Praise | Mike Rowe | 7/5/18 | TBN

Praise | Mike Rowe | 7/5/18

Watch Praise | Mike Rowe | 7/5/18
July 5, 2018
55:30

Matt & Laurie give Mike Rowe a TBN tour, even power washing the satellite dish as they discuss his mom's new book

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Praise | Mike Rowe | 7/5/18

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  • - I WOULDN'T DO ANYTHING SO
  • 00:00:03.230 --> 00:00:06.230
  • PERSONAL ON THIS PROGRAM.
  • 00:00:07.280 --> 00:00:10.280
  • - I HAD TO ACCEPT THE PARENTS
  • 00:00:10.280 --> 00:00:13.050
  • GROWING UP.
  • 00:00:13.050 --> 00:00:15.130
  • - MY GRANDPARENTS WERE
  • 00:00:15.130 --> 00:00:17.010
  • EMBODIMENT OF EVERYTHING MY
  • 00:00:17.010 --> 00:00:18.020
  • PARENTS WANTED US TO BE.
  • 00:00:18.020 --> 00:00:19.250
  • I HAD A MOM WHO CARED AND DAD
  • 00:00:19.250 --> 00:00:22.080
  • ALWAYS THERE AND HUNDRED YARDS
  • 00:00:22.080 --> 00:00:23.050
  • AWAY.
  • 00:00:23.050 --> 00:00:25.130
  • I HAD A GRANDMOTHER AND A
  • 00:00:26.220 --> 00:00:29.220
  • GRANDFATHER WHO WAS A GENIUS WHO
  • 00:00:29.220 --> 00:00:32.000
  • ONLY WENT THROUGH THE SEVENTH
  • 00:00:32.000 --> 00:00:32.250
  • GRADE.
  • 00:00:32.250 --> 00:00:34.090
  • WE WERE JUST SURROUNDED BY
  • 00:00:35.240 --> 00:00:38.240
  • DIFFERENT EXAMPLES OF
  • 00:00:38.240 --> 00:00:39.150
  • EXCELLENCE.
  • 00:00:39.150 --> 00:00:41.090
  • - TONIGHT ON PRAISE, MIKE ROWE,
  • 00:00:41.270 --> 00:00:44.270
  • WELCOME TO TBN.
  • 00:00:44.270 --> 00:00:46.220
  • WHAT WE FEEL WE OUGHT TO DO AND
  • 00:00:46.220 --> 00:00:49.050
  • KIND OF TURN THE TABLES.
  • 00:00:49.050 --> 00:00:51.150
  • - FROM TBN STUDIOS IN SOUTHERN
  • 00:00:51.150 --> 00:00:52.290
  • CALIFORNIA.
  • 00:00:52.290 --> 00:00:53.230
  • - WE'RE KIND OF GIVING YOU A
  • 00:00:53.230 --> 00:00:55.210
  • LITTLE BIT OF TOUR.
  • 00:00:55.210 --> 00:00:57.280
  • - MIKE AND MATT TAKE OVER.
  • 00:00:57.280 --> 00:01:00.030
  • - I NEVER WATCHED A PIECE OF ME
  • 00:01:01.140 --> 00:01:04.140
  • IN AN EDIT ROOM...
  • 00:01:05.070 --> 00:01:08.070
  • - GO BEHIND THE SCENES OF
  • 00:01:08.120 --> 00:01:11.120
  • CHRISTIAN TELEVISION'S NUMBER
  • 00:01:11.120 --> 00:01:12.080
  • ONE NETWORK.
  • 00:01:12.080 --> 00:01:12.220
  • - I LOVE IT.
  • 00:01:12.220 --> 00:01:14.240
  • - AND EXCLUSIVE INTERVIEW YOU
  • 00:01:14.240 --> 00:01:16.100
  • DON'T WANT TO MISS.
  • 00:01:16.100 --> 00:01:17.220
  • - TELL US SOMETHING WE DON'T
  • 00:01:17.220 --> 00:01:19.030
  • KNOW ABOUT YOU.
  • 00:01:20.050 --> 00:01:23.050
  • - IS THIS PART?
  • 00:01:23.050 --> 00:01:24.230
  • - ALL NEW PRAISE STARTS RIGHT
  • 00:01:24.230 --> 00:01:26.070
  • NOW.
  • 00:01:26.070 --> 00:01:27.030
  • [MUSIC]
  • 00:01:32.260 --> 00:01:35.260
  • - ON PRAISE FROM LOS ANGELES TV
  • 00:01:38.050 --> 00:01:41.050
  • PERSONALITY AND HOST OF
  • 00:01:41.050 --> 00:01:42.110
  • SOMEBODY'S GOT TO DO IT, MIKE
  • 00:01:42.110 --> 00:01:43.240
  • ROWE.
  • 00:01:45.100 --> 00:01:48.100
  • - SO WHAT WE FEEL WE OUGHT TO
  • 00:01:48.260 --> 00:01:51.260
  • DO IS KIND OF TURN THE TABLES SO
  • 00:01:53.090 --> 00:01:56.090
  • NOW YOU'RE A GUEST ON SOMEBODY'S
  • 00:01:56.090 --> 00:01:57.200
  • GOT TO DO IT.
  • 00:02:00.080 --> 00:02:03.080
  • I'M JUST GOING TO FILL IN.
  • 00:02:03.140 --> 00:02:06.140
  • LOOK AT THE CAMERA TOGETHER AND
  • 00:02:08.050 --> 00:02:11.050
  • SOMEHOW THROUGH SPECIAL AFFECTS
  • 00:02:11.050 --> 00:02:12.220
  • I CAN BECOME YOU AND YOU CAN
  • 00:02:12.220 --> 00:02:14.120
  • BECOME ME.
  • 00:02:14.120 --> 00:02:15.130
  • - YOU GOT THAT KIND OF BUDGET.
  • 00:02:20.270 --> 00:02:23.270
  • - SO WE'RE READY NOW.
  • 00:02:28.210 --> 00:02:31.210
  • - THEY ARE EXPERTS IN THEIR OWN
  • 00:02:31.210 --> 00:02:34.140
  • FIELD.
  • 00:02:34.140 --> 00:02:36.160
  • I WOULDN'T PRETEND TO KNOW WHAT
  • 00:02:38.130 --> 00:02:41.130
  • I'M DOING.
  • 00:02:49.250 --> 00:02:52.250
  • - LITTLE BIT OF THAT RIGHT
  • 00:02:52.250 --> 00:02:54.010
  • THERE.
  • 00:02:54.250 --> 00:02:57.250
  • - I NEVER WEAR MAKE UP.
  • 00:02:57.250 --> 00:02:59.220
  • THE LAST TIME I WORE MAKE UP WAS
  • 00:02:59.220 --> 00:03:01.260
  • IN THE HOTEL ROOM.
  • 00:03:02.110 --> 00:03:05.110
  • - WHY DID YOU ASK FOR IT THIS
  • 00:03:05.110 --> 00:03:07.000
  • TIME?
  • 00:03:07.000 --> 00:03:08.060
  • - I ASKED FOR BODY PAINT.
  • 00:03:08.060 --> 00:03:10.010
  • - I CAN'T GET OUT THE DOOR.
  • 00:03:10.110 --> 00:03:13.110
  • - HERE WE GO.
  • 00:03:13.110 --> 00:03:14.070
  • READY?
  • 00:03:14.070 --> 00:03:15.260
  • - I'M PRETTY SURE HE'S MAKING
  • 00:03:15.260 --> 00:03:17.230
  • THIS UP AS WE GO.
  • 00:03:21.270 --> 00:03:24.270
  • - I LIKE IT.
  • 00:03:24.270 --> 00:03:26.110
  • - I LOVE IT.
  • 00:03:26.110 --> 00:03:28.100
  • - HEY.
  • 00:03:28.100 --> 00:03:30.210
  • THIS IS A C. BAND SATELLITE
  • 00:03:30.210 --> 00:03:32.200
  • UPLINK.
  • 00:03:32.200 --> 00:03:33.270
  • AND EVERY ONCE IN A WHILE YOU'VE
  • 00:03:33.270 --> 00:03:35.180
  • GOT TO CLEAN IT.
  • 00:03:35.180 --> 00:03:36.280
  • I'M JUST GOING TO HAND THIS TO
  • 00:03:36.280 --> 00:03:38.120
  • YOU SKPHR SURE.
  • 00:03:38.120 --> 00:03:40.060
  • - THIS HAS BEEN HERE SINCE 1975
  • 00:03:42.090 --> 00:03:45.090
  • AND PRETTY SURE IT'S NEVER BEEN
  • 00:03:45.090 --> 00:03:46.290
  • CLEANED ON THE BACKSIDE.
  • 00:03:46.290 --> 00:03:48.120
  • - THANK YOU FOR CALLING ME
  • 00:03:48.120 --> 00:03:50.160
  • OVER, MATT.
  • 00:03:50.160 --> 00:03:53.060
  • WHEN IT COMES TO CLEANING BACK
  • 00:03:53.060 --> 00:03:55.000
  • SIDES.
  • 00:03:55.000 --> 00:03:56.290
  • - I'LL GET SO HIGH IT'S A
  • 00:03:56.290 --> 00:03:59.250
  • LITTLE FREAKY.
  • 00:03:59.270 --> 00:04:02.290
  • IN 1975 TBN BASICALLY BECAME A
  • 00:04:02.290 --> 00:04:04.190
  • SUPER CHANNEL.
  • 00:04:04.190 --> 00:04:05.140
  • - BEFORE THEY CALLED IT SUPER
  • 00:04:05.140 --> 00:04:06.240
  • CHANNELS.
  • 00:04:06.240 --> 00:04:09.010
  • - THIS SENDS A SATELLITE SIGNAL
  • 00:04:09.050 --> 00:04:12.050
  • OF OUR CHANNELS 22 THOUSAND
  • 00:04:12.210 --> 00:04:15.210
  • MILES INTO ORBIT.
  • 00:04:15.210 --> 00:04:17.180
  • SO THIS CAMERA MAN OVER HERE,
  • 00:04:17.220 --> 00:04:20.220
  • HE'S A LITTLE BIT HOT RIGHT NOW.
  • 00:04:20.220 --> 00:04:23.200
  • SO WE'RE GOING TO TRY TO GET HIM
  • 00:04:23.200 --> 00:04:26.200
  • COOLED OFF A BIT HERE.
  • 00:04:26.200 --> 00:04:28.150
  • THIS GUY RIGHT HERE, KIND OF
  • 00:04:28.150 --> 00:04:30.130
  • NEEDS TO GET COOLED OFF.
  • 00:04:30.130 --> 00:04:32.160
  • THAT GUY TOO.
  • 00:04:32.160 --> 00:04:34.110
  • THERE WE GO.
  • 00:04:37.180 --> 00:04:40.180
  • - BOY, THAT HAVE GOOD.
  • 00:04:42.160 --> 00:04:45.160
  • - WHAT IS YOUR PROTOCOLS IN
  • 00:04:45.240 --> 00:04:48.240
  • REGARDS TO SELECTING SOMEBODY?
  • 00:04:48.240 --> 00:04:51.190
  • - IF I'M GOING TO PROFILE
  • 00:04:52.070 --> 00:04:55.070
  • SOMEBODY WHO, FOR INSTANCE,
  • 00:04:55.070 --> 00:04:57.110
  • CLEANS SATELLITE DISHES, I'M NOT
  • 00:04:57.110 --> 00:05:00.060
  • GOING TO LOOK FOR THE BIGGEST
  • 00:05:00.060 --> 00:05:02.100
  • SATELLITE DISH AND I'M NOT GOING
  • 00:05:02.100 --> 00:05:04.020
  • TO LOOK FOR THE MOST STATE OF
  • 00:05:04.020 --> 00:05:06.020
  • THE ART EQUIPMENT.
  • 00:05:06.020 --> 00:05:07.070
  • I'LL LOOK AT THE PERSON WHO
  • 00:05:07.070 --> 00:05:09.130
  • WAKES UP AT 6 A.M. AND JUMPS OUT
  • 00:05:09.130 --> 00:05:11.120
  • OF BED AND SAYS, I CAN'T WAIT TO
  • 00:05:11.120 --> 00:05:13.250
  • CLEAN ANOTHER SATELLITE DISH.
  • 00:05:13.250 --> 00:05:15.060
  • I CAN'T WAIT TO GET INTO IT.
  • 00:05:15.060 --> 00:05:17.080
  • I'LL MEET THAT GUY AND FIND OUT
  • 00:05:17.080 --> 00:05:19.190
  • WHAT MAKES HIM TICK.
  • 00:05:19.190 --> 00:05:22.020
  • - YOUR SHOW GETS DELIVERED BY
  • 00:05:22.020 --> 00:05:25.020
  • THIS SATELLITE.
  • 00:05:25.020 --> 00:05:27.030
  • 1975 THIS WAS BUILT.
  • 00:05:27.030 --> 00:05:28.050
  • IT WAS BUILT IN THE MIDDLE OF
  • 00:05:28.050 --> 00:05:30.180
  • OUR PARKING LOT.
  • 00:05:30.180 --> 00:05:33.060
  • 45 YEARS LATER, WE HAVE 37 FULL
  • 00:05:33.060 --> 00:05:35.100
  • POWERED TV STATIONS.
  • 00:05:35.100 --> 00:05:37.190
  • WE'RE ON VIRTUALLY EVERY CABLE
  • 00:05:37.190 --> 00:05:40.060
  • SYSTEM IN THE UNITED STATES.
  • 00:05:40.060 --> 00:05:42.260
  • - YOU ACTUALLY BUILT YOUR
  • 00:05:42.260 --> 00:05:45.240
  • COMPLEX AROUND THE DELIVERY
  • 00:05:45.240 --> 00:05:46.190
  • SYSTEM.
  • 00:05:46.190 --> 00:05:47.000
  • - YEAH.
  • 00:05:47.000 --> 00:05:49.090
  • NO JOKE, THIS WAS THE THIRD DISH
  • 00:05:49.190 --> 00:05:52.190
  • EVER LICENSED IN THE UNITED
  • 00:05:52.190 --> 00:05:53.160
  • STATES OF AMERICA.
  • 00:05:53.160 --> 00:05:54.240
  • WE WERE ON THE FIRST NON-
  • 00:05:54.240 --> 00:05:57.220
  • MILITARY SATELLITE EVER IN THE
  • 00:05:57.220 --> 00:05:58.190
  • SKY IS.
  • 00:05:58.190 --> 00:06:00.100
  • AND MY DAD WAS A VISIONARY
  • 00:06:00.100 --> 00:06:02.090
  • REGARD TO THAT.
  • 00:06:02.220 --> 00:06:05.220
  • BASICALLY NOW, IN OUR
  • 00:06:05.220 --> 00:06:07.010
  • GENERATION, YOU START THINKING
  • 00:06:07.010 --> 00:06:08.160
  • MORE ABOUT, IF YOU HAVE THIS
  • 00:06:08.160 --> 00:06:11.010
  • SATELLITE AND YOU HAVE ALL THESE
  • 00:06:11.010 --> 00:06:13.100
  • STATIONS, NOW IN BEAUTIFUL H. D.
  • 00:06:13.100 --> 00:06:15.050
  • AND YOU GOT CAMERAS, YOU HAVE
  • 00:06:15.050 --> 00:06:16.160
  • PEOPLE WHO KNOW HOW TO RUN THEM,
  • 00:06:16.160 --> 00:06:18.170
  • WHAT ARE WE GOING TO SAY?
  • 00:06:18.220 --> 00:06:21.220
  • WHAT ARE WE SUPPOSED TO SAY NOW?
  • 00:06:25.180 --> 00:06:28.180
  • THIS IS WHEN YOU COME IN.
  • 00:06:29.030 --> 00:06:32.030
  • WE ARE CALLING TBN 2.0.
  • 00:06:32.030 --> 00:06:34.030
  • WHAT I'M TRYING TO GET OUT OF
  • 00:06:34.030 --> 00:06:36.170
  • YOU TODAY, YOU'RE LOOKING FROM
  • 00:06:36.170 --> 00:06:38.130
  • AN ANGLE THAT MAYBE NO ONE HAS
  • 00:06:38.130 --> 00:06:39.250
  • EVER LOOKED AT.
  • 00:06:39.250 --> 00:06:41.160
  • I'VE NEVER BEEN UP LOOKING DOWN
  • 00:06:41.160 --> 00:06:43.170
  • AT THE SATELLITE DISH.
  • 00:06:43.170 --> 00:06:44.260
  • AND I'M TRYING TO GIVE YOU THIS
  • 00:06:44.260 --> 00:06:47.180
  • ENORMOUS SENSE OF RESPONSIBILITY
  • 00:06:47.180 --> 00:06:48.160
  • THAT WE'VE GOT TO SAY SOMETHING,
  • 00:06:48.160 --> 00:06:50.030
  • WE'VE GOT TO DO THINGS THAT ARE
  • 00:06:50.030 --> 00:06:51.100
  • IMPORTANT.
  • 00:06:51.100 --> 00:06:52.150
  • SO WITH THAT SAID AND THIS
  • 00:06:52.150 --> 00:06:55.120
  • VISUAL AND THAT GROUND WORK
  • 00:06:55.120 --> 00:06:57.170
  • LAID, WHY DOES MIKE ROWE DO WHAT
  • 00:06:57.170 --> 00:06:59.250
  • HE DOES?
  • 00:07:00.140 --> 00:07:03.140
  • - BECAUSE I REALIZED ONCE UPON
  • 00:07:03.140 --> 00:07:05.040
  • A TIME THAT WE CAN POINT OUR
  • 00:07:05.290 --> 00:07:08.290
  • CAMERAS AT ANYTHING WE WANT.
  • 00:07:08.290 --> 00:07:11.090
  • AND MOST OF THE PEOPLE IN MY
  • 00:07:11.190 --> 00:07:14.190
  • INDUSTRY ARE POINTING THEIR
  • 00:07:14.190 --> 00:07:16.050
  • CAMERAS AT THE SAME THING.
  • 00:07:18.040 --> 00:07:21.040
  • POINTING THEM AT A VERSION OF
  • 00:07:21.040 --> 00:07:23.090
  • SUCCESS, A VERSION OF CELEBRITY.
  • 00:07:23.090 --> 00:07:25.230
  • THEY'RE POINTING THEM AT
  • 00:07:25.230 --> 00:07:28.080
  • WHATEVER IS SPECTACULAR.
  • 00:07:29.150 --> 00:07:32.150
  • AND IT SEEMS TO ME WHAT'S UNDER
  • 00:07:32.150 --> 00:07:35.020
  • THE ROCK IS JUST AS IMPORTANT AS
  • 00:07:35.020 --> 00:07:36.190
  • THE ROCK.
  • 00:07:36.190 --> 00:07:38.230
  • SO DIRTY JOBS WAS ABOUT TAKING A
  • 00:07:39.230 --> 00:07:42.230
  • LOOK BEHIND THE CURTAIN, TAKING
  • 00:07:42.230 --> 00:07:44.200
  • A LOOK UNDER THE ROCK.
  • 00:07:44.200 --> 00:07:46.150
  • PEOPLE HAVE TO DO IT.
  • 00:07:46.150 --> 00:07:47.240
  • PEOPLE THAT WOKE UP WITH SO MUCH
  • 00:07:48.140 --> 00:07:51.140
  • AGITATION AND ENTHUSIASM TO GET
  • 00:07:51.140 --> 00:07:52.240
  • ABOUT THEIR LIFE THEY COULDN'T
  • 00:07:52.240 --> 00:07:53.220
  • WAIT.
  • 00:07:53.220 --> 00:07:56.060
  • I TRIED TO POINT THE CAMERAS I
  • 00:07:56.060 --> 00:07:58.190
  • HAVE ACCESS TO AT THOSE THINGS.
  • 00:07:58.190 --> 00:08:01.120
  • AND FIND, I TRY TO FIND
  • 00:08:01.260 --> 00:08:04.260
  • SOMETHING BIG IN SOMETHING
  • 00:08:04.260 --> 00:08:05.190
  • SMALL.
  • 00:08:05.190 --> 00:08:06.030
  • THAT'S REALLY IS.
  • 00:08:06.030 --> 00:08:09.030
  • BECAUSE, LOOK, ANYBODY CAN MAKE
  • 00:08:10.120 --> 00:08:13.120
  • A GREAT SHOW AROUND THE GRAND
  • 00:08:14.060 --> 00:08:17.060
  • FINALE OF A FIREWORKS DISPLAY.
  • 00:08:17.060 --> 00:08:18.090
  • ALL YOU HAVE TO DO IS POINT IT
  • 00:08:18.090 --> 00:08:20.080
  • UP AND IT TAKES CARE OF IT.
  • 00:08:20.080 --> 00:08:21.090
  • IT'S THERE.
  • 00:08:21.090 --> 00:08:22.250
  • IF YOU CAN MAKE A GREAT SHOW OUT
  • 00:08:22.250 --> 00:08:25.130
  • OF ALGAE IN A PIPE, IF YOU CAN
  • 00:08:25.130 --> 00:08:27.110
  • FIND A WAY TO MAKE THE MUNDANE
  • 00:08:29.060 --> 00:08:32.060
  • TERRIFIC, THEN AT LEAST I THINK
  • 00:08:32.060 --> 00:08:35.060
  • CREATIVELY, I GET TO SCRATCH
  • 00:08:35.060 --> 00:08:36.090
  • THAT ITCH.
  • 00:08:36.090 --> 00:08:38.090
  • NOW THAT'S MY OWN.
  • 00:08:38.090 --> 00:08:39.230
  • IT'S INTERESTING TO ME TO TRY TO
  • 00:08:39.230 --> 00:08:41.270
  • FIGURE OUT A WAY TO DO SOMETHING
  • 00:08:42.190 --> 00:08:45.190
  • DIFFERENT AND STILL MEANINGFUL.
  • 00:08:46.020 --> 00:08:49.020
  • BUT MY OWN LIMITATIONS SIMPLY
  • 00:08:49.020 --> 00:08:50.130
  • MEAN THAT ALL I CAN DO TO MAKE
  • 00:08:50.130 --> 00:08:52.290
  • THAT A REALITY IS FIND PEOPLE
  • 00:08:52.290 --> 00:08:55.040
  • WHO GENUINELY WALK THE WALK AND
  • 00:08:55.040 --> 00:08:58.000
  • POINT MY CAMERAS AT THEM AND LET
  • 00:08:58.000 --> 00:08:59.200
  • THEM MAKE A CASE.
  • 00:08:59.200 --> 00:09:01.100
  • BECAUSE THE EVIDENCE DEMANDS A
  • 00:09:02.170 --> 00:09:05.170
  • VERDICT AND THE VERDICT IS OUT
  • 00:09:05.170 --> 00:09:06.200
  • THERE.
  • 00:09:06.200 --> 00:09:08.030
  • POINT THE CAMERA AT THE RIGHT
  • 00:09:08.030 --> 00:09:09.290
  • THING AND MAKE SURE THIS IS
  • 00:09:10.130 --> 00:09:13.130
  • GOING OUT TO AS MANY PEOPLE AS
  • 00:09:13.130 --> 00:09:15.020
  • POSSIBLE.
  • 00:09:15.020 --> 00:09:16.070
  • - MIKE ROWE, WELCOME TO TBN.
  • 00:09:16.070 --> 00:09:17.010
  • - LET ME ASK YOU THIS.
  • 00:09:36.200 --> 00:09:38.270
  • PEOPLE CAN COME AND GET A TOUR.
  • 00:09:38.270 --> 00:09:39.260
  • - SURE.
  • 00:09:39.260 --> 00:09:41.100
  • - THIS PART OF THE TOUR
  • 00:09:41.100 --> 00:09:43.000
  • TYPICALLY?
  • 00:09:43.000 --> 00:09:43.130
  • - NO.
  • 00:09:43.130 --> 00:09:44.260
  • - BY THE WAY, I WANT TO SAY
  • 00:09:44.260 --> 00:09:47.150
  • THIS, PEOPLE ARE NOTICING YOUR
  • 00:09:47.150 --> 00:09:49.010
  • SHOW ON TBN.
  • 00:09:49.100 --> 00:09:52.100
  • AND THEY'RE MAYBE COMING UP TO
  • 00:09:52.100 --> 00:09:53.060
  • YOU.
  • 00:09:53.060 --> 00:09:54.080
  • WHAT I'M TELLING YOU FROM ME,
  • 00:09:55.250 --> 00:09:58.250
  • WHENEVER YOU SEE MIKE ROWE AT AN
  • 00:09:59.030 --> 00:10:02.030
  • AIRPORT, RESTAURANT, WALK OVER
  • 00:10:02.030 --> 00:10:03.140
  • TO HIM AND SAY, MATT TOLD ME TO
  • 00:10:03.140 --> 00:10:05.230
  • SAY HI TO YOU, TBN PARTNERS,
  • 00:10:06.110 --> 00:10:09.110
  • WELCOME MIKE ROWE BY WELCOMING
  • 00:10:09.110 --> 00:10:10.060
  • HIM.
  • 00:10:10.060 --> 00:10:11.030
  • GET HIS HAND SHAKE.
  • 00:10:11.030 --> 00:10:13.070
  • GET HIM ABOUT AUTOGRAPH.
  • 00:10:13.070 --> 00:10:14.270
  • HE'LL DO ALL THAT STUFF.
  • 00:10:14.270 --> 00:10:16.170
  • - LET ME TAKE IT A STEP
  • 00:10:16.170 --> 00:10:18.100
  • FURTHER.
  • 00:10:18.100 --> 00:10:19.290
  • YOU ASK FOR A SELFIE, WE'LL TAKE
  • 00:10:19.290 --> 00:10:21.200
  • THE SELFIE AND THEN YOU CAN SEND
  • 00:10:21.200 --> 00:10:23.020
  • IT TO MATT.
  • 00:10:23.020 --> 00:10:24.250
  • THEREFORE PROVIDING YOU WITH THE
  • 00:10:24.250 --> 00:10:26.210
  • AFOREMENTIONED EVIDENCE.
  • 00:10:26.210 --> 00:10:28.170
  • THAT'S CONTENT RIGHT THERE MY
  • 00:10:28.170 --> 00:10:29.130
  • FRIEND.
  • 00:10:29.130 --> 00:10:32.090
  • - ALL THE INFO IS ON THE
  • 00:10:32.090 --> 00:10:34.240
  • SCREEN.
  • 00:10:34.240 --> 00:10:36.020
  • - BE CAREFUL.
  • 00:10:36.020 --> 00:10:37.130
  • - DON'T FORGET THIS MOMENT.
  • 00:10:37.220 --> 00:10:40.220
  • - YOU PUT ME IN A CHERRY PICKER
  • 00:10:44.200 --> 00:10:47.200
  • AND NOTHING AND NOW YOU SAY BE
  • 00:10:47.200 --> 00:10:49.030
  • CAREFUL.
  • 00:10:49.030 --> 00:10:51.010
  • LET ME CONCEDE.
  • 00:10:51.010 --> 00:10:52.210
  • I CAN DO SO MANY MORE PULL UPS
  • 00:10:53.070 --> 00:10:56.070
  • THAN THAT, IT WOULD BE
  • 00:10:57.110 --> 00:11:00.130
  • EMBARRASSING SO I'LL DO THE
  • 00:11:00.130 --> 00:11:02.090
  • POLITE THINGS AND GO DOWN THE
  • 00:11:02.090 --> 00:11:03.170
  • STAIRS.
  • 00:11:03.170 --> 00:11:06.080
  • - WAS THAT YOU GUYS DOING THE
  • 00:11:06.080 --> 00:11:09.070
  • SATELLITE DISH?
  • 00:11:09.070 --> 00:11:10.000
  • - OUT OF CONTROL.
  • 00:11:10.000 --> 00:11:11.240
  • - WHERE ARE YOUR MOM AND DAD?
  • 00:11:11.240 --> 00:11:13.080
  • - DO YOU KNOW HOW MANY PEOPLE
  • 00:11:13.180 --> 00:11:16.180
  • HAVE TOSSED ME THE KEYS OVER THE
  • 00:11:16.180 --> 00:11:18.120
  • YEARS THAT I'M NOT QUALIFIED TO
  • 00:11:18.120 --> 00:11:20.020
  • OPERATE?
  • 00:11:21.250 --> 00:11:24.250
  • [MUSIC]
  • 00:11:33.200 --> 00:11:36.200
  • - THAT WAS FUN, WASN'T IT?
  • 00:11:37.030 --> 00:11:40.030
  • - THAT WAS EXCITING.
  • 00:11:40.030 --> 00:11:41.270
  • - YOU ASKED ABOUT MY MOM AND
  • 00:11:41.270 --> 00:11:44.060
  • DAD?
  • 00:11:44.060 --> 00:11:45.070
  • - YEAH, I THOUGHT THEY WERE
  • 00:11:45.070 --> 00:11:46.160
  • SUPPOSED TO BE ON THE SHOW.
  • 00:11:46.160 --> 00:11:48.020
  • - MY MOTHER WROTE A BOOK ABOUT
  • 00:11:48.020 --> 00:11:49.080
  • MY MOTHER.
  • 00:11:49.080 --> 00:11:51.000
  • IT'S A LITTLE CONFUSING AND WHEN
  • 00:11:51.000 --> 00:11:53.130
  • I HOLD A BOOK UP AND SAY IT'S A
  • 00:11:53.150 --> 00:11:56.150
  • BOOK ABOUT MY MOTHER PEOPLE
  • 00:11:57.230 --> 00:12:00.250
  • THINK I WROTE A BOOK ABOUT MY
  • 00:12:00.250 --> 00:12:02.150
  • MOTHER.
  • 00:12:02.150 --> 00:12:05.060
  • NEWS FROM MOTHER.
  • 00:12:05.060 --> 00:12:06.170
  • I GO TO FACEBOOK AND READ MY
  • 00:12:06.170 --> 00:12:08.210
  • MOM'S LETTER ABOUT THE TIME SHE
  • 00:12:08.210 --> 00:12:10.290
  • LOST HER BIG BLUE PURSE IN
  • 00:12:10.290 --> 00:12:13.060
  • PARKING LOT OF WALMART AND 128
  • 00:12:13.060 --> 00:12:15.290
  • MILLION PEOPLE WATCHED ME READ
  • 00:12:15.290 --> 00:12:17.190
  • THE LETTER MY MOM WRITES THE ME.
  • 00:12:17.260 --> 00:12:20.260
  • PUBLISHER CALLS ME AND SAYS YOUR
  • 00:12:23.110 --> 00:12:26.110
  • MOM IS TERRIFIC WRITER AND
  • 00:12:26.110 --> 00:12:28.030
  • SHOULD WRITE A SHOW ABOUT
  • 00:12:28.140 --> 00:12:31.140
  • DIRTIEST KID IN SHOW BUSINESS
  • 00:12:31.140 --> 00:12:32.190
  • AND SHE COMES BACK WITH A BOOK
  • 00:12:32.190 --> 00:12:34.150
  • AND DOESN'T WRITE ANYTHING ABOUT
  • 00:12:34.150 --> 00:12:35.120
  • ME.
  • 00:12:35.220 --> 00:12:38.220
  • SHE WRITES 14 TERRIFIC STORIES
  • 00:12:38.220 --> 00:12:40.060
  • ABOUT HER MOTHER.
  • 00:12:42.150 --> 00:12:45.150
  • MY NANA, MOST INTERESTING WOMAN
  • 00:12:45.150 --> 00:12:46.220
  • WHO LIVED IN MY OPINION.
  • 00:12:46.220 --> 00:12:48.050
  • I PUBLISHED IT.
  • 00:12:48.050 --> 00:12:49.280
  • WE JUST PUT THEM OUT ON E BAY
  • 00:12:50.260 --> 00:12:53.260
  • AND THANKFULLY THEY'RE FLYING
  • 00:12:53.260 --> 00:12:55.050
  • OFF THE SHELF.
  • 00:12:55.050 --> 00:12:57.190
  • IT'S THE CRAZIEST THING.
  • 00:12:58.230 --> 00:13:01.250
  • - WHAT SORT OF THINGS DID YOU
  • 00:13:02.070 --> 00:13:05.070
  • LEARN FROM YOUR MOTHER?
  • 00:13:05.070 --> 00:13:06.220
  • - I LEARNED FROM MY MOTHER THE
  • 00:13:11.090 --> 00:13:14.090
  • VALUE OF NEVER BEEN LATE FOR
  • 00:13:14.090 --> 00:13:16.130
  • ANYTHING.
  • 00:13:16.130 --> 00:13:17.170
  • BEING ON TIME.
  • 00:13:17.170 --> 00:13:19.050
  • IN FACT, BEING EARLY.
  • 00:13:19.050 --> 00:13:20.160
  • IN FACT, IF YOU CAN'T BE EARLY,
  • 00:13:20.160 --> 00:13:23.100
  • BEST NOT TO ARRIVE AT ALL.
  • 00:13:23.100 --> 00:13:25.000
  • - MY GOODNESS, WOW.
  • 00:13:25.000 --> 00:13:26.040
  • - YEAH.
  • 00:13:26.040 --> 00:13:28.280
  • I LEARNED FROM MY MOTHER,
  • 00:13:28.280 --> 00:13:29.200
  • PATIENCE.
  • 00:13:30.210 --> 00:13:33.210
  • I LEARNED FROM MY MOTHER, HUMOR.
  • 00:13:33.210 --> 00:13:36.150
  • - IS THAT WHERE YOU GET YOUR
  • 00:13:36.150 --> 00:13:38.160
  • HUMOR, FROM YOUR MOM?
  • 00:13:38.160 --> 00:13:39.200
  • - TO THE EXTENT I HAVE IT,
  • 00:13:39.200 --> 00:13:40.260
  • YEAH.
  • 00:13:40.260 --> 00:13:42.140
  • MY DAD IS A FUNNY GUY BUT BY DAD
  • 00:13:42.140 --> 00:13:45.090
  • IS A SUBJECT.
  • 00:13:45.090 --> 00:13:47.020
  • WHEN MY MOTHER WRITES ABOUT MY
  • 00:13:47.020 --> 00:13:49.070
  • FATHER, IT'S A WHOLE OTHER
  • 00:13:49.070 --> 00:13:50.000
  • SUBJECT.
  • 00:13:50.000 --> 00:13:52.090
  • MY MOTHER JUST SENT ME A STORY
  • 00:13:52.090 --> 00:13:53.140
  • THIS MORNING.
  • 00:13:53.140 --> 00:13:55.150
  • SHE'S BEEN WRITING STORIES FOR
  • 00:13:55.150 --> 00:13:56.170
  • ME FOR YEARS.
  • 00:13:56.170 --> 00:13:57.290
  • AND THIS ONE WAS CALLED, I JUST
  • 00:13:59.190 --> 00:14:02.210
  • SAID IT, ELEVATOR MAN.
  • 00:14:03.130 --> 00:14:06.130
  • WHEN MY DAD GETS IN AN ELEVATOR
  • 00:14:09.220 --> 00:14:12.220
  • HE BREAKS ALL THE RULES OF TIME
  • 00:14:12.220 --> 00:14:14.180
  • SPACE.
  • 00:14:14.180 --> 00:14:15.190
  • HE TALKS TO YOU LIKE HE'S KNOWN
  • 00:14:15.190 --> 00:14:17.030
  • YOU FOREVER.
  • 00:14:17.030 --> 00:14:19.110
  • HE STANDS CLOSER THAN NORMAL.
  • 00:14:19.110 --> 00:14:21.120
  • AND HE ASKS QUESTIONS THAT YOU
  • 00:14:21.120 --> 00:14:23.130
  • DON'T EXPECT TO HEAR.
  • 00:14:23.130 --> 00:14:25.050
  • LIKE THEY JUST GOT IN AN
  • 00:14:26.050 --> 00:14:29.050
  • ELEVATOR IN THE PARKING GARAGE
  • 00:14:29.050 --> 00:14:30.100
  • THE OTHER DAY.
  • 00:14:30.100 --> 00:14:31.240
  • IN THE ELEVATOR WAS A BIG GUY
  • 00:14:32.040 --> 00:14:35.040
  • AND RED SUSPENDERS AND WHITE
  • 00:14:35.040 --> 00:14:36.020
  • BEARD.
  • 00:14:36.020 --> 00:14:37.260
  • MY MOM IS LIKE DON'T DO IT.
  • 00:14:37.260 --> 00:14:40.200
  • TWO, THREE OTHER PEOPLE COME IN
  • 00:14:41.060 --> 00:14:44.060
  • AND AS SURE AS THE DOOR CLOSES,
  • 00:14:44.060 --> 00:14:46.150
  • WHERE DO YOU GOT THE REINDEER
  • 00:14:47.120 --> 00:14:50.120
  • PARKED?
  • 00:14:50.120 --> 00:14:51.150
  • AND PEOPLE ARE STARING AT THEIR
  • 00:14:51.270 --> 00:14:54.270
  • SHOES.
  • 00:14:54.270 --> 00:14:56.180
  • YOU ARE SO CAPTIVE IN AN
  • 00:14:56.180 --> 00:14:58.010
  • ELEVATOR.
  • 00:14:58.010 --> 00:14:59.070
  • AND AS PEOPLE DON'T FOLLOW THE
  • 00:14:59.070 --> 00:15:02.060
  • EXPECTED RULE, SOCIETY GOES OFF
  • 00:15:02.060 --> 00:15:03.210
  • THE RAILS.
  • 00:15:03.210 --> 00:15:05.000
  • AND MY DAD HAS NO GOVERNOR
  • 00:15:05.000 --> 00:15:07.230
  • SKPWHR WHAT WOULD YOUR MOTHER
  • 00:15:07.230 --> 00:15:09.080
  • SAY ABOUT YOUR WEARING A HAT
  • 00:15:09.080 --> 00:15:11.050
  • INDOORS?
  • 00:15:11.050 --> 00:15:12.240
  • WERE YOU RAISED IN A BARN?
  • 00:15:12.240 --> 00:15:15.140
  • ACTUALLY I KIND OF WAS.
  • 00:15:15.140 --> 00:15:16.160
  • - WE'RE GOING TO GO DOWN, WE
  • 00:15:16.160 --> 00:15:18.050
  • HAVE MORE OF THIS TOUR.
  • 00:15:18.050 --> 00:15:19.240
  • IF YOU JUST TUNED IN, WE'RE KIND
  • 00:15:19.240 --> 00:15:21.050
  • OF GIVING YOU A LITTLE BIT OF A
  • 00:15:21.050 --> 00:15:23.140
  • TOUR OF TBN.
  • 00:15:23.140 --> 00:15:24.280
  • MIKE ROWE.
  • 00:15:24.280 --> 00:15:27.000
  • HOST SOMEBODY'S GOT TO DO IT
  • 00:15:27.000 --> 00:15:28.200
  • RIGHT HERE ON TBN.
  • 00:15:28.200 --> 00:15:30.140
  • AND WE KIND OF TURNED THE
  • 00:15:30.140 --> 00:15:32.010
  • TABLES.
  • 00:15:32.010 --> 00:15:33.140
  • YOU'RE THE GUEST ON THE SHOW.
  • 00:15:33.140 --> 00:15:35.110
  • AND I'M GOING TO KEEP PROBING
  • 00:15:35.110 --> 00:15:37.050
  • YOU WHILE YOU DO WHAT YOU DO.
  • 00:15:38.250 --> 00:15:41.250
  • - I'M GOING TO BE PROBED.
  • 00:15:41.250 --> 00:15:43.220
  • - THAT'S LATER IN THE SHOW.
  • 00:15:43.220 --> 00:15:46.010
  • - ONLY ON TBN.
  • 00:15:46.010 --> 00:15:47.010
  • [MUSIC]
  • 00:15:52.190 --> 00:15:55.190
  • - SO WE'RE GOING TO COME DOWN
  • 00:15:55.190 --> 00:15:57.190
  • HALLWAY.
  • 00:15:57.190 --> 00:15:59.060
  • - IT'S A BEAUTIFUL HALLWAY,
  • 00:15:59.060 --> 00:16:00.030
  • MATT.
  • 00:16:00.030 --> 00:16:00.170
  • - THIS WOULD BE THE PLACE TO DO
  • 00:16:00.170 --> 00:16:03.040
  • A LITTLE BIT OF SINGING.
  • 00:16:03.040 --> 00:16:05.180
  • THE VERB WOULD BE KIND OF NICE.
  • 00:16:07.010 --> 00:16:10.010
  • - WHAT DO YOU GET?
  • 00:16:10.070 --> 00:16:13.070
  • ANOTHER DAY OLDER AND DEEPER IN
  • 00:16:13.070 --> 00:16:14.060
  • DEBT.
  • 00:16:14.060 --> 00:16:15.160
  • PETER DON'T YOU CALL ME...
  • 00:16:16.030 --> 00:16:19.030
  • - I DON'T KNOW.
  • 00:16:29.150 --> 00:16:32.150
  • - I OWE MY SOUL TO THE COMPANY
  • 00:16:32.220 --> 00:16:35.220
  • STORE.
  • 00:16:35.220 --> 00:16:36.020
  • YOU'RE RIGHT.
  • 00:16:36.020 --> 00:16:38.020
  • IT'S A GOOD HALLWAY TO SING IN.
  • 00:16:42.130 --> 00:16:45.130
  • - HI, CATHY.
  • 00:16:45.130 --> 00:16:47.140
  • - THERE'S THE SATELLITE.
  • 00:16:47.140 --> 00:16:49.250
  • - MIKE, HOW ARE YOU?
  • 00:16:49.250 --> 00:16:51.240
  • HOW CLEAN THE DISH IS FROM THIS
  • 00:16:51.240 --> 00:16:53.210
  • ANGLE.
  • 00:16:53.210 --> 00:16:55.120
  • - WE DIDN'T GET TO ALL OF IT.
  • 00:16:55.120 --> 00:16:57.280
  • - JAY SEKULOW.
  • 00:16:57.280 --> 00:16:59.260
  • - THAT'S NICE.
  • 00:16:59.260 --> 00:17:01.050
  • DID YOU PUT HIM IN A CHERRY
  • 00:17:01.050 --> 00:17:04.030
  • PICKER BY ANY CHANCE?
  • 00:17:04.030 --> 00:17:06.000
  • - OKAY, INTRODUCE YOURSELF TO
  • 00:17:06.000 --> 00:17:07.130
  • MIKE ROWE.
  • 00:17:07.130 --> 00:17:08.270
  • - CLEMENT.
  • 00:17:08.270 --> 00:17:10.010
  • - CLEMENT?
  • 00:17:10.010 --> 00:17:10.260
  • - CLEMENT.
  • 00:17:14.000 --> 00:17:17.000
  • - WE CALL HIM CLEM.
  • 00:17:17.000 --> 00:17:19.220
  • YOU'RE EDITING BUT WE'RE DOING A
  • 00:17:19.220 --> 00:17:21.210
  • SHOW WITH MIKE ROWE.
  • 00:17:25.120 --> 00:17:28.120
  • LIKE JOSEPH PREUPBLS.
  • 00:17:29.180 --> 00:17:32.180
  • LET'S SEE BIO PIECE ON MIKE
  • 00:17:32.180 --> 00:17:33.230
  • ROWE.
  • 00:17:33.230 --> 00:17:34.270
  • - TV HOST MIKE ROWE IS BEST
  • 00:17:34.270 --> 00:17:37.120
  • KNOWN AS THE DIRTIEST MAN ON TV
  • 00:17:37.160 --> 00:17:40.160
  • THE TITLE HE EARNED ON TV HIT
  • 00:17:40.160 --> 00:17:42.210
  • SERIES DIRTY JOBS.
  • 00:17:42.210 --> 00:17:43.250
  • - THAT'S SWEET.
  • 00:17:43.250 --> 00:17:45.110
  • - NO STRANGER TO GREAT
  • 00:17:46.140 --> 00:17:49.140
  • ADVENTURE, MIKE'S WORK SPANS TO
  • 00:17:49.240 --> 00:17:52.240
  • Q. V. C..
  • 00:17:54.280 --> 00:17:57.280
  • NARRATED HUNDREDS OF
  • 00:17:57.280 --> 00:17:58.170
  • DOCUMENTARIES.
  • 00:17:58.170 --> 00:18:01.170
  • FORGED PARTNERSHIPS.
  • 00:18:01.170 --> 00:18:04.120
  • BOAT LOAD OF COMMERCIALS.
  • 00:18:05.220 --> 00:18:08.220
  • AND YOU CAN FIND HIM SEARCHING
  • 00:18:08.220 --> 00:18:10.120
  • FOR PEOPLE WHO ARE MAKING A
  • 00:18:10.120 --> 00:18:12.040
  • DIFFERENCE IN THEIR COMMUNITIES.
  • 00:18:12.040 --> 00:18:13.030
  • - THERE WE GO.
  • 00:18:13.030 --> 00:18:15.080
  • - HE'S ALSO LAUNCHED THE WAY I
  • 00:18:15.080 --> 00:18:16.140
  • HEARD IT.
  • 00:18:16.140 --> 00:18:19.050
  • WEEKLY FIVE MINUTE PODCAST FOR
  • 00:18:19.160 --> 00:18:22.160
  • CURIOUS MINDS WITH SHORT
  • 00:18:22.160 --> 00:18:23.120
  • ATTENTION SPANS.
  • 00:18:23.160 --> 00:18:26.160
  • RUNS THE CHARITY THAT PROVIDES
  • 00:18:26.160 --> 00:18:27.240
  • JOB TRAINING.
  • 00:18:27.240 --> 00:18:29.270
  • HE HELPED ISSUED MORE THAN FIVE
  • 00:18:29.270 --> 00:18:32.170
  • MILLION DOLLARS OF GRANTS TO
  • 00:18:32.170 --> 00:18:33.150
  • TRADE SCHOOLS.
  • 00:18:33.150 --> 00:18:35.290
  • NO SLOWING DOWN FOR MIKE.
  • 00:18:35.290 --> 00:18:37.090
  • - I'M MIKE ROWE.
  • 00:18:37.090 --> 00:18:39.110
  • AND I'M A MISSION TO FIND
  • 00:18:39.110 --> 00:18:42.050
  • SOMEBODY WHO IS MAKING OUR WORLD
  • 00:18:42.050 --> 00:18:44.040
  • A LITTLE BIT BRIGHTER, A LITTLE
  • 00:18:44.130 --> 00:18:47.130
  • BIT BIGGER, A LITTLE BIT FUNNER.
  • 00:18:47.130 --> 00:18:49.180
  • - AFTER ALL, SOMEBODY'S GOT TO
  • 00:18:49.180 --> 00:18:50.170
  • DO IT.
  • 00:18:50.170 --> 00:18:52.190
  • - WELL THAT WAS 99 PERCENT
  • 00:18:52.190 --> 00:18:53.230
  • ACCURATE.
  • 00:18:53.230 --> 00:18:55.200
  • - SIT DOWN RIGHT THERE.
  • 00:18:55.200 --> 00:18:58.040
  • WHAT I WANTED TO SAY IS I'VE
  • 00:18:58.040 --> 00:19:00.140
  • NEVER WATCHED A BIO PIECE.
  • 00:19:06.010 --> 00:19:09.010
  • - I'VE NEVER WATCHED A BIO
  • 00:19:11.200 --> 00:19:14.200
  • PIECE WITH A GUY WHO TOOK ME OFF
  • 00:19:14.210 --> 00:19:17.210
  • A CHERRY PICKER.
  • 00:19:17.210 --> 00:19:18.240
  • - SOMEBODY'S GOT TO DO IT.
  • 00:19:18.240 --> 00:19:20.260
  • IF SOMEBODY JUST TUNED IN, I
  • 00:19:20.260 --> 00:19:22.060
  • THINK WE ESTABLISHED THIS ONE
  • 00:19:22.060 --> 00:19:23.290
  • THING, YOU HAVE BEEN DOING
  • 00:19:23.290 --> 00:19:26.130
  • ROUGHLY THE SAME TV SHOW DIRTY
  • 00:19:26.240 --> 00:19:29.240
  • JOBS SOMEBODY'S GOT TO DO IT.
  • 00:19:31.030 --> 00:19:34.030
  • FACEBOOK SERIES, YOU DISCOVERING
  • 00:19:34.030 --> 00:19:35.150
  • IN YOUR MIND IMPORTANT PEOPLE.
  • 00:19:35.150 --> 00:19:36.210
  • I ASKED YOU ON THE CHERRY
  • 00:19:36.210 --> 00:19:39.100
  • PICKER, DO YOU HAVE A PROTOCOL
  • 00:19:39.100 --> 00:19:40.190
  • FOR PICKING THEM?
  • 00:19:40.190 --> 00:19:41.200
  • WE HAVE A RESPONSIBILITY.
  • 00:19:41.200 --> 00:19:43.070
  • WE'RE GETTING INTO A THEME NOW.
  • 00:19:43.070 --> 00:19:45.140
  • BUT YOU, MIKE ROWE, WHAT
  • 00:19:45.140 --> 00:19:48.120
  • HAPPENED TO YOU IN YOUR
  • 00:19:48.120 --> 00:19:50.220
  • CHILDHOOD, CAREER, ALL OF THIS,
  • 00:19:50.220 --> 00:19:53.140
  • THAT FINALLY YOU CIRCLED BACK
  • 00:19:53.140 --> 00:19:54.290
  • WHEN YOU DO HAVE A SENSE OF, YOU
  • 00:19:54.290 --> 00:19:57.270
  • KNOW, DIRTY JOBS WAS ONE OF THE
  • 00:19:58.000 --> 00:20:01.000
  • BIGGEST SHOWS ON TELEVISION FOR
  • 00:20:01.000 --> 00:20:02.160
  • ALMOST A DECADE.
  • 00:20:02.160 --> 00:20:03.180
  • NOW THAT YOU CAN PROBABLY DO
  • 00:20:03.180 --> 00:20:05.000
  • WHAT YOU WANT TO DO, WHAT YOU'RE
  • 00:20:05.000 --> 00:20:06.190
  • DOING NOW IS WHAT YOU'RE DOING,
  • 00:20:06.190 --> 00:20:08.230
  • GOT IT?
  • 00:20:08.230 --> 00:20:09.060
  • - GOT IT.
  • 00:20:09.060 --> 00:20:11.010
  • - WHY, MIKE ROWE, DO YOU DO
  • 00:20:11.010 --> 00:20:11.280
  • THAT?
  • 00:20:11.280 --> 00:20:13.060
  • WHY DO YOU DO THIS WHEN YOU CAN
  • 00:20:13.060 --> 00:20:16.050
  • PRETTY MUCH DO ANYTHING?
  • 00:20:16.050 --> 00:20:17.230
  • - LOOK AT THE ICONS ON THE
  • 00:20:17.230 --> 00:20:19.060
  • SCREEN.
  • 00:20:19.060 --> 00:20:21.010
  • LIBERTY.
  • 00:20:21.010 --> 00:20:23.230
  • YOU'VE GOT ANCIENT GREEK RUINS.
  • 00:20:23.230 --> 00:20:26.230
  • YOU HAVE MOUNT RUSHMORE.
  • 00:20:26.230 --> 00:20:27.290
  • ALL THIS STUFF.
  • 00:20:27.290 --> 00:20:30.070
  • I NEVER SAW ANY OF IT GROWING
  • 00:20:30.070 --> 00:20:32.000
  • UP.
  • 00:20:32.000 --> 00:20:33.150
  • WE DIDN'T HAVE A LOT OF
  • 00:20:33.150 --> 00:20:34.210
  • RESOURCES.
  • 00:20:34.210 --> 00:20:36.060
  • WE HAD SOME LAND.
  • 00:20:36.250 --> 00:20:39.250
  • AND MY BROTHERS AND I OCCUPIED
  • 00:20:39.250 --> 00:20:42.130
  • OURSELVES ON OUR LITTLE PIECE OF
  • 00:20:42.130 --> 00:20:43.150
  • LAND.
  • 00:20:43.150 --> 00:20:44.280
  • WE WERE VERY HAPPY.
  • 00:20:44.280 --> 00:20:46.080
  • I KNEW THERE WAS A BIG WORLD OUT
  • 00:20:46.080 --> 00:20:48.120
  • THERE AND I WAS VERY CURIOUS TO
  • 00:20:48.120 --> 00:20:49.180
  • SEE IT.
  • 00:20:49.180 --> 00:20:50.200
  • THE REASON I'M DOING THE SAME
  • 00:20:50.200 --> 00:20:53.000
  • SHOW OVER AND OVER IS THIS, IT'S
  • 00:20:54.190 --> 00:20:57.190
  • ME, WALKING, GETTING TO KNOW THE
  • 00:20:57.190 --> 00:20:58.290
  • COUNTRY AND THE PEOPLE IN IT.
  • 00:20:59.060 --> 00:21:02.080
  • THAT'S MY REASON FOR SHOOTING
  • 00:21:02.080 --> 00:21:03.250
  • THIS TV IN THIS SORT OF FORMAT.
  • 00:21:04.110 --> 00:21:07.110
  • AS FAR AS THE PURPOSE, I HAD TO
  • 00:21:07.110 --> 00:21:10.070
  • GO THROUGH THE SAME CYCLE.
  • 00:21:10.070 --> 00:21:11.220
  • I LEARNED THE CRAFT.
  • 00:21:13.190 --> 00:21:16.190
  • HOST FOR 15 YEARS.
  • 00:21:16.190 --> 00:21:18.250
  • MY GRAND FATHER WHO WAS A TRADES
  • 00:21:19.090 --> 00:21:22.090
  • MAN WAS 92 AND STARTING TO
  • 00:21:22.090 --> 00:21:23.060
  • FADE.
  • 00:21:23.060 --> 00:21:24.120
  • AND MY MOTHER CALLED ME AT CBS
  • 00:21:24.210 --> 00:21:27.210
  • AND SAID, MICHAL WOULDN'T IT BE
  • 00:21:27.210 --> 00:21:29.230
  • NICE BEFORE YOUR GRAND FATHER
  • 00:21:29.230 --> 00:21:30.280
  • DIED HE COULD TURN ON THE TV AND
  • 00:21:31.100 --> 00:21:34.100
  • SEE YOU DOING SOMETHING'S THAT
  • 00:21:34.100 --> 00:21:35.290
  • LOOKED LIKE WORK.
  • 00:21:35.290 --> 00:21:37.220
  • THAT'S WHY DIRTY JOBS BEGAN.
  • 00:21:37.220 --> 00:21:39.160
  • I WANTED TO OPTICLY FOCUS ON
  • 00:21:42.290 --> 00:21:45.290
  • PEOPLE TRANSPARENT AND IGNORED.
  • 00:21:45.290 --> 00:21:48.130
  • IT STARTED AS A ONE-HOUR SPECIAL
  • 00:21:49.040 --> 00:21:52.040
  • THAT TURNED INTO THREE-HOUR MINI
  • 00:21:52.040 --> 00:21:53.150
  • SERIES THAT TURNED INTO A SEASON
  • 00:21:53.150 --> 00:21:55.150
  • THAT TURNED INTO A FRANCHISE,
  • 00:21:55.150 --> 00:21:57.280
  • THAT TURNED INTO A GENERA.
  • 00:21:57.280 --> 00:21:59.140
  • WE DID THREE HUNDRED OF THOSE
  • 00:21:59.140 --> 00:22:01.030
  • THINGS.
  • 00:22:01.030 --> 00:22:02.230
  • AND WHEN DISCOVERY AND I SHOOK
  • 00:22:02.230 --> 00:22:05.050
  • HANDS AND I SAID UNCLE, I WASN'T
  • 00:22:05.050 --> 00:22:07.220
  • REALLY DONE, DONE, I WANTED TO
  • 00:22:07.220 --> 00:22:10.110
  • KEEP WALKING IN A SLIGHTLY
  • 00:22:10.110 --> 00:22:11.120
  • DIFFERENT DIRECTION.
  • 00:22:11.120 --> 00:22:12.180
  • SOMEBODY'S GOT TO DO IT IS
  • 00:22:12.180 --> 00:22:15.100
  • EXTENSION OF DIRTY JOBS, TBN IS
  • 00:22:15.100 --> 00:22:17.120
  • OBVIOUS HOME FOR IT.
  • 00:22:17.120 --> 00:22:20.100
  • TO ANSWER YOUR QUESTION, MOSTLY,
  • 00:22:21.030 --> 00:22:24.030
  • I DO IT BECAUSE...
  • 00:22:24.030 --> 00:22:25.080
  • [INAUDIBLE].
  • 00:22:25.080 --> 00:22:28.080
  • - SHOW US A CLIP.
  • 00:22:28.080 --> 00:22:30.230
  • NO PRESSURE.
  • 00:22:36.240 --> 00:22:39.240
  • - THIS IS U.S. S. JOHN...
  • 00:22:41.150 --> 00:22:44.150
  • AND THERE IS NO BIGGER...
  • 00:22:47.020 --> 00:22:50.020
  • TALL AS 24 STORY BUILDING,
  • 00:22:50.020 --> 00:22:52.170
  • POWERED BY TWO NUCLEAR REACTOR
  • 00:22:52.170 --> 00:22:54.170
  • AND FLIGHT DECK AS LONG AS THREE
  • 00:22:54.170 --> 00:22:56.170
  • FOOTBALL FIELDS.
  • 00:22:56.280 --> 00:22:59.280
  • IT CAN ACCOMMODATE UP TO 70
  • 00:22:59.280 --> 00:23:02.120
  • AIRCRAFT AND ONE OF THE MOST
  • 00:23:03.010 --> 00:23:06.010
  • IMPORTANT AIRPORTS IN PERSIAN
  • 00:23:06.010 --> 00:23:07.220
  • GULF OVER THE PAST SEVERAL
  • 00:23:07.220 --> 00:23:08.150
  • YEARS.
  • 00:23:08.150 --> 00:23:10.190
  • PAST 16 MONTHS IT'S BEEN A DRY
  • 00:23:10.190 --> 00:23:12.280
  • DOCK GETTING REQUIRED PHAEUPBLT.
  • 00:23:12.280 --> 00:23:15.000
  • MAINTENANCE.
  • 00:23:15.000 --> 00:23:17.010
  • NOW IT'S READY FOR ANOTHER
  • 00:23:17.010 --> 00:23:19.000
  • EMPLOYMENT AND NAVY INVITED ME
  • 00:23:19.000 --> 00:23:20.270
  • ALONG FOR TWO DAYS OF MANEUVERS.
  • 00:23:22.120 --> 00:23:25.120
  • HOW COULD I SAY NO?
  • 00:23:25.120 --> 00:23:28.050
  • I'LL TRY MY HANDS AT HUNDREDS OF
  • 00:23:28.050 --> 00:23:31.040
  • JOBS AND MEET PEOPLE WHO
  • 00:23:31.040 --> 00:23:33.230
  • VOLUNTEERED TO KEEP OUR COUNTRY
  • 00:23:33.230 --> 00:23:35.180
  • SAFE FOR DEMOCRACY.
  • 00:23:35.180 --> 00:23:36.120
  • - THIS IS WHAT YOU'RE TRYING TO
  • 00:23:36.120 --> 00:23:37.200
  • SHINE THE LIGHT ON.
  • 00:23:37.200 --> 00:23:38.080
  • MILITARY.
  • 00:23:38.080 --> 00:23:40.220
  • PEOPLE WITH GOOD WORK ETHIC.
  • 00:23:40.220 --> 00:23:43.060
  • YOU'RE TRYING TO USE YOUR
  • 00:23:43.140 --> 00:23:46.140
  • PLATFORM THAT NOT ONLY ONLY
  • 00:23:46.140 --> 00:23:48.010
  • FACEBOOK BUT YOU'RE ON TBN.
  • 00:23:48.010 --> 00:23:50.030
  • AND SOMEBODY'S GOT TO DO IT ON
  • 00:23:51.140 --> 00:23:54.140
  • TBN EXCLUSIVELY NOW IS TRYING TO
  • 00:23:54.140 --> 00:23:56.050
  • SHINE THE LIGHT ON THINGS YOU
  • 00:23:56.050 --> 00:23:57.140
  • THINK IS IMPORTANT.
  • 00:23:57.140 --> 00:23:58.020
  • - SURE.
  • 00:23:58.020 --> 00:24:00.140
  • THAT'S UNUSUAL FOR THIS SHOW.
  • 00:24:00.210 --> 00:24:03.210
  • E NEVER USED ARCHIVE FOOTAGE BUT
  • 00:24:03.210 --> 00:24:05.180
  • TO REALLY TELL THE STORY OF THE
  • 00:24:05.190 --> 00:24:08.190
  • LARGEST WORKING AIRCRAFT STORY
  • 00:24:08.190 --> 00:24:10.240
  • TODAY I WANTED PEOPLE TO
  • 00:24:10.240 --> 00:24:12.030
  • UNDERSTAND WHY THESE THINGS CAME
  • 00:24:12.030 --> 00:24:13.210
  • INTO EXISTENCE AND WHY THEY'RE
  • 00:24:13.210 --> 00:24:14.270
  • SO IMPORTANT.
  • 00:24:14.270 --> 00:24:15.230
  • I WANTED TO GO ON THE AIRCRAFT
  • 00:24:15.230 --> 00:24:18.120
  • CARRIER IN THE SHOW FIVE
  • 00:24:18.120 --> 00:24:19.180
  • THOUSAND PEOPLE ON THERE AND
  • 00:24:19.180 --> 00:24:21.040
  • VAST MAJORITY OF THEM ARE UNDER
  • 00:24:21.040 --> 00:24:22.170
  • 25.
  • 00:24:22.170 --> 00:24:24.240
  • MILLENNIALS ARE AN EASY TARGET
  • 00:24:24.240 --> 00:24:25.210
  • TODAY.
  • 00:24:25.220 --> 00:24:28.220
  • NOT EVERYBODY WORKS AS HARD AS
  • 00:24:28.220 --> 00:24:29.250
  • THIS GUY.
  • 00:24:29.250 --> 00:24:31.070
  • PLENTY OF WORK OUT THERE IF YOU
  • 00:24:31.070 --> 00:24:32.120
  • FIND IT.
  • 00:24:32.120 --> 00:24:33.280
  • ONE OF THE FIRST THING THAT
  • 00:24:33.280 --> 00:24:35.210
  • HAPPENED ON THAT EPISODE WAS I
  • 00:24:35.210 --> 00:24:37.020
  • WENT UP TO THE BRIDGE.
  • 00:24:37.020 --> 00:24:38.090
  • AND YOU KNOW, THIS IS A NUCLEAR
  • 00:24:40.010 --> 00:24:43.010
  • POWERED SUBMARINE WITH NUCLEAR
  • 00:24:43.010 --> 00:24:44.060
  • WAR HEADS ON IT.
  • 00:24:44.060 --> 00:24:46.010
  • IT'S STATE OF THE ART.
  • 00:24:48.200 --> 00:24:51.200
  • SHIP IS PILOTED BY 22 YEAR OLD.
  • 00:24:51.260 --> 00:24:54.260
  • NUCLEAR WAR HEADS MAINTAINED BY
  • 00:24:54.260 --> 00:24:56.220
  • 22 YEAR OLDS.
  • 00:24:56.220 --> 00:24:57.240
  • IF YOU WANT TO FEEL GOOD ABOUT
  • 00:24:57.240 --> 00:25:00.120
  • THE YOUTH OF TODAY, SPEND A WEEK
  • 00:25:00.120 --> 00:25:03.070
  • ON AN AIRCRAFT CARRIER AND
  • 00:25:03.070 --> 00:25:04.220
  • YOU'LL SEE ALL OF THAT STUFF.
  • 00:25:06.220 --> 00:25:09.220
  • JUST INN DISPUTE PWHREU THE
  • 00:25:09.220 --> 00:25:11.230
  • EVIDENCE DEMANDS A VERDICT AND
  • 00:25:11.230 --> 00:25:13.140
  • THERE'S A LOT OF IT ON THE
  • 00:25:14.140 --> 00:25:17.140
  • AIRCRAFT CARRIER.
  • 00:25:17.140 --> 00:25:18.240
  • - WHY DO YOU DO WHAT YOU DO?
  • 00:25:21.220 --> 00:25:24.220
  • - [INAUDIBLE].
  • 00:25:27.010 --> 00:25:30.010
  • - YOU GOT GREAT CONTENT.
  • 00:25:30.010 --> 00:25:30.260
  • - I HAVE A QUESTION FOR YOU.
  • 00:25:30.260 --> 00:25:33.110
  • THIS IS YOUR TRADE.
  • 00:25:33.110 --> 00:25:34.020
  • - YES.
  • 00:25:34.020 --> 00:25:35.140
  • - YOU'RE GOING TO BE AN EDITER,
  • 00:25:39.100 --> 00:25:42.100
  • YOU ARE AN EDITOR, WHEN YOU'RE
  • 00:25:42.100 --> 00:25:44.160
  • DEEP IN A PRODUCT DOES TIME GO
  • 00:25:44.160 --> 00:25:46.270
  • SLOW OR FASTER?
  • 00:25:46.270 --> 00:25:47.200
  • - FASTER.
  • 00:25:47.200 --> 00:25:49.060
  • - ALWAYS 2 A.M. BUT FOR ME
  • 00:25:49.060 --> 00:25:51.160
  • WRITING I'LL SIT DOWN SOMETIMES
  • 00:25:51.160 --> 00:25:53.260
  • AND START TO WRITE AND LOOK UP
  • 00:25:53.260 --> 00:25:56.000
  • AND IT'S DARK OUTSIDE.
  • 00:25:56.000 --> 00:25:57.210
  • IN TERMS OF SOMEBODY'S GOT TO DO
  • 00:25:57.210 --> 00:25:59.150
  • IT THE PEOPLE I LOOK FOR ARE
  • 00:25:59.280 --> 00:26:03.000
  • PEOPLE WHO DO THINGS IN THEIR
  • 00:26:03.000 --> 00:26:05.220
  • WORLD COMPRESS TIME.
  • 00:26:05.220 --> 00:26:07.080
  • - THIS SHOW WILL FEEL LIKE 90
  • 00:26:07.080 --> 00:26:09.040
  • SECONDS.
  • 00:26:09.040 --> 00:26:10.170
  • - FEELS LIKE I GOT HERE LAST
  • 00:26:10.170 --> 00:26:11.280
  • FRIDAY.
  • 00:26:12.040 --> 00:26:15.040
  • - DOING GREAT.
  • 00:26:15.040 --> 00:26:16.200
  • - PLAY THE NEXT ROLL IN.
  • 00:26:19.160 --> 00:26:22.160
  • - PROBABLY TRANSITION OUT OF
  • 00:26:22.160 --> 00:26:24.040
  • THE EDIT BAY.
  • 00:26:24.040 --> 00:26:25.140
  • - ANY MUSIC?
  • 00:26:25.140 --> 00:26:27.260
  • CUE THE MUSIC.
  • 00:26:27.260 --> 00:26:29.060
  • - I CAN'T BELIEVE MIKE ROWE IS
  • 00:26:29.060 --> 00:26:30.240
  • IN MY SHOP.
  • 00:26:30.240 --> 00:26:31.060
  • - HI.
  • 00:26:32.190 --> 00:26:35.190
  • - HELLO VOLUNTEERS.
  • 00:26:35.190 --> 00:26:37.290
  • YOU'VE BEEN DOING WAY TOO MUCH
  • 00:26:37.290 --> 00:26:39.130
  • GOOD IN THE COMMUNITY AND
  • 00:26:39.130 --> 00:26:40.220
  • SOMETHING HAD TO BE DONE.
  • 00:26:40.220 --> 00:26:41.190
  • HERE WE GO.
  • 00:26:41.190 --> 00:26:43.090
  • THE PEOPLE HERE WHO WANT TO SAY
  • 00:26:43.090 --> 00:26:45.290
  • THEY WANT TO SAY THANKS.
  • 00:26:50.130 --> 00:26:53.130
  • WHAT'S HAPPENED IS
  • 00:26:53.130 --> 00:26:54.010
  • EXTRAORDINARY.
  • 00:26:54.010 --> 00:26:54.280
  • - INSPIRATION.
  • 00:26:54.280 --> 00:26:56.230
  • IT MEANS A LOT TO ME.
  • 00:26:56.230 --> 00:26:59.120
  • - CHANGED MY WHOLE LIFE.
  • 00:26:59.120 --> 00:27:01.060
  • - THANK YOU.
  • 00:27:12.250 --> 00:27:15.250
  • HI, EVERYBODY.
  • 00:27:18.000 --> 00:27:21.000
  • SAY HI TO MIKE.
  • 00:27:21.000 --> 00:27:22.190
  • - HEY, GUYS.
  • 00:27:22.190 --> 00:27:24.250
  • - WE'RE BUILDING A NEW SET IN
  • 00:27:24.250 --> 00:27:26.130
  • HERE.
  • 00:27:26.130 --> 00:27:27.250
  • A WOMEN'S SHOW.
  • 00:27:27.250 --> 00:27:30.110
  • - WHAT WILL IT BE CALLED?
  • 00:27:30.110 --> 00:27:32.110
  • - BETTER TOGETHER.
  • 00:27:32.110 --> 00:27:33.250
  • IT WILL BE KIND OF A GROUP OF
  • 00:27:33.250 --> 00:27:36.140
  • LADIES.
  • 00:27:36.140 --> 00:27:38.220
  • THIS STUDIO WAS BUILT IN ABOUT
  • 00:27:38.220 --> 00:27:40.160
  • 1975.
  • 00:27:40.160 --> 00:27:42.090
  • FIRST MAJOR RENOVATIONS.
  • 00:27:42.090 --> 00:27:44.070
  • POLISHED DOWN ALL THE FLOORS.
  • 00:27:44.070 --> 00:27:45.050
  • STARTED OVER.
  • 00:27:45.050 --> 00:27:47.200
  • NEW LIGHTING, NEW EVERYTHING.
  • 00:27:48.090 --> 00:27:51.090
  • NO JOKE, WHEN WE'RE HERE AT TBN,
  • 00:27:51.140 --> 00:27:54.140
  • WE CAN PRETTY MUCH MAKE WHATEVER
  • 00:27:56.030 --> 00:27:59.030
  • WE NEED.
  • 00:27:59.030 --> 00:28:00.030
  • - I LOVE IT.
  • 00:28:00.170 --> 00:28:03.170
  • - OBVIOUSLY, THESE GUYS CLEANED
  • 00:28:04.160 --> 00:28:07.160
  • IT UP.
  • 00:28:07.160 --> 00:28:08.060
  • - HOW MUCH OF THAT SET BEING
  • 00:28:08.060 --> 00:28:10.260
  • BUILT RIGHT OVER THERE IS BEING
  • 00:28:10.260 --> 00:28:13.070
  • CONSTRUCTED IN HERE?
  • 00:28:15.070 --> 00:28:18.070
  • - I DON'T KNOW.
  • 00:28:18.070 --> 00:28:19.170
  • - WE'RE GOING TO GO THIS WAY.
  • 00:28:19.170 --> 00:28:21.060
  • YOU GOOD?
  • 00:28:21.060 --> 00:28:22.000
  • GOOD?
  • 00:28:23.240 --> 00:28:26.240
  • SO THIS IS FORWARD WORKING SHOP
  • 00:28:26.240 --> 00:28:28.090
  • THE GUYS THAT WORK IN HERE
  • 00:28:28.090 --> 00:28:29.250
  • OBVIOUSLY BAILED.
  • 00:28:29.250 --> 00:28:30.290
  • THEY KNEW WE WERE COMING.
  • 00:28:30.290 --> 00:28:32.070
  • THIS IS ONE OF THE WAREHOUSES
  • 00:28:33.210 --> 00:28:36.210
  • THAT KIND OF HOLDS ONE OF OUR
  • 00:28:39.210 --> 00:28:42.210
  • GRIP, ALL THE GRIP EQUIPMENT.
  • 00:28:43.180 --> 00:28:46.180
  • THERE'S A RANDOM BLUE SCREEN
  • 00:28:46.180 --> 00:28:47.240
  • SITTING OUT IN THE MIDDLE.
  • 00:28:47.240 --> 00:28:49.020
  • I DON'T KNOW WHAT THAT'S ABOUT.
  • 00:28:49.020 --> 00:28:51.060
  • - HAVE YOU EVER USED A BLUE
  • 00:28:51.060 --> 00:28:52.270
  • SCREEN?
  • 00:28:52.270 --> 00:28:55.030
  • - DO YOU PREFER THE GREEN OR
  • 00:28:55.030 --> 00:28:56.170
  • BLUE?
  • 00:28:56.170 --> 00:28:57.290
  • - DEPENDS WHAT THE AFFECT
  • 00:28:57.290 --> 00:29:00.070
  • YOU'RE PUTTING BEHIND, MAKES A
  • 00:29:00.070 --> 00:29:01.290
  • CHOICE ON WHAT THE BACKGROUND
  • 00:29:01.290 --> 00:29:03.080
  • WOULD BE.
  • 00:29:03.080 --> 00:29:05.060
  • I THOUGHT YOU KNEW THAT.
  • 00:29:05.060 --> 00:29:06.000
  • - I DID.
  • 00:29:06.000 --> 00:29:07.240
  • YOU TOLD ME WE WERE SWITCHING
  • 00:29:07.240 --> 00:29:09.130
  • ROLLS.
  • 00:29:09.130 --> 00:29:10.270
  • I WANTED TO PROBE YOUR MIND A
  • 00:29:10.270 --> 00:29:12.110
  • LITTLE.
  • 00:29:12.110 --> 00:29:13.130
  • - NOW WE'RE BACK IN STUDIO A..
  • 00:29:15.260 --> 00:29:18.260
  • WE'RE GOING TO MAKE OUR WAY.
  • 00:29:20.280 --> 00:29:23.280
  • HAVE A SEAT HERE.
  • 00:29:26.060 --> 00:29:29.060
  • A MOCK MOMENT OF Q. V. C. FOR
  • 00:29:29.280 --> 00:29:32.280
  • THE BOOK.
  • 00:29:36.170 --> 00:29:39.170
  • - WAY BACK Q. V. C. THREE TWO
  • 00:29:40.140 --> 00:29:43.140
  • ONE.
  • 00:29:43.140 --> 00:29:45.170
  • - OUR NEXT ITEM IS NEAR AND
  • 00:29:45.170 --> 00:29:47.000
  • DEAR TO MY HEART.
  • 00:29:47.000 --> 00:29:49.010
  • USUALLY I WOULDN'T DO ANYTHING
  • 00:29:49.010 --> 00:29:50.140
  • SO PERSONAL ON THIS PROGRAM BUT
  • 00:29:50.140 --> 00:29:52.210
  • MY DEAR MOTHER WROTE A BOOK 14
  • 00:29:53.210 --> 00:29:56.210
  • SHORT STORIES TOGETHER AND
  • 00:29:56.210 --> 00:29:58.220
  • PUBLISHED BY HER OLDEST SON IT'S
  • 00:29:58.220 --> 00:30:00.240
  • CALLED ABOUT MY MOTHER.
  • 00:30:00.240 --> 00:30:01.260
  • NOT ABOUT MY MOTHER.
  • 00:30:01.260 --> 00:30:04.230
  • IT'S ABOUT GRANDMOTHER WRITTEN
  • 00:30:04.230 --> 00:30:05.250
  • BY MY MOM.
  • 00:30:05.250 --> 00:30:06.270
  • THAT'S NOT TO SAY MY MOTHER
  • 00:30:06.270 --> 00:30:08.200
  • ISN'T IN THE BOOK.
  • 00:30:08.200 --> 00:30:09.130
  • SHE IS.
  • 00:30:09.130 --> 00:30:11.090
  • IT'S REALLY ABOUT MY MOTHERS.
  • 00:30:11.090 --> 00:30:13.190
  • BUT IF I'M BEING COMPLETELY
  • 00:30:13.190 --> 00:30:14.180
  • CANDID.
  • 00:30:14.180 --> 00:30:15.060
  • THIS IS A BOOK THAT WILL GIVE
  • 00:30:20.010 --> 00:30:23.010
  • COMFORT TO ANY DAUGHTER, AND ANY
  • 00:30:25.100 --> 00:30:28.100
  • MOTHER LOOKING FOR A TEENAGE P
  • 00:30:32.010 --> 00:30:35.010
  • GIRL THINKING THIS CREATURE
  • 00:30:40.250 --> 00:30:43.250
  • WAS--WHO BECOMES A--THESE TWO
  • 00:30:44.040 --> 00:30:47.040
  • WORLDS COLLIDE IN A HAPPY--WE'RE
  • 00:30:52.040 --> 00:30:55.040
  • OUT OF TIME.
  • 00:30:55.090 --> 00:30:58.090
  • ONE COPY.
  • 00:30:58.090 --> 00:31:00.050
  • - NEXT SET.
  • 00:31:03.250 --> 00:31:06.250
  • WE'RE LANDING OVER NOW AT THE
  • 00:31:07.080 --> 00:31:10.080
  • ACTUAL HOME BASE.
  • 00:31:10.080 --> 00:31:11.250
  • - YOU DON'T DRINK COFFEE DO
  • 00:31:11.250 --> 00:31:13.030
  • YOU?
  • 00:31:13.030 --> 00:31:13.250
  • - I DON'T.
  • 00:31:13.250 --> 00:31:14.190
  • - GOOD.
  • 00:31:17.240 --> 00:31:20.240
  • - I WANT YOU TO BASICALLY
  • 00:31:20.240 --> 00:31:22.090
  • REALIZE.
  • 00:31:22.090 --> 00:31:23.080
  • - I'M SWEATING MY MAKE UP OFF
  • 00:31:23.080 --> 00:31:24.250
  • NOW.
  • 00:31:24.250 --> 00:31:26.070
  • I HOPE YOU'RE HAPPY.
  • 00:31:30.100 --> 00:31:33.100
  • - YOU CAN DAMP HIM DOWN WHILE
  • 00:31:33.100 --> 00:31:36.020
  • WE CONTINUE TO TALK.
  • 00:31:36.020 --> 00:31:38.010
  • AS YOU SEE, MIKE, WE TURNED THE
  • 00:31:38.010 --> 00:31:39.130
  • TABLES ON YOU.
  • 00:31:39.130 --> 00:31:40.090
  • - PEOPLE ARE OUT OF CONTROL.
  • 00:31:40.090 --> 00:31:41.150
  • OUT OF CONTROL.
  • 00:31:41.150 --> 00:31:43.120
  • - DIG DEEP INTO WHO MIKE ROWE
  • 00:31:43.120 --> 00:31:44.220
  • IS.
  • 00:31:44.220 --> 00:31:45.060
  • - UH-HUH.
  • 00:31:45.060 --> 00:31:47.170
  • - WHEN WE SAY, SOMEBODY'S GOT
  • 00:31:47.170 --> 00:31:49.280
  • TO DO IT, THAT SOMEBODY IS YOU
  • 00:31:49.280 --> 00:31:52.270
  • TODAY, MIKE ROWE.
  • 00:31:52.270 --> 00:31:54.200
  • - I'M ONBOARD, I'M HERE TO TELL
  • 00:31:54.200 --> 00:31:56.170
  • YOU WHY I DO WHATEVER YOU THINK
  • 00:31:56.170 --> 00:31:57.230
  • IT IS I DO.
  • 00:31:59.130 --> 00:32:02.150
  • - LET ME SEE.
  • 00:32:02.150 --> 00:32:04.140
  • I'M NOT A BAD LOOKING GUY.
  • 00:32:04.140 --> 00:32:06.100
  • - NOW THAT YOU'RE 30 POUNDS
  • 00:32:06.100 --> 00:32:07.210
  • LIGHTER.
  • 00:32:07.210 --> 00:32:08.080
  • - I LOST IT ALL IN MY FOREHEAD.
  • 00:32:11.150 --> 00:32:14.150
  • - BASICALLY, LET'S GO BACK INTO
  • 00:32:14.180 --> 00:32:17.180
  • YOU KNOW, I LOVE THE ENACT YOU
  • 00:32:18.080 --> 00:32:21.080
  • BROUGHT MAMA'S BOOK ON THIS
  • 00:32:21.080 --> 00:32:22.190
  • EPISODE.
  • 00:32:22.190 --> 00:32:23.210
  • BUT TELL US ABOUT THE INFLUENCE
  • 00:32:23.210 --> 00:32:26.140
  • OF YOUR GRAND PARENTS AND YOUR
  • 00:32:26.140 --> 00:32:28.250
  • PARENTS ON WHO AND WHAT YOU ARE.
  • 00:32:28.250 --> 00:32:31.030
  • - I MEAN, YOU CAN'T OVER STATE
  • 00:32:31.030 --> 00:32:33.000
  • IT.
  • 00:32:34.180 --> 00:32:37.180
  • I HAD TWO SETS OF PARENTS
  • 00:32:37.180 --> 00:32:38.200
  • GROWING UP.
  • 00:32:38.200 --> 00:32:41.190
  • MY GRANDPARENTS WERE NOT ONLY
  • 00:32:43.270 --> 00:32:46.270
  • DOMINANT IN MY LIFE, THEY LIVED
  • 00:32:46.270 --> 00:32:48.010
  • NEXT DOOR.
  • 00:32:48.010 --> 00:32:49.210
  • WE WERE ON A HILL AND THE HILL
  • 00:32:50.170 --> 00:32:53.170
  • WAS SEQUESTERED IN A WAY WITH A
  • 00:32:53.170 --> 00:32:55.160
  • CREEK THAT FELT LIKE MOTE.
  • 00:32:55.160 --> 00:32:57.130
  • THERE WAS A COVERED BRIDGE OVER
  • 00:32:57.130 --> 00:32:58.190
  • THE TOP OF THE THING.
  • 00:32:58.250 --> 00:33:01.270
  • AND INTERSTATE 95 AT THE BOTTOM
  • 00:33:01.270 --> 00:33:03.090
  • OF THE HILL ON THE FAR SIDE.
  • 00:33:03.090 --> 00:33:05.060
  • WE WERE ISOLATED IN THIS WAY.
  • 00:33:07.230 --> 00:33:10.230
  • MY GRAND FATHER WHO COULD BUILD
  • 00:33:10.230 --> 00:33:13.060
  • A HOUSE WITHOUT A BLUEPRINT AND
  • 00:33:14.140 --> 00:33:17.140
  • NANA WHO RAN A TIGHT SHIP WERE
  • 00:33:17.280 --> 00:33:20.280
  • IN OUR HOME EITHER SUBVERTING OR
  • 00:33:21.060 --> 00:33:24.060
  • LENDING A CREDENCE TO THE
  • 00:33:24.060 --> 00:33:26.170
  • EXCELLENT ADVICE MY PARENTS
  • 00:33:26.170 --> 00:33:27.120
  • PROVIDED.
  • 00:33:27.120 --> 00:33:28.260
  • MY GRAND PARENTS WERE LIVING
  • 00:33:28.260 --> 00:33:30.290
  • EMBODIMENT OF ALL THE THINGS OUR
  • 00:33:30.290 --> 00:33:32.210
  • MOM AND DAD WANTED US TO BE.
  • 00:33:32.210 --> 00:33:34.140
  • NOT SAYING MY MOM AND DAD DIDN'T
  • 00:33:34.140 --> 00:33:37.060
  • PROVIDE A GREAT EXAMPLE.
  • 00:33:37.060 --> 00:33:37.280
  • THEY DID.
  • 00:33:37.280 --> 00:33:39.260
  • BUT MY GRANDPARENTS, THEY WERE
  • 00:33:41.090 --> 00:33:44.090
  • THE LIVING, UNDENIABLE PROOF OF
  • 00:33:44.090 --> 00:33:45.110
  • HOW YOU WERE SUPPOSED TO DO IT
  • 00:33:45.110 --> 00:33:46.200
  • WHATEVER IT IS.
  • 00:33:46.200 --> 00:33:49.020
  • - DO YOU FEEL THAT YOU WOULDN'T
  • 00:33:49.200 --> 00:33:52.200
  • BE WHO YOU ARE WITHOUT THAT
  • 00:33:52.200 --> 00:33:54.210
  • STABILITY OF YOUR GRAND PARENTS
  • 00:33:54.210 --> 00:33:56.150
  • AND YOUR PARENTS?
  • 00:33:56.150 --> 00:33:58.090
  • - NO DOUBT.
  • 00:34:00.120 --> 00:34:03.120
  • - AND IN SOME WAYS, WHEN YOU'RE
  • 00:34:03.120 --> 00:34:05.230
  • SHINING THE LIGHT ON THE PEOPLE
  • 00:34:05.230 --> 00:34:07.260
  • WHO ARE REALLY MAKING A
  • 00:34:07.260 --> 00:34:10.000
  • DIFFERENCE, SOMEHOW IT?
  • 00:34:10.000 --> 00:34:11.210
  • INSTINCT THAT COMES TO YOU TO
  • 00:34:11.210 --> 00:34:13.060
  • FIND PEOPLE THAT YOU WANT TO PUT
  • 00:34:13.160 --> 00:34:16.160
  • LET'S SAY ON SOMEBODY'S GOT TO
  • 00:34:16.160 --> 00:34:18.060
  • DO IT?
  • 00:34:18.060 --> 00:34:20.120
  • - I GUESS.
  • 00:34:20.120 --> 00:34:22.290
  • SOME OF IT IS INSTINCT BUT
  • 00:34:29.250 --> 00:34:32.250
  • GENUINE CURIOSITY.
  • 00:34:32.290 --> 00:34:35.290
  • IF YOU'RE GENUINE CURIOUS ABOUT
  • 00:34:35.290 --> 00:34:38.020
  • THE PERSON YOU'RE TALKING TO,
  • 00:34:38.020 --> 00:34:39.290
  • YOU'LL END UP REVEALING THINGS
  • 00:34:39.290 --> 00:34:41.010
  • ABOUT YOURSELF.
  • 00:34:41.010 --> 00:34:42.000
  • AND THE THINGS I TEN KHREU
  • 00:34:42.000 --> 00:34:43.240
  • REVEAL ABOUT MYSELF ARE THE
  • 00:34:43.240 --> 00:34:45.130
  • THINGS WE ARE TALKING ABOUT NOW.
  • 00:34:45.130 --> 00:34:47.060
  • YOU DON'T REALLY KNOW THE IMPACT
  • 00:34:47.060 --> 00:34:50.050
  • OF A GRAND FATHER UNTIL YOU'RE
  • 00:34:50.050 --> 00:34:52.040
  • OLD OR OLDER.
  • 00:34:52.040 --> 00:34:53.050
  • YOU JUST DON'T KNOW.
  • 00:34:53.050 --> 00:34:55.190
  • AND MOST OF THE BIG
  • 00:34:55.260 --> 00:34:58.260
  • INTERSECTIONS IN OUR LIVES THAT
  • 00:35:01.020 --> 00:35:04.020
  • CHANGE THE TRAJECTORY, WE DON'T
  • 00:35:04.020 --> 00:35:05.160
  • KNOW THOSE THINGS EITHER UNTIL
  • 00:35:05.160 --> 00:35:06.250
  • WE LOOK BACK AND REALIZE THE
  • 00:35:06.250 --> 00:35:08.050
  • IMPACT OF IT.
  • 00:35:08.080 --> 00:35:11.080
  • I THINK PERSONALLY, THE ABSENCE
  • 00:35:11.080 --> 00:35:13.100
  • OF GRAND FATHERS IN OUR SOCIETY
  • 00:35:15.260 --> 00:35:18.260
  • TODAY IS REALLY ONE OF THE
  • 00:35:18.260 --> 00:35:20.210
  • GREATEST HOLES.
  • 00:35:20.210 --> 00:35:22.130
  • WE TALK A LOT ABOUT THE ABSENCE
  • 00:35:22.130 --> 00:35:24.280
  • OF FATHERS AND THAT'S HUGE.
  • 00:35:24.280 --> 00:35:26.170
  • IT WOULD LEAD TO AN ABSENCE OF
  • 00:35:26.170 --> 00:35:28.180
  • GRAND FATHERS AS WELL.
  • 00:35:30.030 --> 00:35:33.030
  • YEAH I WAS SO LUCKY.
  • 00:35:33.030 --> 00:35:34.120
  • A MOM WHO CARED AND DAD ALWAYS
  • 00:35:34.120 --> 00:35:36.080
  • THERE AND HUNDRED YARDS AWAY I
  • 00:35:36.080 --> 00:35:39.070
  • HAD A GRAND MOTHER AND A GRAND
  • 00:35:39.070 --> 00:35:42.060
  • FATHER WHO WAS A GENIUS WHO ONLY
  • 00:35:43.120 --> 00:35:46.120
  • WENT TO THE SEVENTH GRADE BUT
  • 00:35:46.120 --> 00:35:49.010
  • NEVERTHELESS TRULY GENIUS.
  • 00:35:49.010 --> 00:35:51.120
  • WE REMEMBER JUST SURROUNDED BY
  • 00:35:51.120 --> 00:35:53.250
  • DIFFERENT EXAMPLES OF EXCELS.
  • 00:35:55.010 --> 00:35:58.010
  • NOTHING TYPICAL.
  • 00:36:00.230 --> 00:36:03.230
  • ALL DIFFERENT, ALL EXCELLENT.
  • 00:36:03.230 --> 00:36:05.120
  • - IF YOU WERE KROUPBLD CROWNED
  • 00:36:06.160 --> 00:36:09.160
  • KING OF THE UNITED STATES WITH A
  • 00:36:09.160 --> 00:36:11.270
  • SCEPTER, WHAT WOULD YOU DO
  • 00:36:11.270 --> 00:36:12.240
  • FIRST?
  • 00:36:12.240 --> 00:36:14.210
  • - GET MYSELF THE PROPER THRONE.
  • 00:36:14.210 --> 00:36:16.080
  • IF YOU HAVE A CROWN AND A
  • 00:36:16.080 --> 00:36:18.200
  • SCEPTER THE LAST THING YOU WANT
  • 00:36:18.200 --> 00:36:20.120
  • IS A SHAKY FOUNDATION.
  • 00:36:20.120 --> 00:36:21.250
  • I'M SURE THERE'S SOMETHING IN
  • 00:36:21.250 --> 00:36:23.020
  • THE SCRIPTURE THAT TALKS ABOUT A
  • 00:36:23.020 --> 00:36:24.070
  • FIRM TOWN DAYS.
  • 00:36:24.070 --> 00:36:26.130
  • AS KING, I WOULD GET MYSELF A
  • 00:36:26.130 --> 00:36:28.030
  • FIRM FOUNDATION.
  • 00:36:28.260 --> 00:36:31.260
  • I WOULD ALSO GET ONE OF THOSE,
  • 00:36:32.280 --> 00:36:35.280
  • SNOB ALWAYS HANG BEHIND ME A
  • 00:36:35.280 --> 00:36:38.030
  • LITTLE BIT AND WHISPER IN MY
  • 00:36:39.010 --> 00:36:42.010
  • EAR.
  • 00:36:42.010 --> 00:36:43.100
  • YOU ARE BUT A MAN.
  • 00:36:45.160 --> 00:36:48.160
  • GOT TO HAVE SOMEBODY.
  • 00:36:48.160 --> 00:36:51.140
  • MARY DOES THAT FOR ME.
  • 00:36:51.140 --> 00:36:53.100
  • PROBABLY SENDING A TEXT RIGHT
  • 00:36:53.100 --> 00:36:54.060
  • NOW.
  • 00:36:54.060 --> 00:36:55.000
  • WAITING FOR ME TO CHECK THE
  • 00:36:55.000 --> 00:36:56.040
  • PHONE.
  • 00:36:56.040 --> 00:36:57.230
  • MICHAL YOU SHOULDN'T RUN WITH
  • 00:36:58.210 --> 00:37:01.230
  • THE KING METAPHOR.
  • 00:37:09.230 --> 00:37:12.230
  • CONSTANT BRUTAL FEEDBACK.
  • 00:37:12.230 --> 00:37:14.180
  • YOU NEED TO MAKE SURE YOUR
  • 00:37:14.180 --> 00:37:17.010
  • SUBJECTS SEE YOU.
  • 00:37:19.000 --> 00:37:22.000
  • MAYBE NOT YOUR MOST VULNERABLE
  • 00:37:22.000 --> 00:37:24.260
  • STATE.
  • 00:37:26.260 --> 00:37:29.260
  • YOU'RE, IN NATURE THEY CALL IT A
  • 00:37:33.280 --> 00:37:36.280
  • SUBMISSIVE POSTURE WHERE YOU'RE
  • 00:37:36.280 --> 00:37:39.050
  • CONFRONTED WITH A PREDATOR AND
  • 00:37:39.050 --> 00:37:41.160
  • YOU KNOW YOU'LL BE EATEN.
  • 00:37:41.160 --> 00:37:43.260
  • THE ONLY SENSIBLE THING O DO IS
  • 00:37:45.190 --> 00:37:48.190
  • LIE DOWN AND EXPOSE YOUR BELLY.
  • 00:37:48.230 --> 00:37:51.230
  • I'LL NOT TRY TO RUN FROM YOU.
  • 00:37:51.230 --> 00:37:53.120
  • I ADMIT IT.
  • 00:37:53.120 --> 00:37:54.290
  • YOU'RE THE KING.
  • 00:37:54.290 --> 00:37:57.150
  • - YOU'VE DONE TOO MANY
  • 00:37:57.150 --> 00:38:00.150
  • DOCUMENTARIES.
  • 00:38:00.150 --> 00:38:02.230
  • - BEING SLOWLY EATEN BY HYENAS
  • 00:38:03.090 --> 00:38:06.090
  • AND CROCODILES I'M TELLING YOU.
  • 00:38:06.090 --> 00:38:08.150
  • IT NEVER WORKS OUT FOR THE
  • 00:38:09.280 --> 00:38:12.280
  • WILDEBEEST.
  • 00:38:14.110 --> 00:38:17.110
  • - [INAUDIBLE] GET THE
  • 00:38:17.110 --> 00:38:19.250
  • WILDEBEEST UNDER CONTROL.
  • 00:38:22.260 --> 00:38:25.260
  • - YOU'RE ASKING A SERIOUS
  • 00:38:25.260 --> 00:38:26.190
  • QUESTION.
  • 00:38:26.190 --> 00:38:27.010
  • - I KNOW YOU HAVE A SERIOUS
  • 00:38:27.140 --> 00:38:30.140
  • ANSWER TO IT.
  • 00:38:33.030 --> 00:38:36.030
  • - THEY DON'T WANT TO SEE ME
  • 00:38:38.240 --> 00:38:41.240
  • PATTING MYSELF ON THE BACK.
  • 00:38:45.290 --> 00:38:48.290
  • - A ROSE BETWEEN TWO THORNS IS
  • 00:38:48.290 --> 00:38:51.030
  • WHAT TOáEUF SAY ABOUT YOU.
  • 00:38:52.210 --> 00:38:55.210
  • - COMPLETELY REFORM EDUCATIONAL
  • 00:38:55.210 --> 00:38:56.190
  • SYSTEM.
  • 00:38:56.190 --> 00:38:57.000
  • - HOW?
  • 00:38:58.020 --> 00:39:01.040
  • - CHALLENGE PREDOMINANT IDEA
  • 00:39:01.040 --> 00:39:02.190
  • THAT FOUR YEAR DEGREE IS BEST
  • 00:39:02.190 --> 00:39:04.000
  • PATH FOR MOST PEOPLE.
  • 00:39:04.160 --> 00:39:07.160
  • HIGHER EDUCATION IS CRITICAL BUT
  • 00:39:07.160 --> 00:39:09.230
  • ONE POINT FIVE TRILLION DOLLARS
  • 00:39:09.230 --> 00:39:11.050
  • IN STUDENT LOANS ON THE BOOKS.
  • 00:39:11.050 --> 00:39:13.280
  • THOUSANDS OF COLLEGE GRADUATES
  • 00:39:13.280 --> 00:39:15.070
  • WHO CAN'T FIND WORK IN THEIR
  • 00:39:15.080 --> 00:39:18.080
  • CHOSEN FIELD AND WE HAVE PEOPLE
  • 00:39:18.080 --> 00:39:20.000
  • WHO CAN'T PAY THE MONEY BACK AND
  • 00:39:20.000 --> 00:39:21.260
  • LENDING MONEY TO KIDS WHO CAN'T
  • 00:39:21.260 --> 00:39:23.170
  • PAY THEM BACK TO TRAIN THEM FOR
  • 00:39:23.170 --> 00:39:25.140
  • JOBS THAT DON'T EXIST HIM.
  • 00:39:25.140 --> 00:39:26.160
  • ANYMORE.
  • 00:39:26.160 --> 00:39:27.240
  • THAT'S KRAEU SKAOáE.
  • 00:39:27.240 --> 00:39:30.230
  • 3.6 MILLION JOBS AVAILABLE RIGHT
  • 00:39:30.230 --> 00:39:32.060
  • NOW.
  • 00:39:32.060 --> 00:39:34.060
  • 70 PERCENT DON'T REQUIRE A FOUR
  • 00:39:34.060 --> 00:39:36.100
  • YEAR REDEGREE.
  • 00:39:36.170 --> 00:39:39.170
  • ELECTRICIANS, CARPENTERS,
  • 00:39:39.170 --> 00:39:40.210
  • WELDERS, ALL THE STUFF MY GRAND
  • 00:39:40.210 --> 00:39:42.230
  • FATHER DID INTUITIVELY.
  • 00:39:42.230 --> 00:39:45.010
  • THOSE OPPORTUNITIES TODAY ARE
  • 00:39:45.010 --> 00:39:45.270
  • SITTING THERE.
  • 00:39:45.270 --> 00:39:47.150
  • IT'S CALLED THE SKILLS GAP.
  • 00:39:47.150 --> 00:39:48.230
  • IT'S REAL.
  • 00:39:48.230 --> 00:39:51.220
  • MY FOUNDATION IS FOCUSED ON
  • 00:39:51.220 --> 00:39:54.030
  • SHINING THE LIGHT ON THOSE
  • 00:39:54.030 --> 00:39:56.280
  • OPPORTUNITY AND GETTING PEOPLE
  • 00:39:56.280 --> 00:39:57.250
  • CONNECTED OR AT LEAST ON A PATH
  • 00:39:58.040 --> 00:40:01.040
  • TO PROSPERITY.
  • 00:40:01.040 --> 00:40:03.130
  • AS KING I WOULD BACKTRACK OUGHT
  • 00:40:04.120 --> 00:40:07.120
  • THAT.
  • 00:40:07.120 --> 00:40:08.100
  • - I'M NOT GOING TO PICK ON THE
  • 00:40:09.060 --> 00:40:12.060
  • GENERATIONS BUT WE'VE GOT TO
  • 00:40:12.060 --> 00:40:13.020
  • START TPHRP.
  • 00:40:13.020 --> 00:40:15.080
  • SO YOU START WITH MAYBE THAT'S
  • 00:40:15.080 --> 00:40:17.280
  • CLEANING THE FLOORS AND MAYBE
  • 00:40:17.280 --> 00:40:19.180
  • YOU BUILD UP TO BEING THE
  • 00:40:19.180 --> 00:40:21.010
  • PRESIDENT.
  • 00:40:22.010 --> 00:40:25.010
  • WE'VE DONE EVERYTHING FROM
  • 00:40:25.010 --> 00:40:27.160
  • CLEANING THE TOILETS.
  • 00:40:27.160 --> 00:40:29.240
  • - PULLING THE CABLES.
  • 00:40:29.240 --> 00:40:32.060
  • SOMEONE HAS TO BE RETRACTING THE
  • 00:40:32.060 --> 00:40:33.200
  • CABLE THAT'S WHAT I DID FIRST
  • 00:40:33.200 --> 00:40:36.090
  • TALKING ABOUT TEN, 11, 12 YEARS
  • 00:40:36.090 --> 00:40:37.070
  • OLD.
  • 00:40:37.070 --> 00:40:38.050
  • THEN I RAN CAMERA.
  • 00:40:38.050 --> 00:40:40.130
  • THEN I FINALLY STARTED GOING TO
  • 00:40:41.000 --> 00:40:44.000
  • THE MIXING CONSOLE AND DOING
  • 00:40:44.080 --> 00:40:47.080
  • MICROPHONES AND DIRECTING AND
  • 00:40:47.080 --> 00:40:48.040
  • PRODUCING.
  • 00:40:50.230 --> 00:40:53.230
  • I JUST DONE.
  • 00:40:53.230 --> 00:40:55.020
  • - FIRST OF ALL, I THINK IT'S
  • 00:40:55.160 --> 00:40:58.160
  • GREAT YOU SAID, WE'RE NOT GOING
  • 00:40:58.160 --> 00:41:00.230
  • TO PICK ON THIS GENERATION.
  • 00:41:00.230 --> 00:41:01.230
  • - NOT AT ALL.
  • 00:41:01.230 --> 00:41:03.190
  • - THE REASON WE SHOULDN'T.
  • 00:41:04.040 --> 00:41:07.040
  • WE RAISED THEM.
  • 00:41:07.040 --> 00:41:09.190
  • SO WHATEVER SAFE SPACE NONSENSE
  • 00:41:09.190 --> 00:41:11.250
  • GOING ON IN THE UNIVERSITIES,
  • 00:41:12.100 --> 00:41:15.100
  • THE CRYING CLOSETS SET UP, THIS
  • 00:41:21.180 --> 00:41:24.180
  • INCREDIBLE THE EXPECTATIONS.
  • 00:41:24.180 --> 00:41:26.180
  • WE'RE NOT PREPARING KIDS FOR THE
  • 00:41:27.190 --> 00:41:30.190
  • REAL WORLD IS MY VIEW.
  • 00:41:30.190 --> 00:41:32.050
  • I THINK PART OF THE REASONS
  • 00:41:32.050 --> 00:41:34.090
  • WE'RE CREATING THE ONLY CALLS
  • 00:41:34.090 --> 00:41:36.260
  • FOR OURSELF IS WE'RE KNOCKING
  • 00:41:36.290 --> 00:41:39.290
  • THE LOWER RUNGS.
  • 00:41:39.290 --> 00:41:41.230
  • IF YOU DIDN'T PULL CABLE FIRST,
  • 00:41:41.230 --> 00:41:43.230
  • IF YOU DIDN'T LEARN THE EDITING
  • 00:41:43.230 --> 00:41:45.260
  • PROCESS SECOND.
  • 00:41:45.260 --> 00:41:46.290
  • IF YOU DIDN'T WORK YOUR WAY UP
  • 00:41:47.250 --> 00:41:50.250
  • HOW DO YOU CLIMB THE LADDER, THE
  • 00:41:51.240 --> 00:41:54.240
  • LOWER RUNGS ARE THE MOST
  • 00:41:54.240 --> 00:41:55.210
  • IMPORTANT RUNGS.
  • 00:41:55.210 --> 00:41:57.050
  • NOT TO MAKE THIS POLITICAL BUT
  • 00:41:57.050 --> 00:41:59.110
  • WHEN PEOPLE HAVE CONVERSATION
  • 00:41:59.110 --> 00:42:01.130
  • ABOUT RAISING THE MINIMUM WAGE
  • 00:42:01.130 --> 00:42:02.220
  • TO A PLACE WHERE A COMPANY LIKE
  • 00:42:04.150 --> 00:42:07.150
  • MCDONALD'S MIGHT ELIMINATE
  • 00:42:07.150 --> 00:42:08.130
  • COUNTER SERVICE IN FAVOR OF
  • 00:42:08.130 --> 00:42:11.100
  • AUTOMATION YOU JUST KNOCKED THE
  • 00:42:11.100 --> 00:42:12.060
  • RUNG OFF.
  • 00:42:12.060 --> 00:42:13.150
  • AND IT MAKES IT HARDER TO CLIMB.
  • 00:42:13.220 --> 00:42:16.220
  • THE FIRST THING YOU HAVE TO DO
  • 00:42:16.220 --> 00:42:19.080
  • IS JUMP AND HOIST YOURSELF UP.
  • 00:42:19.080 --> 00:42:21.040
  • IT'S THE BEGINNING JOBS.
  • 00:42:22.270 --> 00:42:25.270
  • THAT MIGHT NOT PAY GREAT.
  • 00:42:26.120 --> 00:42:29.120
  • THEY'RE NOT SUPPOSED TO PAY
  • 00:42:29.120 --> 00:42:30.060
  • GREAT.
  • 00:42:30.060 --> 00:42:31.060
  • THEY'RE SUPPOSED TO BE PARTTIME.
  • 00:42:31.060 --> 00:42:32.250
  • THEY'RE SUPPOSED TO BE THE
  • 00:42:32.250 --> 00:42:34.010
  • OPPORTUNITIES THAT TEACH YOU TO
  • 00:42:34.010 --> 00:42:34.280
  • CLIMB.
  • 00:42:35.090 --> 00:42:38.090
  • NOT A DESTINATION.
  • 00:42:38.090 --> 00:42:40.230
  • NOT THAT THERE'S ANYTHING WRONG
  • 00:42:40.230 --> 00:42:43.050
  • WITH PULLING CABLE YOUR WHOLE
  • 00:42:43.050 --> 00:42:44.010
  • LIFE.
  • 00:42:44.010 --> 00:42:44.270
  • BUT THERE'S A BETTER WAY, IN MY
  • 00:42:44.270 --> 00:42:45.290
  • VIEW.
  • 00:42:45.290 --> 00:42:46.260
  • AND THERE'S A PATH TO
  • 00:42:46.260 --> 00:42:48.110
  • PROSPERITY.
  • 00:42:48.150 --> 00:42:51.150
  • A SKILL IS ALMOST ALWAYS A PART
  • 00:42:51.150 --> 00:42:53.010
  • OF THAT PATH.
  • 00:42:53.010 --> 00:42:54.100
  • SO WHEN WE LET THE SKILLS GAP
  • 00:42:54.100 --> 00:42:56.120
  • WIDE TONE WIDEN TO THE POINT IT
  • 00:42:59.070 --> 00:43:02.090
  • IS AND DEVALUE MASTERING A
  • 00:43:02.090 --> 00:43:04.040
  • SKILL, ULTIMATELY I THINK WHAT
  • 00:43:04.040 --> 00:43:05.290
  • WE WIND UP DOING IS
  • 00:43:05.290 --> 00:43:08.020
  • DE-EMPHASIZING THE VERY THINGS
  • 00:43:08.020 --> 00:43:09.270
  • WE OUGHT TO BE EMPHASIZING AND
  • 00:43:11.140 --> 00:43:14.140
  • CREATING FOR OURSELVES THE EXACT
  • 00:43:14.140 --> 00:43:15.230
  • DILEMMA WE HAVE RIGHT NOW.
  • 00:43:16.160 --> 00:43:19.160
  • - DESPISE NOT THE SMALL BEGINS.
  • 00:43:19.280 --> 00:43:22.280
  • - DESPISE NOT SMALL BEGINNINGS.
  • 00:43:22.280 --> 00:43:25.280
  • - DON'T DESPISE SMALL
  • 00:43:25.280 --> 00:43:26.200
  • BEGINNINGS.
  • 00:43:26.200 --> 00:43:29.080
  • - DON'T DESPISE SMALL
  • 00:43:29.080 --> 00:43:30.000
  • BEGINNINGS.
  • 00:43:30.000 --> 00:43:30.230
  • - THE BIBLE IS ALWAYS TALKING
  • 00:43:30.230 --> 00:43:33.060
  • ABOUT THE SEED THAT GROWS.
  • 00:43:33.080 --> 00:43:36.080
  • - ECCLESIASTES SAYS, UNDER
  • 00:43:36.080 --> 00:43:37.100
  • HEAVEN, THERE'S ALWAYS A SEED
  • 00:43:37.100 --> 00:43:38.080
  • TIME AND HARVEST.
  • 00:43:38.230 --> 00:43:41.230
  • AND WHAT OFTENTIMES GETS
  • 00:43:41.230 --> 00:43:43.170
  • THEOLOGIANS IN TROUBLE, THEY TRY
  • 00:43:43.170 --> 00:43:45.150
  • TO SHORTEN THE GAP AND MAKE A
  • 00:43:45.150 --> 00:43:46.230
  • SHORTCUT.
  • 00:43:46.230 --> 00:43:47.170
  • TO EVERYTHING THERE IS A SEASON.
  • 00:43:47.170 --> 00:43:50.050
  • YOU KNOW, SEED TIME AND HARVEST.
  • 00:43:50.050 --> 00:43:51.220
  • PLANTING AND REAPING.
  • 00:43:51.220 --> 00:43:52.230
  • SOWING AND REAPING.
  • 00:43:52.230 --> 00:43:54.160
  • AND SO THERE'S A PATTERN TO
  • 00:43:54.160 --> 00:43:55.280
  • LIFE.
  • 00:43:55.280 --> 00:43:57.090
  • AND SOMEHOW WE SCREWED THAT UP.
  • 00:43:58.040 --> 00:44:01.060
  • AND SCRIPTURE AND ANCIENT
  • 00:44:01.060 --> 00:44:02.060
  • SCRIPTURE THAT WAS WRITTEN
  • 00:44:02.060 --> 00:44:03.130
  • THOUSANDS OF YEARS AGO HAD IT
  • 00:44:03.130 --> 00:44:04.280
  • RIGHT.
  • 00:44:04.280 --> 00:44:06.010
  • THERE IS A TIME TO SOW, A TIME
  • 00:44:06.010 --> 00:44:07.220
  • TO REAP.
  • 00:44:07.220 --> 00:44:09.020
  • A TIME TO MOURN.
  • 00:44:09.020 --> 00:44:10.100
  • A TIME FOR JOY.
  • 00:44:10.100 --> 00:44:12.080
  • SO IT'S SAYING LIFE IS GOING TO
  • 00:44:12.080 --> 00:44:14.170
  • HAVE THESE, YOU KNOW, THESE
  • 00:44:14.170 --> 00:44:17.110
  • SEASONAL ASPECT AND ANYONE THAT
  • 00:44:18.250 --> 00:44:21.250
  • TRIES TO SHORTCUT.
  • 00:44:21.250 --> 00:44:24.010
  • - SHORTCUTS LEAD TO LONG
  • 00:44:24.010 --> 00:44:26.210
  • DELAYS, UNSTABLE THRONES.
  • 00:44:26.210 --> 00:44:28.090
  • MY GRAND DAD SAID THAT ALL THE
  • 00:44:28.090 --> 00:44:29.220
  • TIME.
  • 00:44:29.280 --> 00:44:32.280
  • DELAYED GRATIFICATION HAS TO BE
  • 00:44:32.280 --> 00:44:35.090
  • TAUGHT AND CELEBRATED.
  • 00:44:35.090 --> 00:44:36.000
  • I DON'T KNOW IF WE REMEDY ON
  • 00:44:36.000 --> 00:44:38.180
  • THIS BEFORE BUT AMERICAN IDOL
  • 00:44:38.180 --> 00:44:40.130
  • WAS FASCINATING TO ME BECAUSE IT
  • 00:44:40.130 --> 00:44:41.250
  • SHOWED THE LEVEL OF IMPATIENCE.
  • 00:44:42.260 --> 00:44:45.260
  • WE WANT THE CELEBRITY.
  • 00:44:45.260 --> 00:44:46.290
  • WE WANT THE FAME.
  • 00:44:46.290 --> 00:44:49.160
  • YOU CAN TALK ABOUT THAT FOR DAYS
  • 00:44:49.160 --> 00:44:51.290
  • BUT AMERICAN IDOL PROVES YOU
  • 00:44:51.290 --> 00:44:52.260
  • WANT IT RIGHT NOW.
  • 00:44:52.260 --> 00:44:55.150
  • AND THOSE THREE THINGS TOGETHER
  • 00:44:55.150 --> 00:44:58.070
  • ARE KIND OF TOXIC.
  • 00:44:58.070 --> 00:44:59.280
  • ALSO SHOWED US IN EARLY EPISODES
  • 00:45:00.280 --> 00:45:03.280
  • JUST WHAT HAPPENS WHEN WE TELL
  • 00:45:03.280 --> 00:45:06.240
  • KIDS TO FOLLOW THEIR PASSION
  • 00:45:06.240 --> 00:45:09.010
  • OPPOSED TO BRING THEIR PASSION
  • 00:45:09.010 --> 00:45:09.270
  • WITH THEM.
  • 00:45:09.270 --> 00:45:11.170
  • EPISODES WHERE 22 YEAR OLDS ARE
  • 00:45:12.120 --> 00:45:15.120
  • SUDDENLY AUDITIONING FOR
  • 00:45:15.120 --> 00:45:17.030
  • AMERICAN IDOL AND REALIZEING FOR
  • 00:45:17.030 --> 00:45:18.010
  • THE FIRST TIME IN THEIR LIFE,
  • 00:45:18.010 --> 00:45:19.150
  • THEY CAN'T SING.
  • 00:45:19.150 --> 00:45:20.070
  • THEY'RE NOT GOOD.
  • 00:45:20.070 --> 00:45:20.240
  • RIGHT?
  • 00:45:20.240 --> 00:45:23.030
  • THERE'S NOTHING WRONG WITH NOT
  • 00:45:23.030 --> 00:45:24.010
  • BEING ABLE TO SING.
  • 00:45:24.010 --> 00:45:26.290
  • MOST PEOPLE REALLY CAN'T CARRY A
  • 00:45:26.290 --> 00:45:28.030
  • BUCKET.
  • 00:45:28.030 --> 00:45:30.000
  • BUT BE 22 YEARS OLD AND FIND OUT
  • 00:45:30.000 --> 00:45:32.220
  • ON NATIONAL TELEVISION THAT YOU
  • 00:45:32.220 --> 00:45:34.140
  • STINK, THAT'S AMAZING TO ME.
  • 00:45:34.140 --> 00:45:35.280
  • BECAUSE THEY'VE BEEN TOLD FROM
  • 00:45:35.280 --> 00:45:37.130
  • THE JUMP, FOLLOW THAT DREAM.
  • 00:45:37.130 --> 00:45:38.200
  • FOLLOW THAT PASSION.
  • 00:45:38.200 --> 00:45:40.020
  • IT'S ALL GOING TO WORK OUT FOR
  • 00:45:40.020 --> 00:45:41.020
  • YOU.
  • 00:45:41.020 --> 00:45:42.090
  • UNLESS IT DOESN'T.
  • 00:45:44.050 --> 00:45:47.050
  • SO 6.3 MILLION AVAILABLE JOBS.
  • 00:45:47.050 --> 00:45:48.140
  • WHAT ELSE DO YOU NEED TO KNOW
  • 00:45:48.140 --> 00:45:50.220
  • ABOUT THE EXISTENCE OF
  • 00:45:50.220 --> 00:45:51.270
  • OPPORTUNITY?
  • 00:45:51.270 --> 00:45:53.020
  • - SOMEBODY'S GOT TO DO IT.
  • 00:45:53.070 --> 00:45:56.070
  • IT'S WHAT YOU SAY WHEN YOU LOOK
  • 00:45:56.070 --> 00:45:58.230
  • AROUND AND SEE SOMEBODY DOING
  • 00:45:58.230 --> 00:46:00.080
  • SOMETHING THAT'S GOT TO BE DONE
  • 00:46:00.080 --> 00:46:02.040
  • OR YOU FIND A PERSON WHO IS
  • 00:46:02.040 --> 00:46:04.270
  • SIMPLY SO PASSIONATE AND SO
  • 00:46:04.270 --> 00:46:07.220
  • PURPOSE-DRIVEN THAT THEY HAVE NO
  • 00:46:07.220 --> 00:46:08.280
  • CHOICE BUT NOT TO DO THE THING
  • 00:46:08.280 --> 00:46:10.140
  • THEY DO.
  • 00:46:21.050 --> 00:46:24.050
  • - WOULD YOU ACCEPT SECRETARY OF
  • 00:46:24.050 --> 00:46:25.290
  • EDUCATION?
  • 00:46:25.290 --> 00:46:27.200
  • WOULD YOU ACCEPT THAT JOB?
  • 00:46:27.200 --> 00:46:28.250
  • - IN LIEU OF MY KINGSHIP?
  • 00:46:28.250 --> 00:46:31.060
  • I JUST WANT TO BE CLEAR.
  • 00:46:31.060 --> 00:46:33.210
  • IF I TAKE THE SECRETARY OF
  • 00:46:33.210 --> 00:46:35.250
  • EDUCATION, WHAT DOES THIS DO FOR
  • 00:46:35.250 --> 00:46:38.040
  • MY CHANCE OF KING?
  • 00:46:38.040 --> 00:46:39.120
  • - THAT CHAIR ALWAYS HAS YOUR
  • 00:46:39.120 --> 00:46:40.200
  • NAME ON IT.
  • 00:46:43.130 --> 00:46:46.130
  • CHANGE THE CUSHION RED OR
  • 00:46:46.130 --> 00:46:48.020
  • SOMETHING.
  • 00:46:48.020 --> 00:46:49.100
  • - WE'RE NOT TALKING ABOUT
  • 00:46:49.100 --> 00:46:50.030
  • TODAY.
  • 00:46:50.030 --> 00:46:52.240
  • I JUST MEAN IN GENERAL, LET'S
  • 00:46:52.240 --> 00:46:55.000
  • SAY I'M Pá OF THE UNITED STATES
  • 00:46:55.000 --> 00:46:56.240
  • AND I ASKED YOU, ONE OF YOUR
  • 00:46:56.240 --> 00:46:58.260
  • FRIENDS TO BE SECRETARY OF
  • 00:46:58.260 --> 00:47:00.230
  • EDUCATION, WOULD YOU DO IT?
  • 00:47:00.230 --> 00:47:01.160
  • - NO.
  • 00:47:01.160 --> 00:47:03.160
  • - YEAH YOU WOULD, YOU WOULD DO
  • 00:47:03.160 --> 00:47:04.190
  • IT.
  • 00:47:04.190 --> 00:47:05.070
  • - I WOULD DO IT IF I THOUGHT I
  • 00:47:05.070 --> 00:47:07.260
  • COULD MOVE THE NEEDLE.
  • 00:47:11.150 --> 00:47:14.150
  • MODEST TEE ASIDE I THINK I'M
  • 00:47:14.150 --> 00:47:16.080
  • MOVING THE NEEDLE RIGHT NOW AND
  • 00:47:16.090 --> 00:47:19.090
  • GONE TO CONGRESS.
  • 00:47:19.090 --> 00:47:21.110
  • - IF YOU CAN STILL BE ON TBN.
  • 00:47:21.110 --> 00:47:24.000
  • - THE SATELLITE YOU CAN NOW EAT
  • 00:47:24.080 --> 00:47:27.080
  • OFF OF BY THE WAY.
  • 00:47:27.080 --> 00:47:28.270
  • LOOK, I'M HERE TO SERVE.
  • 00:47:28.270 --> 00:47:29.180
  • RIGHT?
  • 00:47:30.020 --> 00:47:33.020
  • AND IF I HONESTLY THOUGHT I
  • 00:47:33.050 --> 00:47:36.050
  • COULD SERVE EFFECTIVELY IN
  • 00:47:36.050 --> 00:47:37.170
  • POLITICS, BUT I ACTUALLY MIGHT
  • 00:47:37.170 --> 00:47:38.140
  • CONSIDER IT.
  • 00:47:38.140 --> 00:47:40.010
  • BUT I'VE SEEN WHAT'S HAPPENED
  • 00:47:40.010 --> 00:47:43.010
  • WITH MY LITTLE FOUNDATION OVER
  • 00:47:43.010 --> 00:47:44.050
  • PAST TEN YEARS.
  • 00:47:44.050 --> 00:47:45.280
  • LOOK, I'M SELFISH IN THE FACT I
  • 00:47:45.280 --> 00:47:48.170
  • WANT, I WANT TO MOVE THE NEEDLE.
  • 00:47:48.170 --> 00:47:51.040
  • SO IF I CAN, I JUST DID AN
  • 00:47:51.160 --> 00:47:54.160
  • INTERVIEW YESTERDAY WITH THE KID
  • 00:47:54.160 --> 00:47:56.010
  • NAMED...
  • 00:47:56.010 --> 00:47:58.250
  • WHO APPLIED FOR WORK ETHIC
  • 00:47:58.250 --> 00:48:00.100
  • SCHOLARSHIP FIVE YEARS AGO.
  • 00:48:00.100 --> 00:48:02.020
  • AND TODAY DOWN IN SAN DIEGO IS
  • 00:48:02.020 --> 00:48:04.240
  • WORKING FOR A COMPANY CALLED HOW
  • 00:48:04.240 --> 00:48:05.260
  • PLUMBING.
  • 00:48:05.260 --> 00:48:07.010
  • HE'S GOT FIVE YEARS OF PLUMBING.
  • 00:48:07.010 --> 00:48:08.030
  • NO DEBT.
  • 00:48:08.030 --> 00:48:10.090
  • MAKING A TERRIFIC SALARY.
  • 00:48:10.090 --> 00:48:11.230
  • HE LOVES HIS JOB.
  • 00:48:11.230 --> 00:48:13.210
  • I SPENT LESS THAN TWO THOUSAND
  • 00:48:13.210 --> 00:48:15.020
  • DOLLARS ON THAT KID.
  • 00:48:15.020 --> 00:48:17.210
  • AND HIS BOSS SPENT ABOUT THE
  • 00:48:17.210 --> 00:48:19.170
  • SAME TO MAKE SURE HE WAS
  • 00:48:19.170 --> 00:48:20.180
  • TRAINED.
  • 00:48:20.290 --> 00:48:23.290
  • FOR LESS THAN $5.000 WE INVESTED
  • 00:48:25.260 --> 00:48:28.260
  • IN A GUY WHO DEMONSTRATIVELY
  • 00:48:28.260 --> 00:48:30.200
  • PROVED HIS WORK ETHIC AND HIS
  • 00:48:32.040 --> 00:48:35.040
  • CURIOSITY AND HIS DESIRE TO
  • 00:48:35.040 --> 00:48:35.280
  • LEARN A SKILL?
  • 00:48:35.280 --> 00:48:36.290
  • DEMAND.
  • 00:48:36.290 --> 00:48:37.220
  • NO MONEY.
  • 00:48:37.220 --> 00:48:39.050
  • PAID OFF INSTANTLY.
  • 00:48:39.050 --> 00:48:41.040
  • HE'S A CRITICAL EMPLOYEE OVER
  • 00:48:41.040 --> 00:48:42.000
  • THERE.
  • 00:48:42.000 --> 00:48:42.210
  • NOW.
  • 00:48:44.000 --> 00:48:47.000
  • SO, IF SECRETARY OF EDUCATION I
  • 00:48:47.000 --> 00:48:48.080
  • COULD DO SOMETHING TO HELP THAT
  • 00:48:48.080 --> 00:48:50.010
  • KID, THEN I WOULD.
  • 00:48:50.130 --> 00:48:53.130
  • BUT IF A TKPWHAOEU RUNS A
  • 00:48:54.150 --> 00:48:57.150
  • FOUNDATION MICRO WORKS I'M VERY
  • 00:48:57.150 --> 00:48:58.210
  • HAPPY.
  • 00:48:58.210 --> 00:48:59.250
  • MACRO WORKS.
  • 00:48:59.250 --> 00:49:01.170
  • I'M MICRO WORKS.
  • 00:49:01.170 --> 00:49:03.180
  • - LET'S CELEBRATE YOUR
  • 00:49:03.180 --> 00:49:06.060
  • APPOINTMENT OF SECRETARY OF
  • 00:49:06.060 --> 00:49:07.010
  • EDUCATION.
  • 00:49:07.010 --> 00:49:09.090
  • - AND YOU'RE PRESIDENT.
  • 00:49:09.090 --> 00:49:10.190
  • - LAST TWO THINGS.
  • 00:49:10.190 --> 00:49:12.020
  • DO YOU WANT SOME WATER?
  • 00:49:12.020 --> 00:49:13.080
  • YOU OKAY?
  • 00:49:13.080 --> 00:49:15.010
  • - I'M GOOD, THANK YOU.
  • 00:49:16.150 --> 00:49:19.150
  • - THAT'S REAL ALGAE.
  • 00:49:19.150 --> 00:49:21.180
  • - THAT'S REAL ALGAE.
  • 00:49:21.180 --> 00:49:23.100
  • - GET OUT OF HERE.
  • 00:49:23.100 --> 00:49:25.130
  • - DON'T TASTE IT, OKAY?
  • 00:49:25.130 --> 00:49:26.050
  • NO!
  • 00:49:26.050 --> 00:49:28.060
  • - BRING IT OVER.
  • 00:49:28.100 --> 00:49:31.100
  • I KNOW REAL ALGAE.
  • 00:49:32.260 --> 00:49:35.260
  • - YEP, THAT'S REAL ALGAE.
  • 00:49:35.260 --> 00:49:37.260
  • - DEAR, THIS IS AWKWARD.
  • 00:49:37.260 --> 00:49:39.070
  • WE'LL HAVE TO GO TO COMMERCIAL.
  • 00:49:41.290 --> 00:49:44.290
  • - OKAY.
  • 00:49:46.160 --> 00:49:49.160
  • - [INAUDIBLE].
  • 00:49:49.160 --> 00:49:50.170
  • - THERE YOU GO.
  • 00:49:50.170 --> 00:49:52.150
  • THAT'S SCIENCE RIGHT THERE,
  • 00:49:52.150 --> 00:49:53.100
  • FOLKS.
  • 00:49:53.100 --> 00:49:53.200
  • I LIKE IT.
  • 00:49:53.200 --> 00:49:54.180
  • - OKAY.
  • 00:49:54.180 --> 00:49:56.110
  • WHERE DID YOU GET THAT, PAUL,
  • 00:49:56.110 --> 00:49:58.100
  • FOR REAL?
  • 00:49:58.100 --> 00:49:59.170
  • WHERE IS PAUL?
  • 00:50:00.230 --> 00:50:03.230
  • WHAT CREEK?
  • 00:50:03.230 --> 00:50:06.050
  • THAT'S REAL.
  • 00:50:06.050 --> 00:50:07.250
  • - I NEVER KNOW WHAT WILL
  • 00:50:07.250 --> 00:50:09.200
  • HAPPEN?
  • 00:50:11.230 --> 00:50:14.230
  • - WHAT DO YOU WANT OUR VIEWERS
  • 00:50:16.050 --> 00:50:19.050
  • TO EXPERIENCE AFTER WATCHING AN
  • 00:50:19.050 --> 00:50:20.220
  • EPISODE OF SOMEBODY'S GOT TO DO
  • 00:50:20.220 --> 00:50:21.280
  • IT?
  • 00:50:21.280 --> 00:50:22.200
  • - I WANT YOU TO FEEL SLIGHTLY
  • 00:50:22.200 --> 00:50:25.100
  • BETTER ABOUT THE WORLD YOU'RE
  • 00:50:25.100 --> 00:50:26.060
  • IN.
  • 00:50:26.060 --> 00:50:27.150
  • BETTER ABOUT THE SPECIES TO
  • 00:50:27.150 --> 00:50:28.130
  • WHICH YOU BELONG.
  • 00:50:28.130 --> 00:50:30.240
  • AND GENTLY REMINDED THAT THE
  • 00:50:30.240 --> 00:50:33.080
  • BEST PART OF OUR SOCIETY IS DE
  • 00:50:33.200 --> 00:50:36.200
  • FIND BY PEOPLE WHO WAKE UP A
  • 00:50:36.200 --> 00:50:38.180
  • LITTLE AGITATED BECAUSE THE
  • 00:50:38.180 --> 00:50:40.020
  • WORLD IS NOT EITHER EXACTLY THE
  • 00:50:40.020 --> 00:50:42.000
  • WAY THEY WANT IT OR THEY LOVE
  • 00:50:42.000 --> 00:50:43.250
  • WHAT THEY DO SO MUCH THEY CAN'T
  • 00:50:43.250 --> 00:50:45.270
  • WAIT TO GET STARTED.
  • 00:50:45.270 --> 00:50:47.140
  • THE IDEA YOU CAN TPAOEUPLD
  • 00:50:47.140 --> 00:50:48.220
  • PASSION IN ANYTHING.
  • 00:50:49.080 --> 00:50:52.080
  • - TELL US SOMETHING THAT WE
  • 00:50:52.080 --> 00:50:54.080
  • DON'T KNOW ABOUT YOU?
  • 00:50:55.050 --> 00:50:58.050
  • - I DON'T KNOW.
  • 00:50:59.200 --> 00:51:02.220
  • - I'LL HOLD YOUR MOM'S BOOK UP
  • 00:51:02.220 --> 00:51:04.210
  • ONE MORE TIME WHILE YOU'RE
  • 00:51:04.210 --> 00:51:06.180
  • THINKING ABOUT THAT.
  • 00:51:06.180 --> 00:51:08.040
  • - WE'RE SETTING UP A TIME FOR
  • 00:51:08.040 --> 00:51:10.230
  • MISS PEGGY.
  • 00:51:10.230 --> 00:51:12.130
  • AND YOUR DAD TO COME.
  • 00:51:12.150 --> 00:51:15.150
  • - THAT'S SO SWEET OF YOU.
  • 00:51:15.160 --> 00:51:18.160
  • THANK YOU FOR LETTING ME HAVE MY
  • 00:51:18.160 --> 00:51:19.240
  • MOTHERS BOOK.
  • 00:51:20.030 --> 00:51:23.030
  • I'VE NEVER PUBLISHED A BOOK
  • 00:51:23.030 --> 00:51:23.280
  • BEFORE.
  • 00:51:23.280 --> 00:51:25.160
  • I'M NOT IN IT.
  • 00:51:25.160 --> 00:51:26.210
  • - THAT WAS A VERY GOOD SPOT
  • 00:51:27.200 --> 00:51:30.200
  • OVER THERE ON THE GREEN SCREEN.
  • 00:51:30.200 --> 00:51:33.190
  • SOMETHING ABOUT YOU WE DON'T
  • 00:51:33.190 --> 00:51:34.140
  • KNOW.
  • 00:51:34.140 --> 00:51:35.190
  • - THE THING IS, I'M KIND OF AN
  • 00:51:35.190 --> 00:51:38.010
  • OPEN BOOK.
  • 00:51:38.010 --> 00:51:39.070
  • - COME ON.
  • 00:51:39.070 --> 00:51:41.210
  • - YOU HAVE ISSUES.
  • 00:51:41.210 --> 00:51:42.180
  • - I KNOW.
  • 00:51:42.180 --> 00:51:45.120
  • - DO YOU LIKE CHOCOLATE?
  • 00:51:45.120 --> 00:51:46.220
  • - I LIKE ALL FOOD.
  • 00:51:46.220 --> 00:51:49.020
  • - HE JUST LOST 30 POUNDS.
  • 00:51:49.020 --> 00:51:51.100
  • - THERE'S NOT A SINGLE FOOD I
  • 00:51:51.100 --> 00:51:54.080
  • DON'T ENJOY, HONESTLY.
  • 00:51:54.080 --> 00:51:55.100
  • OKAY.
  • 00:51:56.170 --> 00:51:59.170
  • WATCHING THAT BIOGRAPHY JUST NOW
  • 00:52:01.080 --> 00:52:04.080
  • THAT PROMO YOU PUT TOGETHER VERY
  • 00:52:04.080 --> 00:52:06.200
  • VERY DIFFICULT FOR ME.
  • 00:52:06.200 --> 00:52:07.110
  • - ALL RIGHT.
  • 00:52:07.110 --> 00:52:09.040
  • NOW WE'RE GETTING SOMEWHERE.
  • 00:52:09.040 --> 00:52:11.070
  • - WATCHING MYSELF ON TELEVISION
  • 00:52:12.010 --> 00:52:15.010
  • IS EASY BUT NOT WHEN OTHER
  • 00:52:15.010 --> 00:52:17.140
  • PEOPLE ARE WATCHING ME WITH ME.
  • 00:52:18.030 --> 00:52:21.030
  • AND I DON'T REALLY KNOW WHY.
  • 00:52:21.030 --> 00:52:23.120
  • I'VE BEEN ON TV A LONG, LONG
  • 00:52:23.120 --> 00:52:25.020
  • TIME.
  • 00:52:25.020 --> 00:52:26.250
  • IF I'M IN A BAR AND LOOK UP, IF
  • 00:52:26.250 --> 00:52:29.250
  • I'M IN A RESTAURANT AND LOOK UP
  • 00:52:35.050 --> 00:52:38.050
  • AND SEE MYSELF ON, I FIND MYSELF
  • 00:52:38.050 --> 00:52:41.040
  • BLUSHING AND LOOKING FOR AN EXIT
  • 00:52:41.040 --> 00:52:42.280
  • AND I CAN'T REALLY SQUARE IT.
  • 00:52:42.280 --> 00:52:44.260
  • EXCEPT IF I WOULD REALLY PUT
  • 00:52:45.270 --> 00:52:48.270
  • MYSELF ON THE COUCH I WOULD SAY
  • 00:52:48.270 --> 00:52:51.020
  • THAT I SPENT A LOT OF TIME
  • 00:52:52.290 --> 00:52:55.290
  • FEELING VAGUELY FRAUDULENT ABOUT
  • 00:52:55.290 --> 00:52:56.250
  • MY CAREER.
  • 00:52:56.250 --> 00:52:57.080
  • I DON'T ANYMORE.
  • 00:52:57.080 --> 00:52:58.100
  • BUT FOR A LONG TIME I DID.
  • 00:52:58.100 --> 00:53:00.220
  • BECAUSE I WOULD SEE MYSELF UP
  • 00:53:00.220 --> 00:53:02.090
  • THERE.
  • 00:53:02.090 --> 00:53:04.230
  • I USED TO DO THE THING CALLED
  • 00:53:04.230 --> 00:53:07.010
  • THE PLAQUE TEST.
  • 00:53:07.050 --> 00:53:10.050
  • IF I WAS WORKING FOR HISTORY
  • 00:53:10.050 --> 00:53:12.020
  • CHANNEL AND I LOOKED AT THE
  • 00:53:12.020 --> 00:53:13.230
  • PLAQUE ON THE BOTTOM OF THE
  • 00:53:13.230 --> 00:53:16.130
  • STATUE I WOULD MEMORIZE IT AND
  • 00:53:16.130 --> 00:53:18.120
  • LOOK AT THE CAMERA AND TELL YOU
  • 00:53:18.120 --> 00:53:20.160
  • EVERYTHING I MEMORIZED AS IF I
  • 00:53:20.160 --> 00:53:22.250
  • KNEW IT BUT I REALLY DIDN'T.
  • 00:53:22.250 --> 00:53:24.140
  • PART OF ME WHEN I SEE MYSELF ON
  • 00:53:24.160 --> 00:53:27.160
  • TV I SAY TO MYSELF, WHO DOES HE
  • 00:53:28.150 --> 00:53:31.150
  • THINK HE'S KIDDING?
  • 00:53:32.240 --> 00:53:35.240
  • AND I'M USUALLY KIDDING ME.
  • 00:53:35.240 --> 00:53:37.190
  • IF YOU'RE NOT LAUGHING THE JOKE
  • 00:53:37.190 --> 00:53:38.240
  • IS ON YOU.
  • 00:53:38.240 --> 00:53:40.170
  • - FINAL THOUGHT IS YOURS.
  • 00:53:40.170 --> 00:53:42.030
  • FOR SOMEBODY'S GOT TO DO IT.
  • 00:53:42.030 --> 00:53:44.020
  • - THANK YOU FOR GIVING IT A
  • 00:53:44.020 --> 00:53:45.210
  • HOME.
  • 00:53:45.210 --> 00:53:47.190
  • I WOULD LOVE TO GO BACK INTO
  • 00:53:47.190 --> 00:53:49.240
  • PRODUCTION FOR SOME MORE.
  • 00:53:49.240 --> 00:53:51.040
  • I'LL JUST SAY THAT OUT LOUD.
  • 00:53:51.040 --> 00:53:52.090
  • YOU KNOW?
  • 00:53:52.090 --> 00:53:54.240
  • EVENTUALLY RUN OUT OF JOBS BUT
  • 00:53:54.240 --> 00:53:56.140
  • YOU WON'T RUN OUT OF PEOPLE.
  • 00:53:56.140 --> 00:53:58.170
  • THE COUNTRY IS FULL OF THEM THAT
  • 00:53:58.170 --> 00:54:00.150
  • ARE WORTH KNOWING.
  • 00:54:00.230 --> 00:54:03.230
  • I'M STILL DOING.
  • 00:54:03.230 --> 00:54:05.070
  • I'M PROUD OF THIS AND I'LL LEAVE
  • 00:54:05.070 --> 00:54:06.160
  • YOU WITH THIS.
  • 00:54:06.160 --> 00:54:08.170
  • I'M STILL WORKING IN THIS
  • 00:54:08.170 --> 00:54:10.160
  • INDUSTRY IN A WAIL WHERE THE
  • 00:54:11.180 --> 00:54:14.180
  • WORD REALITY IS LITERALLY REAL
  • 00:54:14.180 --> 00:54:16.030
  • WEFPLT DON'T DO SECOND TAKES.
  • 00:54:16.030 --> 00:54:17.250
  • WE DON'T HIGHER ACTORS.
  • 00:54:17.250 --> 00:54:20.140
  • WE DON'T SCRIPT ANYTHING OUT.
  • 00:54:20.140 --> 00:54:22.250
  • - AS WE'VE PROVEN TODAY.
  • 00:54:22.250 --> 00:54:24.000
  • - I LOVE WHAT YOU GUYS DO, I
  • 00:54:24.080 --> 00:54:27.080
  • LOVE HOW YOU DO IT.
  • 00:54:27.080 --> 00:54:29.090
  • YOU ARE SOMEBODY'S THAT'S GOT TO
  • 00:54:29.090 --> 00:54:30.060
  • DO IT.
  • 00:54:30.060 --> 00:54:31.030
  • YOU'VE DONE IT FOR A LONG TIME.
  • 00:54:31.030 --> 00:54:33.140
  • I'LL LEAVE YOU WITH THAT.
  • 00:54:33.140 --> 00:54:35.010
  • - FEEL BETTER ABOUT YOURSELF
  • 00:54:35.010 --> 00:54:37.150
  • AND WATCH SOMEBODY'S GOT TO DO
  • 00:54:37.150 --> 00:54:38.270
  • IT RIGHT HERE ON TBN.
  • 00:54:38.270 --> 00:54:39.290
  • SEE YOU NEXT TIME.
  • 00:54:39.290 --> 00:54:40.280
  • BYE-BYE.
  • 00:54:40.280 --> 00:54:41.170
  • [MUSIC]
  • 00:55:02.120 --> 00:55:02.260
  • .
  • 00:55:02.260 --> 00:55:04.120
  • - SOMEBODY'S GOT TO DO IT.
  • 00:55:04.120 --> 00:55:06.070
  • - IT'S WHAT YOU SAY WHEN YOU
  • 00:55:06.070 --> 00:55:08.210
  • LOOK AROUND AND YOU SEE SOMEBODY
  • 00:55:08.210 --> 00:55:10.200
  • DOING SOMETHING THAT'S GOT TO BE
  • 00:55:10.200 --> 00:55:12.040
  • DONE OR YOU FIND A PERSON WHO
  • 00:55:12.040 --> 00:55:14.260
  • SIMPLY IS SO PASSIONATE AND SO
  • 00:55:14.260 --> 00:55:17.070
  • PURPOSE DRIVEN THAT THEY HAVE NO
  • 00:55:17.070 --> 00:55:19.240
  • CHOICE BUT NOT TO DO IT.
  • 00:55:19.240 --> 00:55:21.270
  • [MUSIC]
  • 00:55:21.270 --> 00:55:23.160