Praise | March 13, 2018 | TBN

Praise | March 13, 2018

Watch Praise | March 13, 2018
March 13, 2018
54:41

Matt & Laurie Crouch host Mike Rowe.

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Praise | March 13, 2018

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  • [ BELL RINGS ]
  • 00:00:01.040 --> 00:00:01.200
  • - WE'RE ROLLING.
  • 00:00:01.220 --> 00:00:02.130
  • - MIKE ROWE: SO MUCH FUN.
  • 00:00:02.150 --> 00:00:03.060
  • - LAURIE CROUCH: YEAH.
  • 00:00:03.080 --> 00:00:03.290
  • - ALL RIGHT.
  • 00:00:04.010 --> 00:00:04.250
  • - ALL RIGHT.
  • 00:00:04.270 --> 00:00:05.210
  • [ DIRECTOR CLAPS HANDS ]
  • 00:00:05.230 --> 00:00:06.120
  • - MIKE ROWE: YES!
  • 00:00:06.140 --> 00:00:07.100
  • - MATT CROUCH: ACTION.
  • 00:00:07.120 --> 00:00:08.020
  • - MAKES IT EXCITING.
  • 00:00:08.040 --> 00:00:09.040
  • - TAKE MY CUP.
  • 00:00:09.060 --> 00:00:10.050
  • I'M DONE.
  • 00:00:10.070 --> 00:00:11.070
  • - HIS CUP RUNNETH OVER.
  • 00:00:11.090 --> 00:00:12.220
  • [ LAUGHTER ]
  • 00:00:12.240 --> 00:00:13.200
  • YOU CAN USE THAT IF YOU WANT.
  • 00:00:13.220 --> 00:00:14.130
  • [ GIGGLES ]
  • 00:00:14.150 --> 00:00:15.210
  • - CUP RUNNETH OVER.
  • 00:00:15.230 --> 00:00:16.170
  • COME ON. I THOUGHT THAT UP.
  • 00:00:16.190 --> 00:00:17.240
  • - MATT CROUCH: WAITING ON YOUR CAMERA MOVE.
  • 00:00:17.260 --> 00:00:18.260
  • - JUST NO GOING TO THE BATHROOM NOW.
  • 00:00:18.280 --> 00:00:19.220
  • - DIRECTOR: ALL RIGHT.
  • 00:00:19.240 --> 00:00:21.000
  • STAND BY.
  • 00:00:21.020 --> 00:00:21.200
  • 5, 4, 3, 2 ...
  • 00:00:21.220 --> 00:00:25.110
  • - ANNOUNCER: TONIGHT FROM SAN FRANCISCO, CALIFORNIA ...
  • 00:00:25.130 --> 00:00:28.030
  • - WE'RE SITTING WITH THE SELF-PROCLAIMED DIRTIEST
  • 00:00:28.050 --> 00:00:31.100
  • MAN ON TV.
  • 00:00:31.120 --> 00:00:32.220
  • - IT'S A BADGE OF HONOR, BUT THANK YOU.
  • 00:00:32.240 --> 00:00:34.290
  • [ MUSIC ]
  • 00:00:35.010 --> 00:00:38.090
  • - HOST OF SOMEBODY'S GOTTA DO IT, MIKE ROWE.
  • 00:00:38.110 --> 00:00:41.130
  • - MY LIFE CHANGED WHEN I LET GO OF THE IDEA THAT I
  • 00:00:41.150 --> 00:00:45.120
  • WAS A HOST AND HUNG ONTO THE IDEA THAT I WOULD BE
  • 00:00:45.140 --> 00:00:48.110
  • A GUEST OR AN APPRENTICE TO SOME OF THE FINEST
  • 00:00:48.130 --> 00:00:52.040
  • AMERICANS YOU'RE EVER GOING TO WANT TO MEET.
  • 00:00:52.060 --> 00:00:54.080
  • - SEE WHAT GOD WILL MAKE YOU GO THROUGH TO
  • 00:00:54.100 --> 00:00:55.260
  • FIND DESTINY?
  • 00:00:55.280 --> 00:00:57.020
  • WE ARE HERE IN SAN FRANCISCO BECAUSE PART OF
  • 00:00:57.040 --> 00:01:01.050
  • MIKE ROWE'S STORY STARTED HERE.
  • 00:01:01.070 --> 00:01:03.020
  • - I'VE BEEN BAPTIZED TWICE, ONCE IN A
  • 00:01:03.040 --> 00:01:04.190
  • PRESBYTERIAN CHURCH, A SECOND TIME IN THE SEWERS
  • 00:01:04.210 --> 00:01:07.050
  • OF SAN FRANCISCO.
  • 00:01:07.070 --> 00:01:08.050
  • [ LAUGHTER ]
  • 00:01:08.070 --> 00:01:09.010
  • - YOU DID?
  • 00:01:09.030 --> 00:01:10.070
  • - WE PUT IT ON THE AIR, AND WE CALLED IT
  • 00:01:10.090 --> 00:01:11.220
  • SOMEBODY'S GOTTA DO IT, AND THAT'S HOW THE SHOW
  • 00:01:11.240 --> 00:01:14.080
  • ON YOUR NETWORK STARTED.
  • 00:01:14.100 --> 00:01:17.030
  • - AN ALL NEW PRAISE WITH GUEST MIKE ROWE STARTS
  • 00:01:17.050 --> 00:01:19.040
  • RIGHT NOW!
  • 00:01:19.060 --> 00:01:20.140
  • [ MUSIC ]
  • 00:01:20.160 --> 00:01:33.280
  • [ MUSIC ]
  • 00:01:33.280 --> 00:01:45.110
  • - MATT CROUCH: PRAISE COMES TO YOU TODAY FROM
  • 00:01:45.130 --> 00:01:46.210
  • RIGHT HERE IN SAN FRANCISCO, CALIFORNIA.
  • 00:01:46.230 --> 00:01:49.210
  • OUR GUEST ALL EVENING, MIKE ROWE.
  • 00:01:49.230 --> 00:01:54.290
  • - MIKE ROWE: JUST HOW LONG IS THIS TELECAST JUST SO
  • 00:01:55.010 --> 00:01:58.020
  • I KNOW WHAT I'M DOING?
  • 00:01:58.040 --> 00:01:59.170
  • I KNOW HOW LONG THE LAST ONE WAS AND IT FLEW RIGHT BY.
  • 00:01:59.190 --> 00:02:01.150
  • - YEAH.
  • 00:02:01.170 --> 00:02:02.210
  • - WHAT DO YOU HAVE IN MIND FOR THIS ONE?
  • 00:02:02.230 --> 00:02:03.160
  • - WE'RE -- IF WE CAN GO --
  • 00:02:03.180 --> 00:02:06.000
  • - LAURIE CROUCH: HOPEFULLY NOT LONGER THAN THAT.
  • 00:02:06.020 --> 00:02:07.070
  • - IF WE CAN GO ABOUT 50 MINUTES, I THINK WE'RE
  • 00:02:07.090 --> 00:02:08.240
  • GOING TO BE IN GOOD SHAPE.
  • 00:02:08.260 --> 00:02:10.020
  • WE'RE GOING TO WATCH THE SUNSET TOGETHER.
  • 00:02:10.040 --> 00:02:11.250
  • - YOU'VE GOT QUITE A VIEW.
  • 00:02:11.270 --> 00:02:13.060
  • - AND WE ARE HERE IN SAN FRANCISCO BECAUSE PART OF
  • 00:02:13.080 --> 00:02:17.010
  • MIKE ROWE'S STORIES STARTS HERE, NOT ALL OF IT BUT
  • 00:02:17.030 --> 00:02:20.050
  • PART OF IT, AND JUST BEFORE CAMERAS STARTED
  • 00:02:20.070 --> 00:02:24.080
  • ROLLING, LET'S KIND OF SET SOME STAGE.
  • 00:02:24.100 --> 00:02:28.250
  • WE WANT TO JUST FIRST OF ALL -- HELLO WHEREVER
  • 00:02:28.270 --> 00:02:32.190
  • YOU'RE WATCHING AROUND THE WORLD.
  • 00:02:32.210 --> 00:02:33.260
  • WE'RE SITTING HERE, WE'RE GOING TO BE WITH YOU ALL
  • 00:02:33.280 --> 00:02:36.050
  • HOUR WITH MIKE ROWE.
  • 00:02:36.070 --> 00:02:38.150
  • SO LISTEN, DIRTY JOBS WAS AN AMAZING THINGS.
  • 00:02:38.170 --> 00:02:44.070
  • WE'RE SITTING WITH THE SELF-PROCLAIMED DIRTIEST
  • 00:02:44.090 --> 00:02:47.200
  • MAN ON TV.
  • 00:02:47.220 --> 00:02:48.260
  • - OH, IT'S A BADGE OF HONOR.
  • 00:02:48.280 --> 00:02:50.180
  • [ LAUGHTER ]
  • 00:02:50.200 --> 00:02:51.210
  • - THANK YOU.
  • 00:02:51.230 --> 00:02:53.220
  • - LAURIE GIGGLES AT EVERYTHING HE SAYS
  • 00:02:53.240 --> 00:02:55.110
  • BECAUSE MIKE REMINDS LAURIE OF HER BROTHER.
  • 00:02:55.130 --> 00:02:58.200
  • - YEAH.
  • 00:02:58.220 --> 00:02:59.190
  • - HI, CJ.
  • 00:02:59.210 --> 00:03:00.270
  • - IT'S ALL PERFECTLY NORMAL.
  • 00:03:00.290 --> 00:03:02.170
  • - AND SO ON TBN FOLLOWING MIKE HUCKABEE
  • 00:03:02.190 --> 00:03:06.240
  • ON THE WEEKENDS AND ALL THE INFORMATION IS ON THE
  • 00:03:06.260 --> 00:03:10.050
  • SCREEN, SOMEBODY'S GOT TO DO IT.
  • 00:03:10.070 --> 00:03:13.190
  • SOMEBODY'S GOT TO DO IT HOSTED BY MIKE ROWE.
  • 00:03:13.210 --> 00:03:15.230
  • YOU'RE HERE ON TBN.
  • 00:03:15.250 --> 00:03:17.060
  • WELCOME TO THE FAM.
  • 00:03:17.080 --> 00:03:18.080
  • - THANK YOU.
  • 00:03:18.100 --> 00:03:19.150
  • REALLY THANK YOU FOR HAVING ME BACK, AND THANK
  • 00:03:19.170 --> 00:03:21.090
  • YOU FOR PROVIDING A HOME FOR THE PEOPLE WE FEATURE
  • 00:03:21.110 --> 00:03:24.160
  • ON THAT SHOW.
  • 00:03:24.180 --> 00:03:25.250
  • HONESTLY THEY ARE SOME OF THE FINEST AMERICANS
  • 00:03:25.270 --> 00:03:28.000
  • YOU'RE EVER GOING TO WANT TO MEET, AND YOU KNOW THE
  • 00:03:28.020 --> 00:03:32.110
  • MEDIA LANDSCAPE NOWADAYS IS JUST -WELL, IT'S
  • 00:03:32.130 --> 00:03:36.210
  • COMPLICATED AND FINDING A RELIABLE HOME WHERE
  • 00:03:36.230 --> 00:03:38.260
  • PEOPLE WANT TO CELEBRATE THE KIND OF AMERICANS WHO
  • 00:03:38.280 --> 00:03:42.020
  • DO THE SORTS OF JOBS THAT MAKE CIVILIZED LIFE FOR
  • 00:03:42.040 --> 00:03:44.210
  • US IT'S IMPORTANT, SO I REALLY APPRECIATE IT.
  • 00:03:44.230 --> 00:03:47.180
  • - SOMEBODY'S GOT TO DO IT RIGHT HERE ON TBN.
  • 00:03:47.200 --> 00:03:50.290
  • - IT'S GOTTA DO IT BY THE WAY, MATT.
  • 00:03:51.010 --> 00:03:52.050
  • - WAIT, WAIT, WAIT.
  • 00:03:52.070 --> 00:03:53.110
  • WHAT DID I SAY?
  • 00:03:53.130 --> 00:03:54.180
  • - WHEN YOU SAY SOMEBODY'S GOT TO DO IT,
  • 00:03:54.200 --> 00:03:58.000
  • IT BRINGS TO THE WHOLE CONVERSATION A KIND OF
  • 00:03:58.020 --> 00:04:00.040
  • ELEVATED SOPHISTICATION THAT I'M NOT QUITE SURE
  • 00:04:00.060 --> 00:04:05.060
  • IS WARRANTED.
  • 00:04:05.080 --> 00:04:06.080
  • - PERSNICKETY.
  • 00:04:06.100 --> 00:04:07.120
  • - THERE IS A PERSNICKETINESS TO IT.
  • 00:04:07.140 --> 00:04:08.240
  • SOMEBODY HAS GOT TO DO IT BY JOVE.
  • 00:04:08.260 --> 00:04:13.150
  • WHO COULD WE GET?
  • 00:04:13.170 --> 00:04:15.100
  • I KNOW!
  • 00:04:15.120 --> 00:04:16.140
  • MIKE ROWE.
  • 00:04:16.160 --> 00:04:17.200
  • NO. IT'S SOMEBODY'S GOTTA DO IT.
  • 00:04:17.220 --> 00:04:19.020
  • - SOMEBODY'S GOTTA.
  • 00:04:19.040 --> 00:04:20.100
  • - IT'S WHAT YOU SAY WHEN YOU LOOK AROUND AND YOU
  • 00:04:20.120 --> 00:04:22.190
  • SEE SOMEBODY DOING A THING THAT'S GOT TO BE
  • 00:04:22.210 --> 00:04:24.120
  • DONE, OR WHEN YOU FIND A PERSON WHO SIMPLY IS SO
  • 00:04:24.140 --> 00:04:28.150
  • PASSIONATE AND SO PURPOSE DRIVEN THAT THEY HAVE NO
  • 00:04:28.170 --> 00:04:32.210
  • CHOICE BUT TO DO THE THING THEY DO.
  • 00:04:32.230 --> 00:04:35.130
  • - COME ON NOW. WOW.
  • 00:04:35.150 --> 00:04:36.290
  • WELL, I WATCHED THE EPISODE THAT YOU DID
  • 00:04:37.010 --> 00:04:39.000
  • RECENTLY ABOUT A YOUNG MAN THAT HAS A NOT-FOR-
  • 00:04:39.020 --> 00:04:41.240
  • PROFIT ORGANIZATION THAT CLEANS UP RIVER WASTE.
  • 00:04:41.260 --> 00:04:44.020
  • - YEAH.
  • 00:04:44.040 --> 00:04:45.260
  • - AND LISTEN, THAT WAS ONE OF THE MOST
  • 00:04:45.280 --> 00:04:48.230
  • INTERESTING, WELL DONE TV SHOWS I'VE EVER SEEN.
  • 00:04:48.250 --> 00:04:51.160
  • - MIKE ROWE: THESE ARE JUST OF THE FEW OF THE
  • 00:04:51.180 --> 00:04:53.190
  • VOLUNTEERS, THE MEN AND WOMEN WHO MAKE THE REST
  • 00:04:53.210 --> 00:04:55.060
  • OF US LOOK LIKE LAZY SLUGS.
  • 00:04:55.080 --> 00:04:57.020
  • - ARE WE GOOD?
  • 00:04:57.040 --> 00:04:57.290
  • - TOGETHER: YEAH!
  • 00:04:58.010 --> 00:04:59.150
  • - THAT'S WHAT I'M TALKING ABOUT.
  • 00:04:59.170 --> 00:05:00.130
  • ALL RIGHT. OKAY.
  • 00:05:00.150 --> 00:05:03.060
  • A LITTLE BACK STORY ON MYSELF BECAUSE A LOT OF
  • 00:05:03.080 --> 00:05:05.040
  • YOU GUYS HAVEN'T BEEN TO A CLEAN UP, DON'T KNOW
  • 00:05:05.060 --> 00:05:06.180
  • WHO I AM, HOW IT STARTED.
  • 00:05:06.200 --> 00:05:08.120
  • I GREW UP ON THE MISSISSIPPI RIVER RIGHT
  • 00:05:08.140 --> 00:05:10.120
  • BY -- 14.
  • 00:05:10.140 --> 00:05:11.230
  • SPENT A LOT OF TIME OUT ON THE RIVER FISHING,
  • 00:05:11.250 --> 00:05:13.080
  • PLAYING, SWIMMING, LIKE A COUNTRY RIVER KID, AND
  • 00:05:13.100 --> 00:05:16.030
  • WHEN I WAS 15 YEARS OLD I GOT INTO COMMERCIAL SHELL
  • 00:05:16.050 --> 00:05:18.120
  • DIVING WITH MY BROTHER.
  • 00:05:18.140 --> 00:05:20.000
  • I DID THAT, AND BASICALLY WORKED ABOUT 150 MILE
  • 00:05:20.020 --> 00:05:22.220
  • STRETCH OF THE RIVER AND DID SOME COMMERCIAL
  • 00:05:22.240 --> 00:05:24.270
  • FISHING, WORKED ON TOW BOATS AND BARGES AND ALL
  • 00:05:24.290 --> 00:05:28.010
  • THOSE EXPERIENCES THAT'S WHERE I KEPT SEEING THE
  • 00:05:28.030 --> 00:05:30.200
  • THOUSANDS OF BARRELS AND THOUSANDS OF TIRES, ALL
  • 00:05:30.220 --> 00:05:32.260
  • THAT STUFF, AND I WANTED TO DO SOMETHING ABOUT IT.
  • 00:05:32.280 --> 00:05:34.230
  • I ACTUALLY GOT THE IDEA WHEN I WAS 17, GOT ONE
  • 00:05:34.250 --> 00:05:37.070
  • SPONSOR IN 1997 FROM THE HOMETOWN.
  • 00:05:37.090 --> 00:05:39.010
  • HERE WE ARE 17 YEARS LATER.
  • 00:05:39.030 --> 00:05:41.080
  • SO MUCH HAS HAPPENED, AND HONESTLY I'M GOING TO
  • 00:05:41.100 --> 00:05:44.250
  • TELL YOU RIGHT NOW WE'VE MADE A BIG DIFFERENCE
  • 00:05:44.270 --> 00:05:46.190
  • SINCE WE'VE STARTED.
  • 00:05:46.210 --> 00:05:47.210
  • SO LET'S DO IT.
  • 00:05:47.230 --> 00:05:48.250
  • ALL RIGHT.
  • 00:05:48.270 --> 00:05:49.190
  • [ APPLAUSE ]
  • 00:05:49.210 --> 00:05:50.150
  • [ BELL RINGS ]
  • 00:05:50.170 --> 00:05:52.150
  • - PERMISSION TO COME ABOARD.
  • 00:05:52.170 --> 00:05:54.290
  • - YES.
  • 00:05:55.010 --> 00:05:55.190
  • - THANK YOU.
  • 00:05:55.210 --> 00:05:56.250
  • - HIS NAME IS CHAD POKRACKI, AND HE CAME
  • 00:05:56.270 --> 00:05:58.210
  • ACROSS MY RADAR YEARS AGO.
  • 00:05:58.230 --> 00:06:01.160
  • WHEN I WAS DOING DIRTY JOBS, SOMEBODY BROUGHT TO
  • 00:06:01.180 --> 00:06:05.240
  • MY ATTENTION A SELF- PROCLAIMED GARBAGE MAN OF
  • 00:06:05.260 --> 00:06:08.250
  • THE MISSISSIPPI.
  • 00:06:08.270 --> 00:06:10.230
  • I'M LIKE, WHO IS THIS GUY?
  • 00:06:10.250 --> 00:06:12.030
  • AND HE'S JUST A GUY WHO GREW UP ON THE RIVER AND
  • 00:06:12.050 --> 00:06:13.280
  • BECAME DISGUSTED BY THE FACT THAT OUR -- I MEAN,
  • 00:06:14.000 --> 00:06:17.110
  • THE MISSISSIPPI, YOU KNOW, THE RIVERS IN THIS
  • 00:06:17.130 --> 00:06:20.000
  • COUNTRY ARE REALLY LIKE OUR CIRCULATORY SYSTEM.
  • 00:06:20.020 --> 00:06:22.010
  • - SURE.
  • 00:06:22.030 --> 00:06:23.080
  • - AND THEY'RE FILLED WITH THE EQUIVALENT OF
  • 00:06:23.100 --> 00:06:25.020
  • PLAQUE, JUST UNSPEAKABLE AMOUNTS OF GARBAGE.
  • 00:06:25.040 --> 00:06:28.250
  • AND THIS KID GOT HIMSELF A BARGE AND JUST STARTED
  • 00:06:28.270 --> 00:06:32.220
  • CLEANING IT UP.
  • 00:06:32.240 --> 00:06:34.040
  • HE JUST HAD TO DO IT.
  • 00:06:34.060 --> 00:06:36.150
  • AND NOW HE'S GOT HIS FOUNDATION AND HE HAS
  • 00:06:36.170 --> 00:06:38.030
  • SPONSORS, AND HE'S MADE A HUGE DIFFERENCE.
  • 00:06:38.050 --> 00:06:40.090
  • - HUNDREDS AND THOUSANDS OF VOLUNTEERS.
  • 00:06:40.110 --> 00:06:42.140
  • - STAGGERING.
  • 00:06:42.160 --> 00:06:43.170
  • - WHAT AN AMAZING SHOW.
  • 00:06:43.190 --> 00:06:45.030
  • YOU ENDED THAT SHOW BY PUTTING A COLLECTION OF
  • 00:06:45.050 --> 00:06:48.140
  • KIND OF LETTERS IN A BOTTLE, KIND OF MESSAGE
  • 00:06:48.160 --> 00:06:51.090
  • IN A BOTTLE THING, PICKED IT UP, READ IT.
  • 00:06:51.110 --> 00:06:53.190
  • THERE WAS SOME KIND OF A FAITH-BASED MESSAGE ON
  • 00:06:53.210 --> 00:06:57.230
  • ONE OF THEM, AND YOU READ A SCRIPTURE.
  • 00:06:57.250 --> 00:07:00.160
  • - SO THIS IS A RELIGIOUS LETTER.
  • 00:07:00.180 --> 00:07:02.080
  • IT'S QUOTING PSALMS 23:6.
  • 00:07:02.100 --> 00:07:05.190
  • SURELY GOODNESS AND LOVE WILL FOLLOW ME ALL THE
  • 00:07:05.210 --> 00:07:08.240
  • DAYS OF MY LIFE, AND I WILL DWELL IN THE HOUSE
  • 00:07:08.260 --> 00:07:10.110
  • OF THE LORD FOREVER.
  • 00:07:10.130 --> 00:07:12.170
  • DEAR FINDER, THANKS FOR FINDING MY BOTTLE.
  • 00:07:12.190 --> 00:07:14.130
  • WOW, THAT'S ALL THE WAY DOWN FROM CANADA.
  • 00:07:14.150 --> 00:07:15.290
  • WHERE DID YOU FIND THIS?
  • 00:07:16.010 --> 00:07:18.050
  • - THAT'S A GRAY AREA, TOO.
  • 00:07:18.070 --> 00:07:19.160
  • I DON'T KNOW.
  • 00:07:19.180 --> 00:07:21.160
  • - AND THEN YOU SAID, I'LL DO YOUR IMPRESSION,
  • 00:07:21.180 --> 00:07:24.020
  • WHAT A GREAT WAY TO END THIS SHOW.
  • 00:07:24.040 --> 00:07:26.100
  • - I THINK THIS IS A GOOD PLACE TO END THE SHOW.
  • 00:07:26.120 --> 00:07:28.000
  • - YEAH, I'M GOOD.
  • 00:07:28.020 --> 00:07:29.020
  • - YOU KNOW --
  • 00:07:29.040 --> 00:07:30.140
  • - IT'S SO IMPORTANT TO KNOW WHEN
  • 00:07:30.160 --> 00:07:32.020
  • THE SHOW IS OVER.
  • 00:07:32.040 --> 00:07:32.290
  • [ LAUGHTER ]
  • 00:07:33.010 --> 00:07:34.070
  • - BECAUSE OFTEN TIMES WE DON'T.
  • 00:07:34.090 --> 00:07:35.020
  • - WE THINK WE'RE DONE.
  • 00:07:35.040 --> 00:07:36.170
  • - THIS IS A GOOD EXAMPLE.
  • 00:07:36.190 --> 00:07:37.250
  • I DIDN'T REALIZE WE STARTED UNTIL I SAW THE
  • 00:07:37.270 --> 00:07:39.000
  • GUY MOVING THE CAMERA BACK AND FORTH.
  • 00:07:39.020 --> 00:07:40.270
  • WHO KNOWS WHEN WE END, BUT THE MISSISSIPPI RIVER
  • 00:07:40.290 --> 00:07:44.090
  • IS COUGHING UP ITS SECRETS.
  • 00:07:44.110 --> 00:07:46.270
  • - WOW.
  • 00:07:46.290 --> 00:07:48.020
  • - IT'S NOT JUST GARBAGE.
  • 00:07:48.040 --> 00:07:49.130
  • THIS GUY HAS FOUND CANNONBALLS FROM VICKSBURG FROM
  • 00:07:49.150 --> 00:07:52.100
  • THE SECOND WORLD WAR, MESSAGES IN BOTTLES
  • 00:07:52.120 --> 00:07:55.030
  • OBVIOUSLY, BUT THERE'S JUST A WEALTH OF HISTORY
  • 00:07:55.050 --> 00:07:58.200
  • IN THERE RIGHT UNDER THE GARBAGE WHICH IS ALMOST
  • 00:07:58.220 --> 00:08:00.240
  • ALWAYS THE CASE.
  • 00:08:00.260 --> 00:08:03.030
  • - LIKE A TREASURE HUNT.
  • 00:08:03.050 --> 00:08:04.050
  • - IT IS.
  • 00:08:04.070 --> 00:08:05.140
  • IT IS A POOR MAN'S TREASURE HUNT.
  • 00:08:05.160 --> 00:08:08.110
  • THAT'S EXACTLY WHAT IT IS.
  • 00:08:08.130 --> 00:08:09.170
  • - WOW.
  • 00:08:09.190 --> 00:08:10.270
  • LOOK, IF YOU JUST TUNED IN, THIS BEAUTIFUL VIEW
  • 00:08:10.290 --> 00:08:14.000
  • IS SAN FRANCISCO.
  • 00:08:14.020 --> 00:08:15.180
  • I'M LOOKING PAST MIKE MOST OF THE TIME.
  • 00:08:15.200 --> 00:08:18.040
  • SOMETIMES -BY THE WAY, I JUST WANT TO SAY MIKE GOT
  • 00:08:18.060 --> 00:08:21.170
  • HIS MAKEUP PUT ON FIRST, AND THEN I TOLD THE LADY
  • 00:08:21.190 --> 00:08:25.070
  • TO KIND OF MATCH WHAT I DO.
  • 00:08:25.090 --> 00:08:26.220
  • AND I DIDN'T JUST REALIZE HOW MUCH SHE USED ON YOU
  • 00:08:26.240 --> 00:08:29.200
  • SO IF I LOOK --
  • 00:08:29.220 --> 00:08:31.140
  • - MAY I SAY YOU LOOK ABSOLUTELY STUNNING.
  • 00:08:31.160 --> 00:08:33.010
  • - OKAY.
  • 00:08:33.030 --> 00:08:34.000
  • WELL, I'M JUST SAYING.
  • 00:08:34.020 --> 00:08:35.080
  • - I CAN BARELY TEAR MY EYES OFF.
  • 00:08:35.100 --> 00:08:36.270
  • - I TYPICALLY DON'T WEAR THIS MUCH MAKE UP.
  • 00:08:36.290 --> 00:08:38.150
  • - LIKE A PERFECT TALKING MANNEQUIN.
  • 00:08:38.170 --> 00:08:39.220
  • IT'S AMAZING.
  • 00:08:39.240 --> 00:08:41.030
  • - OKAY. LOVE YOU.
  • 00:08:41.050 --> 00:08:42.050
  • BEHIND MY SHOULDER IN MY VIEW --
  • 00:08:42.070 --> 00:08:45.070
  • - BY THE WAY, I'M FULL BODY MAKE UP, TOO.
  • 00:08:45.090 --> 00:08:47.010
  • YOU CAN'T TELL IT, BUT WHEN I DO YOUR SHOW,
  • 00:08:47.030 --> 00:08:49.110
  • MATT, I DON'T CUT CORNERS.
  • 00:08:49.130 --> 00:08:51.060
  • I HAD HER FROM TOP TO BOTTOM.
  • 00:08:51.080 --> 00:08:53.130
  • I HAVE BRONZED, EVERY SQUARE INCH OF ME.
  • 00:08:53.150 --> 00:08:56.050
  • PLEASE CONTINUE.
  • 00:08:56.070 --> 00:08:57.190
  • - OVER YOUR SHOULDER IS NOT ONLY THE GOLDEN GATE
  • 00:08:57.210 --> 00:09:01.060
  • BRIDGE, WE'VE GOT ALCATRAZ.
  • 00:09:01.080 --> 00:09:03.000
  • BUT ODDLY ENOUGH THE REASON WE'RE HERE IN SAN
  • 00:09:03.020 --> 00:09:06.200
  • FRANCISCO AND THIS AMAZING VIEW IS BECAUSE
  • 00:09:06.220 --> 00:09:09.080
  • MIKE'S HOME, I'LL GIVE YOU THE ADDRESS LATER, IS
  • 00:09:09.100 --> 00:09:11.180
  • RIGHT OVER HIS SHOULDER.
  • 00:09:11.200 --> 00:09:14.120
  • [ LAUGHTER ]
  • 00:09:14.140 --> 00:09:15.230
  • - AND WHAT'S THE NAME OF THE LITTLE ISLAND.
  • 00:09:15.250 --> 00:09:16.270
  • - ALCATRAZ!
  • 00:09:16.290 --> 00:09:18.240
  • [ LAUGHTER ]
  • 00:09:18.260 --> 00:09:19.280
  • - IT HAS NO NAME.
  • 00:09:20.000 --> 00:09:20.220
  • - IT HAS NO NAME.
  • 00:09:20.240 --> 00:09:21.160
  • - IT'S CALLED ALCATRAZ.
  • 00:09:21.180 --> 00:09:22.070
  • - I GET IT.
  • 00:09:22.090 --> 00:09:23.110
  • - A LOT OF REALLY WONDERFUL PEOPLE THERE
  • 00:09:23.130 --> 00:09:24.040
  • OVER THE YEARS.
  • 00:09:24.060 --> 00:09:25.080
  • - YOU DON'T WANT EVEN TO KNOW THE AREA.
  • 00:09:25.100 --> 00:09:26.270
  • - AND THE ADDRESS THERE.
  • 00:09:26.290 --> 00:09:28.050
  • - BUT IT'S KIND OF THAT WAY.
  • 00:09:28.070 --> 00:09:28.280
  • - IT'S OUT THE WINDOW.
  • 00:09:29.000 --> 00:09:29.210
  • - IT'S OUT THE WINDOW.
  • 00:09:29.230 --> 00:09:31.000
  • AND I'LL TELL YOU LATER --
  • 00:09:31.020 --> 00:09:32.240
  • - RIGHT.
  • 00:09:32.260 --> 00:09:34.110
  • - AND BASICALLY YOUR STORY OR PART OF IT IN
  • 00:09:34.130 --> 00:09:36.160
  • SOME WAYS STARTS HERE.
  • 00:09:36.180 --> 00:09:39.060
  • SO GIVE US THE KIND OF THE SAME STORY.
  • 00:09:39.080 --> 00:09:43.060
  • LET'S WIND CLOCK TO THE WAY BACK MACHINE OF 9/11
  • 00:09:43.080 --> 00:09:45.160
  • AND START THERE.
  • 00:09:45.180 --> 00:09:49.030
  • - SURE. YEAH.
  • 00:09:49.050 --> 00:09:50.080
  • I WAS IN NEW YORK ON 9/10.
  • 00:09:50.100 --> 00:09:51.250
  • CAME HOME, FORTUITOUSLY IN TIME TO SEE ALL THAT
  • 00:09:51.270 --> 00:09:53.280
  • TERRIBLENESS HAPPEN AND THOUGHT TO MYSELF MAYBE,
  • 00:09:54.000 --> 00:09:57.170
  • MAYBE MY CAREER IS DUE TO A CHANGE.
  • 00:09:57.190 --> 00:10:00.200
  • I WAS HAPPY AT THE TIME.
  • 00:10:00.220 --> 00:10:01.250
  • I WAS FREELANCING.
  • 00:10:01.270 --> 00:10:02.290
  • I'D HAD MAYBE 150 JOBS IN SHOW BUSINESS
  • 00:10:03.010 --> 00:10:06.260
  • IMPERSONATING A HOST FOR A LOT OF
  • 00:10:06.280 --> 00:10:08.000
  • DIFFERENT PEOPLE.
  • 00:10:08.020 --> 00:10:09.110
  • HONESTLY FOR ANYONE WHO WOULD HIRE ME, AND I
  • 00:10:09.130 --> 00:10:11.080
  • THOUGHT, YOU KNOW, I WAS DOWN IN L.A.
  • 00:10:11.100 --> 00:10:14.100
  • AT THE TIME AND I WAS READY TO TRY SOMETHING
  • 00:10:14.120 --> 00:10:16.290
  • DIFFERENT, FELT LIKE THE COUNTRY WAS READY TO TRY
  • 00:10:17.010 --> 00:10:18.160
  • SOMETHING DIFFERENT.
  • 00:10:18.180 --> 00:10:19.280
  • AND IN THIS TOWN NOT TEN BLOCKS FROM HERE THE CBS
  • 00:10:20.000 --> 00:10:24.150
  • AFFILIATE HAD A SHOW ON THE AIR CALLED
  • 00:10:24.170 --> 00:10:26.230
  • EVENING MAGAZINE.
  • 00:10:26.250 --> 00:10:28.070
  • AND THEY NEEDED A NEW HOST.
  • 00:10:28.090 --> 00:10:30.130
  • THEY LIKE ME.
  • 00:10:30.150 --> 00:10:31.190
  • THEY REALLY LIKE ME.
  • 00:10:31.210 --> 00:10:33.120
  • AND SO I THREW MY HAT IN THE RING AND THEY
  • 00:10:33.140 --> 00:10:35.290
  • SAID, COME ON UP.
  • 00:10:36.010 --> 00:10:37.190
  • AND THEN THEY HIRED ME.
  • 00:10:37.210 --> 00:10:39.110
  • AND SO IN 2001, I STARTED HOSTING A LITTLE
  • 00:10:39.130 --> 00:10:43.030
  • LOCAL SHOW CALLED EVENING MAGAZINE, CAME ON AFTER
  • 00:10:43.050 --> 00:10:45.250
  • THE NEWS, AND IT WAS A SIMPLE SHOW.
  • 00:10:45.270 --> 00:10:49.010
  • I MEAN, YOU GUYS HAVE BEEN IN THE
  • 00:10:49.030 --> 00:10:50.190
  • BUSINESS FOREVER.
  • 00:10:50.210 --> 00:10:51.260
  • YOU'VE SEEN THIS KIND OF SHOW.
  • 00:10:51.280 --> 00:10:53.050
  • WE DO STORIES ABOUT THE THREE-LEGGED DOG IN MARIN
  • 00:10:53.070 --> 00:10:55.080
  • WHO'S OVERCOMING A TRAGIC CASE OF CANINE
  • 00:10:55.100 --> 00:10:57.130
  • KIDNEY FAILURE.
  • 00:10:57.150 --> 00:10:59.020
  • IT'S HEARTWARMING.
  • 00:10:59.040 --> 00:11:00.140
  • IT'S A NICE, FUN, HAPPY SHOW, AND I WOULD THROW
  • 00:11:00.160 --> 00:11:02.160
  • TO THOSE STORIES FROM WINERIES RES AND RESTAURANTS
  • 00:11:02.180 --> 00:11:05.220
  • AND THEATERS.
  • 00:11:05.240 --> 00:11:08.130
  • IT WAS A GREAT GIG, AND ONE DAY I CAME BACK TO
  • 00:11:08.150 --> 00:11:09.210
  • MY CUBICLE, AND MY OPERATOR BALTIMORE WHERE
  • 00:11:09.230 --> 00:11:13.000
  • I GREW UP CALLED ME AND SAID, YOU'RE GRANDFATHER
  • 00:11:13.020 --> 00:11:15.000
  • IS NOT DOING GREAT.
  • 00:11:15.020 --> 00:11:16.120
  • I SAID, OH, WHAT'S UP?
  • 00:11:16.140 --> 00:11:17.240
  • WELL, HE'S 92, AND HE'S STARTING TO FADE.
  • 00:11:17.260 --> 00:11:19.180
  • AND MY GRANDFATHER WHO I KNOW I'VE TALKED ABOUT
  • 00:11:19.200 --> 00:11:22.220
  • BEFORE TO YOU, HE COULD BUILD A HOUSE WITHOUT
  • 00:11:22.240 --> 00:11:26.260
  • A BLUEPRINT.
  • 00:11:26.280 --> 00:11:27.280
  • - WOW.
  • 00:11:28.000 --> 00:11:29.070
  • - HE ONLY WENT TO THE 7TH GRADE, BUT HE COULD
  • 00:11:29.090 --> 00:11:31.080
  • FIX ANYTHING, HE COULD TAKE YOUR WATCH APART AND
  • 00:11:31.100 --> 00:11:33.210
  • PUT IT BACK TOGETHER BLINDFOLDED,
  • 00:11:33.230 --> 00:11:35.050
  • WORK A COMBINE.
  • 00:11:35.070 --> 00:11:38.000
  • IT DIDN'T MATTER.
  • 00:11:38.020 --> 00:11:39.120
  • PLUMBER, STEAM FITTER, PIPE FITTER, ELECTRICIAN,
  • 00:11:39.140 --> 00:11:42.170
  • WELDER BY THE TIME HE WAS 30.
  • 00:11:42.190 --> 00:11:45.080
  • SO ME, THAT HANDY GENE IS RECESSIVE, YOU KNOW, SO I
  • 00:11:45.100 --> 00:11:51.050
  • WOUND UP SINGING IN THE OPERA AND HOSTING TV
  • 00:11:51.070 --> 00:11:53.090
  • SHOWS AND TURNED OUT TO BE A GREAT SOURCE OF
  • 00:11:53.110 --> 00:11:55.070
  • CONFUSION TO MY GRANDFATHER.
  • 00:11:55.090 --> 00:11:56.170
  • [ LAUGHTER ]
  • 00:11:56.190 --> 00:11:57.280
  • SO MY MOM CALLED ME RIGHT DOWN THERE SITTING IN MY
  • 00:11:58.000 --> 00:12:00.020
  • CUBICLE AT CBS AND SAID, MICHAEL, IT SURE WOULD BE
  • 00:12:00.040 --> 00:12:01.240
  • AS WELL IF BEFORE YOUR GRANDFATHER DIES HE COULD
  • 00:12:01.260 --> 00:12:06.110
  • TURN ON THE TELEVISION AND SEE YOU DOING
  • 00:12:06.130 --> 00:12:08.230
  • SOMETHING THAT LOOKED LIKE WORK.
  • 00:12:08.250 --> 00:12:10.200
  • - WOW.
  • 00:12:10.220 --> 00:12:12.040
  • - YEAH. SO -- MOTHERS, RIGHT? OY.
  • 00:12:12.060 --> 00:12:14.110
  • SO I'M LIKE, SHE'S RIGHT.
  • 00:12:14.130 --> 00:12:17.140
  • AND I WALKED INTO MY BOSSES OFFICE, AND I SAID
  • 00:12:17.160 --> 00:12:18.250
  • WHY DOES EVENING MAGAZINE ALWAYS HAVE TO BE HOSTED
  • 00:12:18.270 --> 00:12:21.000
  • FROM A WINERY OR A FANCY THEATER?
  • 00:12:21.020 --> 00:12:24.150
  • WHY CAN'T IT COME FROM A CONSTRUCTION SITE OR A
  • 00:12:24.170 --> 00:12:26.210
  • FACTORY FLOOR OR A SEWER?
  • 00:12:26.230 --> 00:12:30.230
  • AND HE SAID, YOU WANT TO HOST EVENING MAGAZINE
  • 00:12:30.250 --> 00:12:33.060
  • FROM A SEWER, AND I SAID, WHY NOT?
  • 00:12:33.080 --> 00:12:36.250
  • AND I SAID WELL, THERE ARE ONLY 30 PEOPLE
  • 00:12:36.270 --> 00:12:38.110
  • WATCHING THIS STUPID SHOW.
  • 00:12:38.130 --> 00:12:39.140
  • DO WHATEVER YOU WANT.
  • 00:12:39.160 --> 00:12:40.120
  • [ LAUGHTER ]
  • 00:12:40.140 --> 00:12:42.020
  • - DIRTY JOBS WAS BORN, HUH?
  • 00:12:42.040 --> 00:12:44.230
  • I MEAN, KINDA.
  • 00:12:44.250 --> 00:12:45.170
  • - ALMOST.
  • 00:12:45.190 --> 00:12:46.210
  • I CALLED THE CITY SUPERVISOR, TOLD HIM WHAT
  • 00:12:46.230 --> 00:12:49.170
  • I WANTED TO DO.
  • 00:12:49.190 --> 00:12:50.270
  • HE SENT ME DOWN TO THE INTERSECTION ELlIS AND
  • 00:12:50.290 --> 00:12:52.120
  • JONES WITH MY CAMERA MAN THE NEXT MORNING.
  • 00:12:52.140 --> 00:12:53.110
  • - YEAH. RIGHT DOWN HERE.
  • 00:12:53.130 --> 00:12:54.200
  • - AND ESSENTIALLY MY WORLD CHANGED, YOU KNOW.
  • 00:12:54.220 --> 00:13:00.090
  • I WORKED WITH THE SEWER INSPECTOR.
  • 00:13:00.110 --> 00:13:02.130
  • I MEAN, THE FULL STORY IS TRULY THREE HOURS LONG,
  • 00:13:02.150 --> 00:13:05.040
  • BUT EVERYTHING I TRIED TO DO IN THE SEWER IN THE
  • 00:13:05.060 --> 00:13:08.020
  • WAY OF HOSTING EVENING MAGAZINE WAS INTERRUPTED
  • 00:13:08.040 --> 00:13:12.080
  • BY THE SEWER, LIKE A LATERAL EXPLODED AND
  • 00:13:12.100 --> 00:13:14.290
  • SLIMED ME IN THE SIDE OF THE FACE.
  • 00:13:15.010 --> 00:13:16.230
  • YOU PROBABLY DON'T WANT THE DETAILS,
  • 00:13:16.250 --> 00:13:18.060
  • BUT IT HAPPENED.
  • 00:13:18.080 --> 00:13:19.090
  • THE ROACHES COMPLETELY SUBSUMED US,
  • 00:13:19.110 --> 00:13:22.040
  • MILLIONS OF THEM.
  • 00:13:22.060 --> 00:13:23.240
  • AND A RAT, LAURIE, A RAT THE SIZE OF A LOAF OF
  • 00:13:23.260 --> 00:13:26.050
  • BREAD WITH A TAIL LIKE A CABLE HOPPED UP ON MY
  • 00:13:26.070 --> 00:13:29.070
  • SHOULDER, SQUEALED IN MY FACE, AND SENT ME FACE
  • 00:13:29.090 --> 00:13:32.120
  • FIRST INTO THE EFFLUVIUM.
  • 00:13:32.140 --> 00:13:35.110
  • I WAS BASICALLY BAPTIZED IN --
  • 00:13:35.130 --> 00:13:37.150
  • - OH, LORD.
  • 00:13:37.170 --> 00:13:39.060
  • - IN A RIVER OF YOU KNOW WHAT, AND WHEN I WENT
  • 00:13:39.080 --> 00:13:41.190
  • BACK TO THE STATION TO WATCH THE FOOTAGE, IT WAS
  • 00:13:41.210 --> 00:13:44.050
  • ONE OF THE FUNNIEST THINGS I'D EVER SEEN, BUT
  • 00:13:44.070 --> 00:13:49.150
  • IT WAS ALSO VERY INSTRUCTIVE BECAUSE THE
  • 00:13:49.170 --> 00:13:52.020
  • SEWER INSPECTOR WITH ME, A GUY NAMED JIM CRUZ WAS
  • 00:13:52.040 --> 00:13:55.210
  • SO GREAT ON CAMERA AND SUCH A WEALTH OF
  • 00:13:55.230 --> 00:13:57.050
  • KNOWLEDGE THAT I WOUND UP EDITING TOGETHER, WE PUT
  • 00:13:57.070 --> 00:13:59.150
  • IT ON THE AIR, AND WE CALLED IT
  • 00:13:59.170 --> 00:14:03.100
  • SOMEBODY'S GOTTA DO IT.
  • 00:14:03.120 --> 00:14:04.160
  • - OH, MY GOODNESS.
  • 00:14:04.180 --> 00:14:05.220
  • - AND THAT'S HOW THE SHOW ON YOUR
  • 00:14:05.240 --> 00:14:08.120
  • NETWORK STARTED.
  • 00:14:08.140 --> 00:14:09.190
  • NOW, OVER THE NEXT FEW WEEKS AND MONTHS --
  • 00:14:09.210 --> 00:14:11.060
  • - OH, MY GOSH.
  • 00:14:11.080 --> 00:14:12.170
  • - AFTER I WAS FIRED AND RETIRED SEVERAL TIMES FOR
  • 00:14:12.190 --> 00:14:14.100
  • REASONS WE DON'T NEED TO EXPLORE, SOMEBODY'S GOTTA
  • 00:14:14.120 --> 00:14:17.150
  • DO IT TOOK SHAPE, RIGHT, AND IT BECAME A THING
  • 00:14:17.170 --> 00:14:22.080
  • THAT INTERESTINGLY WAS HORRIFYING TO MY BOSSES
  • 00:14:22.100 --> 00:14:26.150
  • AND MANY OF THE VIEWERS OF THE SHOW WHO TUNED
  • 00:14:26.170 --> 00:14:29.000
  • INTO TO SEE A HEART TUGGING STORY ABOUT A
  • 00:14:29.020 --> 00:14:30.240
  • THREE-LEGGED DOG IN MARIN OVERCOMING CANINE
  • 00:14:30.260 --> 00:14:32.190
  • KIDNEY FAILURE BUT INSTEAD SAW A GUY
  • 00:14:32.210 --> 00:14:37.110
  • CRAWLING THROUGH A SEWER OR DOING THINGS TO FARM
  • 00:14:37.130 --> 00:14:39.100
  • ANIMALS IN THE NAME OF ANIMAL HUSBANDRY.
  • 00:14:39.120 --> 00:14:41.030
  • SO IT WASN'T A GOOD FIT FOR CBS BUT I KNEW
  • 00:14:41.050 --> 00:14:43.040
  • I HAD SOMETHING.
  • 00:14:43.060 --> 00:14:44.250
  • WE CHANGED THE NAMED TO DIRTY JOBS.
  • 00:14:44.270 --> 00:14:47.010
  • I TRIED TO SELL IT, FAILED MISERABLY,
  • 00:14:47.030 --> 00:14:48.170
  • DISCOVERY FINALLY GAVE IT A LITTLE WINDOW.
  • 00:14:48.190 --> 00:14:52.160
  • THAT'S WHY WE'RE HERE.
  • 00:14:52.180 --> 00:14:54.170
  • - WOW.
  • 00:14:54.190 --> 00:14:55.280
  • - YOU TALKED ABOUT THE FACT EARLIER THAT ONCE
  • 00:14:56.000 --> 00:15:01.050
  • YOU GOT ON THE AIR AND IT WAS A MASSIVE HIT, OKAY,
  • 00:15:01.070 --> 00:15:07.020
  • AND --TALK ABOUT WHAT WE TALKED ABOUT EARLIER.
  • 00:15:07.040 --> 00:15:12.120
  • - YOU'RE TALKING ABOUT THE COLLISION BETWEEN
  • 00:15:12.140 --> 00:15:14.250
  • BRAND AND PROGRAM.
  • 00:15:14.270 --> 00:15:17.200
  • YOU'RE TALKING ABOUT A KIND OF COGNITIVE
  • 00:15:17.220 --> 00:15:19.260
  • DISSONANCE THAT AFFECTS LOTS OF CABLE CHANNELS,
  • 00:15:19.280 --> 00:15:23.140
  • LOTS OF BROADCASTERS, AND REALLY ANYBODY WHO
  • 00:15:23.160 --> 00:15:26.150
  • SUDDENLY FINDS THEMSELVES REALIZING EVERYTHING THEY
  • 00:15:26.170 --> 00:15:29.150
  • THOUGHT THEY KNEW ABOUT THEIR OWN AUDIENCE
  • 00:15:29.170 --> 00:15:31.010
  • WAS WRONG.
  • 00:15:31.030 --> 00:15:32.080
  • THE GREEKS CALL IT A PERIPETEI.
  • 00:15:32.100 --> 00:15:36.290
  • IT'S THE MOMENT IN THE NARRATIVE WHEN THE
  • 00:15:37.010 --> 00:15:41.150
  • PROTAGONIST COMES FACE-TO-FACE WITH THE
  • 00:15:41.170 --> 00:15:43.230
  • UNESCAPABLE TRUTH OF HIS OWN IDENTITY.
  • 00:15:43.250 --> 00:15:47.220
  • THAT'S THE ARISTOTELIAN DEFINITION OF A
  • 00:15:47.240 --> 00:15:49.130
  • TRAGEDY, RIGHT.
  • 00:15:49.150 --> 00:15:51.000
  • ALL GREAT STORIES HAVE A PROTAGONIST AND
  • 00:15:51.020 --> 00:15:52.150
  • AN ANTAGONIST.
  • 00:15:52.170 --> 00:15:54.010
  • I PREFER TO SEE MYSELF AS THE STAR OF MY OWN STORY.
  • 00:15:54.030 --> 00:15:56.190
  • [ LAUGHTER ]
  • 00:15:56.210 --> 00:15:59.090
  • AND SO I HAD A PERIPETEI BOTH IN THE SEWERS OF
  • 00:15:59.110 --> 00:16:01.070
  • SAN FRANCISCO AND ON THE DISCOVERY CHANNEL WHEN
  • 00:16:01.090 --> 00:16:05.090
  • THEY AIRED THAT FIRST EPISODE.
  • 00:16:05.110 --> 00:16:08.070
  • TWO AMAZING THINGS HAPPENED.
  • 00:16:08.090 --> 00:16:10.020
  • THE FIRST THING WAS THE AUDIENCE WENT
  • 00:16:10.040 --> 00:16:11.130
  • COMPLETELY BANANAS.
  • 00:16:11.150 --> 00:16:12.190
  • THEY LOVED IT.
  • 00:16:12.210 --> 00:16:13.190
  • HIGHEST RATINGS EVER.
  • 00:16:13.210 --> 00:16:15.040
  • THE SECOND THING THAT HAPPENED IS THAT MY BOSS
  • 00:16:15.060 --> 00:16:18.090
  • AND THE BOARD HAD A COLLECTIVE STROKE [ LAUGHTER ]
  • 00:16:18.110 --> 00:16:22.010
  • BECAUSE THIS WAS NOT THE SHOW THAT THEIR AUDIENCE
  • 00:16:22.030 --> 00:16:27.140
  • WAS SUPPOSED TO LOVE.
  • 00:16:27.160 --> 00:16:29.180
  • THEY WERE SUPPOSED TO LOVE PENGUINS AND
  • 00:16:29.200 --> 00:16:32.100
  • VOLCANOES AND NATURAL WONDERS AND ALL THE
  • 00:16:32.120 --> 00:16:34.040
  • THINGS -- I LOVE THAT STUFF, TOO.
  • 00:16:34.060 --> 00:16:35.280
  • THEY WEREN'T SUPPOSED TO LOVE THIS.
  • 00:16:36.000 --> 00:16:38.210
  • AND SO IT WAS A REALLY INTERESTING TIME.
  • 00:16:38.230 --> 00:16:40.110
  • I THINK THE CONVERSATION THAT YOU AND I HAD HAD TO
  • 00:16:40.130 --> 00:16:43.260
  • DO WITH THE FACT THAT WHAT DO YOU DO WHEN YOU
  • 00:16:43.280 --> 00:16:47.070
  • REALIZE YOUR AUDIENCE LIKES SOMETHING THAT YOU
  • 00:16:47.090 --> 00:16:50.130
  • DON'T WANT THEM TO LIKE?
  • 00:16:50.150 --> 00:16:52.130
  • IT JUST HAPPENED IN THE ELECTION TWO YEARS AGO.
  • 00:16:52.150 --> 00:16:54.130
  • IT JUST HAPPENED IN THE GOP.
  • 00:16:54.150 --> 00:16:57.020
  • AND IT'S FUNNY, YOU KNOW, AFTER THE ELECTION I WENT
  • 00:16:57.040 --> 00:17:00.070
  • ON MEET THE PRESS TO TALK ABOUT THIS BECAUSE, YOU
  • 00:17:00.090 --> 00:17:02.260
  • KNOW, THE GOP HAD 17 CANDIDATES ON THE STAGE,
  • 00:17:02.280 --> 00:17:06.260
  • AND THEY WERE ENTHUSED ABOUT 16 OF THEM.
  • 00:17:06.280 --> 00:17:10.090
  • ANYBODY BUT THE GUY IN THE MIDDLE, RIGHT?
  • 00:17:10.110 --> 00:17:13.000
  • AND SO WHEN DIRTY JOBS WAS SLIPPED INTO A FOCUS
  • 00:17:13.020 --> 00:17:17.210
  • GROUP, RIGHT, IT WASN'T SUPPOSED TO BE THERE.
  • 00:17:17.230 --> 00:17:20.130
  • THEY TOOK THE SHOW OFF THE AIR AFTER IT
  • 00:17:20.150 --> 00:17:22.220
  • PREMIERED BECAUSE IT WAS OFF BRAND.
  • 00:17:22.240 --> 00:17:24.090
  • - AND WAS A HIT.
  • 00:17:24.110 --> 00:17:25.200
  • - THAT'S RIGHT, BIG NUMBERS BUT THEY DIDN'T CARE.
  • 00:17:25.220 --> 00:17:27.220
  • IT'S NOT FOR US.
  • 00:17:27.240 --> 00:17:28.230
  • WE'RE NOT GOING TO AIR IT.
  • 00:17:28.250 --> 00:17:29.290
  • NOW, I KEPT DOING THINGS FOR THE DISCOVERY
  • 00:17:30.010 --> 00:17:32.170
  • CHANNEL, BUT DIRTY JOBS JUST SAT ON THE SHELF.
  • 00:17:32.190 --> 00:17:34.110
  • A YEAR LATER THEY DECIDED TO FOCUS GROUP ALL
  • 00:17:34.130 --> 00:17:37.250
  • OF THEIR SHOWS.
  • 00:17:37.270 --> 00:17:39.110
  • THIS IS WHAT BROADCASTERS DO WHEN THEY'RE NOT SURE
  • 00:17:39.130 --> 00:17:40.250
  • WHAT THEY THINK THEY LIKE.
  • 00:17:40.270 --> 00:17:43.000
  • THEY SHOW EVERYTHING TO A BUNCH OF PEOPLE AND THEY
  • 00:17:43.020 --> 00:17:45.160
  • GIVE THEM FREE COFFEE AND DONUTS, AND THEN THEY
  • 00:17:45.180 --> 00:17:47.010
  • TAKE NOTES.
  • 00:17:47.030 --> 00:17:48.230
  • DIRTY JOBS WASN'T SUPPOSED TO BE IN THAT
  • 00:17:48.250 --> 00:17:51.060
  • PILE OF VIDEO.
  • 00:17:51.080 --> 00:17:53.110
  • SOMEBODY SLIPPED IT IN THERE, AND THE FOCUS
  • 00:17:53.130 --> 00:17:55.240
  • GROUP IN LAS VEGAS WATCHED ALL THOSE
  • 00:17:55.260 --> 00:17:58.050
  • DIFFERENT SHOWS PLUS DIRTY JOBS.
  • 00:17:58.070 --> 00:18:00.130
  • DIRTY JOBS CAME BACK WITH THE HIGHEST MARKS EVER,
  • 00:18:00.150 --> 00:18:03.160
  • AND FOR SOME ACT OF GOD, CALL IT WHAT YOU WILL, I
  • 00:18:03.180 --> 00:18:07.050
  • CAME BACK AS THE HOST THAT THE PEOPLE WANTED TO SEE.
  • 00:18:07.070 --> 00:18:10.140
  • IT WAS EXTRAORDINARY.
  • 00:18:10.160 --> 00:18:12.240
  • - WHY?
  • 00:18:12.260 --> 00:18:13.250
  • WHY DID THEY WANT TO SEE YOU?
  • 00:18:13.270 --> 00:18:15.020
  • EXPLAIN TO ME YOUR PHILOSOPHY BEHIND IT.
  • 00:18:15.040 --> 00:18:18.210
  • AND IT WAS -- PEOPLE WERE TIRED OF EXPERTS.
  • 00:18:18.230 --> 00:18:21.220
  • SO EXPLAIN THAT.
  • 00:18:21.240 --> 00:18:23.070
  • - WELL, LOOK, YOU'VE DISCOVERED THIS OR MAYBE
  • 00:18:23.090 --> 00:18:26.180
  • YOU'VE JUST KNOWN IT ALL YOUR LIFE, TOO.
  • 00:18:26.200 --> 00:18:28.050
  • THERE'S A DIFFERENCE BETWEEN BEING RIGHT AND
  • 00:18:28.070 --> 00:18:31.050
  • BEING AUTHENTIC.
  • 00:18:31.070 --> 00:18:33.000
  • THERE'S A DIFFERENCE BETWEEN BEING CORRECT AND
  • 00:18:33.020 --> 00:18:36.010
  • BEING HONEST, RIGHT?
  • 00:18:36.030 --> 00:18:38.160
  • AND IN MY WORLD, THE WORLD OF NON-FICTION,
  • 00:18:38.180 --> 00:18:42.160
  • THAT WORLD IS DEFINED BY EXPERTS AND HOSTS.
  • 00:18:42.180 --> 00:18:46.170
  • HOSTS ARE FAKES LIKE I USED TO BE, PEOPLE WHO
  • 00:18:46.190 --> 00:18:51.110
  • CREATE THE ILLUSION OF COMPETENCE AND EXPERTISE
  • 00:18:51.130 --> 00:18:53.020
  • WHERE IT DOESN'T REALLY EXIST.
  • 00:18:53.040 --> 00:18:55.040
  • - LIKE US.
  • 00:18:55.060 --> 00:18:56.110
  • [ LAUGHTER ]
  • 00:18:56.130 --> 00:18:58.240
  • - ACTUAL EXPERTS --ACTUAL EXPERTS ARE PEOPLE LIKE
  • 00:18:58.260 --> 00:19:00.260
  • JACQUES COUSTEAU, DAVID ATTENBOROUGH, SO THE
  • 00:19:00.280 --> 00:19:03.180
  • DISCOVERY CHANNEL AND ALL OF NON-FICTION BACK IN
  • 00:19:03.200 --> 00:19:06.050
  • 2001 WAS DEFINED BY EXPERTS AND HOSTS
  • 00:19:06.070 --> 00:19:11.110
  • IN THE SAME WAY EVENING NEWS WAS DEFINED BY
  • 00:19:11.130 --> 00:19:13.110
  • AUTHORITY, RIGHT.
  • 00:19:13.130 --> 00:19:15.250
  • IF IT WAS THE TRUTH, IT HAD TO BE COMING IN A
  • 00:19:15.270 --> 00:19:18.170
  • RICH, WELL MODULATED BARITONE FROM A MAN WHO STARED
  • 00:19:18.190 --> 00:19:21.220
  • RIGHT INTO THE LENS AND SAID TRUST ME.
  • 00:19:21.240 --> 00:19:23.210
  • THAT'S HOW OUR INDUSTRY WORKS.
  • 00:19:23.230 --> 00:19:26.110
  • SO MY PITCH WAS LOOK, I'M A FAN OF YOUR BRAND.
  • 00:19:26.130 --> 00:19:30.030
  • I'M A FAN OF WHAT YOU DO, BUT I DON'T WANT TO
  • 00:19:30.050 --> 00:19:33.100
  • PRETEND KNOW STUFF I DON'T KNOW BECAUSE
  • 00:19:33.120 --> 00:19:35.140
  • EVERYTHING I LEARNED DOWN THERE IN THE SEWERS OF
  • 00:19:35.160 --> 00:19:37.070
  • SAN FRANCISCO WAS BASED IN HUMILITY.
  • 00:19:37.090 --> 00:19:39.110
  • IT WAS BASED IN SAYING LOOK, IF YOU DON'T KNOW
  • 00:19:39.130 --> 00:19:41.120
  • SOMETHING, DON'T GET CUTE.
  • 00:19:41.140 --> 00:19:43.290
  • JUST SAY LOOK, I DON'T KNOW.
  • 00:19:44.010 --> 00:19:46.030
  • I'M KEEN TO LEARN, BUT I DON'T KNOW.
  • 00:19:46.050 --> 00:19:48.280
  • SO I TRIED, AND IN HINDSIGHT I LOOK A LOT
  • 00:19:49.000 --> 00:19:54.110
  • SMARTER THAN HIM, BUT I TRIED TO CREATE A
  • 00:19:54.130 --> 00:19:57.090
  • CONSTRUCT THAT WOULD ALLOW ME TO GET PAID NOT
  • 00:19:57.110 --> 00:20:00.240
  • FOR SUCCEEDING BUT FOR TRYING.
  • 00:20:00.260 --> 00:20:03.020
  • AND I COULDN'T DO THAT AS AN EXPERT.
  • 00:20:03.040 --> 00:20:05.210
  • I COULD ONLY DO THAT AS AN APPRENTICE.
  • 00:20:05.230 --> 00:20:07.220
  • SO MY PERIPETEI, MY CAREER, AND MY LIFE
  • 00:20:07.240 --> 00:20:11.150
  • CHANGED WHEN I LET GO OF THE IDEA THAT I WAS A
  • 00:20:11.170 --> 00:20:14.270
  • HOST AND HUNG ONTO THE IDEA THAT I WOULD BE A
  • 00:20:14.290 --> 00:20:17.150
  • GUEST OR AN APPRENTICE OR A GADFLY OR AN AVATAR
  • 00:20:17.170 --> 00:20:22.110
  • OR A CIPHER OR ANY ONE OF THOSE THINGS, SO
  • 00:20:22.130 --> 00:20:25.060
  • AND THAT'S WHAT I'VE BEEN DOING FOR 18 YEARS.
  • 00:20:25.080 --> 00:20:29.010
  • I'VE BEEN SHOWING UP, I'VE BEEN TAPPING THE
  • 00:20:29.030 --> 00:20:32.060
  • COUNTRY ON THE SHOULDER AS BEST I CAN AND
  • 00:20:32.080 --> 00:20:34.100
  • SAYING, HEY!
  • 00:20:34.120 --> 00:20:35.180
  • AMERICA, YOU SHOULD KNOW THESE PEOPLE.
  • 00:20:35.200 --> 00:20:38.220
  • YOU SHOULD KNOW THIS PERSON, YOU SHOULD KNOW
  • 00:20:38.240 --> 00:20:40.040
  • THIS MAN, THEY'RE DOING SOMETHING.
  • 00:20:40.060 --> 00:20:41.280
  • - DID YOU SEE JESUS BACK THERE BY ANY CHANCE?
  • 00:20:42.000 --> 00:20:44.120
  • I'M MIKE.
  • 00:20:44.140 --> 00:20:47.070
  • - OH. I'M KIM.
  • 00:20:47.090 --> 00:20:48.210
  • - IT'S A PLEASURE.
  • 00:20:48.230 --> 00:20:49.240
  • - IS THIS ALL OF US?
  • 00:20:49.260 --> 00:20:50.250
  • - WE SHOULD PUT A BAND TOGETHER.
  • 00:20:50.270 --> 00:20:52.240
  • - WHERE'S JESUS?
  • 00:20:52.260 --> 00:20:54.080
  • - OVER THERE.
  • 00:20:54.100 --> 00:20:55.030
  • - HE SITS BY HIMSELF.
  • 00:20:55.050 --> 00:20:56.010
  • SERIOUSLY.
  • 00:20:56.030 --> 00:20:58.090
  • TOO GOOD FOR THE REST OF US.
  • 00:20:58.110 --> 00:21:01.060
  • PLEASE, PLEASE DON'T GET UP.
  • 00:21:01.080 --> 00:21:03.290
  • JESUS IS WEARING TENNIS SHOES.
  • 00:21:04.010 --> 00:21:05.060
  • [ LAUGHTER ]
  • 00:21:05.080 --> 00:21:06.200
  • - FAIRLY INEXPENSIVE ONES IF YOU DON'T
  • 00:21:06.220 --> 00:21:08.130
  • MIND ME SAYING.
  • 00:21:08.150 --> 00:21:09.240
  • - SO WHETHER IT'S DIRTY JOBS OR SOMEBODY'S GOTTA
  • 00:21:09.260 --> 00:21:11.100
  • DO IT OR THE WAY I HEARD IT, A PODCAST I DO, OR
  • 00:21:11.120 --> 00:21:13.190
  • RETURNING THE FAVOR, THESE ARE ALL ATTEMPTS
  • 00:21:13.210 --> 00:21:16.270
  • TO TAP THE COUNTRY ON THE SHOULDER AND SAY,
  • 00:21:16.290 --> 00:21:20.140
  • CHECK IT OUT.
  • 00:21:20.160 --> 00:21:21.270
  • EVERYTHING IN YOUR NEWS FEED DOESN'T HAVE TO BE
  • 00:21:21.290 --> 00:21:24.050
  • DEPRESSING, RIGHT.
  • 00:21:24.070 --> 00:21:25.290
  • EVERYTHING YOU WATCH ON CABLE NEWS DOESN'T HAVE
  • 00:21:26.010 --> 00:21:28.160
  • TO MAKE YOU JUST WANT TO THROW YOURSELF OUT
  • 00:21:28.180 --> 00:21:30.150
  • THE WINDOW.
  • 00:21:30.170 --> 00:21:31.150
  • - RIGHT.
  • 00:21:31.170 --> 00:21:32.280
  • - THERE'S SOME GOOD NEWS OUT THERE, AND THERE'S
  • 00:21:33.000 --> 00:21:34.080
  • SOME REGULAR ANONYMOUS PEOPLE DOING SOME REALLY
  • 00:21:34.100 --> 00:21:35.220
  • INTERESTING THINGS.
  • 00:21:35.240 --> 00:21:37.050
  • SOMETIMES IT SMELLS BAD.
  • 00:21:37.070 --> 00:21:38.220
  • THIS IS THE DIRTIEST TRUCK ON THE FACE OF THE
  • 00:21:38.240 --> 00:21:40.210
  • EARTH. SOMETIMES IT'S NOT PRETTY.
  • 00:21:40.230 --> 00:21:42.250
  • [ GAGGING ] BUT ALL THE TIME IT'S INTERESTING.
  • 00:21:42.270 --> 00:21:48.170
  • - REALLY GOOD PEOPLE.
  • 00:21:48.190 --> 00:21:50.110
  • - YOU KNOW WHAT IT SEEMS LIKE IS HAPPENING HERE
  • 00:21:50.130 --> 00:21:53.130
  • IS, MIKE, YOU FIND THE PULSE AND YOU INTRODUCED
  • 00:21:53.150 --> 00:22:03.110
  • EXECUTIVES THAT WERE IN VERY HIGH TOWERS AND VERY
  • 00:22:03.130 --> 00:22:09.190
  • BIG BUILDINGS AND SAID THE NEW WORD AND THE NEW
  • 00:22:09.210 --> 00:22:16.260
  • AMERICA IS AUTHENTICITY, AND THERE IS --THEY
  • 00:22:16.280 --> 00:22:19.090
  • WEREN'T USED TO THAT.
  • 00:22:19.110 --> 00:22:21.010
  • AND YOU KNOW, IT'S INTERESTING BECAUSE IN
  • 00:22:21.030 --> 00:22:24.150
  • THE WORLD OF CHRISTIANITY, THAT
  • 00:22:24.170 --> 00:22:26.080
  • IS THE NEW WORD.
  • 00:22:26.100 --> 00:22:27.270
  • THE NEW WORD IS AUTHENTICITY.
  • 00:22:27.290 --> 00:22:29.060
  • SO PEOPLE THAT WOULD GET BEHIND A PULPIT AND
  • 00:22:29.080 --> 00:22:32.290
  • PROCLAIM PERFECTION ARE BEING REPLACED WITH
  • 00:22:33.010 --> 00:22:37.170
  • PEOPLE THAT ARE JUST AUTHENTIC.
  • 00:22:37.190 --> 00:22:39.240
  • - THAT'S RIGHT.
  • 00:22:39.260 --> 00:22:41.070
  • - AND IT'S A CHANGE THAT'S HAPPENING.
  • 00:22:41.090 --> 00:22:43.040
  • THAT'S WHY YOU FIT SO WELL INSIDE OF THE
  • 00:22:43.060 --> 00:22:47.010
  • AIRWAVES OF TRINITY BROADCASTING NETWORK,
  • 00:22:47.030 --> 00:22:49.090
  • BECAUSE YOU'RE ALL ABOUT HARD WORK AND YOU'RE ALL
  • 00:22:49.110 --> 00:22:51.100
  • ABOUT AUTHENTICITY.
  • 00:22:51.120 --> 00:22:52.260
  • THANK YOU FOR WHAT YOU DO.
  • 00:22:52.280 --> 00:22:54.050
  • - YOU'RE WELCOME, AND THANKS FOR SAYING THAT.
  • 00:22:54.070 --> 00:22:56.000
  • AND IF I CAN BE SO BOLD IF I COULD ADD ONE OTHER
  • 00:22:56.020 --> 00:22:58.080
  • THING THAT I THINK WILL RESONATE WITH YOUR
  • 00:22:58.100 --> 00:23:01.010
  • VIEWERS AND I CERTAINLY THING WITH A LOT OF
  • 00:23:01.030 --> 00:23:03.290
  • OTHER AMERICANS.
  • 00:23:04.010 --> 00:23:05.070
  • IT'S CURIOSITY.
  • 00:23:05.090 --> 00:23:07.100
  • YOU KNOW, IF WE'RE GOING TO TALK ABOUT HUMILITY,
  • 00:23:07.120 --> 00:23:10.250
  • IT'S MUCH EASIER TO DO IN A CONTEXT OF A CURIOUS
  • 00:23:10.270 --> 00:23:14.240
  • SOUL THAN ONE WHO IS INFORMED OR KNOWLEDGEABLE
  • 00:23:14.260 --> 00:23:22.100
  • OR EXPERT, RIGHT.
  • 00:23:22.120 --> 00:23:24.100
  • CURIOSITY BY ITS VERY DEFINITION BEGS HUMILITY
  • 00:23:24.120 --> 00:23:28.190
  • BECAUSE IT SAYS I DON'T KNOW THE ANSWER, BUT I'D
  • 00:23:28.210 --> 00:23:32.150
  • LIKE TO FIND OUT, RIGHT.
  • 00:23:32.170 --> 00:23:34.040
  • SO IT'S REALLY HARD TO BE A PURE WORLD CLASS SCHMUCK
  • 00:23:34.060 --> 00:23:38.140
  • IF YOU'RE FUNDAMENTALLY CURIOUS.
  • 00:23:38.160 --> 00:23:40.230
  • - WOW.
  • 00:23:40.250 --> 00:23:42.080
  • - IT'S EASIER TO BE LIKABLE I THINK IF YOU
  • 00:23:42.100 --> 00:23:45.260
  • START BY SAYING I DON'T KNOW THE ANSWER, BUT
  • 00:23:45.280 --> 00:23:49.000
  • WOULDN'T IT BE FUN TO TAKE A CREW DOWN THERE
  • 00:23:49.020 --> 00:23:51.130
  • AND SEE IF WE CAN FIND OUT?
  • 00:23:51.150 --> 00:23:52.220
  • - YEAH.
  • 00:23:52.240 --> 00:23:54.060
  • - SO LOOK, WHEN I SEE WHAT YOU GUYS DO, YOU
  • 00:23:54.080 --> 00:23:56.110
  • KNOW, I -- THERE ARE ONLY TWO KINDS OF PEOPLE ON TV.
  • 00:23:56.130 --> 00:23:59.070
  • THERE ARE THERE ARE THE KIND THAT LICK THEIR
  • 00:23:59.090 --> 00:24:01.070
  • FINGER AND HOLD IT UP IN THE AIR TO SEE WHICH WAY
  • 00:24:01.090 --> 00:24:02.140
  • THE ENDS BLOWING AND THEN START MAKING SOUNDS, AND
  • 00:24:02.160 --> 00:24:06.100
  • THEN THERE'S PEOPLE LIKE YOU WHO SIT DOWN AND SAY
  • 00:24:06.120 --> 00:24:08.200
  • LOOK, THIS IS WHAT WE'RE GOING TO TALK ABOUT.
  • 00:24:08.220 --> 00:24:10.150
  • YOU KNOW, WE MIGHT GET A LITTLE EGG
  • 00:24:10.170 --> 00:24:12.010
  • ON OUR FACE TODAY.
  • 00:24:12.030 --> 00:24:13.040
  • WE MIGHT BREAK A FEW EGGS.
  • 00:24:13.060 --> 00:24:13.250
  • I DON'T KNOW.
  • 00:24:13.270 --> 00:24:15.050
  • BUT LOOK,, IT'S JUST A DIFFERENT LEVEL OF CANDOR.
  • 00:24:15.070 --> 00:24:18.030
  • AND THAT'S WHAT I THINK PEOPLE ARE REALLY HUNGRY
  • 00:24:18.050 --> 00:24:20.270
  • FOR, AND I THINK UNFORTUNATELY OUR
  • 00:24:20.290 --> 00:24:23.190
  • POLITICIANS HAVE MADE US HUNGRIER STILL AND SINCE
  • 00:24:23.210 --> 00:24:27.080
  • THEIR DOMINATING OUR NEWS FEEDS REAL PEOPLE ARE
  • 00:24:27.100 --> 00:24:29.160
  • BACK IN VOGUE.
  • 00:24:29.180 --> 00:24:30.280
  • REAL PEOPLE.
  • 00:24:31.000 --> 00:24:32.090
  • - WOW.
  • 00:24:32.110 --> 00:24:33.220
  • - WELL, YOU KNOW WHAT WATCHING DIRTY JOBS
  • 00:24:33.240 --> 00:24:35.190
  • BECAUSE I THINK I'VE SEEN EVERY EPISODE --
  • 00:24:35.210 --> 00:24:36.170
  • - YEAH.
  • 00:24:36.190 --> 00:24:37.190
  • - BECAUSE MY BOYS AND CODY AND MATT.
  • 00:24:37.210 --> 00:24:38.280
  • - ONE OF THE THEE MEN IN THE HOUSE HAD ONE OF THE
  • 00:24:39.000 --> 00:24:40.100
  • TV'S ON ALWAYS.
  • 00:24:40.120 --> 00:24:42.140
  • - YOUR TASTE IS IMPECCABLE.
  • 00:24:42.160 --> 00:24:44.030
  • THANK YOU.
  • 00:24:44.050 --> 00:24:46.010
  • - SO I LEARNED TO LOVE YOU, BUT IT ALWAYS MADE
  • 00:24:46.030 --> 00:24:47.290
  • ME SO GRATEFUL.
  • 00:24:48.010 --> 00:24:50.250
  • I WAS SO THANKFUL FOR THOSE PEOPLE, THOSE
  • 00:24:50.270 --> 00:24:53.000
  • PEOPLE THAT WORK SO HARD SO THAT I COULD LIVE THE
  • 00:24:53.020 --> 00:24:56.150
  • WAY I LIVE,
  • 00:24:56.170 --> 00:24:58.030
  • MY TOILET FLUSHES, MY TRASH IS PICKED UP.
  • 00:24:58.050 --> 00:25:00.180
  • SO THOSE PEOPLE BECAME MUCH MORE NOTICEABLE TO ME.
  • 00:25:00.200 --> 00:25:05.070
  • - AND HEROES.
  • 00:25:05.090 --> 00:25:06.020
  • - AND HEROES.
  • 00:25:06.040 --> 00:25:07.120
  • - THEY WERE MY GRANDFATHER.
  • 00:25:07.140 --> 00:25:08.290
  • - YEAH. EXACTLY.
  • 00:25:09.010 --> 00:25:10.090
  • - THE WHOLE SHOW WAS MY ATTEMPT TO GET BACK
  • 00:25:10.110 --> 00:25:14.140
  • TO THE DAZE WHEN I'M APPRENTICING WITH MY POP,
  • 00:25:14.160 --> 00:25:15.170
  • AND THAT'S RESONATE IS, TOO.
  • 00:25:15.190 --> 00:25:18.100
  • BUT THANK YOU FOR SAYING THAT, YOU KNOW, I'LL TELL
  • 00:25:18.120 --> 00:25:21.110
  • YOU IT WASN'T A SLAM DUNK.
  • 00:25:21.130 --> 00:25:23.040
  • DIRTY JOBS WAS A HIT BECAUSE A LOT OF PEOPLE
  • 00:25:23.060 --> 00:25:25.080
  • WATCHED IT AND SAW DIFFERENT THINGS.
  • 00:25:25.100 --> 00:25:28.240
  • PEOPLE TOOK DIFFERENT THINGS FROM IT.
  • 00:25:28.260 --> 00:25:30.230
  • THE BIG TWO CATEGORIES IS THE CATEGORY THAT YOU
  • 00:25:30.250 --> 00:25:33.270
  • JUST DESCRIBED.
  • 00:25:33.290 --> 00:25:35.060
  • YOU LOOKED AT THAT SHOW AND YOU FUNDAMENTALLY
  • 00:25:35.080 --> 00:25:37.280
  • FELT GRATITUDE, AND MY GUESS IS YOU WERE ABLE TO
  • 00:25:38.000 --> 00:25:41.100
  • LOOK TO YOUR KIDS AT THE TIME AND SAY SEE,
  • 00:25:41.120 --> 00:25:43.270
  • THERE'S HONOR.
  • 00:25:43.290 --> 00:25:45.130
  • THERE'S HONOR IN THAT JOB.
  • 00:25:45.150 --> 00:25:46.170
  • THERE'S DIGNITY IN THAT JOB.
  • 00:25:46.190 --> 00:25:48.050
  • NOW, THERE WAS ANOTHER CHUNK OF THE COUNTRY WHO
  • 00:25:48.070 --> 00:25:50.180
  • ENJOYED THAT SHOW A LOT, BUT THEY DIDN'T WATCH IT
  • 00:25:50.200 --> 00:25:52.270
  • FOR THAT REASON.
  • 00:25:52.290 --> 00:25:54.100
  • THEY USED IT AS A CAUTIONARY TALE.
  • 00:25:54.120 --> 00:25:56.240
  • THEY USED IT IN A WAY I DIDN'T LIKE BUT COULDN'T
  • 00:25:56.260 --> 00:25:59.240
  • REALLY STOP, AND THEY'D SAY SEE WHAT HAPPENS, IF
  • 00:25:59.260 --> 00:26:02.230
  • YOU DON'T GO GET A FOUR YEAR DEGREE.
  • 00:26:02.250 --> 00:26:05.000
  • YOU'RE GOING TO WIND UP DOING THAT.
  • 00:26:05.020 --> 00:26:07.040
  • - OH, COME ON.
  • 00:26:07.060 --> 00:26:08.200
  • - LAURIE, I'M TELLING YOU IT'S THE FUNDAMENTAL
  • 00:26:08.220 --> 00:26:10.250
  • THING THAT DIVIDES US AS A NATION TODAY IN MY VIEW
  • 00:26:10.270 --> 00:26:14.080
  • IS THE WAY YOU CAN SO EASILY CONFUSE GRATITUDE
  • 00:26:14.100 --> 00:26:17.050
  • WITH AVARICE.
  • 00:26:17.070 --> 00:26:21.120
  • - WOW.
  • 00:26:21.140 --> 00:26:22.190
  • - THEY'RE VERY STRANGE BED FELLOWS, BUT THEY'RE
  • 00:26:22.210 --> 00:26:27.020
  • RIGHT THERE.
  • 00:26:27.040 --> 00:26:28.180
  • AND I SAW IT ALL THE TIME.
  • 00:26:28.200 --> 00:26:30.030
  • - ISN'T THAT SOMETHING?
  • 00:26:30.050 --> 00:26:31.030
  • - YEAH.
  • 00:26:31.050 --> 00:26:32.260
  • - THOSE ARE THE WONDERFUL PEOPLE THAT
  • 00:26:32.280 --> 00:26:35.100
  • MAKE OUR LIFE EASIER AND BETTER AND THAT WE ALL
  • 00:26:35.120 --> 00:26:39.230
  • HAVE A CALLING NO MATTER WHAT IT IS.
  • 00:26:39.250 --> 00:26:43.220
  • - WHAT DO WE WANT FOR OUR KIDS?
  • 00:26:43.240 --> 00:26:46.180
  • WHAT DO WE ASPIRE TO, YOU KNOW?
  • 00:26:46.200 --> 00:26:49.080
  • THE AVERAGE PERSON DOESN'T SAY WITH LUCK,
  • 00:26:49.100 --> 00:26:52.120
  • MY KID IS GOING TO GROW UP TO BE A WELDER OR
  • 00:26:52.140 --> 00:26:54.140
  • A SEWER INSPECTOR.
  • 00:26:54.160 --> 00:26:55.200
  • WE'RE TAUGHT THERE'S A WHOLE CATEGORY
  • 00:26:55.220 --> 00:26:59.050
  • OF WONDERFUL JOBS
  • 00:26:59.070 --> 00:27:01.200
  • THAT WOULD BE REALLY GREAT IF SOMEBODY ELSE'S
  • 00:27:01.220 --> 00:27:03.170
  • KIDS DID THEM, RIGHT?
  • 00:27:03.190 --> 00:27:05.160
  • WE'RE TAUGHT THAT.
  • 00:27:05.180 --> 00:27:07.030
  • I KNOW WE'VE DISCUSSED IT BEFORE, BUT I THINK A BIG
  • 00:27:07.050 --> 00:27:09.250
  • PART OF WHAT'S GOING ON WITH THE SKILLS GAP, AND
  • 00:27:09.270 --> 00:27:12.110
  • WITH UNEMPLOYMENT, AND WITH COLLEGE DEBT AND ALL
  • 00:27:12.130 --> 00:27:14.250
  • THOSE THINGS, IT COMES FROM THE WAY WE SET
  • 00:27:14.270 --> 00:27:16.170
  • THE TABLE FROM THE ONSET.
  • 00:27:16.190 --> 00:27:18.260
  • - WE ARE SITTING RIGHT HERE IN SAN FRANCISCO
  • 00:27:18.280 --> 00:27:21.160
  • WITH MIKE ROWE.
  • 00:27:21.180 --> 00:27:23.140
  • AND IF YOU DIDN'T KNOW, SOMEBODY'S GOTTA DO IT.
  • 00:27:23.160 --> 00:27:27.090
  • IT'S GOTTA BE DONE. TAKE A LOOK.
  • 00:27:27.110 --> 00:27:30.050
  • - THANK YOU, LORD, FOR MIKE AND ARIANA.
  • 00:27:31.140 --> 00:27:33.190
  • WE PRAY YOU BLESS THIS FOOD AS WE PARTAKE OF IT.
  • 00:27:33.210 --> 00:27:35.230
  • WE THANK YOU FOR IT IN THE NAME OF JESUS. AMEN.
  • 00:27:35.250 --> 00:27:38.190
  • - AMEN.
  • 00:27:38.210 --> 00:27:39.290
  • - I'M MIKE ROWE, AND I'M ON A MISSION TO FIND
  • 00:27:40.010 --> 00:27:43.070
  • SOMEBODY ON A MISSION.
  • 00:27:43.090 --> 00:27:47.240
  • SOMEBODY WHO'S GOT A PASSION.
  • 00:27:47.260 --> 00:27:49.250
  • ON A SCALE OF ONE TO TEN,
  • 00:27:49.270 --> 00:27:50.280
  • HOW MUCH DO YOU LIKE WHAT YOU DO?
  • 00:27:51.000 --> 00:27:52.040
  • - 25.
  • 00:27:52.060 --> 00:27:53.070
  • - HERE WE GO.
  • 00:27:53.090 --> 00:27:54.220
  • SOMEBODY WHO'S GOT A CALLING.
  • 00:27:54.240 --> 00:27:56.130
  • PRETTY EXCITED.
  • 00:27:56.150 --> 00:27:58.000
  • SOMEBODY WHO'S MAKING OUR WORLD A LITTLE BIT BRIGHTER.
  • 00:27:58.020 --> 00:28:00.180
  • - I LIKE TO MAKE THINGS THAT MAKE PEOPLE SMILE.
  • 00:28:00.200 --> 00:28:02.230
  • A LITTLE BIT BIGGER...
  • 00:28:02.250 --> 00:28:04.270
  • A LITTLE BIT BETTER.
  • 00:28:04.290 --> 00:28:09.010
  • SOMEBODY WHO'S GOTTA DO IT.
  • 00:28:09.030 --> 00:28:11.290
  • [CHEERING]
  • 00:28:12.010 --> 00:28:14.040
  • IT'S GOTTA BE DONE.
  • 00:28:14.060 --> 00:28:16.210
  • WHEN DID YOU GET INTO FIREFIGHTING?
  • 00:28:16.230 --> 00:28:18.060
  • DO YOU REMEMBER?
  • 00:28:18.080 --> 00:28:19.170
  • - MIKE ROWE: ANY ADVICE FOR ME TONIGHT?
  • 00:28:33.260 --> 00:28:34.270
  • I'M GONNA BE IN THE LAST SUPPER.
  • 00:28:34.290 --> 00:28:36.050
  • I'M GONNA BE PLAYING BARTHOLOMEW I BELIEVE.
  • 00:28:36.070 --> 00:28:38.190
  • - CHILD: THE GUY THAT'S EASY TO MAKE FRIENDS WITH
  • 00:28:38.210 --> 00:28:41.040
  • IS THE MAN WHO PLAYS JESUS CHRIST.
  • 00:28:41.060 --> 00:28:43.240
  • - SURE.
  • 00:28:43.260 --> 00:28:45.230
  • IF YOU CAN'T BE FRIENDS WITH JESUS...
  • 00:28:45.250 --> 00:28:48.130
  • YOU KNOW WHAT I MEAN.
  • 00:28:48.150 --> 00:28:50.000
  • [MUSIC]
  • 00:28:50.020 --> 00:28:56.170
  • [MUSIC]
  • 00:28:56.170 --> 00:29:04.040
  • LET'S GO!
  • 00:29:04.060 --> 00:29:06.030
  • - MATT CROUCH: THAT IS SOMEBODY'S GOTTA DO IT.
  • 00:29:06.050 --> 00:29:08.070
  • MIKE ROWE AS OUR GUEST ALL HOUR.
  • 00:29:08.090 --> 00:29:11.110
  • NOW, CAN WE JUST DO SOMETHING.
  • 00:29:11.130 --> 00:29:13.050
  • CAN WE KIND OF GAZE OUT THE WINDOW
  • 00:29:13.070 --> 00:29:14.180
  • JUST FOR A MOMENT.
  • 00:29:14.200 --> 00:29:15.270
  • - I'VE BEEN GAZING RIGHT OVER-- THAT'S A BRAND-NEW
  • 00:29:15.290 --> 00:29:17.220
  • TOWER BY THE WAY. THAT'S THE SALESFORCE TOWER.
  • 00:29:17.240 --> 00:29:21.130
  • FINALLY LOOKS LIKE IT'S ALMOST DONE.
  • 00:29:21.150 --> 00:29:22.230
  • SURE LET'S GAZE.
  • 00:29:22.250 --> 00:29:24.110
  • - WE'RE LOOKING OUT.
  • 00:29:24.130 --> 00:29:27.090
  • WHAT IS THE WATERWAY KIND OF BEHIND US HERE?
  • 00:29:27.110 --> 00:29:29.260
  • - THAT'S WHAT YOU CALL THE SAN FRANCISCO BAY.
  • 00:29:29.280 --> 00:29:31.160
  • - SAN FRANCISCO BAY.
  • 00:29:31.180 --> 00:29:33.010
  • I CAN SEE BEHIND YOU THE GOLDEN GATE BRIDGE.
  • 00:29:33.030 --> 00:29:35.240
  • PRETTY FAMILIAR WITH THAT.
  • 00:29:35.260 --> 00:29:37.040
  • - THAT WOULD BE THE PACIFIC OCEAN ON THE
  • 00:29:37.060 --> 00:29:38.210
  • OTHER SIDE OF THAT. PRETTY WELL KNOWN.
  • 00:29:38.230 --> 00:29:40.050
  • BIG BODY OF WATER. CRITICAL TO THE WORLD.
  • 00:29:40.070 --> 00:29:42.260
  • - SO WHEN YOU CROSS, WHEN YOU CROSS THE
  • 00:29:42.280 --> 00:29:45.240
  • BRIDGE, MIKE, WHERE DO YOU GET WHEN YOU GO
  • 00:29:45.260 --> 00:29:49.150
  • ACROSS THE BRIDGE? WHERE ARE YOU?
  • 00:29:49.170 --> 00:29:51.130
  • - WHEN YOU DRIVE OVER THE BEAUTIFUL BLUE, THE
  • 00:29:51.150 --> 00:29:54.180
  • COBALT BLUE WATER ON THE ORANGE GOLDEN GATE
  • 00:29:54.200 --> 00:29:57.230
  • BRIDGE, YOU ENTER INTO THE EMERALD ROLLING HILLS
  • 00:29:57.250 --> 00:30:00.200
  • OF THE MARIN HEADLANDS.
  • 00:30:00.220 --> 00:30:03.020
  • - AND IF YOU KEEP GOING AROUND, THERE'S A FEW
  • 00:30:03.040 --> 00:30:06.000
  • ISLANDS OVER THERE.
  • 00:30:06.020 --> 00:30:07.100
  • WHAT'S SOME OF THE NAMES OF THE ISLANDS?
  • 00:30:07.120 --> 00:30:09.250
  • - SO IF YOU KEEP GOING AROUND, YOU'RE GONNA HIT
  • 00:30:09.270 --> 00:30:11.200
  • SAUSALITO; AND THEN A LITTLE AFTER THAT, YOU'RE
  • 00:30:11.220 --> 00:30:14.110
  • GONNA GET INTO TIBURON.
  • 00:30:14.130 --> 00:30:16.230
  • AND THEN YOU CAN GET INTO BELVEDERE.
  • 00:30:16.250 --> 00:30:19.010
  • NOW ANGEL ISLAND IS BEHIND US RIGHT THERE.
  • 00:30:19.030 --> 00:30:21.190
  • THAT'S A GIANT-- NO ONE LIVES THERE AND CARS
  • 00:30:21.210 --> 00:30:25.180
  • AREN'T ALLOWED, BUT THERE ARE ALL KINDS OF
  • 00:30:25.200 --> 00:30:27.230
  • FASCINATING STRUCTURES.
  • 00:30:27.250 --> 00:30:29.160
  • SO IF YOU HAVE TIME, EVERYBODY SAYS GO TO
  • 00:30:29.180 --> 00:30:31.100
  • ALCATRAZ, WHICH IS RIGHT THERE, BUT ANGEL ISLAND
  • 00:30:31.120 --> 00:30:35.090
  • IS ESSENTIALLY THE WEST COAST VERSION OF WHERE
  • 00:30:35.110 --> 00:30:39.240
  • THE STATUE OF LIBERTY IS, ELLIS ISLAND.
  • 00:30:39.260 --> 00:30:42.200
  • THAT'S WHERE MANY THOUSANDS OF IMMIGRANTS
  • 00:30:42.220 --> 00:30:45.130
  • WERE PROCESSED ON ANGEL ISLAND.
  • 00:30:45.150 --> 00:30:47.270
  • - LAURIE CROUCH: REALLY? I DIDN'T KNOW THAT.
  • 00:30:47.290 --> 00:30:49.290
  • - BIG FIRE HERE BACK IN THE TURN OF THE CENTURY,
  • 00:30:50.010 --> 00:30:52.000
  • WRECKED ALL THAT.
  • 00:30:52.020 --> 00:30:54.000
  • LET'S TALK ABOUT SAN FRANCISCO.
  • 00:30:54.020 --> 00:30:56.260
  • LET'S REALLY DIG IN.
  • 00:30:56.280 --> 00:30:58.020
  • - WELL, I WAS ABOUT TO SAY YOU WERE THE
  • 00:30:58.040 --> 00:30:59.270
  • HOST OF EVENING MAGAZINE.
  • 00:30:59.290 --> 00:31:01.290
  • - THAT'S TRUE.
  • 00:31:02.010 --> 00:31:03.090
  • - RIGHT HERE.
  • 00:31:03.110 --> 00:31:04.110
  • - IT'S TRUE.
  • 00:31:04.130 --> 00:31:05.160
  • - AND EDITOR NOTE, FIND THAT FOOTAGE.
  • 00:31:05.180 --> 00:31:07.190
  • - OH, BOY.
  • 00:31:07.210 --> 00:31:08.200
  • - FIND IT.
  • 00:31:08.220 --> 00:31:10.220
  • [MUSIC]
  • 00:31:10.240 --> 00:31:20.040
  • - WHAT I WANT TO DO THOUGH IS DO YOUR BEST--
  • 00:31:20.060 --> 00:31:24.240
  • WHAT WE'VE BEEN TALKING ABOUT ON THIS BROADCAST
  • 00:31:24.260 --> 00:31:27.010
  • IS WE'VE KIND OF USED THIS WORD "AUTHENTICITY",
  • 00:31:27.030 --> 00:31:31.020
  • AND THAT YOU BASICALLY HAVE BEEN EXPOSED TO
  • 00:31:31.040 --> 00:31:36.220
  • HUNDREDS OF MILLIONS OF PEOPLE BECAUSE YOU HAD A
  • 00:31:36.240 --> 00:31:40.230
  • DIFFERENT APPROACH TO TV.
  • 00:31:40.250 --> 00:31:43.190
  • YOU WANTED TO DO THE ANTI-HOST, THE ANTI--
  • 00:31:43.210 --> 00:31:45.280
  • - TRANSPARENCY.
  • 00:31:46.000 --> 00:31:47.090
  • - CORRECT. GREAT WORD.
  • 00:31:47.110 --> 00:31:48.280
  • - YOU DIDN'T WANT TO BE NAKED; YOU WANTED TO BE
  • 00:31:49.000 --> 00:31:50.060
  • TRANSPARENT. THANK YOU FOR THAT.
  • 00:31:50.080 --> 00:31:52.210
  • BUT GO BACK AND HERE IN THE CHAIR, KIND OF WHERE
  • 00:31:52.230 --> 00:31:57.140
  • MIKE ROWE AND TV REALLY FOUND EACH OTHER AND
  • 00:31:57.160 --> 00:32:01.130
  • MARRIED EACH OTHER, OKAY.
  • 00:32:01.150 --> 00:32:03.130
  • THE STREETS OF SAN FRANCISCO.
  • 00:32:03.150 --> 00:32:05.140
  • GIVE US A LITTLE EVENING MAGAZINE MOMENT.
  • 00:32:05.160 --> 00:32:10.070
  • - OH, SO, SO I CALLED THIS THE "PLAQUE" MENTALITY.
  • 00:32:10.090 --> 00:32:18.060
  • AND THE PLAQUE MENTALITY FOR A HOST, A PRODUCER
  • 00:32:18.080 --> 00:32:21.060
  • TRYING TO CREATE THE ILLUSION OF COMPETENCE
  • 00:32:21.080 --> 00:32:24.090
  • AND KNOWLEDGE WHERE IT DOESN'T REALLY EXIST,
  • 00:32:24.110 --> 00:32:26.020
  • WHAT YOU WOULD DO IN MANY CASES IS YOU WOULD FIND A
  • 00:32:26.040 --> 00:32:29.170
  • STATUE WITH A PLAQUE ON IT, AND YOU WOULD READ
  • 00:32:29.190 --> 00:32:32.230
  • THE PLAQUE, AND YOU WOULD MEMORIZE ALL OF
  • 00:32:32.250 --> 00:32:34.220
  • THE INFORMATION ON THE PLAQUE.
  • 00:32:34.240 --> 00:32:37.020
  • YOU DIDN'T REALLY LEARN IT, YOU JUST PUT IT IN TO
  • 00:32:37.040 --> 00:32:39.270
  • THE REPTILIAN PART OF YOUR BRAIN.
  • 00:32:39.290 --> 00:32:41.290
  • - ARE YOU MAKING FUN OF ME?
  • 00:32:42.010 --> 00:32:43.110
  • - A LITTLE BIT. NOT MUCH.
  • 00:32:43.130 --> 00:32:45.140
  • - IT'S OKAY.
  • 00:32:45.160 --> 00:32:47.010
  • - NO. I'M SAYING FOR 15 YEARS, THAT'S WHAT I GOT
  • 00:32:47.030 --> 00:32:50.160
  • PAID TO DO. SO I WOULD GO TO GETTYSBURG
  • 00:32:50.180 --> 00:32:52.170
  • AND DO A SHOW FOR--
  • 00:32:52.190 --> 00:32:54.110
  • - THIS GUY READS MINDS BY THE WAY.
  • 00:32:54.130 --> 00:32:56.000
  • - HE DOES, TOTALLY. THANK YOU...
  • 00:32:56.020 --> 00:32:58.260
  • - AND I WOULD--
  • 00:32:58.280 --> 00:33:00.060
  • - ...FOR THAT REAM.
  • 00:33:00.080 --> 00:33:03.020
  • - DO YOU GUYS KNOW EACH OTHER, 'CAUSE I KIND OF
  • 00:33:03.040 --> 00:33:04.230
  • FEEL LIKE YOU'VE MET.
  • 00:33:04.250 --> 00:33:06.170
  • I WOULD ON EVENING MAGAZINE, A TYPICAL
  • 00:33:06.190 --> 00:33:09.250
  • OPENING FOR THE SHOW WOULD BE, HEY, IT'S MIKE
  • 00:33:09.270 --> 00:33:12.220
  • ROWE, WELCOME TO ANOTHER EDATION OF EVENING MAGAZINE.
  • 00:33:12.240 --> 00:33:16.110
  • AND THEN SOMEBODY WOULD GO STOP, STOP.
  • 00:33:16.130 --> 00:33:18.050
  • YOU SAID "EDATION" INSTEAD OF EDITION.
  • 00:33:18.070 --> 00:33:20.210
  • THEY'D CORRECT ME AND I'D HAVE TO DO IT AGAIN.
  • 00:33:20.230 --> 00:33:22.200
  • - YOU SAID EVENING INSTEAD OF EVENING.
  • 00:33:22.220 --> 00:33:24.070
  • - EXACTLY.
  • 00:33:24.090 --> 00:33:25.140
  • AND IT'S LIKE THERE WAS A WEIRD FLARE ON THE LENS,
  • 00:33:25.160 --> 00:33:27.240
  • LET'S TRY IT AGAIN.
  • 00:33:27.260 --> 00:33:29.180
  • SO I'D STAND THERE, GOOD EVENING SAN FRANCISCO.
  • 00:33:29.200 --> 00:33:32.210
  • NOW I'D HAVE TO DO IT AGAIN.
  • 00:33:32.230 --> 00:33:34.070
  • GOOD EVENING SAN FRANCISCO AND WELCOME TO
  • 00:33:34.090 --> 00:33:36.000
  • ANOTHER EDITION OF EVENING MAGAZINE.
  • 00:33:36.020 --> 00:33:37.290
  • TONIGHT I'VE BROUGHT YOU TO A DIFFERENT KIND OF
  • 00:33:38.010 --> 00:33:41.010
  • PLACE, A SPECIAL PLACE, A UNIQUE PLACE, A PLACE
  • 00:33:41.030 --> 00:33:44.200
  • I DARE SAY MANY OF YOU HAVE NEVER SEEN BEFORE.
  • 00:33:44.220 --> 00:33:48.040
  • - LOOK AT THAT!
  • 00:33:48.060 --> 00:33:49.260
  • MAN, OH, MAN, LET ME SELL SOME HATS REAL QUICK.
  • 00:33:49.280 --> 00:33:52.110
  • I'M IN LOVE WITH THIS HAT.
  • 00:33:52.130 --> 00:33:53.290
  • WONDERFUL RESOURCE CENTER. NICE PLACE TO COME AND
  • 00:33:54.010 --> 00:33:55.240
  • TEST DRIVE HIGH-END COOKING INSTRUMENTS.
  • 00:33:55.260 --> 00:33:59.190
  • THERE'S NO FAT IN THIS, IS THERE?
  • 00:33:59.210 --> 00:34:01.100
  • - WOULD YOU DO YOUR EYEBROWS LIKE THAT TOO?
  • 00:34:01.120 --> 00:34:03.000
  • - I'D DO WHATEVER I COULD.
  • 00:34:03.020 --> 00:34:04.270
  • AND THAT'S EXACTLY WHAT I WAS DOING WHEN I WAS
  • 00:34:04.290 --> 00:34:06.250
  • TRYING TO HOST THE SHOW FROM THE SEWER.
  • 00:34:06.270 --> 00:34:09.030
  • BUT SEE, THAT'S AS FAR AS I GOT BEFORE LIKE THE
  • 00:34:09.050 --> 00:34:12.210
  • LATERAL WOULD POP AND I'D GET SLIMED ON THE SIDE OF
  • 00:34:12.230 --> 00:34:14.260
  • THE FACE, OR THE RAT WOULD CRAWL UP ON ME.
  • 00:34:14.280 --> 00:34:17.070
  • SO EVERY TIME I TRIED TO IMPERSONATE A HOST IN THE
  • 00:34:17.090 --> 00:34:19.280
  • SEWERS OF SAN FRANCISCO, SOMETHING OLD TESTAMENT
  • 00:34:20.000 --> 00:34:22.270
  • AND CALAMITOUS WOULD UNFOLD.
  • 00:34:22.290 --> 00:34:25.100
  • - MATT: TO FIND YOUR DESTINY. SEE WHAT GOD WILL
  • 00:34:25.120 --> 00:34:27.090
  • MAKE YOU GO THROUGH TO FIND DESTINY.
  • 00:34:27.110 --> 00:34:29.190
  • - I'M NOT GONNA ARGUE WITH THAT.
  • 00:34:29.210 --> 00:34:30.250
  • I'VE BEEN BAPTIZED TWICE.
  • 00:34:30.270 --> 00:34:32.240
  • ONCE IN THE PRESBYTERIAN CHURCH, THE SECOND TIME
  • 00:34:32.260 --> 00:34:35.040
  • IN THE SEWERS OF SAN FRANCISCO, AND I'M HERE
  • 00:34:35.060 --> 00:34:37.150
  • TO TELL YOU THEY BOTH MADE AN IMPRESSION.
  • 00:34:37.170 --> 00:34:40.100
  • [LAUGHTER]
  • 00:34:40.120 --> 00:34:41.250
  • I'M JUST SAYIN'. IT HAPPENED.
  • 00:34:41.270 --> 00:34:46.190
  • - OH, LET'S GAZE AGAIN OUT THE WINDOW
  • 00:34:46.210 --> 00:34:48.080
  • JUST FOR A SECOND.
  • 00:34:48.100 --> 00:34:49.280
  • - GET OUT OF THE SEWER.
  • 00:34:50.000 --> 00:34:51.050
  • - YOU BREEZED OVER YOU SAID YOU SANG IN THE
  • 00:34:51.070 --> 00:34:54.020
  • OPERA. IS THAT TRUE?
  • 00:34:54.040 --> 00:34:55.170
  • - I DID. - YOU DID?
  • 00:34:55.190 --> 00:34:56.270
  • - I DID.
  • 00:34:56.290 --> 00:34:58.060
  • - DID YOU SING BASS? - I DID.
  • 00:34:58.080 --> 00:35:00.130
  • - I'M SURE YOU DIDN'T SING TENOR.
  • 00:35:00.150 --> 00:35:01.230
  • - SAY BASS AGAIN, [WITH ACCENT] BA-ASS?
  • 00:35:01.250 --> 00:35:04.060
  • I SANG IN A RICH, WELL-MODULATED BARITONE.
  • 00:35:04.080 --> 00:35:08.020
  • I WAS TRYING TO GET INTO THE SCREEN ACTORS GUILD
  • 00:35:08.040 --> 00:35:12.110
  • IN ORDER TO BECOME A FAMOUS MOVIE AND
  • 00:35:12.130 --> 00:35:14.120
  • TELEVISION STAR.
  • 00:35:14.140 --> 00:35:16.000
  • THIS IS A VERY DIFFICULT THING TO DO WHEN YOU'RE
  • 00:35:16.020 --> 00:35:17.200
  • 22 YEARS OLD LIVING IN BALTIMORE.
  • 00:35:17.220 --> 00:35:19.260
  • IN ORDER TO GET IN THE SCREEN ACTORS GUILD, YOU
  • 00:35:19.280 --> 00:35:21.180
  • HAVE TO HAVE DONE SCREEN ACTORS GUILD SANCTIONED
  • 00:35:21.200 --> 00:35:23.270
  • WORK, WHICH MEANS YOU NEED A SCREEN ACTORS GUILD
  • 00:35:23.290 --> 00:35:26.050
  • CARD. BUT YOU CAN'T GET ONE OF THOSE CARDS UNTIL YOU
  • 00:35:26.070 --> 00:35:27.280
  • DO THE WORK, AND YOU CAN'T GET THE WORK UNTIL YOU
  • 00:35:28.000 --> 00:35:29.290
  • HAVE ONE OF THE CARDS. SO YOU HAVE A CATCH-22.
  • 00:35:30.010 --> 00:35:32.280
  • I FOUND A LOOPHOLE, WHICH WAS WITH ANOTHER UNION
  • 00:35:33.000 --> 00:35:35.160
  • CALLED AGMA, THE AMERICAN GUILD OF MUSICAL ARTISTS.
  • 00:35:35.180 --> 00:35:39.120
  • AND I REALIZED IF I GOT MY OPERA CARD, OVER WHICH
  • 00:35:39.140 --> 00:35:43.200
  • AGMA REIGNED, THEN I COULD BUY MY SCREEN
  • 00:35:43.220 --> 00:35:47.240
  • ACTORS GUILD CARD.
  • 00:35:47.260 --> 00:35:49.190
  • SO IT OCCURRED TO ME IT WOULD BE SIMPLER TO FAKE
  • 00:35:49.210 --> 00:35:52.010
  • MY WAY INTO THE OPERA THAN TO FAKE MY WAY ONTO
  • 00:35:52.030 --> 00:35:54.110
  • A SITCOM. SO WHAT I DID WAS--
  • 00:35:54.130 --> 00:35:56.140
  • - THAT'S BRILLIANT.
  • 00:35:56.160 --> 00:35:57.250
  • - I WENT TO THE ROSEDALE--
  • 00:35:57.270 --> 00:35:59.290
  • - EDITOR NOTE, FIND FOOTAGE.
  • 00:36:00.030 --> 00:36:02.230
  • - I'M GONNA FIND YOUR EDITOR AND HAVE A CHAT.
  • 00:36:02.250 --> 00:36:06.020
  • I JUST SAW WHAT'S LEFT OF MY CAREER
  • 00:36:06.040 --> 00:36:08.000
  • FLASH BEFORE MY EYES.
  • 00:36:08.020 --> 00:36:11.070
  • [SINGING ITALIAN OPERA]
  • 00:36:11.090 --> 00:36:22.000
  • - SO WHAT HAPPENS IS I GO TO THE ROSEDALE PUBLIC
  • 00:36:22.020 --> 00:36:24.050
  • LIBRARY AND I SAY TO THE LIBRARIAN, I SAY WHAT'S
  • 00:36:24.070 --> 00:36:27.070
  • THE SHORTEST ARIA IN THE HISTORY OF GRAND OPERA?
  • 00:36:27.090 --> 00:36:31.200
  • AND SHE GOES TO HER LITTLE THING AND STARTS
  • 00:36:31.220 --> 00:36:34.080
  • LOOKING AND SAID, IT LOOKS LIKE SOMETHING FROM
  • 00:36:34.100 --> 00:36:36.140
  • PUCCINI FROM LA BOHEME CALLED THE COAT ARIA.
  • 00:36:36.160 --> 00:36:40.210
  • SO I SAID I WANT THAT ALBUM.
  • 00:36:40.230 --> 00:36:42.160
  • SO I TOOK THAT ALBUM HOME AND I RECORDED THE COAT
  • 00:36:42.180 --> 00:36:46.200
  • ARIA, AND I PUT IT ON ONE OF THOSE SONY WALKMANS--
  • 00:36:46.220 --> 00:36:49.180
  • YOU REMEMBER THOSE THINGS?
  • 00:36:49.200 --> 00:36:51.040
  • SO FOR THE NEXT TWO WEEKS, I WALKED AROUND
  • 00:36:51.060 --> 00:36:53.250
  • BALTIMORE WITH MY HEADPHONES ON LISTENING
  • 00:36:53.270 --> 00:36:56.220
  • TO A MAN NAMED JAMES MORRIS SING THE
  • 00:36:56.240 --> 00:37:00.020
  • COAT ARIA IN ITALIAN.
  • 00:37:00.040 --> 00:37:02.190
  • - COULD YOU GIVE US JUST A LITTLE BIT.
  • 00:37:02.210 --> 00:37:04.020
  • JUST A LITTLE PLEASE.
  • 00:37:04.040 --> 00:37:05.200
  • - SINCE YOU BOTH ASKED AT THE SAME TIME IN THAT
  • 00:37:05.220 --> 00:37:07.120
  • WEIRD HIGH PITCH WAY YOU DO, WOULD YOU PLEASE...
  • 00:37:07.140 --> 00:37:11.120
  • - WAIT, GET A DRINK FIRST. LET'S BOTH.
  • 00:37:11.140 --> 00:37:13.180
  • WELL, MIKE WANTS WATER INSTEAD OF COFFEE.
  • 00:37:13.200 --> 00:37:16.180
  • - NOW YOU'RE GONNA TELL ME HOW TO DO.
  • 00:37:16.200 --> 00:37:18.050
  • - CAFFEINE WILL TIGHTEN THE VOCAL CORDS.
  • 00:37:18.070 --> 00:37:21.020
  • - SO YOU HAVE TO UNDERSTAND THE COAT ARIA,
  • 00:37:21.040 --> 00:37:24.190
  • LA BOHEME WAS THE ORIGINAL STORY THAT LAUNCHED
  • 00:37:24.210 --> 00:37:29.070
  • RENT. IT'S THE SAME BASIC STORY, SO YOU GOT MIMI
  • 00:37:29.090 --> 00:37:31.280
  • AND RUDOLPHO AND PEOPLE DYING OF CONSUMPTION.
  • 00:37:32.000 --> 00:37:34.170
  • AND THIS IS JUST, OPERAS ARE KIND OF SILLY IN A
  • 00:37:34.190 --> 00:37:37.130
  • SENSE THAT THEY MAKE VERY VERY IMPORTANT MUSICAL
  • 00:37:37.150 --> 00:37:40.010
  • STATEMENTS AROUND THE LITTLE TINIEST OF THINGS,
  • 00:37:40.030 --> 00:37:43.230
  • SO IT'S [SINGING] HAVE SOME WATER MATT!
  • 00:37:43.250 --> 00:37:45.220
  • ALL THAT IS VERY STRANGE.
  • 00:37:45.240 --> 00:37:48.050
  • AND THE COAT ARIA IS REALLY JUST A SONG ABOUT
  • 00:37:48.070 --> 00:37:52.150
  • A GUY WHO DECIDES TO GIVE HIS COAT TO THE WOMAN
  • 00:37:52.170 --> 00:37:56.110
  • WHO'S GOT THE CONSUMPTION.
  • 00:37:56.130 --> 00:37:58.130
  • AND HE'S BASICALLY SAYING GOODBYE TO HIS COAT.
  • 00:37:58.150 --> 00:38:00.250
  • IT'S RIDICULOUS. BUT AS I RECALL,
  • 00:38:00.270 --> 00:38:04.230
  • [SINGING ITALIAN OPERA]
  • 00:38:04.250 --> 00:38:18.150
  • [SINGING ITALIAN OPERA]
  • 00:38:18.150 --> 00:38:31.150
  • [SINGING ITALIAN OPERA]
  • 00:38:31.150 --> 00:38:42.150
  • WAIT FOR IT.
  • 00:38:42.170 --> 00:38:44.090
  • [CONTINUES SINGING]
  • 00:38:44.110 --> 00:38:50.210
  • LOOSELY TRANSLATED, I LIKE YOUR COAT PLEASE,
  • 00:38:50.230 --> 00:38:52.130
  • I'M FREEZING MY BUTT OFF.
  • 00:38:52.150 --> 00:38:53.230
  • [CLAPPING]
  • 00:38:53.250 --> 00:38:58.170
  • - THAT WAS AMAZING!
  • 00:38:58.190 --> 00:39:01.010
  • WELCOME TO THE GUILD.
  • 00:39:01.030 --> 00:39:04.190
  • - NOW YOU'RE IN.
  • 00:39:04.210 --> 00:39:06.150
  • - YOU'RE IN. IN.
  • 00:39:06.170 --> 00:39:09.030
  • CAN YOU DO AFTER THAT MOMENT AND EVERYONE IS
  • 00:39:09.050 --> 00:39:13.160
  • STILL KIND OF CATCHING THEIR BREATH AT HOME,
  • 00:39:13.180 --> 00:39:15.170
  • DO A LITTLE PROMO FOR THE SHOW.
  • 00:39:15.190 --> 00:39:18.000
  • SOMEBODY'S GOTTA DO IT.
  • 00:39:18.020 --> 00:39:19.190
  • - I DON'T KNOW WHERE YOU'VE BEEN, AND I DON'T
  • 00:39:19.210 --> 00:39:20.220
  • KNOW WHAT YOU'RE WATCHING, AND I DON'T
  • 00:39:20.240 --> 00:39:22.010
  • KNOW WHAT YOU'VE HEARD, BUT HERE'S THE TRUTH,
  • 00:39:22.030 --> 00:39:23.220
  • SOMEBODY'S GOTTA DO IT IS NOT ONLY ON TBN, IT'S
  • 00:39:23.240 --> 00:39:26.040
  • BACK. WE HAVE A BIG ANNOUNCEMENT, AND I'D
  • 00:39:26.060 --> 00:39:27.280
  • LOVE TO SHARE THE DETAILS WITH YOU RIGHT NOW EXCEPT
  • 00:39:28.000 --> 00:39:29.280
  • THAT MATT HASN'T TOLD ME EXACTLY HOW MANY MORE
  • 00:39:30.000 --> 00:39:31.260
  • HE'S BOUGHT. STAY TUNED FOR THAT.
  • 00:39:31.280 --> 00:39:33.210
  • I'M ON THE EDGE OF MY SEAT.
  • 00:39:33.230 --> 00:39:36.150
  • - NOW COULD YOU SING THAT?
  • 00:39:36.170 --> 00:39:38.210
  • COULD YOU SING A PROMO?
  • 00:39:38.230 --> 00:39:40.090
  • - THERE'S REALLY NO PLEASING SOME PEOPLE.
  • 00:39:40.110 --> 00:39:42.290
  • I JUST GAVE YOU A PROMO, I'M SINGING, I'M DANCING,
  • 00:39:43.010 --> 00:39:45.240
  • I'M PROBABLY VIOLATING UNION RULES RIGHT AND LEFT.
  • 00:39:45.260 --> 00:39:49.040
  • - IS THAT SO WRONG?
  • 00:39:49.060 --> 00:39:51.180
  • - DO PEOPLE ACTUALLY WATCH THIS SHOW? BE HONEST.
  • 00:39:51.200 --> 00:39:54.110
  • - BY THE WAY, BECAUSE OF MIKE ROWE'S
  • 00:39:54.130 --> 00:39:59.250
  • PARTICIPATION, I HAVE TO ADMIT THERE'S ANOTHER
  • 00:39:59.270 --> 00:40:02.080
  • MIKE THAT'S WITH YOU TOO, MIKE HUCKABEE.
  • 00:40:02.100 --> 00:40:05.090
  • - NEVER HEARD OF HIM.
  • 00:40:05.110 --> 00:40:06.250
  • - MIKE ROWE, WELCOME TO TBN.
  • 00:40:06.270 --> 00:40:08.070
  • YOUR NEW SHOW IS GONNA BE FOLLOWING ME ON SATURDAY
  • 00:40:08.090 --> 00:40:10.200
  • NIGHTS. I GUESS IT'S GONNA BE LIKE "OPEN MIKE NIGHT."
  • 00:40:10.220 --> 00:40:13.290
  • - YOU WRITE YOUR OWN MATERIAL?
  • 00:40:14.010 --> 00:40:15.260
  • - NO, I GET A PROFESSIONAL TO DO IT OF COURSE.
  • 00:40:15.280 --> 00:40:18.110
  • - REALLY? - YEAH.
  • 00:40:18.130 --> 00:40:19.250
  • - LET HIM GO.
  • 00:40:19.270 --> 00:40:22.290
  • - MIKE ROWE HERE BECAUSE SOMEBODY'S GOTTA DO IT
  • 00:40:23.010 --> 00:40:25.200
  • SATURDAYS AT 9:00, 8:00 CENTRAL, ONLY ON TBN.
  • 00:40:25.220 --> 00:40:28.150
  • - SO BASICALLY BECAUSE OF THAT, TRINITY HAS
  • 00:40:28.170 --> 00:40:32.220
  • EXPERIENCED A 30 PERCENT INCREASE IN VIEWERSHIP.
  • 00:40:32.240 --> 00:40:35.160
  • - GOOD GRIEF, THERE IS NO ACCOUNTING FOR TASTE.
  • 00:40:35.180 --> 00:40:37.170
  • I AM SO GLAD!
  • 00:40:37.190 --> 00:40:39.050
  • - IS THAT NOT AMAZING? - THAT'S REALLY INCREDIBLE.
  • 00:40:39.070 --> 00:40:41.160
  • - THIS AUTHENTICITY THING IS WORKING FOR YOU.
  • 00:40:41.180 --> 00:40:43.110
  • - ACTUALLY, WHAT HAPPENED IS MY MOTHER
  • 00:40:43.130 --> 00:40:44.200
  • CALLED EVERYONE SHE KNEW AND SAID HEY.
  • 00:40:44.220 --> 00:40:47.100
  • NO, YOU KNOW WHAT, IT'S LIKE I SAID AT THE TOP,
  • 00:40:47.120 --> 00:40:50.160
  • FIRST AND FOREMOST, I WANTED TO SIT DOWN WITH
  • 00:40:50.180 --> 00:40:52.050
  • YOU GUYS AGAIN TO SAY THANKS, NOT FOR ME BUT
  • 00:40:52.070 --> 00:40:55.180
  • THE PEOPLE ON THAT SHOW ARE WORTH KNOWING, AND
  • 00:40:55.200 --> 00:40:58.270
  • I'M SO GLAD THAT YOUR AUDIENCE IS GETTING TO
  • 00:40:58.290 --> 00:41:01.270
  • KNOW THEM, AND THAT YOU CARE ENOUGH TO GIVE THE
  • 00:41:01.290 --> 00:41:03.160
  • SHOW A HOME. IT'S AWESOME.
  • 00:41:03.180 --> 00:41:05.220
  • - SOMEBODY'S GOTTA DO IT. WATCH THIS.
  • 00:41:05.240 --> 00:41:07.170
  • - MIKE ROWE: THE FLIGHT DECK IS OVERSEEN BY A PLACE
  • 00:41:09.210 --> 00:41:11.220
  • CALLED PRIMARY FLIGHT CONTROL OR PRI-FLY FOR SHORT.
  • 00:41:11.240 --> 00:41:15.000
  • HOW'S IT GOING?
  • 00:41:15.020 --> 00:41:16.220
  • HERE, I'M PRESENTED WITH A WHOLE STACK OF SHIRTS.
  • 00:41:16.240 --> 00:41:19.100
  • LOOK AT THIS, IT'S LIKE A RAINBOW.
  • 00:41:19.120 --> 00:41:21.010
  • WHICH I ASSUME I'LL BE INVITED TO WEAR DURING
  • 00:41:21.030 --> 00:41:23.040
  • THE VARIOUS JOBS IN STORE FOR ME DURING THE COURSE
  • 00:41:23.060 --> 00:41:25.270
  • OF WHAT'S SHAPING UP TO BE A VERY LONG DAY.
  • 00:41:25.290 --> 00:41:29.140
  • IT'S LIKE GARANIMALS FOR GROWNUPS.
  • 00:41:29.160 --> 00:41:31.150
  • IT'S A LOT OF COLORS GOING ON.
  • 00:41:31.170 --> 00:41:33.100
  • THE GREEN IS WORN BY SAILORS WHO MAINTAIN THE
  • 00:41:33.120 --> 00:41:35.110
  • LANDING AND LAUNCH GEAR.
  • 00:41:35.130 --> 00:41:37.000
  • THE YELLOWS ARE THE FLIGHT DIRECTORS WHO
  • 00:41:37.020 --> 00:41:38.240
  • SUPERVISE THE TAKE-OFFS.
  • 00:41:38.260 --> 00:41:40.260
  • RED MEANS EMERGENCY AND ORDINANCE PERSONNEL.
  • 00:41:40.280 --> 00:41:44.050
  • WHITE INDICATES MEDICAL AND SAFETY.
  • 00:41:44.070 --> 00:41:46.030
  • PURPLE MEANS FUEL.
  • 00:41:46.050 --> 00:41:47.190
  • BLUES MOSTLY MOVE STUFF AROUND. AND BROWN
  • 00:41:47.210 --> 00:41:51.080
  • IS FOR PLANE CAPTAINS AND OUTDATED REFERENCES.
  • 00:41:51.100 --> 00:41:55.000
  • WHAT HAS BROWN DONE FOR YOU?
  • 00:41:55.020 --> 00:41:56.210
  • THAT'S A FAMOUS SLOGAN FROM UPS I THINK.
  • 00:41:56.230 --> 00:42:00.020
  • - NEVER HEARD OF THAT.
  • 00:42:00.040 --> 00:42:01.290
  • - YOU'VE NEVER HEARD OF THAT?
  • 00:42:02.010 --> 00:42:03.150
  • WHAT HAS BROWN DONE FOR YOU?
  • 00:42:03.170 --> 00:42:04.190
  • - NO, SIR.
  • 00:42:04.210 --> 00:42:06.020
  • - HEY, CAN I JUST SAY TOO BEFORE YOU START
  • 00:42:06.040 --> 00:42:08.030
  • READING STUFF.
  • 00:42:08.050 --> 00:42:10.040
  • PEOPLE AT HOME WITH THEIR DVR'S AND, THEY SHOULD GO
  • 00:42:10.060 --> 00:42:14.020
  • BACK TO THE BEGINNING OF THE SHOW JUST TO SEE HOW
  • 00:42:14.040 --> 00:42:16.110
  • RADICALLY THE LIGHT HAS CHANGED AND THE ABSOLUTE
  • 00:42:16.130 --> 00:42:19.290
  • HAVOC IT'S PLAYING ON THE EXCELLENT CREW RIGHT NOW,
  • 00:42:20.010 --> 00:42:22.190
  • WHO'S NOT ALLOWED TO MOVE AROUND BECAUSE THERE ARE
  • 00:42:22.210 --> 00:42:24.070
  • REFLECTIONS. IT'S REALLY WEIRD.
  • 00:42:24.090 --> 00:42:26.110
  • WE'VE SUDDENLY, WE STARTED IN THIS BEAUTIFUL
  • 00:42:26.130 --> 00:42:28.220
  • SETTING, AND NOW WE'VE GOT OURSELVES
  • 00:42:28.240 --> 00:42:30.100
  • IN A REAL FISH BOWL.
  • 00:42:30.120 --> 00:42:31.210
  • - WHAT'S GREAT ABOUT IT THOUGH IS I SEE TWO OF
  • 00:42:31.230 --> 00:42:33.130
  • YOU NOW AND IT'S AWESOME, SO IT'S LIKE A
  • 00:42:33.150 --> 00:42:35.230
  • BONUS THING FOR ME.
  • 00:42:35.250 --> 00:42:37.190
  • - YOU SAID YOU WANTED MORE MIKE ROWE ON TBN,
  • 00:42:37.210 --> 00:42:40.010
  • WELL HERE I AM. YOU JUST CLONED ME.
  • 00:42:40.030 --> 00:42:42.070
  • - THERE'S ONE OF YOU RIGHT THERE, AND THERE'S
  • 00:42:42.090 --> 00:42:43.180
  • ONE OF YOU RIGHT THERE.
  • 00:42:43.200 --> 00:42:45.080
  • OKAY, IT IS A BEAUTIFUL EVENING IN SAN FRANCISCO.
  • 00:42:45.100 --> 00:42:48.250
  • WE'VE BEEN WITH MIKE ROWE ALL HOUR, AND AS WE CHOSE
  • 00:42:48.270 --> 00:42:52.060
  • TO DO, WE WANTED TO SEE A LITTLE BIT OF THE LIGHTS
  • 00:42:52.080 --> 00:42:54.180
  • TURNING ON, AND SO EVERY ONCE IN A WHILE, YOU HAVE
  • 00:42:54.200 --> 00:42:56.280
  • TO DIM THE LIGHTS, AND BOB HAS TO COME IN
  • 00:42:57.000 --> 00:42:59.080
  • AND SLAP HIS HANDS.
  • 00:42:59.100 --> 00:43:01.100
  • - NOBODY DOES IT LIKE BOB.
  • 00:43:01.120 --> 00:43:03.000
  • BEST HAND SLAPPER IN THE WEST.
  • 00:43:03.020 --> 00:43:04.200
  • - BOB'S BEEN DOING IT FOREVER.
  • 00:43:04.220 --> 00:43:06.020
  • - YES! OH, IT JUST GETS BETTER AND BETTER, DUDE.
  • 00:43:06.040 --> 00:43:09.250
  • I DON'T KNOW.
  • 00:43:09.270 --> 00:43:11.050
  • - WE'RE GONNA INCLUDE THAT ONE ACTUALLY IN THE SHOW.
  • 00:43:11.070 --> 00:43:13.060
  • - I WOULD HOPE SO. WHEN YOU SEE THAT KIND OF TALENT,
  • 00:43:13.080 --> 00:43:16.220
  • YOU DON'T HIDE IT UNDER A BUSHEL.
  • 00:43:16.240 --> 00:43:17.290
  • - SOMEBODY'S GOTTA DO IT.
  • 00:43:18.010 --> 00:43:19.060
  • - YOU DON'T HIDE IT UNDER A BUSHEL.
  • 00:43:19.080 --> 00:43:21.180
  • YES!
  • 00:43:22.140 --> 00:43:23.110
  • - MATT: PASSION.
  • 00:43:23.130 --> 00:43:24.100
  • IT'S EXCITING.
  • 00:43:24.120 --> 00:43:25.290
  • OH, THAT WAS GOOD.
  • 00:43:26.150 --> 00:43:28.110
  • - LAURIE: HE'S DONE THIS A LOT.
  • 00:43:28.130 --> 00:43:29.170
  • - I'VE SEEN A LOT OF GUYS GO HALFHEARTED.
  • 00:43:29.190 --> 00:43:31.280
  • HIT IT.
  • 00:43:32.000 --> 00:43:33.060
  • - WE'VE GOT A FEW MINUTES LEFT, MIKE.
  • 00:43:33.080 --> 00:43:35.110
  • FIRST OF ALL, YOU KNOW THE REASON WE GET ALONG
  • 00:43:35.130 --> 00:43:39.210
  • SO WELL IS BECAUSE YOU'RE AMAZING.
  • 00:43:39.230 --> 00:43:44.210
  • THAT'S ONE REASON.
  • 00:43:44.230 --> 00:43:46.050
  • IF YOU WEREN'T, WE WOULDN'T GET ALONG AS WELL.
  • 00:43:46.070 --> 00:43:48.040
  • I THINK I'VE SEEN EVERY EPISODE OF
  • 00:43:48.060 --> 00:43:51.120
  • DIRTY JOBS THERE IS.
  • 00:43:51.140 --> 00:43:53.140
  • - MIKE ROWE: IT'S INTERESTING THE WAY THE FLUID JUST
  • 00:43:53.160 --> 00:43:56.230
  • FLIES RIGHT OUT OF THE TOP THERE.
  • 00:43:56.250 --> 00:43:58.160
  • - IT'S NOT SO PRETTY, IS IT?
  • 00:43:58.180 --> 00:43:59.230
  • - MIKE ROWE: THAT'S NOT PRETTY AT ALL.
  • 00:43:59.250 --> 00:44:01.060
  • - AND IT'S VERY DIFFICULT FOR ME TO SIT
  • 00:44:01.080 --> 00:44:03.010
  • THIS CLOSE AND NOT FANBOY ALL OVER THIS GUY.
  • 00:44:03.030 --> 00:44:06.150
  • YOU'RE LITERALLY-- WE GREW UP WATCHING YOUR
  • 00:44:06.170 --> 00:44:10.070
  • SHOW. I GREW UP WATCHING YOUR SHOW.
  • 00:44:10.090 --> 00:44:11.180
  • - THANKS. I APPRECIATE IT.
  • 00:44:11.200 --> 00:44:13.220
  • AND YOUR KIDS I'M SURE ARE STILL SCARRED?
  • 00:44:13.240 --> 00:44:15.280
  • - YEAH, YEAH. A LOT OF US.
  • 00:44:16.000 --> 00:44:18.130
  • SO SOMEBODY'S GOTTA DO IT AIRS RIGHT HERE ON TBN,
  • 00:44:18.150 --> 00:44:22.140
  • AND WE'RE MAKING THE ANNOUNCEMENT.
  • 00:44:22.160 --> 00:44:24.100
  • - RIGHT NOW.
  • 00:44:24.120 --> 00:44:26.110
  • - 26 NEW EPISODES.
  • 00:44:26.130 --> 00:44:28.010
  • - HUGE.
  • 00:44:28.030 --> 00:44:29.150
  • - NEVER SEEN BEFORE FOOTAGE.
  • 00:44:29.170 --> 00:44:32.040
  • AND TALK ABOUT THE EPISODE THAT KICKS OFF SEASON 2.
  • 00:44:32.060 --> 00:44:36.110
  • WHEN WE'RE TAPING THIS, WE'RE EARLY IN 2018.
  • 00:44:36.130 --> 00:44:39.180
  • THIS MEMORIAL DAY, WE'RE GONNA HIT SEASON 2,
  • 00:44:39.200 --> 00:44:44.150
  • AND WE'RE GONNA DO A ONE HOUR SPECIAL.
  • 00:44:44.170 --> 00:44:46.140
  • WHAT HAPPENS ON THAT ONE HOUR SPECIAL?
  • 00:44:46.160 --> 00:44:48.290
  • - WELL, LET ME SAY FIRST, ONE OF THE MOST
  • 00:44:49.010 --> 00:44:50.110
  • FRUSTRATING THINGS WAS THIS SPECIAL THAT'S GOING
  • 00:44:50.130 --> 00:44:53.220
  • TO AIR, YOU'RE RIGHT, IT HASN'T BEEN SEEN, AND
  • 00:44:53.240 --> 00:44:56.020
  • IT'S BEEN SITTING THERE ON MY SHELF FOR OVER TWO
  • 00:44:56.040 --> 00:44:59.100
  • YEARS. AND IT TAKES PLACE ENTIRELY ON AN
  • 00:44:59.120 --> 00:45:02.190
  • AIRCRAFT CARRIER CALLED THE STENNIS.
  • 00:45:02.210 --> 00:45:05.160
  • - MIKE ROWE: HELICOPTERS HOVER NICE AND SLOW AND FLOAT
  • 00:45:05.180 --> 00:45:08.100
  • DOWN LIKE A FEATHER.
  • 00:45:08.120 --> 00:45:10.170
  • JET FIGHTERS, NOT SO MUCH.
  • 00:45:10.190 --> 00:45:13.240
  • JOHN STENNIS IS I THINK THE LARGEST AIRCRAFT CARRIER
  • 00:45:13.260 --> 00:45:17.160
  • CURRENTLY DEPLOYED, AND IT'S GOT FOUR OR FIVE
  • 00:45:17.180 --> 00:45:20.040
  • THOUSAND OF THE MOST WONDERFUL PEOPLE ON IT
  • 00:45:20.060 --> 00:45:21.280
  • YOU'D EVER CARE TO MEET.
  • 00:45:22.000 --> 00:45:23.110
  • AND FOR 48 HOURS, THEY INTRODUCED ME TO
  • 00:45:23.130 --> 00:45:26.130
  • VIRTUALLY EVERY JOB ON THE SHIP.
  • 00:45:26.150 --> 00:45:30.100
  • I DIDN'T SLEEP THE ENTIRE TIME.
  • 00:45:30.120 --> 00:45:32.200
  • IF YOU'VE BEEN ON AN AIRCRAFT CARRIER, AND
  • 00:45:32.220 --> 00:45:34.180
  • EVEN IF YOU HAVEN'T, THE ENTIRE POPULATION IS
  • 00:45:34.200 --> 00:45:37.150
  • CODIFIED BY THE COLOR OF THE SHIRTS THEY WEAR.
  • 00:45:37.170 --> 00:45:41.120
  • SO YOU'VE GOT PURPLE SHIRTS, AND ORANGE
  • 00:45:41.140 --> 00:45:43.160
  • SHIRTS, BROWN SHIRTS, YELLOW SHIRTS.
  • 00:45:43.180 --> 00:45:45.250
  • AND THESE PEOPLE ALL DO VERY DIFFERENT VERY
  • 00:45:45.270 --> 00:45:48.000
  • SPECIFIC THINGS ON THE FLIGHT DECK DOWN TO THE
  • 00:45:48.020 --> 00:45:50.250
  • FUEL CELLS ON THE AIR-- I MEAN, IT'S AN AMAZINGLY
  • 00:45:50.270 --> 00:45:53.040
  • COMPLICATED SLEEPLESS CITY THAT'S OUT THERE.
  • 00:45:53.060 --> 00:46:00.240
  • THEY'VE GOT OUR BACK, THESE GUYS.
  • 00:46:00.260 --> 00:46:02.270
  • SO I WANTED-- AND OVER THE YEARS I'VE DONE
  • 00:46:02.290 --> 00:46:05.180
  • SOMETHING IN EVERY, FOR EVERY BRANCH OF THE ARMED
  • 00:46:05.200 --> 00:46:09.160
  • SERVICES, BUT THIS IS MY LOVE LETTER TO THE NAVY.
  • 00:46:09.180 --> 00:46:13.120
  • AND THE FACT THAT YOU GUYS HAVE AGREED TO PUT
  • 00:46:13.140 --> 00:46:16.010
  • IT ON ON MEMORIAL DAY JUST MAKES ME WANT TO
  • 00:46:16.030 --> 00:46:18.180
  • GIVE YOU BOTH A GIANT HUG BECAUSE THESE PEOPLE ARE
  • 00:46:18.200 --> 00:46:21.270
  • GONNA BE THRILLED TO SEE THEMSELVES, AND THE NAVY
  • 00:46:21.290 --> 00:46:24.250
  • IS GONNA BE THRILLED TO SEE THIS FOOTAGE, AND
  • 00:46:24.270 --> 00:46:27.290
  • YOUR VIEWERS ARE GONNA LOVE IT BECAUSE LOOK,
  • 00:46:28.010 --> 00:46:30.270
  • THERE ARE A LOT OF THINGS YOU CAN DO TO FEEL BETTER
  • 00:46:30.290 --> 00:46:33.150
  • ABOUT WHATEVER'S GOT YOU DOWN, AND YOUR NETWORK IS
  • 00:46:33.170 --> 00:46:36.000
  • A LIVING TESTAMENT TO THE OBVIOUS THING.
  • 00:46:36.020 --> 00:46:38.060
  • BUT THE OTHER THINGS YOU CAN DO ARE FIND PEOPLE
  • 00:46:38.080 --> 00:46:42.150
  • WHO ARE LIVING CONGRUENTLY, WHO ARE
  • 00:46:42.170 --> 00:46:46.020
  • LIVING A PURPOSE DRIVEN LIFE, AND WHO ARE PUTTING
  • 00:46:46.040 --> 00:46:49.190
  • SOMETHING ELSE BEFORE THEMSELVES.
  • 00:46:49.210 --> 00:46:52.120
  • THAT'S WHAT THIS EPISODE IS ABOUT.
  • 00:46:52.140 --> 00:46:54.170
  • YOU'RE GONNA LOVE IT.
  • 00:46:54.190 --> 00:46:55.280
  • - MATT: OKAY. - LAURIE: AWESOME.
  • 00:46:56.000 --> 00:46:58.210
  • - SO IN CONCLUSION, AS THE LIGHTS OF
  • 00:46:58.230 --> 00:47:04.290
  • SAN FRANCISCO-- WHAT DO YOU SEE OVER MY SHOULDER?
  • 00:47:05.010 --> 00:47:07.160
  • WHAT'S THE VIEW BEHIND US?
  • 00:47:07.180 --> 00:47:09.000
  • WHAT ARE WE LOOKING AT?
  • 00:47:09.020 --> 00:47:10.150
  • - WELL, THE BIGGEST REAL CHANGE IN THIS CITY IS
  • 00:47:10.170 --> 00:47:12.260
  • THAT GIANT TOWER BEHIND YOU.
  • 00:47:12.280 --> 00:47:15.090
  • THAT'S THE SALESFORCE TOWER.
  • 00:47:15.110 --> 00:47:18.160
  • IT'S BEEN IN THE NATIONAL PRESS NOW FOR A LONG TIME
  • 00:47:18.180 --> 00:47:20.200
  • AND UNDER CONSTRUCTION FOR THE LAST FEW YEARS.
  • 00:47:20.220 --> 00:47:22.140
  • THAT WILL BE FINISHED THIS YEAR.
  • 00:47:22.160 --> 00:47:25.050
  • THAT'S A HUGE THING.
  • 00:47:25.070 --> 00:47:27.080
  • BUT I'LL TELL YOU HONESTLY WHAT I SEE IS
  • 00:47:27.100 --> 00:47:30.150
  • PROBABLY DIFFERENT THAN WHAT A LOT OF PEOPLE SEE.
  • 00:47:30.170 --> 00:47:33.050
  • I'M A SUCKER FOR HISTORY, AND WHEN I LOOK AT THIS
  • 00:47:33.070 --> 00:47:36.150
  • TOWN, I MEAN I SEE MARK TWAIN, I SEE THE GOLD
  • 00:47:36.170 --> 00:47:42.040
  • RUSH, AND I SEE A TIME WHEN THE ENTIRE HOPE OF
  • 00:47:42.060 --> 00:47:47.140
  • THE NATION WAS WESTWARD, YOU KNOW, AND WHEN THE
  • 00:47:47.160 --> 00:47:52.000
  • COUNTRY WAS REALIZING THAT WE WERE ONLY GOING
  • 00:47:52.020 --> 00:47:55.010
  • TO BE AS GOOD AS OUR ABILITY TO MOVE AND HIT
  • 00:47:55.030 --> 00:47:58.000
  • THE RESET BUTTON.
  • 00:47:58.020 --> 00:47:59.240
  • AND ALL OF THE HOPE AND ALL OF THE POSSIBILITY
  • 00:47:59.260 --> 00:48:02.010
  • AND ALL OF THE COMMERCE AND DREAMS THAT CAME UP
  • 00:48:02.030 --> 00:48:05.090
  • THROUGH THIS BAY, YOU KNOW, AND ON THE RAILROADS.
  • 00:48:05.110 --> 00:48:08.280
  • WE'RE GONNA HAVE DINNER AS SOON AS WE RAP THIS AT
  • 00:48:09.000 --> 00:48:11.250
  • A RESTAURANT DOWNTOWN CALLED JOHNS, AND THAT
  • 00:48:11.270 --> 00:48:15.210
  • PLACE IS FAMOUS FOR THE MALTESE FALCON.
  • 00:48:15.230 --> 00:48:20.250
  • AND WHAT'S HIS NAME, THE AUTHOR?
  • 00:48:20.270 --> 00:48:23.240
  • I'M DRAWING A BLANK.
  • 00:48:23.260 --> 00:48:25.010
  • WHO WROTE THE MALTESE FALCON?
  • 00:48:25.030 --> 00:48:26.270
  • - DASHIELL HAMMETT.
  • 00:48:26.290 --> 00:48:28.060
  • - EXACTLY. THE GUY WHO DOES THIS--
  • 00:48:28.080 --> 00:48:31.220
  • - HE KNOWS EVERYTHING BY THE WAY.
  • 00:48:31.240 --> 00:48:33.040
  • - I LOVE IT.
  • 00:48:33.060 --> 00:48:34.120
  • DASHIELL HAMMETT WROTE THE MALTESE FALCON IN THE
  • 00:48:34.140 --> 00:48:36.240
  • PLACE WE'RE GOING.
  • 00:48:36.260 --> 00:48:38.120
  • SO I LOOK AROUND THIS TOWN AND I JUST SEE A--
  • 00:48:38.140 --> 00:48:42.030
  • I MEAN I SEE THE FIRE, I SEE THE EARTHQUAKE,
  • 00:48:42.050 --> 00:48:44.140
  • I SEE THE COMPLETE RESET.
  • 00:48:44.160 --> 00:48:47.190
  • SAN FRANCISCO IS A CRAZY, CRAZY PLACE, AND
  • 00:48:47.210 --> 00:48:52.080
  • CALIFORNIA IS A LUNATIC ASYLUM, BUT IT IS SO
  • 00:48:52.100 --> 00:48:58.130
  • WONDERFUL AND TERRIFIC AT THE SAME TIME.
  • 00:48:58.150 --> 00:49:01.100
  • LOOK, I'M SORRY, I'M TELLING YOU, THIS IS,
  • 00:49:01.120 --> 00:49:04.160
  • THIS IS A STATE THAT'S TRYING TO FIGURE OUT WHO
  • 00:49:04.180 --> 00:49:07.000
  • IT IS, AND THIS IS A TOWN, RIGHT, THAT IS ON
  • 00:49:07.020 --> 00:49:10.190
  • THE FOREFRONT OF EVERYTHING WEIRD AND WACKY.
  • 00:49:10.210 --> 00:49:13.220
  • BUT AT THE SAME TIME, THE UNDERPINNINGS, LIKE THE
  • 00:49:13.240 --> 00:49:16.080
  • SEWER WE TALKED ABOUT BEFORE AND THE
  • 00:49:16.100 --> 00:49:18.020
  • MEN WHO WORK IN IT.
  • 00:49:18.040 --> 00:49:19.150
  • AND I JUST REALLY BELIEVE THE GREATNESS OF THE PAST
  • 00:49:19.170 --> 00:49:23.090
  • IS SO ALIVE IN THIS CITY THAT IT'S NOT THE PAST.
  • 00:49:23.110 --> 00:49:28.130
  • THAT'S WHY I LINGER WHEN I COME HERE.
  • 00:49:28.150 --> 00:49:30.050
  • - I LIKE IT.
  • 00:49:30.070 --> 00:49:31.280
  • FROM NOW ON, WHEN WE'RE ON TV TOGETHER,
  • 00:49:32.000 --> 00:49:33.290
  • TRY NOT TO GIVE ME A TEST BECAUSE I--
  • 00:49:34.010 --> 00:49:36.240
  • - UNDERSTANDABLE.
  • 00:49:36.260 --> 00:49:38.130
  • - I WOULDN'T HAVE KNOWN WHO WROTE THAT.
  • 00:49:38.150 --> 00:49:40.210
  • - YEAH, AND FROM NOW ON WHEN WE'RE ON TV, IF YOU
  • 00:49:40.230 --> 00:49:42.170
  • FEEL THE URGE TO TELL ME TO BURST INTO SONG, YOU
  • 00:49:42.190 --> 00:49:44.180
  • MIGHT WANT TO RETHINK THAT A LITTLE BIT, YOU
  • 00:49:44.200 --> 00:49:46.130
  • KNOW WHAT I'M SAYING?
  • 00:49:46.150 --> 00:49:47.170
  • - LAURIE: I LIKED IT.
  • 00:49:47.190 --> 00:49:49.000
  • - OKAY, WE'RE IN SAN FRANCISCO, AND IT'S A
  • 00:49:49.020 --> 00:49:51.180
  • BEAUTIFUL EVENING. WE'RE WRAPPING UP.
  • 00:49:51.200 --> 00:49:52.260
  • FINAL THOUGHT.
  • 00:49:52.280 --> 00:49:55.010
  • OKAY, WHAT DO YOU WANT OUR VIEWERS TO EXPERIENCE
  • 00:49:55.030 --> 00:49:59.290
  • WHEN THEY WATCH EPISODES OF SOMEBODY'S GOTTA DO IT
  • 00:50:00.010 --> 00:50:02.090
  • RIGHT HERE ON TBN ON THE WEEKENDS AND WHENEVER
  • 00:50:02.110 --> 00:50:04.190
  • THEY SEE IT.
  • 00:50:04.210 --> 00:50:06.170
  • WHAT DO YOU WANT THEM TO EXPERIENCE?
  • 00:50:06.190 --> 00:50:08.180
  • - IDEALLY, I WOULD LIKE THEM TO SEE THEIR
  • 00:50:08.200 --> 00:50:12.130
  • NEIGHBORS IN THE PEOPLE THAT WE INTRODUCE YOU TO.
  • 00:50:12.150 --> 00:50:15.290
  • I'D LIKE THEM TO SEE A VERSION OF THEMSELVES.
  • 00:50:16.010 --> 00:50:19.010
  • I WOULD LIKE THEM TO BE REMINDED THAT IN THE END,
  • 00:50:19.030 --> 00:50:23.060
  • WE HAVE MORE IN COMMON THAN NOT, THAT WE'RE
  • 00:50:23.080 --> 00:50:26.190
  • UNITED BY MORE THINGS THAN WE'RE DIVIDED BY.
  • 00:50:26.210 --> 00:50:30.270
  • I'D LIKE THEM TO LAUGH WHEN IN DOUBT BECAUSE
  • 00:50:30.290 --> 00:50:34.170
  • IT'S ALMOST NEVER BAD TO LAUGH.
  • 00:50:34.190 --> 00:50:37.060
  • I'D LIKE THEM TO BURST INTO SONG IF
  • 00:50:37.080 --> 00:50:38.220
  • THE SPIRIT MOVES THEM.
  • 00:50:38.240 --> 00:50:40.130
  • AND I'D LIKE THEM TO FORGIVE ME IF THEY SEE ME
  • 00:50:40.150 --> 00:50:44.200
  • DO OR SAY SOMETHING THAT DOESN'T FIT NEATLY INTO
  • 00:50:44.220 --> 00:50:50.010
  • THE EXPECTATION OF A TRADITIONAL SHOW.
  • 00:50:50.030 --> 00:50:52.290
  • - BEER. I DIDN'T SAY ANYTHING. GO AHEAD.
  • 00:50:53.010 --> 00:50:55.060
  • - THIS, I DON'T EVEN-- SEE, THAT'S A FOUR LETTER
  • 00:50:55.080 --> 00:50:58.000
  • WORD MATT. WHAT I WOULD SAY IS BARLEY AND HOPS.
  • 00:50:58.020 --> 00:51:00.250
  • THESE THINGS ARE WHAT YOU CALL CROPS, AND WHERE
  • 00:51:00.270 --> 00:51:05.240
  • WOULD WE BE BUT FOR THE AGRARIAN COMMITMENT
  • 00:51:05.260 --> 00:51:08.200
  • TO OUR FARMERS.
  • 00:51:08.220 --> 00:51:10.160
  • ONE AND A HALF PERCENT OF THE POPULATION FEEDING
  • 00:51:10.180 --> 00:51:12.180
  • 300 MILLION PEOPLE THREE TIMES A DAY.
  • 00:51:12.200 --> 00:51:14.140
  • WHERE WOULD WE BE WITHOUT THEM?
  • 00:51:14.160 --> 00:51:16.080
  • WHERE WOULD WE BE WITHOUT OUR MEN AND WOMEN IN
  • 00:51:16.100 --> 00:51:18.110
  • UNIFORM. AND WHERE WOULD WE BE WITHOUT THE
  • 00:51:18.130 --> 00:51:21.120
  • PEOPLE WHO GOTTA DO IT.
  • 00:51:21.140 --> 00:51:22.240
  • THAT'S WHAT I WANT THEM TO THINK WHEN
  • 00:51:22.260 --> 00:51:23.280
  • THEY WATCH THIS SHOW.
  • 00:51:24.000 --> 00:51:25.160
  • - I THINK WHEN I LOOK AT MIKE ROWE THAT WE'RE
  • 00:51:25.180 --> 00:51:28.100
  • STARING AT KIND OF A MODERN-DAY WILL ROGERS.
  • 00:51:28.120 --> 00:51:31.200
  • THAT'S WHAT I THINK ABOUT.
  • 00:51:31.220 --> 00:51:33.220
  • SO THE IDEA THAT YOU HAVE THE WIT, YOU HAVE THE
  • 00:51:33.240 --> 00:51:40.050
  • KIND OF THE-- THAT'S WHAT I THINK ABOUT YOU ARE OUR
  • 00:51:40.070 --> 00:51:43.060
  • GENERATIONS WILL ROGERS, AND IT'S AN HONOR TO HAVE
  • 00:51:43.080 --> 00:51:45.160
  • YOU RIGHT HERE IN THE FAM OF TBN.
  • 00:51:45.180 --> 00:51:48.150
  • AND SOMEBODY'S GOT TO DO IT, YOU KNOW WHAT,
  • 00:51:48.170 --> 00:51:51.230
  • I LOVE IT AND I'LL ALWAYS LOVE IT.
  • 00:51:51.250 --> 00:51:54.110
  • NOW, WE'RE DONE. - NO, WE'RE NOT.
  • 00:51:54.130 --> 00:51:56.170
  • - YEAH.
  • 00:51:56.190 --> 00:51:57.290
  • - YOU SAID WE WERE DONE LAST TIME. WE'RE NEVER DONE.
  • 00:51:58.010 --> 00:51:59.060
  • I KNOW THE CAMERAS ARE STILL ROLLING.
  • 00:51:59.080 --> 00:52:00.180
  • WE'RE NOT DONE. I LEARNED MY LESSON LAST TIME.
  • 00:52:00.200 --> 00:52:02.030
  • WE'RE NEVER DONE.
  • 00:52:02.050 --> 00:52:04.190
  • WE NEVER REALLY START, WE NEVER REALLY FINISH.
  • 00:52:04.210 --> 00:52:07.050
  • - BUT THIS IS WHAT I WANT TO DO.
  • 00:52:07.070 --> 00:52:08.140
  • I WANT TO BASICALLY, LIKE THE EPISODE THAT YOU DID
  • 00:52:08.160 --> 00:52:12.100
  • WITH THE YOUNG MAN THAT'S CLEANING UP
  • 00:52:12.120 --> 00:52:13.290
  • IN MISSISSIPPI.
  • 00:52:14.010 --> 00:52:16.160
  • - MISSISSIPPI. WE WERE ON THE OHIO THAT DAY.
  • 00:52:16.180 --> 00:52:18.090
  • - AND HIS NAME CHET.
  • 00:52:18.110 --> 00:52:19.280
  • REMEMBER HOW YOU ENDED THAT SHOW?
  • 00:52:20.000 --> 00:52:22.080
  • YOU JUST STARTED BARKING ORDERS TO THE GUYS TO
  • 00:52:22.100 --> 00:52:24.150
  • TURN THE LIGHTS OFF.
  • 00:52:24.170 --> 00:52:25.230
  • - YEAH, SAY GOODBYE.
  • 00:52:25.250 --> 00:52:27.070
  • LOOK AT THE MIDDLE CAMERA AND TELL THEM WE'RE DONE.
  • 00:52:27.090 --> 00:52:29.290
  • - SHUT IT DOWN NOW.
  • 00:52:30.010 --> 00:52:31.110
  • - SHUT IT DOWN.
  • 00:52:31.130 --> 00:52:33.000
  • DOWN.
  • 00:52:33.020 --> 00:52:34.100
  • SEE YOU GUYS.
  • 00:52:34.120 --> 00:52:35.170
  • DOWN.
  • 00:52:35.190 --> 00:52:36.160
  • TROY, YOUR LIGHT TOO.
  • 00:52:36.180 --> 00:52:37.250
  • SHUT THAT DOWN.
  • 00:52:37.270 --> 00:52:39.150
  • - NOW.
  • 00:52:39.170 --> 00:52:40.200
  • - GET THAT LIGHT DOWN.
  • 00:52:40.220 --> 00:52:42.160
  • DOWN. DOWN.
  • 00:52:42.180 --> 00:52:44.000
  • - OFF.
  • 00:52:44.020 --> 00:52:45.150
  • - THAT'S IT. THANK YOU.
  • 00:52:45.170 --> 00:52:46.280
  • - CAN I DO THAT HERE?
  • 00:52:47.000 --> 00:52:48.090
  • - EXACTLY. SO JUST END THE SHOW.
  • 00:52:48.110 --> 00:52:50.290
  • - THIS WOULD BE IMMENSELY SATISFYING IF
  • 00:52:51.010 --> 00:52:52.130
  • YOU LET ME END THIS ACTUAL EPISODE.
  • 00:52:52.150 --> 00:52:54.150
  • ALL RIGHT. WELL THEN, LET'S DO IT LIKE THIS.
  • 00:52:54.170 --> 00:52:57.120
  • FOR THE RECORD, WHICH CAMERA HAS THE MOST
  • 00:52:57.140 --> 00:52:59.120
  • EARNEST LOOK OF ME RIGHT NOW?
  • 00:52:59.140 --> 00:53:02.040
  • IS IT THIS ONE? OKAY.
  • 00:53:02.060 --> 00:53:04.050
  • IF IT'S OKAY WITH YOU, I'M GONNA LOOK INTO THE
  • 00:53:04.070 --> 00:53:05.270
  • LENS, AND I'M GOING TO OFFICIALLY THANK MATT AND
  • 00:53:05.290 --> 00:53:08.100
  • LAURIE AND EVERYBODY WHO WATCHES TBN FOR BEING SO
  • 00:53:08.120 --> 00:53:12.130
  • WELCOMING AND INCLUDING ME HERE.
  • 00:53:12.150 --> 00:53:14.160
  • NOW I'M GONNA TURN TO THIS CAMERA AND SAY THAT
  • 00:53:14.180 --> 00:53:16.120
  • UNLIKE THE LAST TIME I SAT DOWN WITH THESE GUYS,
  • 00:53:16.140 --> 00:53:18.260
  • I'M CALLING THE SHOTS. IT'S TIME TO GO.
  • 00:53:18.280 --> 00:53:21.180
  • IT'S IMPORTANT TO KNOW WHEN TO LEAVE, SO GUYS,
  • 00:53:21.200 --> 00:53:24.110
  • GO AHEAD AND KILL THE LIGHTS IF YOU'D BE SO KIND.
  • 00:53:24.130 --> 00:53:26.250
  • THAT'S IT. THAT'S GOOD. THAT'S GOOD.
  • 00:53:26.270 --> 00:53:28.110
  • THAT'S GOOD. THAT'S PERFECT.
  • 00:53:28.130 --> 00:53:30.040
  • NOW, AS WE SIT HERE IN THE QUIETUDE OF THE
  • 00:53:30.060 --> 00:53:33.150
  • SAN FRANCISCO TWILIGHT, I WOULD ASK YOU ALL TO GIVE
  • 00:53:33.170 --> 00:53:36.220
  • THANKS TO WHATEVER YOU ARE MOST GRATEFUL FOR,
  • 00:53:36.240 --> 00:53:40.040
  • AND RELISH IN THE FACT THAT I WILL PROBABLY
  • 00:53:40.060 --> 00:53:42.280
  • NEVER BE INVITED BACK HERE AGAIN.
  • 00:53:43.000 --> 00:53:45.230
  • - MATT: WOULD YOU END PLEASE WITH A SINGING
  • 00:53:45.250 --> 00:53:47.040
  • OF THE DOXOLOGY.
  • 00:53:47.060 --> 00:53:49.280
  • - MIKE: THE DOXOLOGY. IF I RECALL THAT'S--
  • 00:53:50.000 --> 00:53:52.140
  • OUR FATHER...
  • 00:53:52.160 --> 00:53:57.200
  • IN WHOM ALL BLESSINGS FLOW...
  • 00:53:57.220 --> 00:54:02.280
  • PRAISE HIM ALL CREATURES HERE BELOW...
  • 00:54:03.000 --> 00:54:08.290
  • PRAISE HIM ABOVE YE HEAVENLY HOST...
  • 00:54:09.010 --> 00:54:14.150
  • - MATT: EVERYONE JOIN.
  • 00:54:14.170 --> 00:54:15.190
  • - MIKE: YOU KNOW THE WORDS!
  • 00:54:15.210 --> 00:54:17.030
  • PRAISE FATHER, SON AND HOLY GHOST...
  • 00:54:17.050 --> 00:54:23.020
  • - MATT: KILL THE LIGHTS.
  • 00:54:23.040 --> 00:54:24.140
  • - MIKE: KEEP THOSE LIGHTS OFF.
  • 00:54:24.160 --> 00:54:26.000
  • AMEN!
  • 00:54:26.020 --> 00:54:31.220
  • - MIKE: ALL RIGHT, I DON'T WANNA SEE THIS ON YOU TUBE.
  • 00:54:31.240 --> 00:54:33.180
  • [LAUGHTER]
  • 00:54:33.200 --> 00:54:35.050
  • - MATT: WE'RE OUT.
  • 00:54:35.070 --> 00:54:37.010