIC]
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  • [MUSIC]
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  • JACKIE VELASQUEZ: HELLO! MY NAME IS
  • 00:01:03.290 --> 00:01:05.050
  • JACKIE VELASQUEZ AND I'D LIKE TO WELCOME YOU TO THIS EPISODE
  • 00:01:05.060 --> 00:01:07.090
  • FEATURING JOHN SCHLITT AND RICK CUA. JOHN SCHLITT IS JOINED BY
  • 00:01:07.100 --> 00:01:10.250
  • FRIENDS MIKE KYLE, BUBBA SMITH, AND DAN NEEDHAM. JOHN CAME FROM
  • 00:01:10.260 --> 00:01:14.280
  • A LITTLE BITTY TOWN WHERE EVERYBODY'S YOUR PARENTS, WHICH
  • 00:01:14.290 --> 00:01:17.260
  • HELPED HIM STAY GROUNDED IN HIGH SCHOOL. JOHN BELIEVED IN GOD BUT
  • 00:01:17.270 --> 00:01:21.040
  • HAD NO IDEA WHO JESUS WAS YET. -AS TIME WENT ON, I WENT TO
  • 00:01:21.050 --> 00:01:26.170
  • COLLEGE AS AN AERONAUTICAL ASTRONOMICAL ENGINEER. LATER
  • 00:01:26.180 --> 00:01:30.090
  • CHANGED TO A CIVIL ENGINEER BECAUSE THE SPACE PROGRAM
  • 00:01:30.100 --> 00:01:34.090
  • COLLAPSED AND AERONAUTICAL ENGINEERS WERE PUMPING GAS AND
  • 00:01:34.100 --> 00:01:37.190
  • DELIVERING GROCERIES. AND ABOUT THAT TIME I DISCOVERED THIS BAND
  • 00:01:37.200 --> 00:01:41.250
  • AND I SAID, YOU KNOW, THAT BAND HAS EVERYTHING IT NEEDS BUT ME.
  • 00:01:41.260 --> 00:01:45.210
  • AND I TOLD THEM THAT. [CHUCKLES] -AND I WASN'T NECESSARILY A
  • 00:01:45.220 --> 00:01:49.260
  • REAL ARROGANT GUY, BUT I, WHAT I TOLD THEM WAS I BELIEVED IT. AND
  • 00:01:49.270 --> 00:01:53.110
  • THEY DISCOVERED THAT IT WAS TRUE. AND IT TURNED OUT TO BE A
  • 00:01:53.120 --> 00:01:56.280
  • BAND CALLED HEAD EAST. AND TO MAKE A LONG STORY SHORT, WE HAD
  • 00:01:56.290 --> 00:02:03.060
  • OUR OWN, WE DID OUR OWN RECORD, THE FIRST ONE. IT WENT GOLD. IT
  • 00:02:03.070 --> 00:02:08.040
  • ENDED UP WITH A CLASSIC SONG ON IT. AND IT WAS TRULY A
  • 00:02:08.050 --> 00:02:14.160
  • MUSICIAN'S DREAM; WENT FROM BEING A BAR BAND TO OPENING UP
  • 00:02:14.170 --> 00:02:19.180
  • AND SPECIAL GUESTING AND HEADLINING ALL OVER THE COUNTRY
  • 00:02:19.190 --> 00:02:22.180
  • FOR ABOUT FIVE YEARS STRAIGHT. AND I REALLY BELIEVED THAT I
  • 00:02:22.190 --> 00:02:27.290
  • WANTED TO GO OUT AND JUST PLAY GOOD MUSIC AND HAVE PEOPLE ENJOY
  • 00:02:28.000 --> 00:02:30.210
  • THEMSELVES. BUT BACKSTAGE, IN THAT SYSTEM WITHOUT CHRIST, I
  • 00:02:30.220 --> 00:02:36.040
  • WAS FAIR GAME AND I FELL FOR IT HOOK-LINE-AND-SINKER. BOOZE WAS
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  • WATER BACKSTAGE. I STARTED DRINKING MORE AND MORE. THEN
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  • COCAINE CAME ALONG AND IT GRABBED ME AND PRETTY MUCH
  • 00:02:44.230 --> 00:02:47.280
  • CONTROLLED MY LIFE THROUGH THE LAST TWO AND A HALF YEARS OF
  • 00:02:47.290 --> 00:02:51.050
  • HEAD EAST, WHICH ACTUALLY GOT ME FIRED. YOU KNOW, IT'S SO FUNNY
  • 00:02:51.060 --> 00:02:55.290
  • BECAUSE NONE OF THOSE GUYS WERE ANGELS EITHER. BUT I,
  • 00:02:56.000 --> 00:02:59.190
  • APPARENTLY, WAS WORSE. I WAS WORSE THAN EVERYBODY. SO, THEY
  • 00:02:59.200 --> 00:03:02.160
  • FIRED ME AND I THOUGHT MY WHOLE LIFE COLLAPSED. FOR SIX MONTHS I
  • 00:03:02.170 --> 00:03:06.010
  • WENT ON A BINGE WITH THE EXCUSE THAT I WAS STARTING ANOTHER BAND
  • 00:03:06.020 --> 00:03:09.150
  • TO SHOW THEM. AT THE END OF THE SIX MONTHS SUICIDE CAME ACROSS
  • 00:03:09.160 --> 00:03:14.090
  • MY PATH AND I DECIDED THAT WAS THE BEST PATH FOR ME. MY WIFE,
  • 00:03:14.100 --> 00:03:19.120
  • IN THAT SAME SIX MONTH PERIOD, GOT SAVED AND TRIED TO TELL ME
  • 00:03:19.130 --> 00:03:24.000
  • ABOUT CHRIST DURING MY, DURING THIS SIX-MONTH PERIOD. AND I
  • 00:03:24.010 --> 00:03:27.200
  • WOULD JUST SAY GET OUT OF MY FACE. I DON'T WANT TO BE, I'LL
  • 00:03:27.210 --> 00:03:30.060
  • BE A CHRISTIAN WHEN I'M TOO OLD TO HAVE ANY FUN. AND THAT WAS
  • 00:03:30.070 --> 00:03:32.250
  • ALWAYS MY COMEBACK. ONE MORNING I WOKE UP AND A LITTLE VOICE
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  • SAYS YOU'RE WORTH MORE DEAD THAN ALIVE, AND I SAID YEAH, THAT'S A
  • 00:03:37.180 --> 00:03:40.090
  • GOOD IDEA. SAT ON MY CHAIR, DECIDED THAT, I TRIED TO FIGURE
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  • OUT THE BEST WAY TO DO IT. MY WIFE TAPS ME ON THE SHOULDER,
  • 00:03:43.230 --> 00:03:46.200
  • REMEMBER YOU PROMISED YOU'D COME AND TALK TO MY PASTOR. I SAID
  • 00:03:46.210 --> 00:03:49.110
  • WHEN? SHE SAYS LAST NIGHT WHEN YOU WERE DRUNK. SO, I SAID, YOU
  • 00:03:49.120 --> 00:03:53.050
  • KNOW WHAT? OKAY. AND I WENT WITH THE ATTITUDE OF I'LL SHOW HER I
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  • TRIED. WENT IN WITH THAT ATTITUDE; CAME OUT WITH HOLY
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  • SPIRIT, WHO CHANGED MY LIFE. FOR THE NEXT FIVE YEARS I GAVE UP
  • 00:04:01.170 --> 00:04:06.080
  • MUSIC ALTOGETHER. I THOUGHT, OH, I'M TOO OLD. THERE'S NO WAY. I
  • 00:04:06.090 --> 00:04:09.150
  • DON'T EVER WANT TO BE A PART OF THAT EVIL ROCK AND ROLL AGAIN. I
  • 00:04:09.160 --> 00:04:13.040
  • DISCOVERED PETRA; WAS A GIGANTIC FAN OF THEIRS. ACTUALLY, MIKE,
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  • AT THIS TIME, CAME TO MY PATH, AND I SAID RIGHT, YOU KNOW, I'M
  • 00:04:18.070 --> 00:04:22.060
  • GONNA BE PART OF A CHRISTIAN ROCK BAND LIKE PETRA. AND HE
  • 00:04:22.070 --> 00:04:26.150
  • LOOKS AT ME AND GOES, YEAH RIGHT. -BUT YOU SAID I'M GONNA
  • 00:04:26.160 --> 00:04:31.040
  • HAVE AN OPPORTUNITY TO UNDO ALL THE BAD THAT I DID, AND IT'S IN
  • 00:04:31.050 --> 00:04:35.160
  • CHRISTIAN MUSIC. AND YOU DID. -AND THAT WAS OUT OF THE BLUE.
  • 00:04:35.170 --> 00:04:38.280
  • I MEAN, IT WAS JUST ONE OF THOSE THINGS WHERE I HAD NO REASONS TO
  • 00:04:38.290 --> 00:04:42.120
  • SAY THAT, BUT ALL OF SUDDEN BOB HARTMAN CALLED ME AND SAID,
  • 00:04:42.130 --> 00:04:45.250
  • JOHN, WOULD YOU CONSIDER SINGING FOR PETRA? AT FIRST, HE SAYS ARE
  • 00:04:45.260 --> 00:04:48.170
  • YOU STILL A CHRISTIAN? I SAID YEAH, I'M A HEAVY-DUTY
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  • CHRISTIAN. HE GOES, HE SAID WILL YOU CONSIDER SINGING FOR PETRA?
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  • AND I'M SERIOUS, I THOUGHT IT WAS A JOKE. I GOT MAD BECAUSE I
  • 00:04:55.000 --> 00:04:57.230
  • THOUGHT OF SOMEBODY PULLING A JOKE ON ME. AND HE, I ALMOST
  • 00:04:57.240 --> 00:05:01.290
  • HUNG UP ON HIM. AND HE SAYS, NO, NO, I'M SERIOUS. AND I SAID
  • 00:05:02.000 --> 00:05:07.280
  • YEAH, LET'S DO IT. AND, OF COURSE, HE SAYS BUT DON'T YOU
  • 00:05:07.290 --> 00:05:09.270
  • THINK YOU SHOULD PRAY ABOUT IT? AND I'M GOING, YEAH, OKAY, FINE.
  • 00:05:09.280 --> 00:05:14.110
  • BUT LONG STORY SHORT, IN 86 I SANG MY FIRST SHOW SOBER IN
  • 00:05:14.120 --> 00:05:20.140
  • SEVEN YEARS IN FRONT OF ABOUT 6.000 PEOPLE IN SYDNEY,
  • 00:05:20.150 --> 00:05:23.200
  • AUSTRALIA. -WOW! -AND THAT WAS THE BEGINNING OF PETRA. THAT'S
  • 00:05:23.210 --> 00:05:28.280
  • HOW GOD DID IT. YOU KNOW, LOOKING BACK AT IT NOW, SEVEN
  • 00:05:28.290 --> 00:05:31.290
  • YEARS OF LEARNING THE TRADE AS A LEAD SINGER IN THE SECULAR VEIN,
  • 00:05:32.000 --> 00:05:36.040
  • AND I LEARNED BECAUSE WE WERE BUSY. AND THEN FIVE YEARS OF
  • 00:05:36.050 --> 00:05:41.110
  • GETTING INTO THE WORD HEAVY DUTY. I WASN'T A REAL BIG
  • 00:05:41.120 --> 00:05:43.290
  • READER, BUT, MAN, FOR SOME REASON THE HUNGER OF THAT WORD
  • 00:05:44.000 --> 00:05:46.110
  • WAS IMPORTANT TO ME. AND NOW, LOOKING BACK, IT'S LIKE WOW,
  • 00:05:46.120 --> 00:05:50.060
  • GOD, YOU'RE SO COOL. YOU KNOW, 12 YEARS OF CONDITIONING ME SO I
  • 00:05:50.070 --> 00:05:54.230
  • WAS READY FOR THE BAND THAT I WAS PART OF FOR THE NEXT 20
  • 00:05:54.240 --> 00:05:57.230
  • YEARS. -WHILE JOHN WAS STILL TOURING WITH PETRA, HE VENTURED
  • 00:05:57.240 --> 00:06:00.130
  • OUT ON HIS OWN AND MADE HIS FIRST SOLO RECORD. JOHN HAD A
  • 00:06:00.140 --> 00:06:03.280
  • TEAM OF INDUSTRY FRIENDS AROUND HIM TO HELP. MIKE KYLE HELPED
  • 00:06:03.290 --> 00:06:07.070
  • PROMOTE HIS NEW RECORD, BUBBA SMITH, A FORMER RECORD EXEC AT
  • 00:06:07.080 --> 00:06:10.230
  • WORD RECORDS, HELPED JOHN FIND HIS NEW VOICE. AND YEARS LATER
  • 00:06:10.240 --> 00:06:14.020
  • JOHN'S SON-IN-LAW DAN NEEDHAM PRODUCED HIS RECORDS. BUT LET'S
  • 00:06:14.030 --> 00:06:18.060
  • START WITH JOHN'S FIRST SOLO RECORD. -AND I THINK THE TASK
  • 00:06:18.070 --> 00:06:22.080
  • AT HAND, WHEN IT CAME TO THINKING ABOUT JOHN, AS A SOLO
  • 00:06:22.090 --> 00:06:24.220
  • ARTIST, WAS HOW TO DIFFERENTIATE THAT, WHAT JOHN WAS VOCAL, SONG
  • 00:06:24.230 --> 00:06:32.080
  • WISE, EVERYTHING, FROM PETRA. BECAUSE JOHN'S VOCAL IS SO
  • 00:06:32.090 --> 00:06:36.200
  • DISTINCT AND SO IDENTIFIABLE WITH PETRA. HOW DO WE DO THAT?
  • 00:06:36.210 --> 00:06:41.200
  • AND HOW DO WE CREATE YOUR OWN VOICE? WE FOUND YOUR NEW VOICE
  • 00:06:41.210 --> 00:06:45.280
  • WAS AND, YOU KNOW, DIFFERENT PRODUCTION TEAMS THAN PETRA, AND
  • 00:06:45.290 --> 00:06:50.000
  • THE FACT THAT YOU CO-WROTE ALMOST EVERY SONG ON BOTH
  • 00:06:50.010 --> 00:06:53.030
  • RECORDS THAT WE DID DO. -YES. SO THE CHALLENGE FOR US WAS THE
  • 00:06:53.040 --> 00:06:56.270
  • SAME AS BUBBA MENTIONED, WHICH IS HOW DO YOU GO AND PROMOTE
  • 00:06:56.280 --> 00:06:59.230
  • JOHN AS A SOLO ARTIST IN THE MIDST OF PETRA ACTIVELY TOURING
  • 00:06:59.240 --> 00:07:04.000
  • AND RECORDING? AND SO WE'D CALL UP THE NEWSPAPER AND SAY WE KNOW
  • 00:07:04.010 --> 00:07:07.020
  • YOU'RE GONNA DO AN ARTICLE ON PETRA AND THE TOUR COMING TO
  • 00:07:07.030 --> 00:07:09.020
  • TOWN, WE THINK YOU SHOULD, BUT LET ME GIVE YOU A PICTURE OF
  • 00:07:09.030 --> 00:07:12.070
  • JOHN AND LET ME TELL YOU A LITTLE BIT ABOUT JOHN. SO, THEY
  • 00:07:12.080 --> 00:07:14.270
  • WOULD BE LIKE, PETRA COMES TO TOWN, JOHN SCHLITT NEW RECORD.
  • 00:07:14.280 --> 00:07:17.090
  • THERE'D BE A PICTURE OF JOHN FROM SHAKE AND THEN THE ARTICLE.
  • 00:07:17.100 --> 00:07:20.130
  • RIGHT? PETRA MANAGEMENT WENT NUTS. -I KNEW WHEN PETRA
  • 00:07:20.140 --> 00:07:24.040
  • RETIRED, I WAS GONNA START MY SOLO CAREER AGAIN. BUT THIS TIME
  • 00:07:24.050 --> 00:07:27.110
  • I HAVE A SON-IN-LAW WHO IS AMAZING. AND I'M GOING, YOU KNOW
  • 00:07:27.120 --> 00:07:33.050
  • WHAT, I GOT A PRODUCER IN MY HOME CAMP. -UH, INTERESTINGLY,
  • 00:07:33.060 --> 00:07:38.000
  • I HAVE A DIFFERENT PERSPECTIVE BECAUSE I KIND OF, WE FIRST MET
  • 00:07:38.010 --> 00:07:40.090
  • IN THE STUDIO. -THAT'S RIGHT. -BEFORE I EVEN MET CARRIE, HIS
  • 00:07:40.100 --> 00:07:43.080
  • DAUGHTER. AND SO WE KIND OF HAD A BIT OF A RELATIONSHIP
  • 00:07:43.090 --> 00:07:46.020
  • BEFOREHAND. AND THEN WE DELVED INTO OTHER AREAS OF RELATIONS
  • 00:07:46.030 --> 00:07:51.000
  • WHEN I MARRIED CARRIE. SO, I SEE IT FROM A PLAYER-PRODUCER
  • 00:07:51.010 --> 00:07:55.210
  • STANDPOINT, BUT I ALSO SEE IT FROM THE INSIDE. AND IT'S A VERY
  • 00:07:55.220 --> 00:07:59.080
  • INTERESTING JUXTAPOSITION. YOU KNOW? BECAUSE OFTENTIMES IT
  • 00:07:59.090 --> 00:08:02.020
  • SEEMS LIKE, IN THIS BUSINESS, I'VE WORKED ON A LOT OF RECORDS
  • 00:08:02.030 --> 00:08:05.050
  • THROUGH THE YEARS, AND KNOW A LOT OF ARTISTS AND A LOT OF
  • 00:08:05.060 --> 00:08:07.160
  • DIFFERENT PEOPLE, AND SOMETIMES THE PERSONAL DOESN'T MESH WITH
  • 00:08:07.170 --> 00:08:11.090
  • THE PERSONA. AND YOU DON'T GET THAT WITH JOHN. I REALLY
  • 00:08:11.100 --> 00:08:14.230
  • APPRECIATE THE GENUINE, AWESOME DUDE, MAN. I MEAN, YOU'VE GOT SO
  • 00:08:14.240 --> 00:08:19.140
  • MUCH INTEGRITY. IT'S REFRESHING. -MY FAMILY'S HEALTHY. WE STILL
  • 00:08:19.150 --> 00:08:25.170
  • LOVE EACH OTHER. GOD, FOR SOME REASON, OPENED DOORS WHEN I
  • 00:08:25.180 --> 00:08:29.220
  • DIDN'T REALIZE THOSE KINDS OF DOORS COULD BE OPENED. I'M
  • 00:08:29.230 --> 00:08:33.160
  • AROUND, I'VE BEEN PART OF AMAZING FRIENDS, AS YOU CAN SEE
  • 00:08:33.170 --> 00:08:37.140
  • RIGHT NOW. I'VE HAD A VERY BLESSED LIFE. I HAVE NO
  • 00:08:37.150 --> 00:08:41.050
  • COMPLAINTS. AND IT'S NOT OVER. YOU KNOW? YOU KNOW, AS A
  • 00:08:41.060 --> 00:08:46.220
  • CHRISTIAN, THERE'S NO SUCH WORD AS RETIREMENT IN THE WORD, AND I
  • 00:08:46.230 --> 00:08:50.130
  • DON'T BELIEVE THAT WE'RE SUPPOSED TO HAVE. AND AS LONG AS
  • 00:08:50.140 --> 00:08:53.280
  • GOD ALLOWS ME TO STILL HAVE MY VOICE, I'M GOING TO USE IT AS
  • 00:08:53.290 --> 00:08:57.240
  • BEST I CAN. AND YOU CAN'T LIVE BETTER THAN THAT.
  • 00:08:57.250 --> 00:09:01.220
  • [MUSIC]
  • 00:09:01.230 --> 00:09:10.060
  • LIVING IN THE SPACE OF TIME
  • 00:09:10.070 --> 00:09:13.130
  • I HAVE TO WONDER WHERE I'M GOING
  • 00:09:13.140 --> 00:09:16.040
  • JUST WHO I AM
  • 00:09:16.050 --> 00:09:18.130
  • WHAT I'M SUPPOSED TO BE
  • 00:09:18.140 --> 00:09:24.290
  • SEARCHING FOR THAT CERTAIN SIGN
  • 00:09:25.000 --> 00:09:28.100
  • THAT POINTS ME IN THE RIGHT DIRECTION
  • 00:09:28.110 --> 00:09:31.130
  • THE PATH TO TAKE
  • 00:09:31.140 --> 00:09:33.130
  • THE ONE THAT'S RIGHT FOR ME
  • 00:09:33.140 --> 00:09:38.070
  • OH, OH, OH
  • 00:09:38.080 --> 00:09:40.080
  • CHOICES WILL COME MY WAY
  • 00:09:40.090 --> 00:09:42.280
  • WHICH ONE TO CHOOSE
  • 00:09:42.290 --> 00:09:47.240
  • CAN'T DO IT ON MY OWN
  • 00:09:47.250 --> 00:09:50.190
  • THERE'S TOO MUCH TO LOSE
  • 00:09:50.200 --> 00:09:54.190
  • TAKE ME, GUIDE ME, LEAD ME
  • 00:09:54.200 --> 00:09:59.270
  • I'M TRUSTING IN YOU, LORD
  • 00:09:59.280 --> 00:10:02.040
  • TEACH ME, AND SHOW ME THE WAY
  • 00:10:02.050 --> 00:10:09.170
  • BREAK ME, LOVE ME, FORGIVE ME
  • 00:10:09.180 --> 00:10:15.040
  • I'M ASKING OF YOU, LORD
  • 00:10:15.050 --> 00:10:17.100
  • TAKE ME AND SHOW ME THE WAY
  • 00:10:17.110 --> 00:10:25.270
  • KNOWING IF I STAND ALONE
  • 00:10:25.280 --> 00:10:29.200
  • I COULD NEVER SEE THE WAY THAT WAS MEANT FOR ME
  • 00:10:29.210 --> 00:10:34.090
  • THE LIFE THAT WE COULD SHARE
  • 00:10:34.100 --> 00:10:41.060
  • LEARNING LESSONS I MUST KNOW
  • 00:10:41.070 --> 00:10:45.010
  • FROM THE SOURCE WHO HAS THE ANSWERS
  • 00:10:45.020 --> 00:10:47.160
  • OF LIFE ITSELF
  • 00:10:47.170 --> 00:10:49.180
  • THE ONE WHO REALLY CARES
  • 00:10:49.190 --> 00:10:54.260
  • OH, OH, OH
  • 00:10:54.270 --> 00:10:56.120
  • IN LIFE THERE'S SO MANY TURNS
  • 00:10:56.130 --> 00:10:59.050
  • WHICH WAY TO GO
  • 00:10:59.060 --> 00:11:02.030
  • OH, OH, OH
  • 00:11:02.040 --> 00:11:04.000
  • WHEN YOU'RE BESIDE ME, LORD
  • 00:11:04.010 --> 00:11:06.250
  • YOU'RE IN CONTROL
  • 00:11:06.260 --> 00:11:10.220
  • TAKE ME, GUIDE ME, LEAD ME
  • 00:11:10.230 --> 00:11:16.000
  • I'M TRUSTING IN YOU, LORD
  • 00:11:16.010 --> 00:11:18.050
  • TEACH ME, AND SHOW ME THE WAY
  • 00:11:18.060 --> 00:11:25.250
  • BREAK ME, LOVE ME, FORGIVE ME
  • 00:11:25.260 --> 00:11:31.050
  • I'M ASKING OF YOU, LORD
  • 00:11:31.060 --> 00:11:33.130
  • TAKE ME AND SHOW ME THE WAY
  • 00:11:33.140 --> 00:11:41.270
  • I KNOW FOR ME, YOU HAVE THE PERFECT PLAN
  • 00:11:41.280 --> 00:11:45.120
  • I KNOW YOU HAD IT BEFORE TIME BEGAN
  • 00:11:45.130 --> 00:11:49.030
  • DON'T WANT TO LISTEN TO WHAT OTHERS SAY
  • 00:11:49.040 --> 00:11:52.210
  • JUST SHOW ME THE WAY
  • 00:11:52.220 --> 00:11:58.190
  • TAKE ME, GUIDE ME, LEAD ME
  • 00:11:58.200 --> 00:12:03.090
  • I'M TRUSTING IN YOU, LORD
  • 00:12:03.100 --> 00:12:05.210
  • TEACH ME, AND SHOW ME THE WAY
  • 00:12:05.220 --> 00:12:12.240
  • [MUSICAL INTERLUDE]
  • 00:12:12.250 --> 00:12:25.010
  • BREAK ME, LOVE ME, FORGIVE ME
  • 00:12:25.020 --> 00:12:30.020
  • I'M ASKING OF YOU, LORD
  • 00:12:30.030 --> 00:12:32.120
  • TAKE ME AND SHOW ME THE WAY
  • 00:12:32.130 --> 00:12:43.090
  • [MUSIC]
  • 00:12:43.100 --> 00:12:53.140
  • THE NEW CCM UNITED MUSIC, MOMENTS &
  • 00:12:53.150 --> 00:12:56.220
  • MEMORIES FEATURING MORE CCM HITS YOU GREW UP WITH LIKE PHIL
  • 00:12:56.230 --> 00:13:01.120
  • KEAGGY'S WHAT A DAY, CLAY CROSSE'S I SURRENDER ALL AL
  • 00:13:01.130 --> 00:13:05.150
  • DENSON BE THE ONE, EDDIE DEGARMO OF DEGARMO AND KEY'S
  • 00:13:05.160 --> 00:13:09.190
  • ROCK SOLID, WES KING'S THE ROBE. TWENTY OF THE BIGGEST CCM
  • 00:13:09.200 --> 00:13:15.050
  • SONGS SUNG BY THE ARTISTS WHO MADE THEM FAMOUS AVAILABLE IN A
  • 00:13:15.060 --> 00:13:18.200
  • DOUBLE CD AND DVD FOR A GIFT OF $39 OR MORE TO TBN. SIMPLY CALL
  • 00:13:18.210 --> 00:13:24.270
  • THE NUMBER ON YOUR SCREEN OR GO ONLINE. MUSIC, MOMENTS &
  • 00:13:24.280 --> 00:13:30.030
  • MEMORIES THE AUDIO DOUBLE CD IS OUR GIFT AS YOU GIVE YOUR BEST
  • 00:13:30.040 --> 00:13:34.050
  • GIFT TO TBN AND ITS GLOBAL OUTREACH. THE CD AND DVD ARE
  • 00:13:34.060 --> 00:13:38.170
  • BOTH YOURS FOR YOUR GIFT OF $39 OR MORE. HELP TAKE THE MESSAGE
  • 00:13:38.180 --> 00:13:42.260
  • OF HOPE AND GRACE AROUND THE WORLD. CALL THE NUMBER ON YOUR
  • 00:13:42.270 --> 00:13:46.170
  • SCREEN OR GO ONLINE AND REQUEST YOUR COPY NOW.
  • 00:13:46.180 --> 00:13:51.200
  • [MUSIC]
  • 00:13:51.210 --> 00:13:58.130
  • JACKIE VELASQUEZ: WELCOME BACK! CUA BECAME A
  • 00:13:58.140 --> 00:14:00.070
  • CHRISTIAN WHILE PLAYING SECULAR MUSIC WITH THE OUTLAWS. WHEN
  • 00:14:00.080 --> 00:14:03.080
  • FRIEND, JOE ENGLISH, MADE THE LEAP FROM SECULAR TO CHRISTIAN
  • 00:14:03.090 --> 00:14:06.110
  • ARTIST, RICK GOT INSPIRED, MAYBE HE COULD DO THAT, TOO. HE THEN
  • 00:14:06.120 --> 00:14:10.080
  • GOT THE OPPORTUNITY WHEN HE MET RECORD EXEC RAINIE NOW. RICK IS
  • 00:14:10.090 --> 00:14:14.040
  • NOW JOINED BY HIS BUDDIES RECORD PRODUCER DAVE PERKINS, PHIL
  • 00:14:14.050 --> 00:14:17.060
  • KEAGGY, AND BOOKING AGENT GREG OLIVER. -SOME OF THE THINGS, I
  • 00:14:17.070 --> 00:14:21.040
  • THINK, IN MY LIFE PRE-JESUS WERE NOT REALLY LINED UP THE WAY THEY
  • 00:14:21.050 --> 00:14:26.010
  • SHOULD BE. MUSIC, IN THOSE DAYS TOOK A DIFFERENT PRIORITY. WHERE
  • 00:14:26.020 --> 00:14:33.040
  • THE HOLY ORDER IS, YOU KNOW, GOD, YOUR SPOUSE, YOUR KIDS,
  • 00:14:33.050 --> 00:14:36.120
  • YOUR GRANDKIDS, WHATEVER, MUSIC WAS REALLY, REALLY AT A PLACE
  • 00:14:36.130 --> 00:14:43.030
  • THAT WOULD COMPETE WITH SOME OF THOSE OTHER MORE IMPORTANT
  • 00:14:43.040 --> 00:14:46.150
  • THINGS. WE HAD A SHOW WITH BLACK SABBATH WITH MY BAND THE
  • 00:14:46.160 --> 00:14:50.070
  • OUTLAWS, AT THAT POINT, BECAUSE I HAD JOINED THEM IN 1980. AND
  • 00:14:50.080 --> 00:14:54.210
  • WE PLAYED AT THE ARENA, WHEREVER IT WAS, AND, YOU KNOW, IN
  • 00:14:54.220 --> 00:14:57.250
  • BETWEEN BOTTLES FLYING AND EVERY OTHER CRAZY THING, YOU KNOW, RAY
  • 00:14:57.260 --> 00:15:02.080
  • WAS THERE. AND WE WENT TO THE BEST WESTERN HOTEL OVER IN THAT
  • 00:15:02.090 --> 00:15:08.140
  • ZONE, HAD A THREE AND A HALF HOUR MEETING, AND BY THE END OF
  • 00:15:08.150 --> 00:15:11.200
  • THAT MEETING, I HAD A RECORD DEAL. HAD A RECORD DEAL, AND I
  • 00:15:11.210 --> 00:15:14.230
  • HAD ABOUT TWO SONGS. SO, THEN I STARTED WRITING MY BRAINS OUT.
  • 00:15:14.240 --> 00:15:19.210
  • -SO, I, RICK CALLED ME AND HE SORT OF TOLD ME THE TRUTH;
  • 00:15:19.220 --> 00:15:26.120
  • YOU'RE NOT GONNA MAKE ANY MONEY, YOU PROBABLY WON'T GET ANY
  • 00:15:26.130 --> 00:15:28.110
  • SLEEP, IT'S GONNA BE UGLY, BUT WE'LL DO IT TOGETHER. AND
  • 00:15:28.120 --> 00:15:33.130
  • THERE'S A REASON FOR DOING IT. -WE WOUND UP MOVING TO
  • 00:15:33.140 --> 00:15:39.010
  • NASHVILLE. AND I CAN REMEMBER THE HOUSE WAS TOTALLY EMPTY, OUR
  • 00:15:39.020 --> 00:15:42.200
  • LITTLE HOUSE IN THE NORTH SIDE OF SYRACUSE. THE TRUCK WAS IN
  • 00:15:42.210 --> 00:15:45.200
  • THE DRIVEWAY, EVERYTHING WAS IN THE TRUCK. WE LEFT ONE PHONE
  • 00:15:45.210 --> 00:15:50.120
  • PLUGGED IN, IN CASE EITHER OF OUR MOMS OR SOMEBODY WOULD CALL,
  • 00:15:50.130 --> 00:15:54.270
  • OKAY, WE'RE LEAVING NOW, WE'LL SEE YOU IN A MINUTE TO SAY
  • 00:15:54.280 --> 00:15:57.100
  • GOODBYE. AND YOU KNOW, WALK THROUGH THE HOUSE, EVERY MEMORY
  • 00:15:57.110 --> 00:16:01.140
  • JUST, LITERALLY, WEEPING. IT WAS HARD. BUT WE KNEW WE HAD TO GO.
  • 00:16:01.150 --> 00:16:07.240
  • I DID NOT HAVE A JOB. WE DIDN'T KNOW HOW THIS WAS GONNA GO. THE
  • 00:16:07.250 --> 00:16:10.220
  • PHONE RINGS. I'M THINKING IT'S MY MOTHER. IT'S PHIL'S MANAGER,
  • 00:16:10.230 --> 00:16:17.010
  • BOB COTTON. AND IN THOSE DAYS YOU DON'T HAVE CALLER ID. YOU'VE
  • 00:16:17.020 --> 00:16:22.060
  • GOT TO ANSWER IT. AND LONG STORY SHORT, IS HE OFFERED ME A TOUR
  • 00:16:22.070 --> 00:16:27.200
  • WITH PHIL THAT ACTUALLY PAID BETTER THAN I WAS MAKING WHEN I
  • 00:16:27.210 --> 00:16:32.170
  • WAS IN THE OUTLAWS. AND SO WE JUST, IT WAS UNBELIEVABLE WHAT
  • 00:16:32.180 --> 00:16:38.100
  • GOD DID. AND NOW WE'RE DRIVING TO NASHVILLE, ALTHOUGH THE TRUCK
  • 00:16:38.110 --> 00:16:42.270
  • WOULD ONLY GO 45 MILES AN HOUR, AND IT WAS A SNOWSTORM, HOWEVER,
  • 00:16:42.280 --> 00:16:46.100
  • WE'RE DRIVING TO NASHVILLE AND I'M GONNA GO TOUR WITH THIS GUY
  • 00:16:46.110 --> 00:16:50.250
  • OVER HERE. JUST GOD'S HANDIWORK. -PAUL, I BELIEVE SAID, YOU
  • 00:16:50.260 --> 00:16:55.130
  • KNOW, REJOICE WITH THOSE WHO REJOICE AND WEEP WITH THOSE WHO
  • 00:16:55.140 --> 00:16:58.070
  • WEEP. THAT'S RICK. HE ENTERS INTO THE PLACE YOU'RE IN AND HE
  • 00:16:58.080 --> 00:17:05.220
  • IDENTIFIES WITH YOU. THAT'S JESUS. THAT'S THE HEART OF
  • 00:17:05.230 --> 00:17:08.150
  • JESUS. AND SO, THANK YOU, MAN. I REMEMBER WHEN WE WERE ON THE
  • 00:17:08.160 --> 00:17:13.130
  • ROAD, YOU WERE ALWAYS ENCOURAGING. NO MATTER WHO
  • 00:17:13.140 --> 00:17:16.120
  • YOU'RE WITH, YOU'VE BEEN A STABILIZER AND AN ENCOURAGER.
  • 00:17:16.130 --> 00:17:21.070
  • -WE'RE STILL BROTHERS AND WE WILL ALWAYS BE, BECAUSE IT'S
  • 00:17:21.080 --> 00:17:25.040
  • IMPOSSIBLE TO SORT OF FALL OUT OF FRIENDSHIP, TO FALL OUT OF
  • 00:17:25.050 --> 00:17:29.200
  • LOVE WITH RICK CUA. -I'VE REPRESENTED LOTS OF ARTISTS AND
  • 00:17:29.210 --> 00:17:33.170
  • BANDS OVER THE LAST 26 YEARS THAT HAVE BEEN AN AGENT, AND
  • 00:17:33.180 --> 00:17:38.190
  • MANY OF THOSE, YOU KNOW, WHEN THEY RETIRE OR THEY'RE NOT
  • 00:17:38.200 --> 00:17:42.150
  • TOURING ANYMORE, I NEVER HEAR FROM THEM. AND I JUST APPRECIATE
  • 00:17:42.160 --> 00:17:47.070
  • THAT ABOUT YOU, THAT YOU'RE STILL IN TOUCH, YOU'RE STILL A
  • 00:17:47.080 --> 00:17:50.000
  • FRIEND. IT'S NO SECRET-AGENT MAN. [CHUCKLES] -WHAT DO A TRIP
  • 00:17:50.010 --> 00:17:56.210
  • TO ITALY, AN INSECURE GIRL, AND CAPPUCCINO HAVE TO DO WITH THE
  • 00:17:56.220 --> 00:18:00.200
  • SONG I CAN, I WILL? YOU'RE ABOUT TO FIND OUT. -I WAS
  • 00:18:00.210 --> 00:18:04.120
  • PLAYING A GIG AT VOL STATE UNIVERSITY AND SETTING UP CABLES
  • 00:18:04.130 --> 00:18:10.010
  • AND JUST HELPING THEM GET EVERYTHING READY TO GO. AND
  • 00:18:10.020 --> 00:18:11.230
  • THERE'S WAS A YOUNG WOMAN THAT WAS WORKING FROM THE SCHOOL WITH
  • 00:18:11.240 --> 00:18:13.270
  • US, A STUDENT. AND SHE HAD A BEAUTIFUL VOICE AND SHE WAS
  • 00:18:13.280 --> 00:18:16.220
  • SINGING. AND SHE, MAN, I TOLD HER, I SAID YOUR VOICE IS
  • 00:18:16.230 --> 00:18:20.210
  • AMAZING. WHAT ARE YOU DOING? ARE YOU IN A BAND? ARE YOU A SINGER?
  • 00:18:20.220 --> 00:18:24.280
  • ARE YOU IN THE CHOIR? AND SHE KIND OF SHRUNK BACK A LITTLE,
  • 00:18:24.290 --> 00:18:28.080
  • SHE SAYS, OH, I DON'T THINK I COULD DO ANY OF THAT. YOU KNOW,
  • 00:18:28.090 --> 00:18:31.160
  • I'M JUST, I JUST LIKE TO SING. BUT YOU KNOW, THAT PROBABLY
  • 00:18:31.170 --> 00:18:35.040
  • WOULDN'T HAPPEN FOR ME. AND I REALIZED RIGHT THEN THAT HER
  • 00:18:35.050 --> 00:18:39.040
  • SELF-CONFIDENCE WAS NOT WHERE IT SHOULD BE. SO, I THOUGHT OF
  • 00:18:39.050 --> 00:18:42.070
  • PHILIPPIANS 4:13, I CAN, I WILL. AND NOT LONG AFTER, WE'RE DOING
  • 00:18:42.080 --> 00:18:48.080
  • A TOUR IN ITALY, AND IT WAS BOB HALLIGAN, JR. AND MYSELF. WE
  • 00:18:48.090 --> 00:18:52.000
  • HAVE WRITTEN A LOAD OF SONGS TOGETHER, MOST OF MY SONGS
  • 00:18:52.010 --> 00:18:55.050
  • TOGETHER. AND WE'RE DRIVING FROM TORINO IN THE NORTH, DOWN TO
  • 00:18:55.060 --> 00:19:01.260
  • ROME. AND EVERY SONG, EVERY NOW AND THEN WE'D HAVE TO STOP AND
  • 00:19:01.270 --> 00:19:07.030
  • GET A CAPPUCCINO IN THE LITTLE GAS STATION. AND I SAID I GOT A
  • 00:19:07.040 --> 00:19:12.230
  • TITLE. AND NOW WE GOT 10 PEOPLE IN THE VAN, BUT BOB AND I ARE IN
  • 00:19:12.240 --> 00:19:17.080
  • THE BACK, AND I SAID I CAN, I WILL. IT'S ABOUT LETTING PEOPLE
  • 00:19:17.090 --> 00:19:20.250
  • KNOW THEY CAN DO IT. THROUGH CHRIST THEY CAN DO ANYTHING. AND
  • 00:19:20.260 --> 00:19:24.160
  • ON THAT TRIP, FOR HOWEVER MANY KILOMETRES AND THREE OR FOUR
  • 00:19:24.170 --> 00:19:28.110
  • CAPPUCCINOS, WE WROTE I CAN, I WILL, AND I REMEMBER THE FIRST
  • 00:19:28.120 --> 00:19:31.200
  • TIME I PLAYED IT, KIDS WOULD COME UP TO ME AFTERWARDS, WHAT
  • 00:19:31.210 --> 00:19:35.060
  • ARE THOSE WORDS? I WANT TO WRITE THOSE WORDS DOWN. AND YOU KNOW,
  • 00:19:35.070 --> 00:19:38.190
  • IT'S LIKE WHEN YOU PRAY EACH YEAR OR A YEAR AND A HALF FOR
  • 00:19:38.200 --> 00:19:44.260
  • THE RECORD THAT'S UPCOMING, WE WOULD ALWAYS ASK GOD, YOU KNOW
  • 00:19:44.270 --> 00:19:48.060
  • WHO OUR AUDIENCE IS GOING TO BE. WHAT DO THEY NEED TO HEAR? AND
  • 00:19:48.070 --> 00:19:53.130
  • MANY TIMES, SITUATIONS LIKE WHAT HAPPENED AT VOL STATE, AND THEN
  • 00:19:53.140 --> 00:19:57.040
  • IN ITALY WHEN WE FINISHED THAT SONG WOULD POP UP, AND THEN WE
  • 00:19:57.050 --> 00:20:01.070
  • KNEW WE GOT IT RIGHT.
  • 00:20:01.080 --> 00:20:03.090
  • [MUSIC]
  • 00:20:03.100 --> 00:20:13.100
  • ICAN, I WILL, I STAND,
  • 00:20:13.110 --> 00:20:16.230
  • I DO BELIEVE THAT I CAN, I WILL
  • 00:20:16.240 --> 00:20:21.030
  • USE THE POWER,
  • 00:20:21.040 --> 00:20:23.200
  • I CAN, I WILL, I AM THE WARRIOR
  • 00:20:23.210 --> 00:20:28.270
  • AND I'LL FIGHT FOR YOU,
  • 00:20:28.280 --> 00:20:31.040
  • I CAN, I WILL
  • 00:20:31.050 --> 00:20:34.120
  • OH, THERE IT IS
  • 00:20:34.130 --> 00:20:35.250
  • [MUSIC]
  • 00:20:35.260 --> 00:20:46.260
  • LOOK AT ME, I'M READY
  • 00:20:46.270 --> 00:20:49.030
  • I'M FULL OF FIRE
  • 00:20:49.040 --> 00:20:51.280
  • USED TO BE UNSTEADY,
  • 00:20:51.290 --> 00:20:54.110
  • WITH NO DESIRE,
  • 00:20:54.120 --> 00:20:57.080
  • LOOK AT YOU STILL WAITING
  • 00:20:57.090 --> 00:20:59.190
  • TO MAKE YOUR MOVE,
  • 00:20:59.200 --> 00:21:02.140
  • TIME TO STOP DEBATING
  • 00:21:02.150 --> 00:21:04.150
  • YOU'VE GOT NOTHING TO LOSE
  • 00:21:04.160 --> 00:21:07.250
  • DAYTIME, NIGHT-TIME, ANYTIME AT ALL,
  • 00:21:07.260 --> 00:21:13.050
  • SAY IT, SING IT, TAKE IT TO THE WALL
  • 00:21:13.060 --> 00:21:18.020
  • I CAN, I WILL, I STAND,
  • 00:21:18.030 --> 00:21:22.070
  • I DO BELIEVE THAT I CAN, I WILL
  • 00:21:22.080 --> 00:21:26.130
  • USE THE POWER,
  • 00:21:26.140 --> 00:21:28.260
  • I CAN, I WILL, I AM THE WARRIOR
  • 00:21:28.270 --> 00:21:34.080
  • AND I'LL FIGHT FOR YOU, I CAN, I WILL
  • 00:21:34.090 --> 00:21:41.030
  • [MUSICAL INTERLUDE]
  • 00:21:41.040 --> 00:21:56.020
  • [MUSICAL INTERLUDE]
  • 00:21:56.020 --> 00:22:03.040
  • DAYTIME, NIGHT-TIME, KEEP YOUR EYE ON HIM,
  • 00:22:03.050 --> 00:22:07.250
  • SAY IT, SING IT OVER AND OVER AGAIN,
  • 00:22:07.260 --> 00:22:13.150
  • OVER AND OVER AGAIN
  • 00:22:13.160 --> 00:22:15.260
  • I CAN, I WILL, I STAND,
  • 00:22:15.270 --> 00:22:19.160
  • I DO BELIEVE THAT I CAN, I WILL
  • 00:22:19.170 --> 00:22:24.000
  • USE THE POWER,
  • 00:22:24.010 --> 00:22:26.180
  • I CAN, I WILL, I AM THE WARRIOR
  • 00:22:26.190 --> 00:22:31.200
  • AND I'LL FIGHT FOR YOU,
  • 00:22:31.210 --> 00:22:34.100
  • I CAN, I CAN, I WILL I STAND,
  • 00:22:34.110 --> 00:22:39.160
  • I DO BELIEVE THAT I CAN I WILL
  • 00:22:39.170 --> 00:22:43.220
  • USE THE POWER
  • 00:22:43.230 --> 00:22:46.120
  • I CAN, I WILL I AM THE WARRIOR
  • 00:22:46.130 --> 00:22:52.010
  • AND I'LL FIGHT FOR YOU
  • 00:22:52.020 --> 00:22:54.050
  • I CAN, I WILL
  • 00:22:54.060 --> 00:23:02.010
  • [MUSIC]
  • 00:23:02.020 --> 00:23:14.100
  • THE NEW CCM UNITED MUSIC, MOMENTS & MEMORIES
  • 00:23:14.110 --> 00:23:18.180
  • FEATURING MORE CCM HITS YOU GREW UP WITH LIKE PHIL KEAGGY'S WHAT
  • 00:23:18.190 --> 00:23:22.260
  • A DAY, CLAY CROSSE'S I SURRENDER ALL AL DENSON BE THE
  • 00:23:22.270 --> 00:23:27.120
  • ONE, EDDIE DEGARMO OF DEGARMO AND KEY'S ROCK SOLID, WES
  • 00:23:27.130 --> 00:23:32.030
  • KING'S THE ROBE. TWENTY OF THE BIGGEST CCM SONGS SUNG BY THE
  • 00:23:32.040 --> 00:23:36.270
  • ARTISTS WHO MADE THEM FAMOUS AVAILABLE IN A DOUBLE CD AND DVD
  • 00:23:36.280 --> 00:23:40.290
  • FOR A GIFT OF $39 OR MORE TO TBN. SIMPLY CALL THE NUMBER ON
  • 00:23:41.000 --> 00:23:46.100
  • YOUR SCREEN OR GO ONLINE. MUSIC, MOMENTS & MEMORIES THE
  • 00:23:46.110 --> 00:23:51.180
  • AUDIO DOUBLE CD IS OUR GIFT AS YOU GIVE YOUR BEST GIFT TO TBN
  • 00:23:51.190 --> 00:23:56.060
  • AND ITS GLOBAL OUTREACH. THE CD AND DVD ARE BOTH YOURS FOR YOUR
  • 00:23:56.070 --> 00:24:00.180
  • GIFT OF $39 OR MORE. HELP TAKE THE MESSAGE OF HOPE AND GRACE
  • 00:24:00.190 --> 00:24:04.190
  • AROUND THE WORLD. CALL THE NUMBER ON YOUR SCREEN OR GO
  • 00:24:04.200 --> 00:24:08.090
  • ONLINE AND REQUEST YOUR COPY NOW.
  • 00:24:08.100 --> 00:24:11.280
  • [MUSIC]
  • 00:24:11.290 --> 00:24:18.250
  • JACKIE VELASQUEZ: THANK YOU SO MUCH FOR
  • 00:24:18.260 --> 00:24:19.170
  • JOINING US. WE HOPE YOU'VE BEEN
  • 00:24:19.180 --> 00:24:20.250
  • UPLIFTED AND INSPIRED BY HEARING ABOUT THE INCREDIBLE JOURNEYS
  • 00:24:20.260 --> 00:24:24.110
  • THE FAITHFUL LIVES OF JOHN SCHLITT AND RICK CUA. PLEASE
  • 00:24:24.120 --> 00:24:27.230
  • JOIN US NEXT TIME FOR MORE AMAZING STORIES ABOUT YOUR
  • 00:24:27.240 --> 00:24:29.240
  • FAVORITE LEGENDARY CCM ARTISTS. GOD BLESS YOU AND WE'LL SEE YOU
  • 00:24:29.250 --> 00:24:33.030
  • SOON.
  • 00:24:33.040 --> 00:24:33.240
  • [MUSIC]
  • 00:24:33.250 --> 00:24:34.270
  • THE WAY YEAH
  • 00:24:34.280 --> 00:24:38.230
  • BREAK ME,
  • 00:24:38.240 --> 00:24:40.200
  • LOVE ME,
  • 00:24:40.210 --> 00:24:42.150
  • FORGIVE ME
  • 00:24:42.160 --> 00:24:44.010
  • I'M ASKING OF YOU, LORD
  • 00:24:44.020 --> 00:24:46.030
  • TAKE ME AND SHOW ME THE WAY
  • 00:24:46.040 --> 00:24:54.210
  • I KNOW FOR ME YOU HAVE THE PERFECT PLAN
  • 00:24:54.220 --> 00:24:57.290
  • I KNOW YOU HAD IT BEFORE TIME BEGAN
  • 00:24:58.000 --> 00:25:01.220
  • DON'T WANT TO LISTEN TO WHAT OTHERS SAY
  • 00:25:01.230 --> 00:25:05.060
  • JUST SHOW ME THE WAY
  • 00:25:05.070 --> 00:25:11.060
  • TAKE ME,
  • 00:25:11.070 --> 00:25:12.240
  • GUIDE ME,
  • 00:25:12.250 --> 00:25:14.240
  • LEAD ME
  • 00:25:14.250 --> 00:25:16.080
  • I'M TRUSTING IN YOU, LORD
  • 00:25:16.090 --> 00:25:18.160
  • TEACH ME AND SHOW ME THE WAY
  • 00:25:18.170 --> 00:25:25.010
  • [MUSICAL INTERLUDE]
  • 00:25:25.020 --> 00:25:37.190
  • OH, OH BREAK ME, LOVE ME, FORGIVE ME
  • 00:25:37.200 --> 00:25:42.290
  • I'M ASKING OF YOU, LORD
  • 00:25:43.000 --> 00:25:45.090
  • TAKE ME AND SHOW ME THE WAY
  • 00:25:45.100 --> 00:25:54.030
  • [MUSIC]
  • 00:25:54.040 --> 00:26:05.160
  • FOLLOWING THE SUCCESSFUL RELEASE
  • 00:26:05.170 --> 00:26:07.040
  • OF CCM UNITED WE WILL STAND COMES THE NEW CCM UNITED MUSIC,
  • 00:26:07.050 --> 00:26:12.180
  • MOMENTS & MEMORIES FEATURING MORE CCM HITS YOU GREW UP WITH
  • 00:26:12.190 --> 00:26:17.060
  • LIKE PHIL KEAGGY'S WHAT A DAY, CLAY CROSSE'S I SURRENDER ALL
  • 00:26:17.070 --> 00:26:21.260
  • AL DENSON BE THE ONE, EDDIE DEGARMO OF DEGARMO AND KEY'S
  • 00:26:21.270 --> 00:26:26.010
  • ROCK SOLID, WES KING'S THE ROBE. FOR THE ROBE TWENTY OF
  • 00:26:26.020 --> 00:26:34.090
  • THE BIGGEST CCM SONGS SUNG BY THE ARTISTS WHO MADE THEM FAMOUS
  • 00:26:34.100 --> 00:26:38.130
  • AVAILABLE IN A DOUBLE CD AND DVD FOR A GIFT OF $39 OR MORE TO
  • 00:26:38.140 --> 00:26:43.070
  • TBN. CALL NOW! DON'T MISS THIS COLLECTION OF CCM'S BEST LOVED
  • 00:26:43.080 --> 00:26:49.120
  • SONGS THAT HONOR OUR LORD JESUS CHRIST. AVAILABLE EXCLUSIVELY TO
  • 00:26:49.130 --> 00:26:53.190
  • TBN VIEWERS DURING THIS SPECIAL PRESENTATION. SIMPLY CALL THE
  • 00:26:53.200 --> 00:26:59.070
  • NUMBER ON YOUR SCREEN OR GO ONLINE. MUSIC, MOMENTS &
  • 00:26:59.080 --> 00:27:03.160
  • MEMORIES THE AUDIO DOUBLE CD IS OUR GIFT AS YOU GIVE YOUR BEST
  • 00:27:03.170 --> 00:27:07.190
  • GIFT TO TBN AND ITS GLOBAL OUTREACH. THE CD AND DVD ARE
  • 00:27:07.200 --> 00:27:12.060
  • BOTH YOURS FOR YOUR GIFT OF $39 OR MORE. HELP TAKE THE MESSAGE
  • 00:27:12.070 --> 00:27:17.130
  • OF HOPE AND GRACE AROUND THE WORLD. CALL THE NUMBER ON YOUR
  • 00:27:17.140 --> 00:27:20.190
  • SCREEN OR GO ONLINE AND REQUEST YOUR COPY NOW. SING HALLELUJAH
  • 00:27:20.200 --> 00:27:25.160
  • TO THE KING LET THE WHOLE WORLD SING
  • 00:27:25.170 --> 00:27:28.180